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    Butterfield, Andrew

    Andrew Butterfield is President of Andrew Butterfield Fine Arts, LLC.

    Publications:

    ‘A Source for Michelangelo's National Gallery Entombment’,Mitteilungen des Kunsthistorischen Institutes in Florenz (1989)

    ‘Verrocchio's David’ in: S. Bule, ed.,Verrocchio and Late Quattrocento Italian Sculpture (1992)

    ‘Verrocchio's Christ and Saint Thomas: chronology, iconography and political context’, The Burlington Magazine (April 1992)

    ‘The Christ and St. Thomas of Andrea del Verrocchio’” in L. Dolcini, ed., Verrocchio's Christ and Saint Thomas: A Masterpiece of Sculpture from Renaissance Florence, exh. cat. (1992–93; Florence, Palazzo Vecchio and New York, The Metropolitan Museum of Art)

    ‘Documents for the Pulpits of San Lorenzo, Florence’, Mitteilungen des Kunsthistorischen Institutes in Florenz (1994)

    ‘Social Structure and the Typology of Funerary Monuments in Early Renaissance Florence’RES: Anthropology and Aesthetics (Autumn 1994)

    ‘New Evidence for the Iconography of David in Quattrocento Florence’ I Tatti Studies (1995)

    ‘The Equestrian Statue of Fra Leonardo da Prato and its Predecessors in Renaissance Venice’, The Save Venice Journal (1995)

    ‘Vincent van Gogh’s “Intérieur d’un restaurant”’, Christie’s Review of the Year 1996 (1996)

    ‘The Candelabrum by Andrea del Verrocchio’, Bulletin van het Rijksmuseum (1996)

    ‘Il monumento Forteguerri di Andrea del Verrocchio’ in: F. Falletti, ed., I Medici, il Verrocchio e Pistoia (1996)

    ‘The Funerary Monument of Cosimo de' Medici, Pater Patriae’ in: F. Ames-Lewis, ed., The Early Medici and Their Artists (1996)

    The Sculptures of Andrea del Verrocchio (1997)

    ‘A Gilt-Bronze Horse from Renaissance Florence’, Christie’s International Magazine (January/February 1997)

    ‘A documented episode in the history of renaissance “terracruda” sculpture’, The Burlington Magazine (1998; co-authored with D. Franklin)

    Masterpieces of Renaissance Sculpture, exh. cat. (1999; New York,Salander-O’Reilly Galleries)

    ‘Desiderio da Settignano’s Tabernacle of the Sacrament’, Mitteilungen des Kunsthistorischen Institutes in Florenz (1999; co-authored with C. Elam)

    ‘Monument and Memory in Early Renaissance Florence’ in: G. Ciappelli and P. Rubin, eds., Art, Memory and Family in Renaissance Florence (2000)

    Masterpieces of Renaissance Art, Eight Rediscoveries, exh. cat. (2001; New York,Salander-O’Reilly Galleries; co-authored with A, Radcliffe)

    Early Renaissance Reliefs, exh. cat. (2001; New York,Salander-O’Reilly Galleries)

    Vittoria and Tiepolo: The Giulio Contarini Bust and the Drawings It Inspired, exh. cat. (2001; New York,Salander-O’Reilly Galleries)

    ‘Contrast of Forms’ in: Michael Steiner, Sculpture 1999-2001, exh. cat. (October 2001; New York, Salander- O'Reilly Galleries)

    ‘Verrocchio and the Bronze Statuette’ in: D. Pincus, ed., Small Bronzes in the Renaissance (2001)

    ‘The Art of the Fugue: Recent Sculptures by Jedd Novatt’ in: Jedd Novatt: Sculpture, exh. cat. (May 2001; New York, Salander- O'Reilly Galleries)

    Bernini: The Modello for the Fountain of the Moor, exh. cat. (2002; New York,Salander-O’Reilly Galleries)

    Italian Sculpture from the Gothic to the Baroque, exh. cat. (2002; New York,Salander-O’Reilly Galleries; co-authored with A, Radcliffe)

    Bernini: The Last Portrait Bust, exh. cat. (2004; New York,Salander-O’Reilly Galleries)

    Italian Renaissance Sculpture, exh. cat. (2004; New York,Salander-O’Reilly Galleries)

    ‘Giammaria Mosca (?), Didone’ in: M.Ceriana, ed., Il Camerino di alabastro. Antonio Lombardo e la scultura all’antica, exh. cat. (2004; Milan, Castello di Ferrara)

    ‘“Equal to the Ancients”: Florentine Sculpture in the First Half of the Sixteenth Century’, in: Leonardo da Vinci, Michelangelo and the Renaissance in Florence, exh. cat. (2005; Ottawa, National Gallery of Canada)

    ‘Luca della Robbia the Younger (1475-1548), Adoring Angel’, in: Leonardo da Vinci, Michelangelo and the Renaissance in Florence, exh. cat. (2005; Ottawa, National Gallery of Canada)

    ‘Art and Innovation in Ghiberti’s Gates of Paradise’, in: G. Radke, ed., The Gates of Paradise, exh. cat (2007; Atlanta; The High Museum, Chicago, The Art Institute of Chicago and New York, The Metropolitan Museum of Art)

    Andrea del Verrocchio: The Head of a Gorgon (2008)

    Body and Soul: Masterpieces of Italian Renaissance and Baroque Sculpture, exh. cat. (2010; New York, Andrew Butterfield Fine Art) 

    Contribution
    12 articles
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    Butters, Suzanne B.

    Contribution
    2 articles
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    Butterworth, Annetta

    Contribution
    1 article
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    Buttery, David

    Contribution
    1 article
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    Buttlar, Adrian von

    Contribution
    2 articles
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    Button, Martin

    Contribution
    2 articles
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    Buttrey, T. V.

    Contribution
    1 article
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    Buvelot, Quentin

    Quentin Buvelot is is Senior Curator at the Mauritshuis, The Hague. 

    Publications:

    Rembrandt by Himself, exh. cat. (1999; The Hague, Mauritshuis; with Christopher White)

    Dutch Portraits: The Age of Rembrandt and Frans Hals (2007)

    Contribution
    21 articles
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    Byam Shaw, James (J. B. S)

    Contribution
    63 articles
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    Byers, Dan

    Contribution
    1 article