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    Canestro Chiovenda, Beatrice

    Contribution
    1 article
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    Cannon, Joanna

    Joanna Cannon is a Reader in History of Art at the Courtauld Institute of Art, London. 

    Contribution
    11 articles
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    Cannon-Brookes, Peter

    Contribution
    15 articles
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    Caporossi, Luisa

    Contribution
    1 article
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    Cappelletti, Francesca

    Francesca Cappelletti is Professor of Art History, University of Ferrara, and Director at Fondazione Ermitage Italia, Ferrara.

    Contribution
    5 articles
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    Cappock, Margarita

    Margarita Cappock is Deputy Director and Head of Collections at Dublin City Gallery The Hugh Lane.

    Contribution
    3 articles
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    Capron, Emma

    Contribution
    1 article
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    Capwell, Tobias

    Tobias Capwell is Curator of Arms and Armour at the Wallace Collection, London.

    Contribution
    1 article
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    Cardinal, Roger

    Roger Cardinal is a freelance art historian who has written on French Surrealism and the early avant-garde. 

    Publications:

    Surrealism: Permanent Revelation (1970; with R. S. Short)

    Outsider Art (1972),

    Expressionism (1984)

    The Landscape Vision of Paul Nash (1989)

    Henry Moore: In the Light of Greece (2000; with A. F. Bennet & E. Plessa)

    Marginalia: Perspectives on Outsider Art (2001; co-author)

    Kurt Schwitters (2011; G. Webster) 

    Contribution
    27 articles
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    Carl, Doris

    Doris Carl is an associate research scholar at the ­Kunsthistorisches Institut in Florence (Max-Planck-Institut) and is currently working on Giuliano da ­Sangallo and his family.

    Contribution
    3 articles
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    Carli, Enzo

    Contribution
    2 articles
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    Carline, Richard

    Contribution
    3 articles
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    Carmichael, Montgomery

    Contribution
    2 articles
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    Carnac, A.

    Contribution
    1 article
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    Carns, Paula Mae

    Paula Mae Carns teaches at the University of Illinois at Urbana-Champaign.

    Contribution
    1 article
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    Carr, Dawson W.

    Contribution
    2 articles
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    Carr, Dennis

    Contribution
    1 article
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    Carrier, David

    David Carrier is an independent art historian and co-author with Joachim Pissarro of Wild Art. 

    Publications:

    Truth and Falsity in Visual Images (l983; with M. Roskill)

    Artwriting (l987)

    Principles of Art History Writing (l991)

    Poussin's  Paintings: A Study in Art-Historical Methodology (l993)

    The Aesthete in the City: The Philosophy and Practice of American Abstract Painting in the 1980s (1994)

    Nicolas Poussin. Lettere sull'arte (1995; editor)

    High Art. Charles Baudelaire and the Origins of Modernism (1996)

    ‘Robert Mangold, Gray window wall (1964)’, The Burlington Magazine (December 1996)

    England and its Aesthetes: Biography and Taste (1997; editor)

    ‘Robert Ryman on the Origins of his art’, The Burlington Magazine (September 1997)

    Garner Tullis. The Life of Collaboration (1998)

    The Aesthetics of the Comic Strip (2000)

    Rosalind Krauss and American Philosophical Art Criticism: from Formalism to beyond Postmodernism (2002)

    Writing About Visual Art (2003)

    Sean Scully (2004)

    Museum Skepticism: A History of the Display of Art in Public Galleries (2006)

    A World Art History (2008)

    Proust/Warhol: Analytical Philosophy of Art (2008)

    Kant and Modernism (Forthcoming; with J. Pissarro)

    Abstract Art Since 1945 (Forthcoming)

    Art and Religion (Forthcoming; with B. Beckley and T. McEveilley)

    Contribution
    89 articles
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    Carritt, David

    Contribution
    6 articles
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    Carroll, Eugene A.

    Contribution
    2 articles
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    Carruthers, Annette

    Contribution
    2 articles
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    Carter, A. C. R.

    Contribution
    93 articles
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    Carter, B. A. R.

    Contribution
    3 articles
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    Carter, Harry

    Contribution
    1 article
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    Cartier, E. de

    Contribution
    1 article
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    Cartwright, Julia

    Contribution
    4 articles
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    Caruana, Martina

    Contribution
    1 article
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    Caruso, Carlo

    Contribution
    1 article
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    Cary, Roger

    Contribution
    5 articles
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    Casale, Vittorio

    Contribution
    1 article
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    Casini, Giovanni

    Contribution
    2 articles
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    Caso, Jacques de

    Contribution
    8 articles
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    Cassee, Elly

    Contribution
    1 article
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    Cassidy, Brendan

    Brendan Cassidy is Head of the School of Art His­tory at the University of St Andrews.

    Contribution
    13 articles
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    Cassidy-Welch, Megan

    Megan Cassidy-Welch is a lecturer in Medieval European History at the University of Melbourne.

    Contribution
    2 articles
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    Casson, Hugh

    Contribution
    4 articles
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    Casson, Stanley

    Contribution
    10 articles
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    Cast, David

    Contribution
    1 article
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    Castelfranchi Vegas, Liana

    Contribution
    2 articles
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    Castelnuovo, Enrico

    Contribution
    3 articles
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    Cataldi Gallo, Marzia

    Contribution
    1 article
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    Cate, P. Dennis

    Contribution
    1 article
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    Cather, Sharon

    Contribution
    1 article
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    Catling, Hector

    Contribution
    1 article
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    Caturla, María Luisa

    Contribution
    4 articles
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    Cauchi, John A.

    Contribution
    1 article
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    Caudill Dennison, Mariea

    Mariea Caudill Dennison specialises in early twentieth-century American painting and has published articles on Francis Picabia and Stuart Davis.

    Publications:

    ‘Automobile Parts and Accessories in Picabia’s Machinist Works of 1915–1917’, The Burlington Magazine (May 2001)

    ‘Babies for Suffrage: “The 1915 Exhibition and Sale of Works of Art by Women Painters and Sculptors for the Woman Suffrage Campaign”’, Woman’s Art Journal (Fall 2003)

    ‘Stuart Davis: Standard Brands and Product Identities in Some Paintings of the 1920s’, The Burlington Magazine (October 2003)

    ‘Summer Art Colonies in the American South, 1920–1940, Crossroads (2004)

    ‘Francis Picabia’s ‘Américaine’ from the July 1917 cover of 391’, The Burlington Magazine (September 2004)

    ‘The American Girls’ Club in Paris: The Propriety and Imprudence of Art Students, 1890–1914’, Woman’s Art Journal (Spring 2005)

    ‘John Sloan’s Saloon Etchings of 1916-1917’, Print Quarterly (Fall 2005)

    ‘McSorley’s: John Sloan’s Visual Commentary on Male Bonding, Prohibition, and the Working Class’, American Studies Journal (Summer 2006)

    ‘Stuart Davis’s Sources for ‘Egg Beater and Odol”’, The Burlington Magazine (July 2006)

    ‘Stuart Davis’s “Little Giant Still Life” and the “Champion” series’, The Burlington Magazine (September 2007)

    Contribution
    8 articles
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    Causey, Andrew

    Contribution
    11 articles
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    Cavalieri, Federico

    Contribution
    1 article
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    Cavalli-Björkman, Görel

    Contribution
    1 article