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    Paccagnini, Giovanni

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    Paccoud, Stéphane

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    Pace, Claire

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    Pace, Valentino

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    Pacelli, Vincenzo

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    Pacey, Philip

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    Pächt, Otto

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    Padiyar, Satish

    Satish Padiyar is Lecturer in Nineteenth-Century Art at the Courtauld Institute of Art, London. 

    Publications:

    `Sade/ David’, Art History (September 2000)

    `The Luminous Body’, Portfolio. The catalogue of contemporary photography in Britain (December 2000)

    The Triumph of Eros: Art and Seduction in 18th-century France (2006; D. Ozerkof)

    ‘Menacing Cupid in the Art of Rococo’ in: Padiyar and Ozerkof, The Triumph of Eros: Art and Seduction in 18th-century France (2006)

    Chains. David, Canova and the Fall of the Public Hero in Postrevolutionary France (2007)

    `Shadow of Agency: Derrida, Marx, David’ in: M. Beaumont, A. Hemingway, E. Leslie and J. Roberts, eds., As Radical as Reality Itself. Essays on Marxism and Art for the 21st Century (2007)

    ‘Dispossesed. On Late David’ in: M. Ledbury, ed., David after David. Essays on the Later Work (2007)

    `Who is Socrates? Desire and Subversion of Transcendence in J.-L. David’s Death of Socrates (1787)’, Representations (Spring 2008)

    ‘Interview’, Acne Paper (Spring 2009)

    ‘Madame Recamier’s Correspondence with Canova (1813–1819): Grace, Exile and Female Writing’ in: Lafont, Fend and Hyde, eds., La Littérature artistique feminine des Lumières au Second Empire (1750-1850 (2010)

    ‘Notes on Writing as Vertigo’, Art History (April 2011)

    ‘After Michelangelo: Structure, Surface, Sex’, review of David Getsy: Rodin. Sex and the Making of Modern Sculpture and Michael W. Cole, Ambitious Form. Giambologna, Ammanati, and Danti in Florence in Art History (June 2012)

     

     

     

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    Padovani, Serena

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    Pagani, Valeria

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