A-Z list of contributors.

Satish Padiyar is Lecturer in Nineteenth-Century Art at the Courtauld Institute of Art, London. 

Publications:

`Sade/ David’, Art History (September 2000)

`The Luminous Body’, Portfolio. The catalogue of contemporary photography in Britain (December 2000)

The Triumph of Eros: Art and Seduction in 18th-century France (2006; D. Ozerkof)

‘Menacing Cupid in the Art of Rococo’ in: Padiyar and Ozerkof, The Triumph of Eros: Art and Seduction in 18th-century France (2006)

Chains. David, Canova and the Fall of the Public Hero in Postrevolutionary France (2007)

`Shadow of Agency: Derrida, Marx, David’ in: M. Beaumont, A. Hemingway, E. Leslie and J. Roberts, eds., As Radical as Reality Itself. Essays on Marxism and Art for the 21st Century (2007)

‘Dispossesed. On Late David’ in: M. Ledbury, ed., David after David. Essays on the Later Work (2007)

`Who is Socrates? Desire and Subversion of Transcendence in J.-L. David’s Death of Socrates (1787)’, Representations (Spring 2008)

‘Interview’, Acne Paper (Spring 2009)

‘Madame Recamier’s Correspondence with Canova (1813–1819): Grace, Exile and Female Writing’ in: Lafont, Fend and Hyde, eds., La Littérature artistique feminine des Lumières au Second Empire (1750-1850 (2010)

‘Notes on Writing as Vertigo’, Art History (April 2011)

‘After Michelangelo: Structure, Surface, Sex’, review of David Getsy: Rodin. Sex and the Making of Modern Sculpture and Michael W. Cole, Ambitious Form. Giambologna, Ammanati, and Danti in Florence in Art History (June 2012)