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February 2016

Vol. 158 | No. 1355

Northern European art

Editorial

The new Europe 1600–1815 Galleries at the Victoria and Albert Museum

IN RECENT YEARS the Victoria and Albert Museum has experienced a Renaissance. Since its nadir in the early 1990s, the Museum has recovered its confidence and sparkle, manifest not only in its successful temporary exhibitions but also, more fundamentally, in its new permanent galleries, of which those devoted to Europe 1600–1815 opened before Christmas.

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Free review

Asia in Amsterdam

THE GRAND SHOW Asia in Amsterdam: The Culture of Luxury in the Golden Age was first shown at the Rijksmuseum, Amsterdam (closed 17th January), where this reviewer saw it, and thereafter moves to the Peabody Essex Museum, Salem (27th February to 5th June). Its main focus is luxury products made in Asia (chiefly China, India and Japan) that were imported and enjoyed by wealthy burghers of Amsterdam during the ‘Golden Age’ of the seventeenth century. Made of precious materials and adorned with intriguing exotic patterns no one had ever seen before, the Asian treasures caused a sensation in Holland.

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    A Netherlandish polyptych of Spanish origin

    By Vicente Lleó Cañal
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    ‘Foolish wisdom’: Adriaen van de Venne and Frans Hals’s ‘Pekelharing’

    By Edwin Buijsen
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    ‘The anointing of Solomon’ by Gerard de Lairesse discovered in the Cartwright Hall Art Gallery, Bradford

    By François Marandet
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    New light on a staircase of 1699–1700 in Museum Boijmans Van Beuningen, Rotterdam

    By Ada de Wit
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    Early arrivals in America: paintings attributed to Peter Paul Rubens and Anthony van Dyck

    By Dennis P. Weller
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    Cranach 2015

    By Bridget Heal
  • 201602-rembrandt-1

    The restorations of Rembrandt’s ‘Night watch’

    By Esther van Duijn,Jan Piet Filedt Kok
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    'The Four Winds': the house of the Antwerp print publisher Hieronymus Cock

    By Iain Buchanan