one contributor
Daniel R. Quiles is an Assistant Professor of Art History, Theory,
and Criticism at the School of the Art Institute of Chicago.
‘Burn Out My Identity: Destruction and Collectivity in Greco and Minujín’ in: G.R. Mantilla, ed., Beginning With A Bang! From Confrontation To Intimacy: An Exhibition of Argentine Contemporary Artists, exh. cat. (2007; Boston, Americas Society. Boston)
‘The Expiration of Painting: Yunsook Park’, in: Yunsook Park, exh.
cat. (2007; Seoul: Kwanhoon Gallery, 2007) ‘Deciding the Best of Given Choices’ in: A.J. Barlow and E. Diaz, eds., Carla
Herrera-Prats: Prep Materials: Art in General New Commissions Program Vol. XIX,
exh. cat. (2008; New York, Art in General) ‘Mixed Fortunes’ in: J. G. Fantoni, ed., Mariliana Arvelo: Mixed
Fortunes, exh. cat. (2009; Cambridge, MA, David Rockefeller Center for Latin American Studies, Harvard
University) ‘Contra-‘, Ramona (Summer 2010) ‘Response to Philip Derbyshire’s ‘Who Was Oscar Masotta?’’, Radical
Philosophy (Fall 2010) ‘Conrad Freiburg: Out of Time’ in: Conrad Freiburg: It Is What It
Isn’t, exh. cat. (2011; Chicago, Hyde Park Art Center) ‘Distress’ in: Dimensional Lines: Art + Dress, exh. cat. (2012; Chicago,
Evanston Art Center) ‘El doble vínculo del Arte de Sistemas’ in: Sistemas, Acciones y
Procesos en los Albores del Conceptualismo: Coloquio Internacional (Forthcoming)