Calendar

At West 22nd St., works by Robert Gober are on view from 23rd February to 21st April.

Works by Sigmar Polke, Roy Lichtenstein and Gerald Laing show the influence of the Ben-Day Dot technique on post-War painting.

At Lisson St., installations by Ryan Gander.

An exhibition of new sculptures by Pedro Reyes at Bell St.

Paintings from the 1980s and a monumental sculpture by A.R. Penck.

At West 24th St., work by Jeff Koons.

A solo show for Erik Parker.

A solo show for Carrie Moyer.

At East 79th St., abstract paintings from the late 1990s by Sue Williams.

New woodcuts by Christiane Baumgartner.

At West 24th St., a rare American Barbara Hepworth exhibition includes over 25 sculptures.  

The Gallery reopens with a survey of Andreas Gursky’s photography; 25th January to 22nd April.

Almost 60 Rodin sculptures acquired by the Museum in 1983 are on view.

A project by artist Andy Holden and his father, ornithologist Peter Holden, previously in London, is on view here (then in Leeds).

Zurbarán’s series of paintings of The sons of Jacob from Auckland Castle, previously in Dallas, are exhibited here following technical study at the Kimbell Museum of Art, Fort Worth.

A retrospective dedicated to the minor Californian painter E. Charlton Fortune (1885–1969).

Previously in New York, more than 150 master drawings from the Eugene Thaw Collection are on view here.

A centenary retrospective devoted to Nikolai Nikogossian is drawn chiefly from the sculptor’s family collection.

Previously in London and reviewed in the October issue, Soul of a Nation: Art in the Age of Black Power is on view here.

A series of works by Leonard Rosoman depicting John Osborne’s play A Patriot for Me (1965).

At West 21st St., drawings by Twombly.

Works by Fred Wilson conceived for last year’s Istanbul Biennial.

At Holland Park, a loan show of paintings from 1910 to 1937 from private collections, plus ceramics, by Vanessa Bell and Duncan Grant runs from 16th February to 28th April.

A solo exhibition by Lorna Simpson.

A solo exhibition of Matthew Day Jackson's work.

The first UK solo show of the Italian artist Corrado Cagli.

At Madison Ave., Cy Twombly’s ten-part painting Coronation of Sesostris (2000) is on view here.

A retrospective of almost 100 works by Georg Baselitz; 21st January to 29th April.

Works on paper by Georg Baselitz; 21st January to 29th April.

At the Kunstgewerbemuseum, a display tracing the development of the museum marks its 150th anniversary; to 29th April.

Power and Grace: Drawings by Rubens, Van Dyck, and Jordaens includes works from the Morgan and select local collections; 19th January to 29th April.

Mirrors in art since the 1960s from the collection.

Virginia Woolf’s writings provide the starting point of an exhibition exploring public and private space, landscape and identity through a feminist lens; 10th February to 29th April.

An exhibition explores how time was measured and conceptualised in the Middle Ages through illuminated manuscripts from the collection.

Modern still lifes, from Cézanne to O’Keeffe, from the Phillips Collections, Washington.

Previously in Bourg-en-Bresse, the first exhibition devoted to the paintings of Georges Michel (1763–1843) since 1988 is on view here.

Portrait miniatures from the collection.

Paintings by Ian Stephenson (1934–2000).

Over 40 works by Austrian artists who emigrated to Britain at the time of the Anschluss.

The Swiss architect and designer team Trix & Robert Haussmann are the subjects of an exhibition here.

A Sheila Hicks exhibition runs from 7th February to 30th April.

The arts space has reopened following a major extension of its premises with a group exhibition including works by Andreas Gursky, Andrea Zittel and others.

A retrospective of Marino Marini’s sculpture, previously in Pistoia and reviewed in the December issue.

A solo exhibition devoted to Sofia Hultén, previously in Birmingham.

Paintings by William Coldstream.

Per Kirkeby: Paintings and Bronzes from the 1980s.

Romanticism in the North from Friedrich to Turner runs from 9th December to 6th May.

A group exhibition runs from 20th January to 6th May.

British photographer Edmund Clark’s first exhibition in the United States.

A group exhibition featuring thirty artists asks how contemporary art is affected and distorted through its display and interpretation.

An exploration of the work and ideas of the exhibition maker Harald Szeemann.

Napoleon: Art and Court Life in the Imperial Palace includes over 400 works of fine and decorative art drawn largely from French palaces (then in Richmond, Kansas City and Fontainebleau).

An exhibition previously in Bern illustrates Klee’s impact on 10 mid-century American painters.

An exhibition devoted to artistic processes includes numerous works on paper from the Royal Collection of Graphic Art.

A preview of the public art commissioned for the Crossrail Art Programme, due to be unveiled at the end of the year, includes maquettes, sketches and other materials; 13th March to 6th May.

The redeveloped gallery plays host to an exhibition grouping modernism from the collection with contemporary works under the banner of political action.

A general overview of nineteenth-century French art.

The emigration of French artists including Monet, Pissarro, James Tissot and Alphonse Legros to London during the Franco-Prussian war is studied here.

David Milne: Modern Painting is the second retrospective devoted to a twentieth-century Canadian artist at the Gallery in the last five years.

Over 100 works are employed to provide different perspectives on T.S. Eliot’s The Waste Land.

Late 19th-century French art from the E.G. Bührle Foundation, previously in Lausanne; 14th February to 7th May (then in Zürich).

A David Goldblatt retrospective incorporates some two hundred photographs; 21st February to 7th May.

Portuguese modernism is reexamined through the eyes of writer Fernando Pessoa.

A small display brings together works by the collection produced or owned by Sir Joshua Reynolds.

A survey devoted to Danh Vo.

René Magritte’s word-pictures of the late 1920s.

At Mason’s Yard, installations from the 1970s and 1980s by Pier Paolo Calzolari.

An exhibition explores the Royal Collection’s development and purposes under Charles II; 8th December to 13th May.

A survey of late nineteenth- and early twentieth-century Russian art includes over 70 works from the State Russian Museum, St Petersburg.

Installations by the artist, explorer and activist Mark Dion.

Scottish Colourists from the Fleming Collection; 16th February to 13th May.

Thomas Cole’s work is reexamined through the lens of transatlantic cultural exchange in the nineteenth century.

More than 180 Chinese bronzes drawn from the Palace Museum in Beijing, the Shanghai Museum and American public and private collections; 25th February to 13th May.

Previously in Portland, ME, an exhibition examines the influence of William Zorach, Elie Nadelman, Gaston Lachaise and Robert Laurent on interwar American sculpture; 17th February to 13th May.

A retrospective devoted to Jasper Johns, previously in London and reviewed in the December issue, includes over 150 works from the 1950s to the present.

Paintings by female artists of late 19th-century Paris, previously in Denver, are on view from 17th February to 13th May (then in Williamstown).

Over 40 works from throughout the career of Faith Ringgold; 18th February to 13th May.

Works by Kerry James Marshall, Robert Colescott and Mickalene Thomas are united here as exemplars of contemporary American history painting; 15th February to 13th May.

More than 300 works show how the course of American Modernism was changed by outsider art. 

20 of the few known works by the Estonian Renaissance painter Michel Sittow are on view here.

Over 50 paintings and studies produced by Frederic Church during and following his travels in Europe, previously in Detroit, are on view here (then in Hartford). 

Photographs by Brassaï; 19th February to 13th May.

Around twenty of Jan Steen’s Biblical, mythological and history paintings are on view from 13th February to 13th May.

The intersecting interests and means of representation embraced by Picasso and Federico Fellini are studied here; 13th February to 13th May.

Previously in Amsterdam, an exploration of Dutch artists in Paris from Gerard van Spaendonck to Mondrian.

A large-scale wire installation by Lygia Pape is on view here.

Viennese watercolours of the Biedermeier period; 16th February to 13th May.

An exhibition in collaboration with the Michaux Archives, Paris, includes some 230 works by the artist.

Susan Philipsz’s Study for Strings, first shown at Documenta XIII.

Prints by Marino Marini; 19th March to 18th May.

At George St. and Wharf Rd. a group exhibition of modern and contemporary women artists who have contributed to the development of abstract painting, from Liubov Popova to Jessica Warboys.

An overview of work by the Dutch street photographer Ed van der Elsken, previously in Amsterdam and Paris, runs from 23rd January to 20th May.

German Expressionist prints and drawings; 14th January to 20th May.

Over 150 photographs by Peter Hujar, previously in Madrid, are on view here.

A Fra Angelico exhibition sees The Dormition and Assumption of the Virgin (1424–34), from the Museum’s collection, reunited with its companion reliquaries from the Museo di San Marco, Florence; 22nd February to 20th May.

Previously in Los Angeles and Minneapolis, and reviewed in the October issue, an exhibition of 18th-century view painting runs from 25th February to 20th May.

Previously in Cambridge, Degas: A Passion for Perfection explores the Fitzwilliam Museum’s extensive holdings of the artist’s work alongside John Maynard Keynes’s collection from King’s College and international loans; 11th February to 20th May.

An Odilon Redon exhibition, drawn chiefly from the Musée d’Orsay, Paris, is on view here.

Previously in Madrid, William Morris and the Arts & Crafts in Great Britain runs from 22nd February to 20th May.

A retrospective devoted to Raoul Hausmann.

Some 200 works by Jean Fautrier form a comprehensive survey of his art.

A retrospective devoted to the Hungarian-born French artist Nicolas Schöffer runs from 22nd February to 20th May.

Victorian Giants; The Birth of Art Photography studies the work of Lewis Carroll, Julia Margaret Cameron, Oscar Rejlander and Clementina Hawarden.

A solo exhibition by the American artist Sondra Perry.

Two digital simulations by Ian Cheng.

The Japanese shin-hanga artist Itō Shinsui is paired with Miró here.

Previously in Worcester, an exhibition shows Winslow Homer alongside the English artists who influenced him.

Maeve Brennan’s film The Drift, previously in Bristol and Manchester and reviewed in the June issue, is on view here from 14th April to 20th May.

Paintings collected by the Italian scholar Giuseppe Tucci during his expeditions to Tibet in the mid-twentieth century.

An exhibition dedicated to Ike no Taiga (1723–76), leader of the style known as Nanga, or ‘Southern Painting’.

The Italian avant-garde painter Gino Rossi (1884–1947) is examined alongside his contemporaries.

The impact of Japan’s global trade in lacquers, porcelain and textiles on its art during the sixteenth and seventeenth centuries is the subject of an exhibition; 23rd February to 21st May.

An exhibition previously in Vienna examines Rubens’s use of Classical and Renaissance sources.

Pastels from the sixteenth to the twenty-first centuries from Swiss collections.

The two known self-portraits of Murillo, one belonging to the Gallery and the other recently acquired by the Frick Collection, New York, form the centre of a small exhibition previously in New York.

Works by Karen Kilimnik.

Jongkind and Friends explores the painter’s relationships with artists of his own generation and the Impressionists; to be reviewed.

A large presentation of well-known and newly-discovered outsider artists, co-produced with Lille Métropole Musée d’art moderne, runs from 21st January to 27th May.

Late nineteenth- and early twentieth-century American etchings illustrate the widespread influence of Whistler.

A condensed survey of Leon Golub’s paintings and works on paper.

The fourth New Museum Triennial is on view from 13th February to 27th May.

Previously in New York and Los Angeles, We Wanted a Revolution: Black Radical Women 1965–85 is on view from 17th February to 27th May (then in Boston).

The mysteries behind the execution and iconography of The Paston Treasure (c.1663) is explored here; 15th February to 27th May (then in Norwich).

An exhibition explores design in California since the digital revolution.

An exhibition previously in London explores the relationship between Dalí and Duchamp through their art, correspondence and collaborations.

Some 70 works of Spanish Golden Age painting from the Museo del Prado, Madrid; 24th February to 27th May.

An overview of Spanish still life painting from the seventeenth century to the present includes numerous international loans; 23rd February to 27th May.  

A Jean-Michel Basquiat retrospective, previously in London and reviewed in the December issue, studies the artist’s use of sources in music, text, film and television; 16th February to 27th May.

Over 150 examples of Picasso’s post-War ceramics.

A loans exhibition reexamines Joaquín Sorolla’s œuvre as a chronicle of fashion; 13th February to 27th May.

 An exhibition devoted to the Czech-Dutch painter Thomas Rajlich (b.1940).

A site-specific installation by the Brazilian artist Cinthia Marcelle.

An overview of contemporary activist art includes work by Phyllida Barlow, Sam Durant and others; 21st March to 27th May.

Previously in Washington, Seattle and Los Angeles, Yayoi Kusama: Infinity Mirrors is now on view here (then in Cleveland).

Representations of counter-cultures in photography from the 1950s to the present.

Photographs of anonymous or lesser-known subjects by Andy Warhol.

The first German retrospective devoted to Thomas Gainsborough includes 40 paintings and 40 works on paper.

The life of Giacomo Casanova provides a route through the visual cultures of 18th-century Europe; previously in Fort Worth (then in Boston).

Age of Terror: Art since 9/11.

A survey of Stephen Shore’s photography runs from 19th November to 28th May.

Valentines from the eighteenth to the twentieth century from the collection occupy the centre of an exhibition devoted to love.

A major retrospective devoted to Sean Scully.

Previously in Chichester, a survey of David Bomberg’s art runs from 17th February to 28th May.

Illuminated manuscripts from the collection of Sandra Hindman.

50 works by M.C. Escher from public and private collections.

The Roman Empire is studied here through some 200 objects from the British Museum; 23rd February to 28th May.

Tacita Dean curates an exhibition of historical and contemporary still lifes; 15th March to 28th May.

Portraits by Tacita Dean comprise the gallery’s first exhibition devoted to film; from 15th March to 28th May.

A large loans exhibition devoted to the luxury arts of the Incas, the Aztecs and earlier civilisations of the Americas.

Before the Fall: German and Austrian Art of the 1930s.

The impact of life and landscape in the American South on the photographs of Sally Mann is measured here (then in Salem, Los Angeles, Houston, Paris and Atlanta).

25 paintings by the American artist John Copeland.

A recent series of paintings by Rachel Howard.

A John Stezaker exhibition marks the gift of nineteen collages by the artist to the gallery by Karsten Schubert.

Graphic work by Toulouse-Lautrec.

Georgian theatrical portraits collected by William Somerset Maugham.

An Arts Council exhibition, previously in Yorkshire, Nottingham and Warwick and reviewed in the August issue, examines the role of colour and sequence in British art of the 1960s; 24th February to 3rd June.

New light installations by Anthony McCall are on view from 16th February to 3rd June.

A retrospective devoted to the Brazilian artist Tarsila do Amaral (1886–1973), previously in Chicago, runs from 11th February to 3rd June.

Art produced in Germany between 1943 and 1955, including international loans, is on view here.

Previously in St Petersburg, an Eduardo Chillida survey drawn from the Museo Chillida–Leku is on view here.

At the Museum für Fotografie, the architectural photography of Sigrid Neubert.

A concentrated study of Klee’s activity during the years of the First World War.

A major survey of Fernand Léger’s art (then in Metz).

Frida Kahlo: Beyond the Myth includes numerous international loans from Mexico and the United States.

Works from the Cecil French bequest of Pre-Raphaelite paintings and drawings, belonging to Fulham and Hammersmith Council, are on view here.

Paintings and drawings by Lee Lozano from the 1960s and 1970s.

Portraits by artists from Cranach to Manet are used as a lens to examine changing fashions and their representation.

Over 70 sculptures and works on paper by Rodin.

A survey devoted to the Indian street photographer Raghubir Singh, previously in New York.

A solo exhibition for the Japanese-born, Britain-based artist Rie Nakajima.

Prints, manuscripts and miniatures produced by the fifteenth-century Bruges luxury book manufacturer Colard Mansion.

Thomas Chippendale: a celebration of craftsmanship and design, 1718–2018 includes original drawings, documents and pieces of his furniture on public view for the first time.

The first of a two-part exhibition of works by Royal Academicians from the collection, staged to celebrate the institution’s 250th anniversary. 

A survey of Emil Nolde’s paintings, drawings and prints runs from 14th February to 10th June.

Paintings by the modern Belgian artist Jean Brusselmans (1884–1953); 17th February to 10th June.

A thematic exhibition devoted to the Spanish performance artist Esther Ferrer runs from 16th March to 10th June.

Representations of the human psyche in Italian art, from Previata to Boccioni.

International loans comprise a survey of Paul Klee’s art.

Female artists who worked in the background of the Futurist movement.

Max Beckmann’s fascination with the theatre and the circus is studied in an exhibition previously in Bremen.

A Grant Wood retrospective.

An overview of Zoe Leonard’s sculpture and photography (then in Los Angeles).

Some 40 works, by Michelangelo, Titian and others, created or commissioned under the papacy of Pope Paul III from the Museo e Real Bosco di Capodimonte, Naples; 11th March to 10th June.

Paul Maheke’s large-scale installation Mbu (2017), first shown at Tate Modern, is on view here.

New work by the British artist duo Ben Langlands and Nikki Bell.

Previously in Eastbourne and Sheffield, works by Eric Ravilious and his contemporaries in Essex, Sussex and London.

A survey of the CoBrA group.

An ARTIST ROOMS exhibition devoted to Diane Arbus runs from 17th March to 11th June.

At venues across the city, the 21st Biennale of Sydney runs from 16th March to 11th June.

An exhibition studies representations of the American family through photography since the nineteenth century.

The history of ocean liners provides a window into the development of twentieth-century design.

The donation of over 100 works by Cedric Morris, previously part of the artist’s own collection, occasions an exhibition on view from 10th February to 17th June.

An exhibition retells the history of Emilia-Romagna through archaeological findings dating from late antiquity to the thirteenth century; 17th February to 17th June.

A survey of British studio pottery over the last century, previously in New Haven, runs from 20th March to 17th June.

An exhibition explores the Romantic Sublime in contemporary art; 23rd March to 17th June.

The art handler Ken Simons, employed by the museum since its opening thirty years ago, selects works from the collection.

Previously in Birmingham, an exhibition of Käthe Kollwitz’s self-portraits and portraits of working women (then in Hull and London).

In the Longside Gallery, self-portraiture in British art since the 1990s.

Here and at sites across the city, the 2018 edition of Fotografia Europea runs from 20th April to 17th June.

Italian Renaissance and Baroque art from the collection of the Corsini family of Florence, previously in Auckland; 24th February to 18th June.

The Centre’s annual exhibition is devoted to the School of Paris painter and writer Alberto Savinio.

Picasso’s collaborations with the Ballet Russes are the focus of an exhibition; 16th February to 24th June.

A broad retrospective of Man Ray’s œuvre runs from 14th February to 24th June.

Watercolours commissioned to mark Queen Victoria’s visit to Paris in 1855, previously in Compton Verney, Exeter and Cheltenham, are on view here from 24th March to 24th June.

An exhibition on Van Gogh and Japonisme; 23rd March to 24th June.

Albrecht Dürer and the Renaissance between Germany and Italy traces the links between Dürer and such contemporary masters as Cranach, Giogione and Lorenzo Lotto.

A group show of contemporary art from the collection.

Previously in Cambridge, MA, Artefacts amassed by Harvard College are united with works by the artists who studied them.

Works by Linder are shown alongside almost 200 works made between the seventeenth century and the present, selected by the artist.

Early paintings produced by Max Liebermann during summers in the Netherlands are set alongside contemporary paintings by the Hague School.

France Viewed from the Grand Siècle: Drawings by Israël Silvestre (1621–91) runs from 15th March to 25th June.

A major survey of interwar Italian culture.

An overview of Italian painting between the Sack of Rome and the death of Caravaggio.

The Museum’s The Human Condition (1935) by René Magritte, previously on tour and discovered to have been painted over a fragment of a larger work by the artist thought to be lost, is the focus of a display.

The ceramic artist Matt Smith curates an exhibition of Parian porcelain busts from the Museum’s Glynn collection.

The origins of Tintoretto are studied here through works from the first fifteen years of his career.

Contemporary Hyperrealist sculpture.

Previously in Paris and London, a survey of Cézanne’s portraits, reviewed in the February issue, runs from 25th March to 1st July.

A survey of Irving Penn’s photography, previously in New York and Paris and reviewed in the September issue (then in São Paulo).

The modern French architect Georges-Henri Pingusson (1894–1978) is the subject of an exhibition on view from 16th February to 2nd July.

Works by major contemporary artists are re-envisioned here according to Ruskin’s ideas of nature and landscape; 17th April to 7th July.

A Frank Stella retrospective features some 300 works; 12th November to 8th July.

A loans exhibition dedicated to Corot’s figure paintings and studies is on view here.

Previously in Munich, a retrospective of Frank Bowling’s paintings runs from 24th March to 8th July.

Jacopo Ligozzi’s illustrations for the Descrizione del Sacro Monte della Vernia (1612) are accompanied by other works from the collection employing Franciscan subject matter.

Works by Mat Collishaw; 11th April to 8th July.

A survey of Arte Povera.

An exhibition studies the life and work of the architect Jacques-François-Blondel (1705–74), who comprehensively redesigned the centre of Metz in the last decade of his life; 12th April to 13th July.

Room 5 hosts an exhibition examining the friendship between the modern Greek painter Nikos Ghika, John Craxton, and Patrick Leigh Fermor while living in post-War Greece.

Paintings and prints by the realist artist, historian and ethnographer Vasily Vereschagin (1842–1904).

David Bowie Is, touring internationally since 2013, is now on view here.

Landscapes made by Cedric Morris during his travels are on view from 18th April to 15th July.

Recent archaeological findings from the ancient Mexican city of Teotihuacan.

At the Alte Nationalgalerie, the acquisition of an architectural painting by Leo von Klenze previously in the collection of the Prussian Egyptologist Karl Richard Lepsius occasions an exhibition devoted to exchanges between art and science in nineteenth-century Europe; to 15th July.

Symbolist painting from the Baltic states.

Conceptions and representations of the underworld in Asian art throughout history.

Paintings and pastels by Giovanni Boldini and his contemporaries.

An exhibition sees Chagall, Lissitzky and Malevich in the context of the Vitebsk School.

Over 50 works by the nineteenth-century French painter and illustrator Luc-Olivier Merson.

Loans from the Metropolitan Museum of Art, the Terra collection and other international institutions furnish an exhibition of early twentieth-century American modernism; 23rd March to 22nd July.

Birth of a Nation. Italian Art from the Postwar Reconstruction to 1968 takes in the development of Italian Pop, Conceptualism, abstraction and Arte Povera in around 70 works; 16th March to 22nd July.

A survey of realist figure sculpture from Donatello to Duane Hanson focuses especially on the use of colour; 21st March to 22nd July.

Cedric Morris’s horticultural work; 18th April to 22nd July (see also Philip Mould and Sudbury).

Previously in Los Angeles and reviewed in the December issue, Radical Women: Latin American Art 1960–85 runs from 13th April to 22nd July.

Previously in Mexico City and Los Angeles, a major exhibition of 18th-century Mexican painting runs from 24th April to 22nd July; to be reviewed.

Some 290 works form a survey of Adrian Piper’s art (then in Los Angeles).

Previously in Shanghai, masterpieces of seventeenth-century Dutch painting from the Leiden Collection (then in St Petersburg).

Rodin and Dance, previously in London and reviewed in the June issue, is on view here.

A Mary Cassatt retrospective.

An international loans exhibition of paintings, drawings, jewelry, carpets, weapons and ceremonial dress from the Iranian Qajar dynasty (1786–1925).

A landmark Delacroix retrospective, the first in Paris since 1963 (then in New York).

The practice of using multiple sheets of paper in creating large-scale pastel drawings is examined here; 16th January to 29th July.

An overview of the impact of Goethe’s Faust on the arts runs from 23rd February to 29th July.

An exhibition devoted to the history and conception of Picasso’s Guernica (without the painting itself) runs from 27th March to 29th July.

An exhibition examines the impacts of horticulture and the growth of green public spaces in the Second Empire on the parks and gardens depicted by nineteenth-century French artists; 12th March and 29th July.

Rodin and the art of ancient Greece places sculptures from the Musée Rodin alongside the Parthenon marbles and other classical fragments; 26th April to 29th July.

Monet’s career is re-examined here through the buildings he painted.

An international loans exhibition reconstructs the experiences of visitors to Versailles between the reigns of Louis XIV and Louis XVI, with a focus on the fine and decorative art they would have encountered; 16th April to 29th July.

David Hockney: 82 Portraits and 1 Still-Life, previously in London, Melbourne, Venice and Bilbao, and reviewed in the September 2016 issue, is on view here from 15th April to 29th July.

Work by the Russian conceptual artists Ilya and Emilia Kabakov, previously in London, is on view here from 21st April to 29th July.

Some 300 paintings, drawings, engravings and documents by František Kupka illustrate his development towards abstraction; 21st March to 30th July.

A major Joan Jonas retrospective runs from 14th March to 5th August (then in Munich).

A Sean Scully retrospective runs from 24th March to 5th August (then in Münster).

The first retrospective of Marc Camille Chaimowicz’s work in the United States runs from 16th March to 5th August.

Fabric sculptures by Do Ho Suh.

The William A. Clark collection of maiolica, previously part of the Corcoran Gallery of Art, is the basis of an exhibition here.

Over 80 oil sketches by Rubens (then in Rotterdam).

Paintings on slate and white marble by Titian, Sebastiano del Piombo and the Bassanos from the collection; 17th April to 5th August.

Previously in Houston, sculptures and installations by Mona Hatoum.

A comprehensive survey of Günter Brus’s work.

Sculptures by Alison Wilding.

Art from the former Soviet Republics in the museum’s collection.

A survey of American Precisionism runs from 24th March to 12th August.

A Paula Modersohn-Becker retrospective (then in Wuppertal).

An exhibition celebrates the 150th anniversary of Charles Rennie Mackintosh’s birth examines his role in the development of the ‘Glasgow Style’.

The 2018 edition of MoMA’s New Photography exhibition series runs from 18th March to 19th August.

Peacock in the Desert: The Royal Arts of Jodhpur, India illustrates the considerable legacy of the Rathore dynasty.

A James Rosenquist retrospective, previously in Cologne, runs from 14th April to 19th August.

The museum and Kunstmuseum Bern have combined their collections of work by Ferdinand Hodler for a large-scale survey of his work; 20th April to 19th August (then in Bern).

The work of forty artist couples of the late nineteenth to the early twentieth century, from Rodin and Camille Claudel to Charles and Ray Eames, are on view here from 28th April to 20th August (then in London).

An exhibition studies the impact of the acquisition of one of Monet’s Water lilies by Alfred H. Barr, Jr., in 1955 on American abstraction; 13th April to 20th August.

The most comprehensive survey of Bruce Nauman’s career to date incorporates the collections of the Emanual Hoffmann Foundation, held at the Schaulager, and MoMA; 17th March to 26th August (then in New York).

Works by William Kentridge have been installed by the artist alongside sculptures from the collections; 22nd March to 26th August.

New works by Rodney McMillian.

Sculptures, installations, drawings and performance work by Jason Moran; 26th April to 26th August.

A new site-specific project by Carsten Höller and the plant neurobiologist Stefano Mancuso is on view from 19th April to 26th August.

The Italian landscape, as seen through the lens of the Macchiaioli and Symbolists; 21st April to 26th August.

A survey of modern British figurative painting, from Sickert to Freud, Bacon, Auerbach and Rego.

The Centre celebrates its fortieth anniversary with an exploration of post-War architecture, with its own Norman Foster-designed building as the exhibition’s centrepiece; 24th March to 2nd September.

Impressionism and Modernism from the Philadelphia Museum of Art.

Otobong Nkanga’s first American museum retrospective.

The Berthouville treasure of Roman silver from the Bibliothèque nationale, Paris, is accompanied by other luxury artefacts of the Roman empire here.

A survey devoted to the important Colombian painter Beatriz González (b.1938), previously in Bordeaux (then in Berlin).

A survey of Miró’s sculpture.

A solo exhibition devoted to the sculptor Julia Phillips runs from 15th April to 3rd September.

Some 100 photographs by Brassaï, Diane Arbus and Nan Goldin.

Pollock’s Number 1, 1949 (1949) is undergoing public conservation treatment at the Museum, and is displayed alongside other works by the artist from the collection.

More than 100 paintings, sculptures and drawings produced by Picasso in 1932, the year of his first retrospective, at Galeries Georges Petit.

The interdisciplinary legacies of Miriam Schapiro (1923–2015) in the fields of art and craft are examined here.

Loans from national and regional archaeological museums make up a survey of ancient Egyptian culture.

An exhibition examines the history behind Diane Arbus’s late portfolio A box of ten photographs (1969–71), which was critical to the posthumous reception of her work.

Objects from the estate of Otto Wagner are combined with the Museum’s holdings in the first major exhibition on the architect in fifty years; 15th March to 7th October.

Wagner, Hoffmann, Loos and Furniture design in Viennese Modernism. Artists, Patrons and Producers.

Ten of the Terracotta Warriors and some 170 other objects discovered in the famous excavation, loaned from collections across Shaanxi Province, are on view here.

A survey of Art Nouveau in the Netherlands runs from 21st April to 28th October.

The centenary of Egon Schiele’s death occasions an exhibition focused on the Expressionist-era works in the Museum’s collection; 23rd February to 4th November.

Seven frescoes by Giandomenico Tiepolo in private collections are on public view here for the first time.

An exhibition explores the ways in which fashion has drawn from the aesthetics, processes and materials of the natural world; 21st April to 27th January.

The project for the ‘People’s Parliament of Rojava’, designed by Jonas Staal for the autonomous government in northern Syria, is reconstructed here through documentation and events.