Calendar

A Mary Cassatt retrospective.

An international loans exhibition of paintings, drawings, jewelry, carpets, weapons and ceremonial dress from the Iranian Qajar dynasty (1786–1925).

A landmark Delacroix retrospective, the first in Paris since 1963 (then in New York).

The practice of using multiple sheets of paper in creating large-scale pastel drawings is examined here; 16th January to 29th July.

An overview of the impact of Goethe’s Faust on the arts runs from 23rd February to 29th July.

An exhibition devoted to the history and conception of Picasso’s Guernica (without the painting itself) runs from 27th March to 29th July.

An exhibition examines the impacts of horticulture and the growth of green public spaces in the Second Empire on the parks and gardens depicted by nineteenth-century French artists; 12th March and 29th July.

Rodin and the art of ancient Greece places sculptures from the Musée Rodin alongside the Parthenon marbles and other classical fragments; 26th April to 29th July.

Monet’s career is re-examined here through the buildings he painted.

An international loans exhibition reconstructs the experiences of visitors to Versailles between the reigns of Louis XIV and Louis XVI, with a focus on the fine and decorative art they would have encountered; 16th April to 29th July.

David Hockney: 82 Portraits and 1 Still-Life, previously in London, Melbourne, Venice and Bilbao, and reviewed in the September 2016 issue, is on view here from 15th April to 29th July.

Work by the Russian conceptual artists Ilya and Emilia Kabakov, previously in London, is on view here from 21st April to 29th July.

Some 300 paintings, drawings, engravings and documents by František Kupka illustrate his development towards abstraction; 21st March to 30th July.

A major Joan Jonas retrospective runs from 14th March to 5th August (then in Munich).

A Sean Scully retrospective runs from 24th March to 5th August (then in Münster).

The first retrospective of Marc Camille Chaimowicz’s work in the United States runs from 16th March to 5th August.

Fabric sculptures by Do Ho Suh.

The William A. Clark collection of maiolica, previously part of the Corcoran Gallery of Art, is the basis of an exhibition here.

Over 80 oil sketches by Rubens (then in Rotterdam).

Paintings on slate and white marble by Titian, Sebastiano del Piombo and the Bassanos from the collection; 17th April to 5th August.

Previously in Houston, sculptures and installations by Mona Hatoum.

A comprehensive survey of Günter Brus’s work.

Sculptures by Alison Wilding.

Art from the former Soviet Republics in the museum’s collection.

A survey of American Precisionism runs from 24th March to 12th August.

A Paula Modersohn-Becker retrospective (then in Wuppertal).

Works on the theme of landscape, including a new 35mm film, by Tacita Dean; reviewed in the August issue.

An exhibition celebrates the 150th anniversary of Charles Rennie Mackintosh’s birth examines his role in the development of the ‘Glasgow Style’.

The 2018 edition of MoMA’s New Photography exhibition series runs from 18th March to 19th August.

Peacock in the Desert: The Royal Arts of Jodhpur, India illustrates the considerable legacy of the Rathore dynasty.

A James Rosenquist retrospective, previously in Cologne, runs from 14th April to 19th August.

The museum and Kunstmuseum Bern have combined their collections of work by Ferdinand Hodler for a large-scale survey of his work; 20th April to 19th August (then in Bern).

The history of the Academy and the art exhibited there in its annual Summer Exhibitions since 1769 is retold here; reviewed in the August issue.

The work of forty artist couples of the late nineteenth to the early twentieth century, from Rodin and Camille Claudel to Charles and Ray Eames, are on view here from 28th April to 20th August (then in London).

An exhibition studies the impact of the acquisition of one of Monet’s Water lilies by Alfred H. Barr, Jr., in 1955 on American abstraction; 13th April to 20th August.

The most comprehensive survey of Bruce Nauman’s career to date incorporates the collections of the Emanual Hoffmann Foundation, held at the Schaulager, and MoMA; 17th March to 26th August (then in New York).

Works by William Kentridge have been installed by the artist alongside sculptures from the collections; 22nd March to 26th August.

New works by Rodney McMillian.

Sculptures, installations, drawings and performance work by Jason Moran; 26th April to 26th August.

A new site-specific project by Carsten Höller and the plant neurobiologist Stefano Mancuso is on view from 19th April to 26th August.

The Italian landscape, as seen through the lens of the Macchiaioli and Symbolists; 21st April to 26th August.

A survey of modern British figurative painting, from Sickert to Freud, Bacon, Auerbach and Rego.

Drawings, models and replicas for early architectural projects by Terry Farrell, Piers Gough, Jeremy Dixon and others are on view here; reviewed in the August issue.

A small exhibition of new and recent paintings and drawings by the South Africa-born, London-based artist Lisa Brice; reviewed in the August issue.

The Centre celebrates its fortieth anniversary with an exploration of post-War architecture, with its own Norman Foster-designed building as the exhibition’s centrepiece; 24th March to 2nd September.

Impressionism and Modernism from the Philadelphia Museum of Art.

Otobong Nkanga’s first American museum retrospective.

The Berthouville treasure of Roman silver from the Bibliothèque nationale, Paris, is accompanied by other luxury artefacts of the Roman empire here.

A survey devoted to the important Colombian painter Beatriz González (b.1938), previously in Bordeaux (then in Berlin).

A survey of Miró’s sculpture.

The first retrospected devoted to Brussels-based painter Michaelina Wautier (1604–89) is on view here; reviewed in the August issue.

New works by Chantal Joffe; reviewed in the August issue.

Previously in Montreal, Napoleon: Power and Splendor includes over 400 works of fine and decorative art drawn largely from French palaces (then in Kansas City and Fontainebleau); reviewed in the August issue.

A solo exhibition devoted to the sculptor Julia Phillips runs from 15th April to 3rd September.

Some 100 photographs by Brassaï, Diane Arbus and Nan Goldin.

Pollock’s Number 1, 1949 (1949) is undergoing public conservation treatment at the Museum, and is displayed alongside other works by the artist from the collection.

More than 100 paintings, sculptures and drawings produced by Picasso in 1932, the year of his first retrospective, at Galeries Georges Petit.

The interdisciplinary legacies of Miriam Schapiro (1923–2015) in the fields of art and craft are examined here.

Loans from national and regional archaeological museums make up a survey of ancient Egyptian culture.

Some 1000 objects from the Museum's holdings and international collections are used to illustrate the history of porcelain production in Vienna after the city's manufactory opened in 1718; reviewed in the August issue (see also Vienna, Augarten Porcelain Museum).

An exhibition examines the history behind Diane Arbus’s late portfolio A box of ten photographs (1969–71), which was critical to the posthumous reception of her work.

An extensive selection of portraits by Lorenzo Lotto is accompanied by documents from the artist's account books; reviewed in the August issue (then in London).

Objects from the estate of Otto Wagner are combined with the Museum’s holdings in the first major exhibition on the architect in fifty years; 15th March to 7th October.

Wagner, Hoffmann, Loos and Furniture design in Viennese Modernism. Artists, Patrons and Producers.

The Museum hosts an exhibition marking the tricentenary of porcelain production in Vienna; reviewed in the August issue (see also Vienna, Museum of Applied Arts).

A survey of Emil Nolde’s paintings, drawings and prints, previously in Dublin and reviewed in the August issue.

Ten of the Terracotta Warriors and some 170 other objects discovered in the famous excavation, loaned from collections across Shaanxi Province, are on view here.

A survey of Art Nouveau in the Netherlands runs from 21st April to 28th October.

The centenary of Egon Schiele’s death occasions an exhibition focused on the Expressionist-era works in the Museum’s collection; 23rd February to 4th November.

Seven frescoes by Giandomenico Tiepolo in private collections are on public view here for the first time.

An exhibition explores the ways in which fashion has drawn from the aesthetics, processes and materials of the natural world; 21st April to 27th January.

The project for the ‘People’s Parliament of Rojava’, designed by Jonas Staal for the autonomous government in northern Syria, is reconstructed here through documentation and events.