Calendar

At West 25th St., works by Richard Misrach are on view to 18th August.

An exhibition from Paris’s Centre Pompidou studies Miró’s ‘primitive’ drawings; 13th May to 19th August.

An exhibition of Korean avant-garde performance art from the 1960s and 1970s runs to 29th July.

30 sixteenth-century Italian paintings from the regional collections and churches of Picardy and master drawings from the museum’s collection, are on view from 24th March to 2nd July.

Work by Ashley Bickerton;  21st April to 20th August.

Cerith Wyn Evans is on view to 20th August.

The first major Paul Nash exhibition in Britain for over forty years, previously in London and reviewed in the March issue, runs from 8th April to 20th August.

An Yves Klein exhibition, previously in Liverpool, runs to 20th August.

The early work of the potter, sculptor and painter Peter Voulkos (1924– 2002), previously in New York, is on view here from 7th April to 20th August; to be reviewed.

A loan exhibition studies the art and life of the Irish portrait painter Margaret Clarke (1884–1961); 13th May to 20th August (then in Banbridge).

America Collects Eighteenth-Century French Painting includes French art drawn from national collections; 21st May to 20th August; to be reviewed.

Masterpieces in the Kunstmuseum are juxtaposed with works from the Prado, Madrid; to 20th August.

An exhibition of Giuliano da Sangallo’s drawings is on show from 16th May to 20th August.

This year’s Summer Exhibition runs from 13th June to 20th August.

A loan exhibition studies the art and life of the Irish portrait painter Margaret Clarke; to 20th August (then in Banbridge).

Previously in New York, a monographic exhibition for Marisa Merz runs from 4th June to 20th August.

The new arts building designed by Renzo Piano hosts the inaugural Uptown triennial for emerging artists in north Manhattan; to 20th August.

Ugo Rondinone curates an exhibition, previously in Paris, devoted to his husband, the American poet and Warhol collaborator John Giorno; to 20th August.

Resonances between the photography of Henri-Cartier Bresson and Heinz Held are studied here; to 20th August.

Venetian Renaissance painting from Russian and Italian collections; to 20th August.

A small display devoted to Rembrandt’s depictions of Abraham and his encounters with God and angels (Fig.90) runs to 20th August.

Almost 70 paintings illustrate the taste for Venetian and Neapolitan culture in the eighteenth century; 9th March to 21st August.

19th- and 20th-century art from the Bridgestone Museum of Art, Tokyo; to 21st August.

Carl Andre: Sculpture as Place, 1958–2010, previously in New York, Madrid, Berlin and Paris, and reviewed in the November 2014 issue, runs from 2nd April to 24th July.

At Grosvenor Hill, an exhibition curated by John Richardson examines Picasso’s obsessions with the bullfight and mythology in the 1930s; to 25th August; to be reviewed.

The new space hosts Soviet art of the 1920s and 1930s alongside recent works and new commissions by Tania Bruguera, Barbara Kruger and others; to 25th August (then in Chicago).

Love in Venice examines the appeal of Venice since the thirteenth century; 10th February to 26th August.

A touring exhibition from the British Museum, previously in Derby, illustrates the intersection of visual art and music in courtly India (Fig.84); to 26th August. 

At Lisson St., a group show connects work by artists including Hanne Darboven and Trisha Donnelly to the ‘quiet and humble spirit’ of Chardin’s still lifes; to 26th August.

In Room 90, around 125 British watercolour landscapes from the late nineteenth and early twentieth centuries are on view to 27th August; to be reviewed.

Concurrently, a range of objects illustrate the culture of the Northwest Coast Peoples; to be reviewed.

Six recently restored sixteenth- and seventeenth-century Iranian carpets are on display; 3rd March to 27th August.

A vast exhibition studies spirituality in modern and contemporary art; 13th April to 27th August.

The Jazz  Age: American Style in the 1920s studies the tastes of the period for architecture, decorative art, music and film; 7th April to 27th August (then in Cleveland).

250 photographs by Peter Lindbergh; 13th April to 27th August.

A Robert Mapplethorpe retrospective, previously in Los Angeles and Montreal and reviewed in the August 2016 issue, runs from 22nd April to 27th August (then in Sydney).

Works by the conceptual artist Hanne Darboven (1941–2009) and her contemporaries are on view from 19th May to 27th August.

Two Robert Rauschenberg exhibitions study his early silkscreen prints in dialogue with Warhol’s, and the use of the transfer technique in his late works; 12th May to 27th August.

Sculpted animals from ancient Mesopotamia; to 27th August.

Paintings by Alfred Wallis and Christopher Wood from Kettle’s Yard; to 27th August.

Loans from the Musée national Picasso, Paris, are used to explore Picasso’s preoccupation with large-scale printmaking; to 27th August.

Works by Raoul Dufy from a private collection; to 27th August.

At the Albertinum, new paintings by Gerhard Richter; to 27th August

Photographs by Danny Lyon, previously in New York and San Francisco, are on view here to 27th August.

A show of Alighiero Boetti’s largest and smallest works runs to 12th July.

The first survey of the Danish Golden Age painter Ditlev Blunck’s work runs to 27th August.

John Akomfrah’s three-screen film Vertigo Sea, reviewed in the April 2016 issue, is on view here to 28th August.

A show of con- temporary African art; 26th April to 28th August.

In the Sunley Room, a new tapestry by Chris Ofili appears alongside a selection of the artist’s works on paper; to 28th August.

An exhibition focuses on Edouard Pignon’s post-War work; to 28th August.

The centenary of the Russian Revolution is commemorated with a display of documents and works of art; to 29th August.

Nolan’s studio, undisturbed since his death in 1992, is currently open to the public alongside an exhibition of works from the Trust’s collection; to 29th August.

Photographic portraits of artists from the 1920s and 1930s by Michel Seuphor and others; to 31st August.

The Museum has acquired the earliest and most detailed representation of Henry VIII’s Nonsuch palace, a 1568 watercolour by the Flemish painter Joris Hoefnagel.

A group show studies horizontality in the work of abstract artists from Ellsworth Kelly to Jenny Holzer; 6th July to 31st August.

Photographic portraits of artists from the 1920s and 1930s by Michel Seuphor and others; to 31st August.

An Edvard Munch exhibition runs to 2nd September.

Picasso’s first wife, Olga Kokhlova, is the central figure of an exhibition studying Picasso’s work between 1917 and 1935; 21st March to 3rd September.

The largest survey of the career of Gillian Ayres in Britain to date runs from 8th April to 3rd September (see also London, Alan Cristea).

Artists from Turner to Richard Long who have made the mark of Neolithic and Bronze age cultures on the English landscape a subject of their work are studied here; 8th April to 3rd September.

The museum reopened on 31st March, following extensive renovations and extensions to its exhibition spaces, with a survey of international studio pottery from 1920 to the present, and paintings, sculptures and film by Jessica Warboys; to 3rd September.

The impact of the First World War on American art is assessed in an exhibition, previously in Philadelphia, of works by some 80 artists; 26th May to 3rd September (then in Nashville); to be reviewed.

Paintings by Lynette Yiadom-Boakye are on view from 3rd May to 3rd September.

An exhibition featuring 75 of the most prominent photographers to have worked for Magnum Photos celebrates the agency’s 75th anniversary; 26th May to 3rd September.

Contemporary artists respond to the legacy of Duchamp’s Fountain in the centenary year of its submission to the Society of Independent Artists in 1917; 14th May to 3rd September.

An exhibition studies the importance of colour to De Stijl; 6th May to 3rd September.

An exhibition studies the relationship between Philip Guston’s art and the poetry of T.S. Eliot, Wallace Stevens, W.B. Yeats, D.H. Lawrence and Eugenio Montale; 10th May to 3rd September.

A  major  exhibition of Raphael’s drawings is on view to 3rd September (then in Vienna); to be reviewed.

An exhibition studies the concept of dust in art, from Dada to Aaron Siskind; 7th June to 3rd September.

Paintings of the 1980s by Sidney Nolan; 10th June to 3rd September.

Sculptures and works on paper by Eric Gill; to 3rd September.

Three Centuries of American Prints from the National Gallery of Art, previously in Prague and Mexico City; to 3rd September.

A Markus Lüpertz retrospective runs to 3rd September.

A Mark Leckey retrospective runs to 3rd September.

Almost 80 drawings by Giambattista Tiepolo from the important collection of his work at the Civico Museo Sartorio in Trieste are on view to 3rd September.

The first large-scale survey of the post-War American painter Peter Saul’s work runs to 3rd September.

Runs to 3rd September. 

Drawings by Giambattista Tiepolo from the important collection of his work at the Civico Museo Sartorio in Trieste are on view to 3rd September.

Henri Cartier-Bresson's photographs of India are the subject of an exhibition; 21st April to 4th September.

Photographs by Helena Almeida; to 4th September.

Recent drawings by Richard Serra; to 4th September.

Alma-Tadema’s furniture and textile designs for Henry Gurdon Marquand’s music room are on view here; to 4th September (see also London, Leighton House Museum).

An exhibition of contemporary sound art runs from 8th March to 5th September.

Over 170 works from the New York and Venice collections illustrate the impact of six patrons of modern art, including Solomon and Peggy Guggenheim and Katherine Dreier; 10th February to 6th September.

Photographs by Gordon Parks from the artist’s foundation; to 6th September.

A New American Sculpture, 1914–1945 studies the influence of Gaston Lachaise, Robert Laurent, Elie Nadelman and William Zorach on American art after their encounters with modernist sculpture in Paris; 26th May to 8th September.

A display from the archive of Brian Sewell is on view to 8th September.

An exhibition surveys the career of the Italian painter Carol Rama (1918–2015); 26th April to 10th September.

Prints by Helen Frankenthaler; to 10th September.

An exhibition previously in Washington highlights the career of the  important  gallerist  and  patron of post-War American art Virginia Dwan; to 10th September.

A Giacometti retrospective of more than 250 sculptures, paintings and drawings runs from 10th May to 10th September; to be reviewed.

The Pursuit of Immortality: Masterpieces from the Scher Collection of Portrait Medals runs from 9th May to 10th September.

The largest Mark Tobey retrospective in four decades runs from 6th May to 10th September (then in Andover).

An exhibition by Rashid Johnson, the product of a month-long residency at the gallery, runs to 10th September.

Paintings by Jean Cooke (1927–2008); to 10th September.

The myth of  the  Western in American art, film and popular culture; to 10th September (then in Montreal).

Early works by Markus Lüpertz; to 10th September.

An exhibition by the Vietnamese collective the Propeller Group runs to 10th September.

130 paintings and works on paper by the artist and designer Franco Grignani (1908–99) are on view from 5th July to 10th September.

Paintings of the Forest of Fontainebleau by Van Gogh, Rousseau and Corot are on view from 7th July to 10th September.

An exhibition drawn from the Golda and Mayer Marks CoBrA Collection studies animal imagery in the work of CoBrA artists; 9th July to 10th September.

Yayoi Kusama: Infinity Mirrors, previously in Washington, runs to 10th September (then in Los Angeles, Toronto and Cleveland).

Edwin Wurm’s Performative Sculptures are on view to 10th September.

An exhibition of the work of Pintoricchio, the painter of the Borgia pope Alexander VI; to 10th September.

A Giorgio Morandi retrospective runs to 10th September.

19th-century French lithographs; to 10th September.

An exhibition studies the relationship between Picasso and Julio González; to 11th September.

Almost 200 works and documents form an exhibition exploring Picasso’s residence at Boisgeloup in the 1930s; to 11th September.

Landscapes by Odilon Redon, previously in Bordeaux; 20th May to 11th September.

Performances by Tino Sehgal; to 14th September.

Paintings by John Golding are on view from 26th April to 16th September (then at Piano Nobile, London).

 Paintings by Matisse; to 16th September.

Over 250 exhibits from Russian state collections illustrate the cultural vibrancy of pre-revolutionary St Petersburg under Tsar Nicholas II; 4th February to 17th September.

Aert Schouman and the Imagination of Nature is a large retrospective of the eighteenth-century animal painter’s work; 19th February to 17th September.

Hidden from the Eyes. Underdrawings in Panel Paintings from the 14th–16th Centuries in the Collections of the National Gallery in Prague runs from 23rd February to 17th September.

Over eighty examples of seventeeth-century Italian painting from regional collections; 27th April to 17th September.

At the Hamburger Bahnhof, a retrospective devoted  to  the  German  sculptor  Rudolf  Belling (1886–1972) runs from 8th April to 17th September.

Concurrently, a survey of installation art includes work by Joseph Beuys, Bruce Nauman and others.

An exploration of Minimalism and its legacies runs from 7th April to 17th September; to be reviewed.

A Robert Rauschenberg retrospective, previously in London, runs from 21st May to 17th September (then in San Francisco); to be reviewed.

The  drawings of Georges Dorignac (1879–1925), previously in Roubaix, are on view here from 18th May to 17th September.

The drawings of Georges Dorignac (1879–1925), previously in Roubaix, are on view here from 18th May to 17th September.

Bacon, Freud and the School of London runs to 17th September.

Works by a broad selection of 20th-century Italian artists influenced by American life, culture and patronage are gathered here; to 17th September.

Works by photographer Thomas Struth; 5th May to 17th September.

Arp: The Poetry of Forms includes sculptures, reliefs, works on paper and writings; 20th May to 17th September.

Drawings of landscapes, still lifes, figures and nature studies by William Henry Hunt; 24th June to 17th September.

Vermeer and the Masters of Genre Painting, previously in Paris, runs from 17th June to 17th September (then in Washington); to be reviewed.

An exhibition of Eric Ravilious and his circles in Essex, Sussex and London; to 17th September (then in Sheffield and Compton).

The centenary of  Andrew  Wyeth’s  birth is marked by a retrospective; 24th June to 17th September (then in Seattle).

Representations of women in medieval manuscripts; 20th June to 17th September.

Past installations and performances by Yoko Ono will be staged from 17th June through the summer.

Previously in Poole, Hull and Belfast, Lines of Thought: Drawing from Michelangelo to Now, a British Museum exhibition, runs to 17th September (then in Providence RI).

150 works by Picasso and Diego Rivera, previously in Los Angeles, show the artists’ parallel development; 14th June to 17th September.

Previously in Vienna, an exhibition of paintings by Daniel Richter runs from 2nd July to 17th September (then in Humlebæk).

A Jennifer Tee show is concurrent (then in Bonn).

A survey of Victorian art runs to 17th September.

Maeve Brennan’s film The Drift, reviewed in the June issue, runs from 8th July to 17th September (then in Manchester and Lismore).

An exhibition of works by Tessa Lynch is concurrent.

Photographs by Michael Nichols; to 17th September.

Great British Drawings from the Ashmolean Museum, from Turner to Hockney; to 17th September.

Works by Sarah Lucas responding to the Fine Arts Museums of San Francisco’s Rodin collections are on view from 15th July to 17th September.

David d’Angers’s links to Dresden and its Romantic painters are explored here; to 17th September.

Paris, fin de siècle: Signac, Redon, Toulouse-Lautrec, and their Contemporaries runs to 17th September.

Manet to Cézanne: Impressionist Drawings runs to 17th September.

An exhibition by the artist Elisabetta Benassi re-examines the public outcry over the Tate Gallery’s acquisition of Carl Andre’s Equivalent VIII in 1972; to 17th September.

The first retrospective devoted to the eighteenth-century portraitist Jean-Baptiste Perronneau is on view here to 17th September; to be reviewed.

An exhibition studying De Stijl’s architectural and interior design philosophy runs to 17th September.

Previously in Salzburg and reviewed in the March 2016 issue, a Carolee Schneemann retrospective runs to 17th September.

Here and at Palazzo Venezia, an exhibition of work by Giorgione and his contemporaries runs to 17th September

Previously in London, the Deutsche Börse Photography Foundation Prize 2017 runs to 17th September.

Works by photographer Thomas Struth; to 17th September.

An exhibition by Marc Quinn links his use of the sculptural fragment back to its precedents in antiquity; to 23rd September.

An exhibition centred on Nathan Coley runs to 24th September.

Leonardo’s newly-restored Adoration of the Magi is now on view alongside Filippino Lippi’s later version

of 1496; to 24th September.

A survey of Florine Stettheimer’s paintings and drawings; 5th May to 24th September.

Nineteenth-century portrait photography; 9th June to 24th September.

Drawings by Cézanne from the collection; 10th June to 24th September.

The BP Portrait Award 2017 exhibition runs from 22nd June to 24th September.

Some 65 drawings by Leonardo and Michelangelo from Italian collections are on view here from 17th June to 24th September.

Previously in London and Dublin, and reviewed in the February issue, a survey of Caravaggism in sixteenth-century Europe runs from 17th June to 24th September.

50 nineteenth-century Japanese prints loaned  from a single local collection; to 24th September.

An ARTIST ROOMS exhibition of sculptures and drawings by Phyllida Barlow runs to 24th September.

A show of new and recent works by Barlow’s former pupil Michael Armitage is concurrent.

A survey of Takashi Murakami’s work runs from 6th June to 24th September.

An exhibition previously in St Louis studies Degas’s and the Impressionists’ fascination with hats; 24th June to 24th September.

The role of colour in the designs of Hella Jongerius; to 24th September.

British neo-Romanticism; to 24th September.

An Arts Council exhibition, previously in Yorkshire, examines the role of colour and sequence in British art of the 1960s; 15th July to 24th September (then in Warwick and Liverpool); to be reviewed.

An Eduardo Chillida survey drawn from the Spanish Museo Chillida–Leku runs to 24th September (then in Dallas).

Sculptures by Richard Deacon; to 24th September.

A huge show of early photographs by Annie Leibovitz; to 24th September.

The annual photography festival; 3rd July to 24th September.

Some 130 works, previously in Brou and Carcassonne and reviewed on pp.577–79 above, study the representation of Mary Magdalene throughout history; to 24th September.

Ragnar Kjartansson’s first major retrospective in his native country runs to 24th September.

Portraits by Cézanne are on view to 24th September (then in London and Washington); to be reviewed.

An overview of the Dutch street photographer Ed van der Elsken’s work, previously in Amsterdam, runs to 24th September (then in Madrid).

Here and at Castello Sforzesco, Museo di Storia Naturale and Casa del Manzoni, an exhibition devoted to the painter Giancarlo Vitali (b.1929) runs from 5th July to 24th September.

16th-century Venetian painting; to 24th September.

The celebrations of the centenary of De Stijl continue with an exhibition focused on works by Mondrian; to 24th September; to be reviewed.

Silver plates produced annually in the 17th and 18th centuries for the Medici family on the Feast of St John are on view to 24th September.

More than eighty prints by the Dutch engraver Lucas van Leyden (1489/94–1533) are on view to 24th September.

Runs to 24th September.

David Gwinnutt’s photographs of the London art and club scene of the 1980s, including portraits of Derek Jarman and Gilbert & George never previously exhibited, are on view to 29th September.

An Andy Warhol exhibition runs from 4th June to 30th September.

A survey of Germaine Richier’s sculpture in the 1940s and 1950s runs to 30th September.

A century of ‘queer British art’, from 1861 to 1967, is examined here; 5th April to 1st October; to be reviewed.

Previously in Eelde, the first exhibition dedicated to Albert Moore runs from 7th April to 1st October.

Pink Floyd: Their Mortal Remains studies the music and design behind the band’s work, from the 1960s to the present; 13th May to 1st October.

Numerous exhibits from the Frank Lloyd Wright Foundation Archives are employed in a comprehensive study of the architect’s work and thought; 12th June to 1st October.

A major show dedicated to the life and work of the British painter John Minton runs to 1st October. Paintings and drawings by William Coldstream from the collection of Colin St John Wilson is concurrent.

An exhibition studies the fashioning of masculinity in art from Van Dyck to Lucian Freud; to 1st October.

The pioneering photographs of David Octavius Hill and Robert Adamson are studied here concurrently.

Previously in Princeton, an exhibition on the early 5th-century vase painter, the ‘Berlin Painter’, reviewed on pp.588–90 above, runs to 1st October.

The first American museum retrospective for Hélio Oiticica, pre-viously in Philadelphia and Chicago and reviewed in the February issue, runs from 14th July to 1st October.

An exhibition marks the thirtieth anniversary of Peter Fischli’s and David Weiss’s film The Way Things Go; to 1st October.

A large Wolfgang Tillmans exhibition runs to 1st October.

Early paintings by Gerhard Richter; to 1st October (then in Ghent).

A survey of Paul Delvaux’s work runs to 1st October.

Works by Tiepolo and his Venetian contemporaries from the Pinacoteca Civica, Vicenza; to 1st October.

André Breton et l’Art Magique combines objects from Breton’s collection acquired by the museum with those donated to the Centre Pompidou after his death; to 1st October; to be reviewed.

Here and elsewhere in the city, the Vienna Biennale 2017 runs to 1st October.

An exhibition devoted to the porcelain statues produced by the Ginori Manufactory in Doccia from 1737 runs to 1st October.

Portraits of Admiral Lord Nelson are shown alongside artefacts from his life; to 1st October.

Engravings by Mantegna; to 2nd October.

The uses of classical sculpture by contemporary artists and filmmakers are explored here; to 2nd October.

Loans from the Phillips Collection, Washington, make up an exhibition studying mid-20th-century American abstract painting; to 3rd October.

The occult sources of late nineteenth-century French Symbolism are re-examined here through the lens of the annual Salon de la Rose + Croix (1892–97); to 4th October (then in Venice).

Blue Black, an exhibition of works in these colours curated by Glenn Ligon, runs from 9th June to 7th October.

British Pop painting of the early 1960s; to 7th October.

Over 60 of the 150 paintings produced by Constable in Brighton between 1824 and 1828 are on view here from 8th April to 8th October; to be reviewed.

Russian revolutionary-era porcelain is on view from 22nd April to 8th October.

Giovanni da Rimini’s Scenes from the lives of the Virgin and other saints (1300–05), donated to the museum by the New York collector Ronald S. Lauder in 2015, is the focus of a display devoted to the School of Rimini; 14th June to 8th October.

Giovanni da Rimini’s Scenes from the lives of the Virgin and other saints (1300–05; Fig.78), donated to the museum by the New York collector Ronald S. Lauder in 2015, is the focus of a display devoted to the School of Rimini; 14th June to 8th October.

The first major survey of the work of the Turkish Ecole de Paris painter Fahrelnissa Zeid runs from 13th June to 8th October.

Work of the American photographer Gregory Crewdson; to 8th October.

Frieze Sculpture 2017 includes works by John Chamberlain, Michael Craig-Martin and others; 5th July to 8th October.

An exploration of Klimt’s dialogue with antiquity; to 8th October.

A display shows the findings of technical analysis of Picasso’s Harlequin with mirror (1923); to 8th October.

Around 200 works from the Hispanic Society of America, New York, are on view from 4th April to 9th October.

Previously in London, an exhibition studying the idealism of culture and politics in the 1960s runs to 9th October.

A Munch exhibition runs to 9th October.

Here and at Gallery F15, the ninth Nordic Biennial of Contemporary Art runs to 11th October

In Room 69a, a display explores LGBTQ histories through objects from the collection; to 15th October.

Watercolours com- missioned to mark Queen Victoria’s visit to Paris in 1855, previously in Compton and Exeter, are on view here from 17th June to 15th October (then in Barnard Castle).

A solo exhibition of Nan Goldin’s work runs from 16th June to 15th October.

Portraying a Nation: Germany 1919– 1933 combines an exhibition of works by Otto Dix, previously in Düsseldorf, and a nationally touring show of photographs by August Sander; 23rd June to 15th October.

Seventeenth-century French drawings from the collection; 16th June to 15th October.

Works from Anthony Caro’s Concerto series are on view to mark the restoration of his monumental quayside sculpture Sea music (1991); to 15th October.

A mono-graphic exhibition devoted to Alfred Sisley, previously in Greenwich, runs to 15th October; to be reviewed.

An exhibition of works by the Polish artist Edward Krasínski, previously in Liverpool, runs to 15th October.

Over 90 works from the San Diego Museum of Art’s exceptional collection of Indian narrative painting from the 16th to the 19th centuries, previously in Princeton; 9th July to 15th October (then in San Diego).

A major exhibition of 18th-century Mexican painting runs to 15th October (then in Los Angeles and New York).

A survey of Jim Dine’s prints; 8th July to 15th October.

Films produced by Richard Serra between 1968 and 1979; to 15th October.

An exhibition studying the mid-century Egyptian surrealist group Art et Liberté, previously in Paris and Madrid, runs from 15th July to 15th October (then in Liverpool; see also Seoul).

Sonia Delaunay’s multi-disciplinary work is the focus of an exhibition on view from 4th July to 15th October.

An exhibition studying the mid-century Egyptian surrealist group Art et Liberté, previously in Paris and Madrid, runs from 15th July to 15th October (then in Liverpool; see also Seoul).

An exhibition previously in Wiesbaden studies the grotesque in Emil Nolde’s work; to 15th October.

Cristóbal de Villalpando: Mexican Painter of the Baroque is a small loans display; to 15th October.

The first major museum exhibition devoted to Pat Lasch (b.1944) runs to 15th October

Anselm Kiefer has been given carte blanche to examine the parallels between his and Rodin’s art in a large exhibition; 14th March to 22nd October.

Displays studying the art and coins collected by Chinese scholars through the ages, and contemporary Chinese abstract ink painting, are on view throughout the summer.

Becoming Henry Moore studies the artist’s early influences, including his British contemporaries. European Modernism and non-Western sources; 14th April to 22nd October (then in Leeds).

Renaissance and Baroque portrait drawings from British collections; 13th July to 22nd October.

Soul of a Nation: Art in the Age of Black Power is a loans exhibition studying African-American artists and the Civil Rights movement; 12th July to 22nd October; to be reviewed.

Works by the Japanese sculptor Jiro Takamatsu are on view from 13th July to 22nd October.

Previously in London and reviewed in the September 2016 issue, David Hockney: 82 Portraits and 1 Still Life runs to 22nd October.

Previously in Stockholm, a Marina Abramovi´c exhibition runs to 22nd October

21 films, photographs, graphic works and objects by Ana Mendieta; to 22nd October.

An exhibition studies sound and motion in Alexander Calder’s work, including performances and demonstrations; to 23rd October.

Works by Richard Long appear in the grounds to 26th October.

Power & Portraiture: Painting at the Court of Elizabeth I runs to 29th October.

At the Longside Gallery, an exhibition of works selected from the Arts Council Collection by Rana Begum runs from 15th July to 29th October.

An exhibition previously in Rome and London, and reviewed in the June issue, studies Japanese domestic architecture since 1945; 19th July to 29th October.

A large exhibition studies the friendship between Derain, Balthus and Giacometti after 1933; to 29th October.

A Raymond Pettibon retrospective, previously in New York, is on view to 29th October.

Around 100 works by Léger are on view from 20th May to 30th October.

Paintings and decorative art from Polish royal residences illustrate the influence and patronage of the 17th-century King John III Sobieski; 7th July to 1st November.

An exhibition marks the quincentenary of the Reformation by measuring its impact on culture internationally up to the present day; 12th April to 5th November.

An exhibition examining Martin Luther and 500 years of Protestantism around the world; to 5th November (see also Eisenach and Wittenberg); to be reviewed.

At the Kupferstichkabinett, an exhibition studies the theme of music in prints and drawings from Mantegna to Matisse (Fig.85); 21st July to 5th November.

Catholicism’s changing perceptions of Martin Luther over 500 years; to 5th November; to be reviewed.

Maria Theresa’s patronage of 18th-century art is the subject of an exhibition; to 5th November.

Previously in Oslo, an exhibition of American graphic art from 1960 to 1990 runs from 14th July to 5th November.

Works by Francis Bacon and Bruce Nauman; to 5th November.

Around 100 examples of Dutch art of the 1880s; to 5th November.

Around 80 works by Henri Manguin are on view from 14th July to 5th November; to be reviewed.

Ceramics by Picasso from the Attenborough collection; to 5th November.

William Kentridge: Thick Time, previously in London and Humlebæk, runs to 5th November (then in Manchester).

Separate displays showcasing the Museum’s extensive holdings of photographs by Charles Sheeler and Alfred Stieglitz are on view to 5th November.

Another show comparing Picasso and Diego Rivera focuses on their still lifes; 6th August to 5th November (see also Mexico City).

A Bill Viola retrospective runs to 9th November.

L’Afrique des routes is a massive survey of African culture from the fifth century BC to the present; to 12th November.

Paintings, drawings and prints by Canaletto and his contemp- oraries;19th May to 12th November; to be reviewed.

The first exhibition of David Smith’s white sculptures is on view here from 13th May to 12th November.

Enlightened Princesses: Caroline, Augusta, Charlotte, and the Shaping of the Modern World, previously in New Haven, explores the artistic interests of three German princesses at the British court; 22nd June to 12th November; to be reviewed.

Paintings, drawings and prints by Canaletto and his contemporaries; to 12th November; to be reviewed.

An exhibition examines the use of plywood in modern design; 15th July to 12th November.

A sequence of six performance works by Tino Seghal are on view here to 12th November.

Previously in Boston, includes many of the objects and works that the artist kept in his studio; 5th August to 12th November; to be reviewed.

Ancient glass vessels and fragments from the collection are on view from 4th August to 12th November.

An exhibition of works from the Arts Council collection by artists concerned with gender and sexuality is on view to 15th November.

A loan exhibition of portraits, landscapes and figure paintings by Cézanne runs to 19th November.

Previously in New York, Georgia O’Keeffe: Living Modern focuses on the painter’s public image; 18th August to 19th November (then in Salem).

An exhibition studies the role of intuition in modern and contemporary art; 13th May to 26th November.

The 57th Venice Biennale runs from 13th May to 26th November; to be reviewed.

A survey of Watts’s work; 20th June to 26th November; to be reviewed.

Self-portraits and photographic works by David Hockney; to 26th November.

Previously in Mexico City, an exhibition of models and designs for Isamu Noguchi’s ‘playscapes’ are on view from 15th July to 26th November.

An exhibition previously in Washington studies animation in the work of Ed Atkins, Helen Marten and other artists; to 26th November.

Shadows of War: Roger Fenton’s Photographs of Crimea, 1855 runs from 4th August to 26th November.

An array of exhibits, from objects excavated at Pompeii to works by William Kentridge, evoke the Grecian influence on Pompeian culture; to 27th November.

A monographic show dedicated to Damien Hirst opens on 9th April.

An archival display details the scandal ignited by Duchamp’s Fountain in 1917; to 3rd December.

Late nineteenth-century French etchings; to 3rd December.

At the Neues Museum, ancient Chinese and Egyptian works of art are employed to make comparisons between the two civilisations; 6th July to 3rd December.

Cosmic Buddhas in the Himalayas runs from 24th June to 10th December.

An exhibition compares the ukiyo-e woodblock prints of rival artists Utagawa Kuniyoshi and Utagawa Kunisada; 11th August to 10th December.

Large- scale sculptures and an installation by Jake and Dinos Chapman are on view to 16th December.

Large sculptures and an installation by Jake and Dinos Chapman are on view to 16th December.

The centenary of Rodin’s death is marked here by a year-long display of 50 bronzes, marbles and plasters from the collection; to 31st December.

Items from the collection of natural objects and artefacts amassed by Harvard College from the 18th century are reunited with works by the artists who studied them; to 31st December.

he largest ever Wyndham Lewis retrospective in Britain runs to 1st January; to be reviewed.

Henry Moore’s monumental sculptures are on show in the Museum and its grounds; to 7th January.

More than 300 designs, along with photographs, documents and paintings, illustrate the history of the House of Dior and the tastes of its founder; 5th July to 7th January.

Frank Bowling; to 7th January.

Chagall: Colour and Music, previously in Paris, Roubaix and Montreal, studies the role of music in Chagall’s work; to 7th January.

An exhibition exploring the relationship between sound and Buddhist art runs to 8th January.

Here and at Mount Stuart, Isle of Bute, Art of Power: Masterpieces from the Bute Collection shows the collection amassed by John Stuart, 3rd Earl of Bute; to 14th January 2018; to be reviewed.

The Medici’s Painter: Carlo Dolci and 17th-century Florence, previously in Wellesley, runs from 24th August to 14th January.

Over 100 designs by the Spanish couturier Cristóbal Balenciaga; to 18th February; to be reviewed.

Modern painting from the Hahnloser collection; 11th August to 11th March.