Calendar

Medieval and Renaissance art illuminations and bound manuscripts from Quebec collections.

A monographic show devoted to Adriaen Brouwer (1606–38).

A retrospective of the works of Siah Armajani (b. 1939).

Seven frescoes by Giandomenico Tiepolo in private collections are on public view here for the first time.

An exhibition marks the bicentenary of Sir Richard Wallace’s birth by examining twenty pieces from his personal collection.

Previously in San Francisco, an exhibition studies the machine aesthetic in American art of the early twentieth century.

A group exhibition includes sculptures and installations by Robert Irwin, Ann Veronica Janssens and others.

The Museum’s Van Campen Family Portrait in a Landscape is reunited with a painting by Hals which originally formed part of the same composition, Three Children of the Van Campen Family (both early 1620s) from the Royal Museums of Fine Art of Belgium, Brussels (then in Paris).

An exhibition studies the new expressivity seen in architectural ornament of the 1140s through the examples of Chartres and Saint-Denis, Paris.

An exhibition studies the techniques and subjects of the Italian photographer Luigi Ghirri in the 1970s.

A major showing of Rubens’s oil sketches, previously in Madrid.

The prevalence and protean meanings of optical illusions throughout the history of art are studied here.

Loans from across Europe make up a survey of Gothic architecture, with Paderborn Cathedral serving as a paradigmatic example.

140 objects are used here to illustrate the cultural achievements of Armenia, from the fourth to the seventeenth centuries.

A major monographic exhibition anticipates the 450th anniversary of Pieter Bruegel the Elder.

The Flemish Caravaggist painter Theodoor van Loon is the subject of a retrospective here.

More than 60 exhibits illustrate the full range of production of silversmith Luigi Valadier’s workshop in Rome; 31st October to 20th January.

The output of the Progressive Artists’ Group in India, from the time of its formation after the country’s declaration of independence in 1947 until the 1990s, is surveyed here.

An exhibition explores the ways in which fashion has drawn from the aesthetics, processes and materials of the natural world; 21st April to 27th January.

The first exhibition to study the art and lives of Mantegna and Bellini side-by-side (then in Berlin).

120 paintings, sculptures and drawings produced in Renaissance Florence.

Ribera’s representations of violence inflicted upon saints are the subject of an exhibition here.

A loans exhibition brings together 40 objects from the collection of Philippe II, Duke of Orléans.

An Anni Albers retrospective.

An array of objects and documents are brought together here to record the history of the important workshops hosted at Judson Memorial Church, New York, and the performances that resulted from them.

An exhibition studies Gainsborough’s work and training in the 1940s.

The Domesday Book, Codex Amiatinus and items from the Staffordshire Hoard are among the objects brought together here in a survey of Anglo-Saxon culture.

A survey of the work of Edward Burne-Jones, the first exhibition solely dedicated to the artist at Tate since 1933.

Objects from Horace Walpole’s important collection return to Strawberry Hill in an exhibition that attempts to reconstruct their original display.

The project for the ‘People’s Parliament of Rojava’, designed by Jonas Staal for the autonomous government in northern Syria, is reconstructed here through documentation and events.

Previously in Basel, a career retrospective for Bruce Nauman is on view here.

The first full retrospective of Hilma af Klint’s work in the United States.