Calendar

An exhibition studying the cultural and scientific history of electricity through more than 100 objects runs from 23rd February to 25th June (then in Manchester and Haarlem).

Dutch Golden Age still lifes incorporating food are the subject of an exhibition; 9th March to 25th June.

Previously in Toronto, an exhibition studying the role of mysticism in the formation of the Symbolist landscape runs from 14th March to 25th June.

Louis Kahn: The Power of Architecture, touring internationally since 2013, is shown here in one of Kahn’s finest buildings; 26th March to 25th June.

Maria Lassnig. A Painting Survey, 1950–2007, previously in Los Angeles, runs to 29th April; to be reviewed.

Around 30 self-portraits by Maria Lassnig from the Albertina, Vienna, are on view to 23rd June (see also Essen).

An exhibition devoted to the bronze chaser and gilder Pierre Gouthière (1732–1813), previously in New York and reviewed in the February issue; to 25th June.

A touring exhibition from the British Museum illustrates the intersection of visual art and music in courtly India; 6th May to 25th June (then in Blackburn).

A survey of drawings and paintings by George Condo runs to 25th June.

An exhibition comparing Alexei Jawlensky’s and Georges Rouault’s respective brands of Expressionism; to 25th June.

The results of technical analysis of Rembrandt’s Old woman praying forms the basis of an exhibition; to 26th June.

The exhibition The Brothers Le Nain: Painters of Seventeenth-century France, previously in Fort Worth and San Francisco and reviewed in the August 2016 issue, runs from 22nd March to 26th June.

116 works by Giacomo Balla from the Biagiotti Cigna Collection are on view from 5th April to 25th June.

Also in Pienza and San Quirico d’Orcia, a three-part exhibition surveying Sienese painting focuses here on Domenico Beccafumi (1486–1551); 18th March to 30th June.

Also in Montepulciano and Pienza, a three-part exhibition surveying Sienese painting focuses here on Riccio and Sodoma; 18th March to 30th June.

A three-part exhibition surveying Sienese painting focuses here on Domenico Beccafumi (1486–1551); also in Pienza and San Quirico d’Orcia; to 30th June.

Also in Montepulciano and Pienza, a three-part exhibition surveying 16th-century Sienese painting focuses here on Riccio and Sodoma; to 30th June.

Also in Montepulciano and San Quirico d’Orcia, a three-part exhibition surveying 16th-century Sienese painting; to 30th June.

At Madison Ave., drawings by Ed Ruscha from the 1970s and 1980s; 6th May to 30th June.

Works by Klimt, Schiele and Kokoschka are examined against the backdrop of fin- de-siècle gender politics; to 30th June.

At East 57th St., a Calder exhibition designed to complement Acquavella’s show runs to 30th June.

New paintings by Chantal Joffe; to 30th June.

The new arts building designed by Renzo Piano houses the University’s Wallach Art Gallery as well as new exhibition spaces.

At West 27th St., paintings and works on paper by Mark Ryden are on view to 30th June.

Concurrently at 10th Ave., large-scale sculptures by Roxy Paine.

At  West  19th  St.,  Alex  Katz’s Subway Drawings are on view to 30th June.

Works by Tom Phillips; to 1st July.

Sculptures by John Chamberlain, Dan Flavin and Robert Indiana; to 1st July.

At the Museum für Fotografie, two exhibitions show how contemporary photographers and artists of the past have responded to mass surveillance; 17th February to 2nd July.

At the Museum für Fotografie, two exhibitions show how contemporary photographers and artists of the past have responded to mass surveillance; 17th February to 2nd July.

The first monographic exhibition devoted to Camille Pissarro in Paris for 36 years includes some 75 works; 23rd February to 2nd July.

Loans from the Musée d’Orsay form the core of an exhibition studying Manet’s attitude towards the rapidly changing face of Paris between 1850 and 1880; 8th March to 2nd July.

Camille Pissarro’s time spent with the Danish painter Fritz Melbye on St Thomas around 1850 is used to examine the points of contact between Danish Golden Age painting and the birth of Impressionism; 10th March to 2nd July. 

An exhibition explores the unique collaboration between Miró, the art dealer and publisher Gérald Cramer and the poet Paul Eluard on an artist’s book; to 2nd July.

At the Kupferstichkabinett, works by Maria Sibylla Merian from the collection and the Städel Museum, Frankfurt; 7th April to 2nd July (see also Edinburgh).

The first exhibition devoted to Francesco de Mura, previously in Winter Park FL and Madison, and reviewed in the December 2016 issue, runs from 21st April to 2nd July.

Around 100 works by major late 19th- and early 20th-century artists depicting musical instruments are on view to 2nd July.

A solo show by Stuart Middleton runs from 6th May to 2nd July.

An exhibition of woodblock prints by the Belgian expressionist Frans Masereel is concurrent.

Works by Anthony Caro; 6th May to 2nd July.

Works by Urs Fischer responding to the Fine Art Museums of San Francisco’s Rodin collection (Fig.94) are on view to 2nd July.

A small exhibition devoted to the Italian Primitives runs to 2nd July.

Paintings by Georg Baselitz; to 2nd July.

At Mason’s Yard, paintings and works on paper by Wayne Thiebaud are on view to 2nd July.

Works by Anthony Caro; to 2nd July.

Previously in Chicago and New York, a Kerry James Marshall retrospective; 12th March to 3rd July.

Recent photographs by Juergen Teller, previously in Bonn and Prague, are on view from 20th April to 3rd July.

Here and at Zentrum Paul Klee, an exhibition examines the aesthetic impact of the Russian Revolution through the divergent strands of Socialist Realism and constructive art; 13th April to 9th July.

29th June to 5th July.

London Art Week runs from 30th June to 7th July.

Paintings by Richard Smith (1931– 2016); 9th June to 8th July.

A Wilhelmina Barns-Graham exhibition runs from 7th June to 8th July.

A video installation by Steve McQueen is on view from 15th February to 9th July.

An exhibition of the sculpture of the Dogon people of Mali and its impact on American and European art in the twentieth century; 3rd February to 9th July.

An exhibition focuses on the last two decades of Pissarro’s life in the pastoral surroundings of Eragny-sur-Epte; 16th March to 9th July; to be reviewed.

At the Schloss Köpenick, the response to the Reformation of the Hohenzollern dynasty is examined through works of art and documents; 7th April to 9th July.

Matisse In the Studio includes many of the objects and works that the artist kept in his studio; 9th April to 9th July (then in London).

The Medici’s Painter: Carlo Dolci and 17th-century Florence is a major loans exhibition; to 9th July (then in Durham NC).

The legacy of Frédéric Bazille is re-examined in an exhibition, previously in Montpellier and Paris, on view from 9th April to 9th July; to be reviewed.

18th-century French paintings, sculptures and drawings from the Horvitz Collection, Boston, are on view to 9th July.

 An exhibition of works by the Norwegian landscape and marine painter Peder Balke from private collections.

Princely Treasures: Riches of the Court of Navarre in the Sixteenth Century runs to 9th July.

New sculptures and installations by Steven Claydon; to 9th July.

Expressions of melancholy in Mexican art from the 16th century to the present; to 9th July.

53 works from the exceptional collection of Alicia Koplowitz, including works by Zurbarán, Goya, Modigliani and Rothko; 3rd March to 10th July.

Here and at the Antiquarium di Pompei, an exhibition studies the impact of Picasso’s travels in Italy with Diaghilev’s ballet Parade in 1917; 10th April to 10th July.

Sculptures and drawings of the 1950s by Kenneth Armitage are on view to 15th July.

The first nationally touring exhibition dedicated to the work of musician and artist Mark Mothersbaugh is on view here from 25th April to 15th July.

Mexico 1900–1950: Diego Rivera, Frida Kahlo, José Clemente Orozco and the Avant-Garde, previously in Paris and reviewed on pp.247–48 above, runs from 12th March to 16th July.

Nineteenth-century American landscape photography is on view from 12th March to 16th July (then in New Orleans

The human form in art from Turner to Louis Bourgeois is surveyed through works from the Tate collection; 18th March to 16th July.

Age of Empires: Chinese Art of the Qin & Han Dynasties features more than 160 examples of ancient Chinese art; 3rd April to 16th July.

Masterpieces of 18th-century French painting from the churches of Paris are on view here to 16th July; to be reviewed.

A Giovanni Bol- dini retrospective includes 160 works; to 16th July.

Featuring over 160 artists at numerous venues across the city, documenta 14 runs to 16th July.

Photographs by James Welling, previously in Ghent, are on view from 5th May to 16th July.

Video and performance work by Martine Syms; to 16th July.

Previously in Bournemouth, Norwich and Glasgow, Alphonse Mucha: In Quest of Beauty runs to 29th October.

Manchester. Manchester International Festival runs to 16th July.

An exhibition examines the use of light as a medium by the Danish-born artist Thomas Wilfred (1889–1968); 17th February to 23rd July (then in Washington).

Maria Merian’s Butterflies, previously in London, explores the work of Maria Sibylla Merian (1647–1717), the German-born naturalist and scientific illustrator; 17th March to 23rd July.

Installations by Bill Viola are placed in dialogue with old-master works; 10th March to 23rd July.

Previously in Liège, the loan exhibition 21 rue La Boétie, named after the premises of Paul Rosenberg’s Paris gallery, studies the dealer’s life and tastes; 2nd March to 23rd July; to be reviewed.

Georgia O’Keeffe: Living Modern focuses on the painter’s public image; 3rd March to 23rd July (then in Winston-Salem and Salem).

A survey of the Brazilian artist Lygia Pape’s output runs from 21st March to 23rd July.

At the Kulturforum, an exhibition previously in Los Angeles examines the relationship between art and alchemy from antiquity to the Enlightenment and beyond; 6th April to 23rd July.

More than 200 photographs form a Larry Sultan retrospective; 15th April to 23rd July.

Around 100 paintings, prints, sculptures and costumes by Giorgio de Chirico are on loan from the de Chirico Foundation in Rome; 19th April to 23rd July.

Picasso Primitif places Picasso’s works alongside non-Western objects he could have seen at the Musée Guimet and the Musée d’Ethnographie du Trocadéro; to 23rd July.

Here and at Galleria Civica d’Arte Moderna e Contemporanea, a large exhibition probes the uses of colour in 20th- century art (Fig.102); to 23rd July.

Works by Rothko, Cage and Turrell; to 28th July.

Paintings by Morandi; to 28th July.

New and newly recreated installations by Kishio Suga are on view to 29th July.

Exhibitions devoted to Philip Guston’s drawings, Lee Lozano and Ida Applebroog run from 19th May to 29th July.

Exhibitions devoted to Philip Guston’s drawings, Lee Lozano and Ida Applebroog run from 19th May to 29th July.

Exhibitions devoted to Philip Guston’s drawings, Lee Lozano and Ida Applebroog run from 19th May to 29th July.

At Wharf Rd., Isaac Julien’s photographic explorations of Langston Hughes and the Harlem Renaissance are showcased here; 18th May to 29th July.

At 22nd St., new sculptures, photographs and works on paper by Roni Horn are on view to 29th July.

At George St., paintings and works on paper from throughout the career of Milton Avery; 7th June to 29th July.

Concurrently, a show examines the role of books in the work of Dieter Roth and his son and collaborator Björn.

An exhibition by Nathalie de Pasquier; to 29th July

Here and in Chicago, Merce Cunningham: Common Time runs from 8th February to 30th July; to be reviewed.

At the Alte National- galerie, a selection of miniatures and small paintings from the collection are on view to 30th July.

A complete overview of Gerhard Richter’s editions since 1965 runs from 7th April to 30th July.

A centennial exhibition devoted to Irving Penn: Centennial includes more than 200 of his photographs; 24th April to 30th July (then in Paris, Berlin and São Paulo).

A collections-based display of concrete poetry runs to 30th July.

Previously in London and Vienna, a Georgia O’Keeffe retrospective reviewed in the October issue runs from 22nd April to 30th July.

Works by the Russian-born painter Zinaida Serebriakova (1884–1967) from Russian and French collections; 5th April to 30th July.

Works by twenty-two British artists, including Patrick Heron, Mary Fedden and Allen Jones, are exhibited alongside audio recordings of their interviews for the British Library’s ‘Artists’ Lives’ project; 20th May to 30th July.

A retrospective of the photographer Louise Lawler’s work runs to 30th July.

An exhibition of works commissioned to record historic moments, from public ceremonies to natural disasters, in 18th- century Europe runs from 9th May to 30th July.

The long-term, nationally touring exhibition of works by Rodin from the Iris and B. Gerald Cantor collections is on view here to 30th July.

The Museum has received a major donation of 102 works of modern Latin American art from the Colección Patricia Phelps de Cisneros (Fig.89).

A major Rodin survey includes more than 200 objects, including sculptures by the master, his contemporaries and his followers, marking the centenary of his death; 22nd March to 31st July; to be reviewed.

A retrospective devoted to Yves Klein runs from 18th March to 31st July (then in Mexico City).

Paintings and stained-glass works by Marc Chagall illustrate his love of nature; to 31st July.

31 Women, a homage to the eponymous 1943 show organised by Peggy Guggenheim, includes work by Eileen Agar, Catherine Yarrow and others; 2nd June to 31st July.

31 Women, an homage to the 1943 show organised by Peggy Guggenheim, includes work by Eileen Agar, Catherine Yarrow and others; to 31st July.

Rosemarie Trockel’s knitted paintings of the 1980s and 1990s; to 4th August.

A group show of members of the important Brazilian collective Grupo Frente, including Lygia Pape and Lygia Clark, runs to 5th August.

A retrospective devoted to the American modernist Stuart Davis, previously in New York and Washington, runs to 6th August (then in Bentonville).

A loan exhibition unites over 70 works produced by Alex Katz in the 1950s; to 6th August.

A survey of the performances of the London-based collective Theatre of Mistakes (1974–81); to 6th August.

Paintings and oil sketches by Johann Christian Ziegler (1803–33); to 7th August.

At West 24th St., work by Carsten Höller; 19th June to 11th August.

An exhibition based around Joseph Beuys’s sculpture Boxing match for direct democracy (1972) features original film of the boxing match and related archive material; 7th July to 11th August.

An exhibition devoted to the nude includes works by Lucian Freud and Manet’s Déjeuner sur l’herbe, on loan from the Courtauld Gallery, London; 22nd April to 13th August.

A collections-based show examines post-War abstraction by female artists; 15th April to 13th August. Making Space: Women Artists and Postwar Abstraction

Minimal art of the 1960s and 1970s, drawn chiefly from the collection; to 13th August.

The last three decades of Hokusai’s working life are studied here through paintings, prints and illustrated books; 25th May to 13th August.

The nationally touring exhibition A Modern Vision: European Masterworks from the Phillips Collection runs from 14th May to 13th August.

A collections-based display gathers together drawings capturing artists’ and travellers’ impressions of Italy through the ages runs from 9th May to 30th July.

Thomas Annan’s photographs of 19th-century Glasgow are on view to 13th August.

Exhibitions of acquisitions made by the Center over the past decade; to 13th August.

Fourteen performances by Trajal Harrell; 20th July to 13th August.

A survey of Walker Evans’s photography runs to 14th August (then in San Francisco).

An exhibition from Paris’s Centre Pompidou studies Miró’s ‘primitive’ drawings; 13th May to 19th August.

An exhibition of Korean avant-garde performance art from the 1960s and 1970s runs to 29th July.

30 sixteenth-century Italian paintings from the regional collections and churches of Picardy and master drawings from the museum’s collection, are on view from 24th March to 2nd July.

Work by Ashley Bickerton;  21st April to 20th August.

Cerith Wyn Evans is on view to 20th August.

The first major Paul Nash exhibition in Britain for over forty years, previously in London and reviewed in the March issue, runs from 8th April to 20th August.

An Yves Klein exhibition, previously in Liverpool, runs to 20th August.

The early work of the potter, sculptor and painter Peter Voulkos (1924– 2002), previously in New York, is on view here from 7th April to 20th August; to be reviewed.

A loan exhibition studies the art and life of the Irish portrait painter Margaret Clarke (1884–1961); 13th May to 20th August (then in Banbridge).

America Collects Eighteenth-Century French Painting includes French art drawn from national collections; 21st May to 20th August; to be reviewed.

Masterpieces in the Kunstmuseum are juxtaposed with works from the Prado, Madrid; to 20th August.

An exhibition of Giuliano da Sangallo’s drawings is on show from 16th May to 20th August.

This year’s Summer Exhibition runs from 13th June to 20th August.

A loan exhibition studies the art and life of the Irish portrait painter Margaret Clarke; to 20th August (then in Banbridge).

Previously in New York, a monographic exhibition for Marisa Merz runs from 4th June to 20th August.

Almost 70 paintings illustrate the taste for Venetian and Neapolitan culture in the eighteenth century; 9th March to 21st August.

19th- and 20th-century art from the Bridgestone Museum of Art, Tokyo; to 21st August.

Carl Andre: Sculpture as Place, 1958–2010, previously in New York, Madrid, Berlin and Paris, and reviewed in the November 2014 issue, runs from 2nd April to 24th July.

At Grosvenor Hill, an exhibition curated by John Richardson examines Picasso’s obsessions with the bullfight and mythology in the 1930s; to 25th August; to be reviewed.

Love in Venice examines the appeal of Venice since the thirteenth century; 10th February to 26th August.

A touring exhibition from the British Museum, previously in Derby, illustrates the intersection of visual art and music in courtly India (Fig.84); to 26th August. 

In Room 90, around 125 British watercolour landscapes from the late nineteenth and early twentieth centuries are on view to 27th August; to be reviewed.

Concurrently, a range of objects illustrate the culture of the Northwest Coast Peoples; to be reviewed.

Six recently restored sixteenth- and seventeenth-century Iranian carpets are on display; 3rd March to 27th August.

A vast exhibition studies spirituality in modern and contemporary art; 13th April to 27th August.

The Jazz  Age: American Style in the 1920s studies the tastes of the period for architecture, decorative art, music and film; 7th April to 27th August (then in Cleveland).

250 photographs by Peter Lindbergh; 13th April to 27th August.

A Robert Mapplethorpe retrospective, previously in Los Angeles and Montreal and reviewed in the August 2016 issue, runs from 22nd April to 27th August (then in Sydney).

Works by the conceptual artist Hanne Darboven (1941–2009) and her contemporaries are on view from 19th May to 27th August.

Two Robert Rauschenberg exhibitions study his early silkscreen prints in dialogue with Warhol’s, and the use of the transfer technique in his late works; 12th May to 27th August.

Sculpted animals from ancient Mesopotamia; to 27th August.

Paintings by Alfred Wallis and Christopher Wood from Kettle’s Yard; to 27th August.

John Akomfrah’s three-screen film Vertigo Sea, reviewed in the April 2016 issue, is on view here to 28th August.

A show of con- temporary African art; 26th April to 28th August.

In the Sunley Room, a new tapestry by Chris Ofili appears alongside a selection of the artist’s works on paper; to 28th August.

The centenary of the Russian Revolution is commemorated with a display of documents and works of art; to 29th August.

The Museum has acquired the earliest and most detailed representation of Henry VIII’s Nonsuch palace, a 1568 watercolour by the Flemish painter Joris Hoefnagel.

Photographic portraits of artists from the 1920s and 1930s by Michel Seuphor and others; to 31st August.

A group show studies horizontality in the work of abstract artists from Ellsworth Kelly to Jenny Holzer; 6th July to 31st August.

Picasso’s first wife, Olga Kokhlova, is the central figure of an exhibition studying Picasso’s work between 1917 and 1935; 21st March to 3rd September.

The largest survey of the career of Gillian Ayres in Britain to date runs from 8th April to 3rd September (see also London, Alan Cristea).

Artists from Turner to Richard Long who have made the mark of Neolithic and Bronze age cultures on the English landscape a subject of their work are studied here; 8th April to 3rd September.

The museum reopened on 31st March, following extensive renovations and extensions to its exhibition spaces, with a survey of international studio pottery from 1920 to the present, and paintings, sculptures and film by Jessica Warboys; to 3rd September.

The impact of the First World War on American art is assessed in an exhibition, previously in Philadelphia, of works by some 80 artists; 26th May to 3rd September (then in Nashville); to be reviewed.

Paintings by Lynette Yiadom-Boakye are on view from 3rd May to 3rd September.

An exhibition featuring 75 of the most prominent photographers to have worked for Magnum Photos celebrates the agency’s 75th anniversary; 26th May to 3rd September.

Contemporary artists respond to the legacy of Duchamp’s Fountain in the centenary year of its submission to the Society of Independent Artists in 1917; 14th May to 3rd September.

An exhibition studies the importance of colour to De Stijl; 6th May to 3rd September.

An exhibition studies the relationship between Philip Guston’s art and the poetry of T.S. Eliot, Wallace Stevens, W.B. Yeats, D.H. Lawrence and Eugenio Montale; 10th May to 3rd September.

An exhibition studies the concept of dust in art, from Dada to Aaron Siskind; 7th June to 3rd September.

Paintings of the 1980s by Sidney Nolan; 10th June to 3rd September.

Sculptures and works on paper by Eric Gill; to 3rd September.

Three Centuries of American Prints from the National Gallery of Art, previously in Prague and Mexico City; to 3rd September.

Henri Cartier-Bresson's photographs of India are the subject of an exhibition; 21st April to 4th September.

An exhibition of contemporary sound art runs from 8th March to 5th September.

Over 170 works from the New York and Venice collections illustrate the impact of six patrons of modern art, including Solomon and Peggy Guggenheim and Katherine Dreier; 10th February to 6th September.

A New American Sculpture, 1914–1945 studies the influence of Gaston Lachaise, Robert Laurent, Elie Nadelman and William Zorach on American art after their encounters with modernist sculpture in Paris; 26th May to 8th September.

An exhibition surveys the career of the Italian painter Carol Rama (1918–2015); 26th April to 10th September.

Prints by Helen Frankenthaler; to 10th September.

An exhibition previously in Washington highlights the career of the  important  gallerist  and  patron of post-War American art Virginia Dwan; to 10th September.

A Giacometti retrospective of more than 250 sculptures, paintings and drawings runs from 10th May to 10th September; to be reviewed.

The Pursuit of Immortality: Masterpieces from the Scher Collection of Portrait Medals runs from 9th May to 10th September.

The largest Mark Tobey retrospective in four decades runs from 6th May to 10th September (then in Andover).

An exhibition by Rashid Johnson, the product of a month-long residency at the gallery, runs to 10th September.

Paintings by Jean Cooke (1927–2008); to 10th September.

Gauguin: The Artist as Alchemist focuses on the artist’s innovations in the applied arts; 25th June to 10th September (then in Paris).

The myth of  the  Western in American art, film and popular culture; to 10th September (then in Montreal).

Early works by Markus Lüpertz; to 10th September.

An exhibition by the Vietnamese collective the Propeller Group runs to 10th September.

Henry James and American Painting studies the writer’s tastes and friendships with such artists as Whistler and Sargent; 9th June to 10th September.

130 paintings and works on paper by the artist and designer Franco Grignani (1908–99) are on view from 5th July to 10th September.

Paintings of the Forest of Fontainebleau by Van Gogh, Rousseau and Corot are on view from 7th July to 10th September.

An exhibition studies the relationship between Picasso and Julio González; to 11th September.

Almost 200 works and documents form an exhibition exploring Picasso’s residence at Boisgeloup in the 1930s; to 11th September.

Landscapes by Odilon Redon, previously in Bordeaux; 20th May to 11th September.

Paintings by John Golding are on view from 26th April to 16th September (then at Piano Nobile, London).

 Paintings by Matisse; to 16th September.

Over 250 exhibits from Russian state collections illustrate the cultural vibrancy of pre-revolutionary St Petersburg under Tsar Nicholas II; 4th February to 17th September.

Aert Schouman and the Imagination of Nature is a large retrospective of the eighteenth-century animal painter’s work; 19th February to 17th September.

Hidden from the Eyes. Underdrawings in Panel Paintings from the 14th–16th Centuries in the Collections of the National Gallery in Prague runs from 23rd February to 17th September.

Over eighty examples of seventeeth-century Italian painting from regional collections; 27th April to 17th September.

At the Hamburger Bahnhof, a retrospective devoted  to  the  German  sculptor  Rudolf  Belling (1886–1972) runs from 8th April to 17th September.

Concurrently, a survey of installation art includes work by Joseph Beuys, Bruce Nauman and others.

A Robert Rauschenberg retrospective, previously in London, runs from 21st May to 17th September (then in San Francisco); to be reviewed.

The  drawings of Georges Dorignac (1879–1925), previously in Roubaix, are on view here from 18th May to 17th September.

The drawings of Georges Dorignac (1879–1925), previously in Roubaix, are on view here from 18th May to 17th September.

Bacon, Freud and the School of London runs to 17th September.

Works by a broad selection of 20th-century Italian artists influenced by American life, culture and patronage are gathered here; to 17th September.

Works by photographer Thomas Struth; 5th May to 17th September.

Arp: The Poetry of Forms includes sculptures, reliefs, works on paper and writings; 20th May to 17th September.

Drawings of landscapes, still lifes, figures and nature studies by William Henry Hunt; 24th June to 17th September.

Vermeer and the Masters of Genre Painting, previously in Paris, runs from 17th June to 17th September (then in Washington); to be reviewed.

An exhibition of Eric Ravilious and his circles in Essex, Sussex and London; to 17th September (then in Sheffield and Compton).

The centenary of  Andrew  Wyeth’s  birth is marked by a retrospective; 24th June to 17th September (then in Seattle).

Representations of women in medieval manuscripts; 20th June to 17th September.

Past installations and performances by Yoko Ono will be staged from 17th June through the summer.

Previously in Poole, Hull and Belfast, Lines of Thought: Drawing from Michelangelo to Now, a British Museum exhibition, runs to 17th September (then in Providence RI).

150 works by Picasso and Diego Rivera, previously in Los Angeles, show the artists’ parallel development; 14th June to 17th September.

Previously in Vienna, an exhibition of paintings by Daniel Richter runs from 2nd July to 17th September (then in Humlebæk).

A Jennifer Tee show is concurrent (then in Bonn).

A survey of Victorian art runs to 17th September.

Maeve Brennan’s film The Drift, reviewed in the June issue, runs from 8th July to 17th September (then in Manchester and Lismore).

An exhibition of works by Tessa Lynch is concurrent.

An exhibition by Marc Quinn links his use of the sculptural fragment back to its precedents in antiquity; to 23rd September.

An exhibition centred on Nathan Coley runs to 24th September.

Leonardo’s newly-restored Adoration of the Magi is now on view alongside Filippino Lippi’s later version

of 1496; to 24th September.

A survey of Florine Stettheimer’s paintings and drawings; 5th May to 24th September.

Nineteenth-century portrait photography; 9th June to 24th September.

The BP Portrait Award 2017 exhibition runs from 22nd June to 24th September.

Some 65 drawings by Leonardo and Michelangelo from Italian collections are on view here from 17th June to 24th September.

Previously in London and Dublin, and reviewed in the February issue, a survey of Caravaggism in sixteenth-century Europe runs from 17th June to 24th September.

50 nineteenth-century Japanese prints loaned  from a single local collection; to 24th September.

An ARTIST ROOMS exhibition of sculptures and drawings by Phyllida Barlow runs to 24th September.

A show of new and recent works by Barlow’s former pupil Michael Armitage is concurrent.

A survey of Takashi Murakami’s work runs from 6th June to 24th September.

An exhibition previously in St Louis studies Degas’s and the Impressionists’ fascination with hats; 24th June to 24th September.

The role of colour in the designs of Hella Jongerius; to 24th September.

British neo-Romanticism; to 24th September.

An Arts Council exhibition, previously in Yorkshire, examines the role of colour and sequence in British art of the 1960s; 15th July to 24th September (then in Warwick and Liverpool); to be reviewed.

David Gwinnutt’s photographs of the London art and club scene of the 1980s, including portraits of Derek Jarman and Gilbert & George never previously exhibited, are on view to 29th September.

An Andy Warhol exhibition runs from 4th June to 30th September.

A century of ‘queer British art’, from 1861 to 1967, is examined here; 5th April to 1st October; to be reviewed.

Previously in Eelde, the first exhibition dedicated to Albert Moore runs from 7th April to 1st October.

Pink Floyd: Their Mortal Remains studies the music and design behind the band’s work, from the 1960s to the present; 13th May to 1st October.

Numerous exhibits from the Frank Lloyd Wright Foundation Archives are employed in a comprehensive study of the architect’s work and thought; 12th June to 1st October.

A major show dedicated to the life and work of the British painter John Minton runs to 1st October. Paintings and drawings by William Coldstream from the collection of Colin St John Wilson is concurrent.

Seurat to Riley: The Art of Perception draws a line from Impressionism, through Op art to painters of the present day; 8th July to 1st October.

An exhibition studies the fashioning of masculinity in art from Van Dyck to Lucian Freud; to 1st October.

The pioneering photographs of David Octavius Hill and Robert Adamson are studied here concurrently.

Blue Black, an exhibition of works in these colours curated by Glenn Ligon, runs from 9th June to 7th October.

Over 60 of the 150 paintings produced by Constable in Brighton between 1824 and 1828 are on view here from 8th April to 8th October; to be reviewed.

Russian revolutionary-era porcelain is on view from 22nd April to 8th October.

A loans exhibition of Sargent’s watercolours runs from 21st June to 8th October; to be reviewed.

Giovanni da Rimini’s Scenes from the lives of the Virgin and other saints (1300–05; Fig.78), donated to the museum by the New York collector Ronald S. Lauder in 2015, is the focus of a display devoted to the School of Rimini; 14th June to 8th October.

The 2017 Serpentine Pavilion is designed by Diébédo Francis Kéré; 23rd June to 8th October.

The first major survey of the work of the Turkish Ecole de Paris painter Fahrelnissa Zeid runs from 13th June to 8th October.

Work of the American photographer Gregory Crewdson; to 8th October.

Frieze Sculpture 2017 includes works by John Chamberlain, Michael Craig-Martin and others; 5th July to 8th October.

Around 200 works from the Hispanic Society of America, New York, are on view from 4th April to 9th October.

In Room 69a, a display explores LGBTQ histories through objects from the collection; to 15th October.

Watercolours com- missioned to mark Queen Victoria’s visit to Paris in 1855, previously in Compton and Exeter, are on view here from 17th June to 15th October (then in Barnard Castle).

A solo exhibition of Nan Goldin’s work runs from 16th June to 15th October.

Portraying a Nation: Germany 1919– 1933 combines an exhibition of works by Otto Dix, previously in Düsseldorf, and a nationally touring show of photographs by August Sander; 23rd June to 15th October.

Seventeenth-century French drawings from the collection; 16th June to 15th October.

Works from Anthony Caro’s Concerto series are on view to mark the restoration of his monumental quayside sculpture Sea music (1991); to 15th October.

A mono-graphic exhibition devoted to Alfred Sisley, previously in Greenwich, runs to 15th October; to be reviewed.

An exhibition of works by the Polish artist Edward Krasínski, previously in Liverpool, runs to 15th October.

Anselm Kiefer has been given carte blanche to examine the parallels between his and Rodin’s art in a large exhibition; 14th March to 22nd October.

Displays studying the art and coins collected by Chinese scholars through the ages, and contemporary Chinese abstract ink painting, are on view throughout the summer.

Becoming Henry Moore studies the artist’s early influences, including his British contemporaries. European Modernism and non-Western sources; 14th April to 22nd October (then in Leeds).

Renaissance and Baroque portrait drawings from British collections; 13th July to 22nd October.

Soul of a Nation: Art in the Age of Black Power is a loans exhibition studying African-American artists and the Civil Rights movement; 12th July to 22nd October; to be reviewed.

Works by the Japanese sculptor Jiro Takamatsu are on view from 13th July to 22nd October.

Works by Richard Long appear in the grounds to 26th October.

Power & Portraiture: Painting at the Court of Elizabeth I runs to 29th October.

At the Longside Gallery, an exhibition of works selected from the Arts Council Collection by Rana Begum runs from 15th July to 29th October.

Around 100 works by Léger are on view from 20th May to 30th October.

An exhibition marks the quincentenary of the Reformation by measuring its impact on culture internationally up to the present day; 12th April to 5th November.

L’Afrique des routes is a massive survey of African culture from the fifth century BC to the present; to 12th November.

Paintings, drawings and prints by Canaletto and his contemp- oraries;19th May to 12th November; to be reviewed.

The first exhibition of David Smith’s white sculptures is on view here from 13th May to 12th November.

Enlightened Princesses: Caroline, Augusta, Charlotte, and the Shaping of the Modern World, previously in New Haven, explores the artistic interests of three German princesses at the British court; 22nd June to 12th November; to be reviewed.

Paintings, drawings and prints by Canaletto and his contemporaries; to 12th November; to be reviewed.

An exhibition examines the use of plywood in modern design; 15th July to 12th November.

An exhibition studies the role of intuition in modern and contemporary art; 13th May to 26th November.

The 57th Venice Biennale runs from 13th May to 26th November; to be reviewed.

A survey of Watts’s work; 20th June to 26th November; to be reviewed.

An array of exhibits, from objects excavated at Pompeii to works by William Kentridge, evoke the Grecian influence on Pompeian culture; to 27th November.

A monographic show dedicated to Damien Hirst opens on 9th April.

An archival display details the scandal ignited by Duchamp’s Fountain in 1917; to 3rd December.

Cosmic Buddhas in the Himalayas runs from 24th June to 10th December.

Large- scale sculptures and an installation by Jake and Dinos Chapman are on view to 16th December.

Large sculptures and an installation by Jake and Dinos Chapman are on view to 16th December.

The centenary of Rodin’s death is marked here by a year-long display of 50 bronzes, marbles and plasters from the collection; to 31st December.

Items from the collection of natural objects and artefacts amassed by Harvard College from the 18th century are reunited with works by the artists who studied them; to 31st December.

he largest ever Wyndham Lewis retrospective in Britain runs to 1st January; to be reviewed.

Here and at Mount Stuart, Isle of Bute, Art of Power: Masterpieces from the Bute Collection shows the collection amassed by John Stuart, 3rd Earl of Bute; to 14th January 2018; to be reviewed.

Over 100 designs by the Spanish couturier Cristóbal Balenciaga; to 18th February; to be reviewed.