RESEARCH on Barocci has, in the last few years, been enriched by several important works: M. A. Lavin's investigations which among other matters treat of Barocci's drawing, and C. Pemn's article, but first and foremost Harald Olsen's fundamental Federico Barocci with catalogue raisonne' and list of 570 drawings. Encouraged by Harald Olsen it is a pleasure to be able to add two hitherto unknown drawings to this comprehensive list; not least because they help towards the elucidation of one of Barocci's principal works, and because this canvas has been considered lost, but is now known to be in existence in England.