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December 1970
Vol. 112 | No. 813
The Burlington Magazine
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Editorial
Restoration of Monuments in Tuscany
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Articles
(13)
Books
(6)
Exhibitions
(5)
Articles
Front Matter
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A Copy after Van Dyck by Géricault
By Lee Johnson
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The 'Tramezzo' in S. Croce, Florence and Domenico Veneziano's Fresco
By Marcia B. Hall
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Documents for Filippo Strozzi's Chapel in Santa Maria Novella and Other Related Papers-II: The Documents
By Eve Borsook
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A Series of Papal Busts by Domenico Guidi
By David L. Bershad
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Taddeo Zuccaro's Paintings for Charles V's Obsequies in Rome
By Olga Berendsen
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A Note on Two Series of Tapestries Woven in Parisian Workshops in the Seventeenth Century
By Madeleine Jarry
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A Note on West's 'Apotheosis of Nelson'
By George T. Noszlopy
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A Recently Discovered Portrait of Thomas Orde by Pompeo Batoni
By Francis Russell
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The Authenticity of Dante Gabriel Rossetti's 'Burd-Alane': An Unpublished Document
By Marcia Allentuck
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Recent Museum Acquisitions: Greek, Etruscan, Roman Gold and Silver-I: Archaic to Hellenistic Gold
By Cornelius C. Vermeule
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The development of Italian Baroque church decoration
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Back Matter
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Books
Three new books on Titian [Problems in Titian, Mostly Iconographic; Tiziano; The paintings of Titian]
By John Maxon
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The Cave Temples of Maichishan
By Jessica Rawson
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Bruegel and Lucas van Leyden. Complete Engravings, Etchings and Woodcuts [and Bruegel: le stampe; Catalogue raisonnee des estampes de Pierre Bruegel l'ancien]
By John Rowlands
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The Great Tournament Roll of Westminster
By Roy Strong
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Claude Lorrain: The Drawings
By Deborah Howard
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The Artist and the Book in France: The 20th Century Livre d'artiste
By John P. Harthan
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Exhibitions
Current and Forthcoming Exhibitions: General
By Benedict (B. N) Nicolson
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Current and Forthcoming Exhibitions: 'Art and the East India Trade' at the Victoria and Albert Museum
By Simon Digby
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Current and Forthcoming Exhibitions: Lui Shou Kwan at the Moss Gallery
By O. R. Impey
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Current and Forthcoming Exhibitions: London
By Keith Roberts
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Current and Forthcoming Exhibitions: Newcastle [John Martin at the Laing Art Gallery]
By Keith Roberts
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