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October 1974, No. 859 – Vol 116

The Burlington Magazine

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Editorial

Caravaggio and His Circle in the British Isles

  • Front Matter

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  • Detroit's 'Conversion of the Magdalen' (the Alzaga Caravaggio) 1 - Introduction

    By Frederick J. Cummings
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  • Detroit's 'Conversion of the Magdalen' (the Alzaga Caravaggio) 2 - New Findings on Caravaggio's Technique in the Detroit 'Magdalen'

    By James L. Greaves,Meryl Johnson
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  • Detroit's 'Conversion of the Magdalen' (the Alzaga Caravaggio) 3 - The Meaning of Caravaggio's 'Conversion of the Magdalen'

    By Frederick J. Cummings
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  • Detroit's 'Conversion of the Magdalen' (the Alzaga Caravaggio) 4 - The Documentary Findings: Ottavio Costa as a Patron of Caravaggio

    By Luigi Spezzaferro
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  • Detroit's 'Conversion of the Magdalen' (the Alzaga Caravaggio) 5 - The Art-Historical Implications of the Detroit 'Magdalen'

    By Luigi Salerno
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  • A New Painting and Some Observations on Caravaggio's Journey to Malta

    By Mina Gregori
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  • Caravaggio and the Caravaggesques: Some Recent Research

    By Benedict (B. N) Nicolson
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  • Back Matter

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  • Recent Caravaggio Studies

    By Benedict (B. N) Nicolson
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  • Renaissance and Baroque Paintings from the Sciarra and Fiano Collections

    By Dwight C. Miller
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  • La Pittura Friulana del Rinascimento

    By Cecil Gould
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  • Frans Post, 1612-1680

    By Robert C. Smith
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  • J. B. Fischer Von Erlach

    By Nicolas Powell
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  • On Adam's House in Paradise. The idea of the Primitive Hut in Architectural History

    By Wolfgang Herrmann
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  • Sir Hugh Lane: His Life and Legacy

    By Leonée Ormond
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  • Current and Forthcoming Exhibitions: London

    By Keith Roberts
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