Editorial

March 1903-February 2004

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• Articles (6)
• Books (8)
• Exhibitions (9)

• Benedict Nicolson: Becoming an art historian in the 1930s

  By Caroline Elam
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• Benedict Nicolson: a portrait

  By Richard Shone
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• Burlington primitive: non-European art in The Burlington Magazine before 1930

  By Colin Rhodes
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• The National Gallery's new catalogue of fifteenth-century Italian paintings

  By Laurence B. Kanter
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• The Earl of Leicester and portraits of the duc d'Alencon

  By Elizabeth Goldring
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• A work in tempera by Margaret Gere

  By Hannah Spooner
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• The Illustrated Beatus. A Corpus of the Illustrations of the Commentary on the Apocalypse: IV, The Eleventh and Twelfth Centuries.

  By Rose Walker
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• St John the Divine. The Deified Evangelist in Medieval Art and Theology.

  By Veronica Sekules
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• The Church of the Panaghia tou Arakos at Lagoudhera, Cyprus: the Paintings and their Painterly Significance.

  By Robin Cormack
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• The Great Book of Thomas Trevilian. A facsimile from the manuscript in the Wormsley Library.

  By Simon Jervis
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• Lettere artistiche del Settecento veneziano: I.

  By Michael Levey
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• De Watteau à Ingres. Dessins français du XVIIIe siècle du Rijksmuseum Amsterdam.

  By Perrin Stein
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• Painting the Nation. Identity and Nationalism in Scottish Painting, 1800-1920.

  By Nicholas Tromans
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• Dictionnaire des Fondeurs de Bronze d'Art. France 1890-1950.

  By Patrick Elliott
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• Frédéric Bazille. Paris

  By John House
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• Cy Twombly. Paris and London

  By Catherine Craft
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• Paul Gauguin. Paris and Boston

  By Colin Rhodes
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• Eighteenth-century French oil-sketches. Strasbourg and Tours

  By Jo Hedley
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• Giorgione. Venice

  By Beverly Louise Brown
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• Degas and the Italians. Ferrara and Edinburgh

  By Philip Rylands
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• Christoffer Wilhelm Eckersberg. Washington

  By Andrew Carrington Shelton
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• Chuck Close. Houston and New York

  By James Lawrence
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• Lee Bontecou. Chicago and New York

  By Lynne Cooke
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