Editorial

INHA: a future for art history in France

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• Articles (4)
• Books (12)
• Exhibitions (9)

• Two newly discovered Chardins for Toledo

  By Philip Conisbee
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• Gustave Moreau and the Raffalovich family: new documents for ‘Sappho’

  By Rachel Sloan
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• The ideal of history painting: Georges Rouault and other students of Gustave Moreau at the Ecole des Beaux-Arts, Paris, 1892–98

  By Cristina Scassellati Cooke
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• Edouard Vuillard: the new catalogue

  By Merlin James
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• Architecture and Society in Normandy 1120–1270

  By Alan Borg
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• Stil und Erinnerung. Französische Hofkunst im Zeitalter Karls V. und im Zeitalter seiner Deutung

  By Andreas Puth
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• Propaganda and the Jesuit Baroque

  By Jeffrey M. Muller
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• ‘Loth et ses filles’ de Simon Vouet

  By Stéphane Loire
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• Greuze and the Painting of Sentiment

  By Richard Rand
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• Art in an Age of Counterrevolution. 1815–1848

  By Sébastien Allard
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• French Art in Nineteenth-Century Britain

  By Nicholas Tromans
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• James McNeill Whistler: Uneasy Pieces

  By Trevor Fairbrother
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• Félix Vallotton, 1865–1925. L’œuvre peint

  By Richard Thomson
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• Georges Braque. A Life

  By Nicholas Watkins
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• Surrealism and the Politics of Eros, 1938–1968

  By Robert Radford
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• De Kooning: an American Master

  By Lynne Cooke
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• Art from Brazil. London and Leeds

  By Tony Godfrey
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• Ingres. Paris

  By Brooks Beaulieu
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• MAC/VAL. Vitry-sur-Seine

  By Aurélie Verdier
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• Rembrandt–Caravaggio. Amsterdam

  By Xander van Eck
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• Splendour of Venice. Bordeaux and Caen

  By Peter Humfrey
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• Fuseli. Zürich and London

  By David Bindman
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• Frank Stella. Cambridge MA, Houston and Columbus

  By James Lawrence
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• Whitney Biennial. New York

  By David Carrier
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• Goya’s last works. New York

  By Marcus B. Burke
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