Editorial

All changes at Bankside

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• Articles (5)
• Books (9)
• Exhibitions (9)

• Claus Sluter’s ‘Well of Moses’ for the Chartreuse de Champmol reconsidered: part II

  By Susie Nash
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• ‘A Seat worthy of the Family’: a rediscovered proposal by the architect Johann Joseph Couven for the remodelling of Struthers, Fife

  By David Adshead
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• A new portrait by Bernini

  By Tomaso Montanari
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• Knowledge and authority in Thomas Eakins’s ‘The Agnew clinic’

  By Elizabeth Athens
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• Stuart Davis’s sources for ‘Egg beater’ and ‘Odol’

  By Mariea Caudill Dennison
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• Artistic Exchange and Cultural Translation in the Italian Renaissance City

  By Jill Burke
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• The Pontificate of Clement VII. History, Politics, Culture

  By Michael Hirst
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• Lorenzo de’ Medici and the Art of Magnificence

  By Patricia Rubin
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• Ludovico Carracci and the Art of Drawing

  By Nicholas Turner
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• Bartolomeo Manfredi (1582–1622): Ein Nachfolger Caravaggios und seine europäische Wirkung. Monographie und Werkverzeichnis [and: Lettere artistiche del Settecento veneziano: 2. Il carteggio Giovanni Maria Sasso-Abraham Hume]

  By Beverly Louise Brown
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• Lettere artistiche del Settecento veneziano: 2. Il carteggio Giovanni Maria Sasso–Abraham Hume

  By Michael Levey
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• Joseph Gandy: an Architectural Visionary in Georgian England

  By Gillian Darley
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• Forging a Modern Identity: Masters of American Painting born after 1847

  By Elizabeth Athens
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• Francis Bacon’s Studio

  By Michael Peppiatt
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• Recent exhibitions of British art

  By Barnaby Wright
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• George Jack. London

  By Simon Watney
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• Van Gogh. Compton Verney and Edinburgh

  By Ronald Pickvance
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• Frank Brangwyn. Leeds, Bruges and Swansea

  By Robert Radford
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• Los Angeles 1955–85. Paris

  By David Anfam
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• Dada. Paris, Washington and New York

  By Catherine Craft
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• Pierre Huyghe. Paris and London

  By Lynne Cooke
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• Lambert Lombard. Liège

  By Thomas Fusenig
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• Baroque in the Vatican. Bonn and Berlin

  By Simon Ditchfield
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