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August 2011

Vol. 153 | No. 1301

Editorial

The Walpole Society centenary

The Walpole Society centenary.

Editorial read more
  • MA.AUG.COLLIER.Fig

    A forgotten collector of early Italian art: Horatio Walpole, 3rd Earl of Orford

    By Carly Collier

    An examination of Horatio Walpole’s collecting in the 1830s and 1840s, particularly of early Italian paintings, using unpublished correspondence with his agent Dennistoun.

  • MA.AUG.FRUGONI.Fig

    Playing with clouds

    By Chiara Frugoni

    The discovery of the head of a bearded man in profile visible in the clouds in The death of St Francis of Assisi (c.1288–92) in the fresco cycle in the Upper Church of the Basilica of S. Francesco, Assisi.

  • MA.AUG.GRIFFEY.Fig

    More on the ‘Dutch Gift’ to Charles II

    By Erin Griffey

    Gerard Dou’s The tooth puller (c.1630–35), now in the Louvre, is identified as having been part of the ‘Dutch Gift’ to Charles II.

  • MA.AUG.VACHA.Fig

    An unknown work by Francesco Cozza in the Czech Republic

    By Stephán Vácha

    An examination of a little-known altarpiece of the Purification of the Virgin (1672–73) by Francesco Cozza.

  • MA.AUG.LECLAIR.Fig

    Rubens’s ‘Rape of the Sabines’ and Van Dyck’s ‘Charity’: a failed purchase by Louis XV

    By Anne Leclair

    The failed negotiations by Louis XV to purchase Peter Paul Rubens’s Rape of the Sabines (c.1627–28) and Anthony Van Dyck’s Charity (c.1635–40).

  • John Stuart, 3rd Earl of Bute, and his collecting in Venice

    By Francis Russell

    Further information on the collecting of John Stuart, 3rd Earl of Bute, in Venice.

  • More on the provenance of Caravaggio’s ‘Taking of Christ’

    By Katherine Flynn

    More details on the appearance in 1922 of Caravaggio’s Taking of Christ in salerooms in Edinburgh.

  • Kenneth Clark and Gertrud Bing: letters on ‘The Nude’

    By Elizabeth Sears

    Unpublished correspondence between Gertrud Bing and Kenneth Clark on the latter’s The Nude: A Study in Ideal Form (1956).

  • Art History Reviewed XIV: Svetlana Alpers’s ‘The Art of Describing: Dutch Art in the Seventeenth Century’, 1983

    By Mariët Westermann

    A re-examination by Mariët Westermann of Svetlana Alpers’s The Art of Describing: Dutch Art in the Seventeenth Century (1983).

  • Françoise Cachin (1936–2011)

    By Juliet Wilson-Bareau