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Search result for "Colin Rhodes"

10 of 78 articles
Book Review
Pierpont Morgan’s Library: Building the Bookman’s Paradise
07/2024 | 1456 | 166
Pages: 759–80
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Campbell, James (Campbell, James)
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J. Pierpont Morgan’s Library: Building the Bookman’s Paradise By Colin B. Bailey, Daria Rose Foner, Barry Bergdoll, Andrew Dolkart, Christine Nelson and Brian Regan. 256 pp. incl. numerous col. + b. & w. ills. (Scala Arts and the Morgan Library and Museum, New York), £34. ISBN 978–1– 78551–399–2. | :
Illustrations
Attributed works:
9. Façade of the Morgan Library and Museum, designed by Charles McKim. Completed 1906.
Book Review
Surrealists in New York: Atelier 17 and the Birth of Abstract Expressionism
12/2023 | 1449 | 165
Pages: 1372–1373
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Rhodes, Colin (Rhodes, Colin)
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Surrealists in New York: Atelier 17 and the Birth of Abstract Expressionism By Charles Darwent. 264 pp. incl. 93 b. & w. ills. (Thames and Hudson, London and New York, 2023), £25. ISBN 978–0–500–09426–6. | :
Illustrations
Attributed works:
5. Centauresse, by Stanley William Hayter. 1944. Colour engraving and soft-ground etching, 28.6 by 23.2 cm. (National Gallery of Art, Washington).
Exhibition Review
Souls Grown Deep Like the Rivers: Black Artists from the American South
06/2023 | 1443 | 165
Pages: 657-659
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Rhodes, Colin (Rhodes, Colin)
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Souls Grown Deep Like the Rivers: Black Artists from the American South Royal Academy of Arts, London 17th March–18th June | :
Illustrations
Attributed works:
23. LeBe, by Sam Doyle. Late 1970s. Paint on tin, 95.2 by 67.9 cm. (Estate of Sam Doyle; Souls Grown Deep Foundation, Atlanta; photograph Stephen Pitkin; exh. Royal Academy of Arts, London).
Attributed works:
24. Oklahoma, by Ronald Lockett. 1995. Found sheet metal, tin, wire, paint and nails on wood, 114.3 by 117.5 by 7.6 cm. (Souls Grown Deep Foundation, Atlanta; Artist Rights Society, New York and DACS; exh. Royal Academy of Arts, London).
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25. Medallion, by Loretta Pettway Bennett. 2005. Cotton and twill, 215.9 by 154.9 cm. (Souls Grown Deep Foundation, Atlanta; Artist Rights Society, New York and DACS; exh. Royal Academy of Arts, London).
Book Review
Europe Divided: Huguenot Refugee Art and Culture
08/2022 | 1433 | 164
Pages: 827
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Rhodes, Sophie (Rhodes, Sophie)
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Europe Divided: Huguenot Refugee Art and Culture By Tessa Murdoch. 320 pp. incl. 250 col. ills. (V&A Publishing, London, 2021), £40. ISBN 978–1–83851–012–1. | :
Book Review
The Power and Fluidity of Girlhood in Henry Darger’s Art
04/2022 | 1429 | 164
Pages: 425-426
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Rhodes, Colin (Rhodes, Colin)
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The Power and Fluidity of Girlhood in Henry Darger’s Art By Leisa Rundquist. 126 pp. incl. 13 b. & w. ills. (Routledge, Abingdon-on-Thames, 2021), £44.99. ISBN 978–1–138–31455–9. | :
Illustrations
Attributed works:
5. a) Are almost murdered themselves though they fight for their lives typhoon saves them... b) Vivian girls said Glandelinian tent, by Henry Darger. Watercolour and pencil on paper, 55.9 by 223.5 cm. (Museum of Modern Art, New York; Scala Archives).
Book Review
Horace Pippin, American Modern
02/2022 | 1427 | 164
Pages: 219-221
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Rhodes, Colin (Rhodes, Colin)
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Horace Pippin, American Modern By Anne Monahan. 264 pp. incl. 96 col. + 25 b. & w. ills. (Yale University Press, New Haven and London, 2020), £40. ISBN 978–0–300–24330–7. | :
Illustrations
Attributed works:
6. The domino game, by Horace Pippin. 1943. Oil on composition board, 32.4 by 55.9 cm. (Phillips Collection, Washington).
Exhibition Review
Jean Dubuffet: Brutal Beauty
08/2021 | 1421 | 163
Pages: 736-739
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Rhodes, Colin (Rhodes, Colin)
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Jean Dubuffet: Brutal Beauty Barbican Art Gallery, London 17th May–22nd August | :
Illustrations
Attributed works:
1. Wall and opinions, by Jean Dubuffet. January–March 1945. Lithograph on Montval cardboard, 121 by 45 cm. (Collection Fondation Dubuffet, Paris; © 2021 ADAGP, Paris, and DACS, London; exh. Barbican Art Gallery, London).
Attributed works:
2. Lady’s body, by Jean Dubuffet. December 1950. Watercolour on paper, 48 by 31 cm. (Musée des Arts Décoratifs, Paris; © 2021 ADAGP, Paris, and DACS, London; © MAD, Paris, and Cyrille Bernard; exh. Barbican Art Gallery, London).
Attributed works:
3. Texturology XLVI (with ochre flashes), by Jean Dubuffet. 30th May 1958. Oil on canvas, 97 by 130 cm. (Musée des Arts Decoratifs, Paris; © 2021 ADAGP, Paris, and DACS, London; © MAD, Paris, and Jean Tholance; exh. Barbican Art Gallery, London).
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4. Site inhabited by objects, by Jean Dubuffet. 1st–3rd May 1965. Vinyl paint on canvas, 130 by 162 cm. (Tate; exh. Barbican Art Gallery, London).
Exhibition Review
Elijah Pierce’s America
02/2021 | 1415 | 163
Pages: 175-177
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Rhodes, Colin (Rhodes, Colin)
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Elijah Pierce’s America Edited by Nancy Ireson and Zoé Whitley. 208 pp. incl. 120 col. ills. (Barnes Foundation, Philadelphia, and Paul Holberton, London, 2020), £40. ISBN 978–1–911300–87–8. | :
Illustrations
Attributed works:
22. Three ways to send a message: telephone, telegram, tella- woman, by Elijah Pierce. c.1941. Carved and painted wood, 39.4 by 45.7 by 3.8 cm. (High Museum of Art, Atlanta; exh. Barnes Foundation, Philadelphia).
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23. Nixon being driven from the White House, by Elijah Pierce. 1975. Carved and painted wood and beads, 36.8 by 74.3 cm. (Private collection; exh. Barnes Foundation, Philadelphia).
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24. The Power of prayer, by Elijah Pierce. 1960. Carved and painted wood and glitter, 103.1 by 49.8 cm. (Museum of Everything, London; exh. Barnes Foundation, Philadelphia).
Book Review
Gatecrashers: The Rise of the Self-Taught Artist in America
11/2020 | 1412 | 162
Pages: 1009-1010
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Rhodes, Colin (Rhodes, Colin)
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Gatecrashers: The Rise of the Self- Taught Artist in America By Katherine Jentleson. 264 pp. incl. 53 col. + 18 b. & w. ills. (University of California Press, Oakland, 2020), £41. ISBN 978–0–520–30342–3. | :
Illustrations
Attributed works:
9. The ending of the war, starting home, by Horace Pippin. 1930–33. Oil on canvas and carved wooden frame, 66 by 76.5 cm. (Philadelphia Museum of Art).
Book Review
Colin McCahon: Volume 1: 1919–1959 (There is Only One Direction). Volume 2: 1960–1987 (Is This the Promised Land?)
09/2020 | 1410 | 162
Pages: 822-823
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Stocker, Mark (Stocker, Mark)
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Colin McCahon By Peter Simpson. Volume 1: 1919–1959 There is Only One Direction 360 pp. incl. numerous col. + b. & w. ills. (Auckland University Press, Auckland, 2019), £76.50. ISBN 978–1–86940–895–4. Volume 2: 1960–1987 Is This the Promised Land? 400 pp. incl. numerous col. + b. & w. ills. (Auckland University Press, Auckland, 2020), £81.50. ISBN 978–1–86940–908–1. | :
Illustrations
Attributed works:
6. Crucifixion according to St Mark, by Colin McCahon. 1947. Oil on canvas, 80 by 109.5 cm. (Christchurch Art Gallery Te Puna o Waiwhetu).