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Article

Annibale Carracci and the forgotten Magdalene

10/2024 | 1459 | 166

Pages: 1028–35

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Author:

Willer, Jacob (Willer, Jacob)

Subjects

artists:

Carracci family / Carracci, Annibale / Carracci, Agostino / Carracci, Lodovico / Albani, Francesco / Badalocchio, Sisto / Lanfranco, Giovanni / Domenichino / Viola, Giovanni Battista / Faucci, Carlo / Nocchi, Giovanni Battista

dates:

1590-1609

museums and institutions:

Kedleston Hall, nr. Quarndon, Derbyshire, Great Britain / Galleria Doria Pamphili, Rome, Italy / Fitzwilliam Museum, Cambridge, Great Britain

subjects:

Italian painting / Attributions / Dating / Mary Magdalene, Saint

Illustrations

Attributed works:

1. Penitent Mary Magdalene in a landscape, here attributed to Annibale Carracci. c.1601-03. Oil on copper, 37.4 by 29.2 cm. (National Trust; Kedleston Hall, Derbyshire).

Attributed works:

10. Detail of Fig.9.

Attributed works:

11. Detail of Fig.1.

Attributed works:

12. Detail of Fig.1, showing the face of the Magdalen.

Attributed works:

13. Detail of Fig.14, showing the face of the Virgin.

Attributed works:

14. Pietà with two angels, by Annibale Carracci. c.1603. Oil on copper, 41.3 by 60.7 cm. (Kunsthistorisches Museum, Vienna).

Attributed works:

2. Penitent Mary Magdalene, by Carlo Faucci. c.1758. Engraving, 39 by 30 cm. (Wellcome Collection, London).

Attributed works:

3. Penitent Mary Magdalene, here attributed to the studio of Annibale Carracci. c.1603. Oil on copper, 32.4 by 43 cm. (Fitzwilliam Museum, Cambridge).

Attributed works:

4. Penitent Mary Magdalene, here attributed to the studio of Annibale Carracci. c.1603. Oil on canvas, 51.5 by 67 cm. (Palazzo Doria Pamphilj, Rome).

Attributed works:

5. Penitent Mary Magdalene, copy after Annibale Carracci. 18th century? Oil on canvas, 41.9 by 32 cm. (Thorvaldsens Museum, Copenhagen).

Attributed works:

6. Detail of Fig.3, showing the pentimento around the Magdalene’s toes.

Attributed works:

7. Sleeping Ariadne. Roman, 1st century CE. Marble. (Vatican Museums, Vatican City; Photo Scala, Florence).

Attributed works:

8. The sleep of Venus, here attributed to the studio of Annibale (and Agostino?) Carracci. c.1600–02. Oil on canvas, 190 by 328 cm. (Musée Condé, Chantilly; Bridgeman Images).

Attributed works:

9. Christ appearing to St Peter on the Appian Way, by Annibale Carracci. 1601–02. oil on wood, 77.4 by 56.3 cm. (National Gallery, London; Bridgeman Images).

Article

Adam Silver Reassessed

01/1997 | 1126 | 139

Pages: 17-25

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Author:

Snodin, Michael (Snodin, Michael)

Subjects

artists:

Adam family

artists:

Adam, Robert, 1728-1792

artists:

Stella, Jacques

buildings:

Kedleston Hall, nr. Quarndon, Derbyshire, Great Britain

dates:

1750-1799

patrons:

Curzon, Nathaniel, First Baron Scarsdale, 1726-1804

places:

England

subjects:

Silverwork / Metalwork

subjects:

Patronage / Documents

Illustrations

Attributed works:

26. Detail from an Engraving Showing the Sideboard at Kenwood House, Designed 1767-69. Engraving by P. Begbie after Robert Adam, from The Works in Architecture of Robert and James Adam, Vol. I, 1773. (Victoria and Albert Museum, London).

Attributed works:

27. Design for the Sideboard at Kedleston Hall, by an Adam Office Hand after Robert Adam. 1762. Pen and Wash, 45 by 60.3 cm. (The National Trust, Kedleston Hall).

Attributed works:

28. Design for a Ewer, by Jacques Androuet Ducerceau. c.1550. Etching, 12.6 by 6.5 cm. (Victoria and Albert Museum, London).

Attributed works:

29. Record Drawing of Metalwork at Kedleston Hall, by an Adam Office Hand. c.1759-62. Pen and Pencil, 29.1 by 40.8cm. (Sir John Soane's Museum, London).

Attributed works:

30. Design for a Silver Sauceboat for Kedleston Hall, by Robert Adam. c.1759-62. Pen and Pencil, 18.5 by 28.6 cm. (Sir John Soane's Museum, London).

Attributed works:

31. Design for the First Version of the Richmond Race Cup, by Robert Adam. c.1763. Pen and Pencil, 44.6 by 21.2cm. (Sir John Soane's Museum, London).

Attributed works:

32. Design for a Vase, by Jacques Stella. 1667. Engraving, 27.7 by 20.3 cm. (Victoria and Albert Museum, London).

Attributed works:

33. Ewer, by Enea Vico. 1543. Engraving, 26.2 by 19 cm. (Victoria and Albert Museum, London).

Attributed works:

34. Design for the Richmond Race Cup, as Executed, by Robert Adam. c.1763. Pen and Pencil, 46.5 by 37.6cm. (Sir John Soane's Museum, London).

Attributed works:

35. Design for a Gold Cup for Colonel Pelham, by John Vardy after William Kent. Etching, 22.6 by 16.9 cm. From J. Vardy: Some Designs of Mr Inigo Jones and Mr William Kent, London [1744].

Attributed works:

36. Design for a Silver-Gilt Cup and Cover for General Francis Lascelles, by James Adam (Or Adam Office). 1764. Pen and Wash, 51.9 by 41 cm. (Sir John Soane's Museum, London).

Attributed works:

37. Design for a Silver-Gilt Candlestick, by an Adam Office Hand after Robert Adam. c.1766. Pen and Wash, 52.6 by 36 cm. (Sir John Soane's Museum, London).

Attributed works:

38. Design for a Silver Wine Cooler for the Earl of Bute, by Robert Adam. c.1761-63. Pen and Wash, 35.2 by 51.1 cm. (Sir John Soane's Museum, London).

Attributed works:

39. Design for a Silver Soup Tureen, by Robert Adam. Probably Late 1750s. Pen and Pencil, 20.1 by 31.9 cm. (Sir John Soane's Museum, London).

Attributed works:

40. Design for a Silver Candlestick for the Duke of Roxburgh, by Robert Adam. August 1775. Pen and Pencil, 40.6 by 25.8 cm. (Sir John Soane's Museum, London).

Attributed works:

41. Design for a Silver Candlestick and Two Cups and Covers for the Duke of Roxburgh, by an Adam Office Hand after Robert Adam. Probably 1775. 44.4 by 59.4 cm. (Sir John Soane's Museum, London).

Attributed works:

42. Sketch Design for a Silver Candlestick, Probably for the Duke of Roxburgh, by Robert Adam. c.1775. Pencil, 21.5 by 16.6 cm. (Sir John Soane's Museum, London).

Attributed works:

43. Set of Candlesticks. Mark of Thomas Heming, London Hallmarks for 1776-67. Silver, 35 cm. High (London Art Market, 1973).

Article

Mr Stuart's Tripod

10/1972 | 835 | 114

Pages: 695-705

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Author:

Goodison, Nicholas (Goodison, Nicholas)

Subjects

artists:

Adam, Robert, 1728-1792

artists:

Stuart, James Athenian

artists:

Boulton, Matthew

artists:

Boulton and Fothergill

artists:

Anderson, Diederich Nicolaus

buildings:

Kedleston Hall, nr. Quarndon, Derbyshire, Great Britain

patrons:

Curzon, Nathaniel, First Baron Scarsdale, 1726-1804

subjects:

Neo-classicism / Furnishings / Tripods (stands)

subjects:

Attributions

subjects:

British sculpture / Greek Revival

Illustrations

Attributed works:

56. Tripod Perfume Burner. Made c. 1760 for Sir Nathaniel Curzon. Ormolu on Marble Base, with Candle Branches; Height without Branches, 53.3 cm. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)

Attributed works:

57. Design for a Tripod for Sir Nathaniel Curzon. (Sir John Soane's Museum, London; Soane Manuscripts Vol. 25, No. 89.)

Attributed works:

58. Design for a Tripod for Sir Nathaniel Curzon. (Sir John Soane's Museum, London; Soane Manuscripts Vol. 25, No. 91.)

Attributed works:

59. Design for a Tripod for Sir Nathaniel Curzon. (Sir John Soane's Museum, London; Soane Manuscripts Vol. 25, No. 90.)

Attributed works:

60. 'Design of the West End of the Dining Room with the Nich and Sideboard', by Robert Adam. For Kedleston, 1762. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)

Attributed works:

61. 'Drawing at Large of the Side Board in the Nich of the Dining Room at Kedleston', by Robert Adam, 1762. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)

Attributed works:

62. Design for the Window Wall of a Great Hall at Kedleston, Attributed to James Stuart, c. 1757. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)

Attributed works:

63. Design for the Entrance Hall of the Painted Room at Spencer House, London, by James Stuart, 1759. (British Museum, Inv. No. 1955-4-16-13.)

Attributed works:

64. Tripod Perfume Burner. One of a Pair Made c. 1760 for the Painted Room at Spencer House, London. Ormolu on Marble Base, with Candle Branches, Mounted on Gilt and Painted Wooden Stand; Height of Tripod without Branches, 53.3 cm. (Collection the Earl Spencer, Althorp, Northampton.)

Attributed works:

65. Tripod Perfume Burner, c. 1760, Originally at Wentworth Woodhouse, Yorkshire. Ormolu on Marble base; Height, 53.3 cm. (Victoria and Albert Museum, Accession No. M. 46-1948.)

Attributed works:

66. Detail of One of the Supports of the Tripod Illustrated in Fig. 65.

Attributed works:

67. Detail of the Bowl of the Tripod Illustrated in Fig. 65.

Attributed works:

68. Detail of the Lid of the Tripod Illustrated in Fig. 65.

Attributed works:

69. Design for the West End of the Dining Room at Kedleston, Attributed to James Stuart, c. 1757. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)

Attributed works:

70. Design for the West End of the Dining Room at Kedleston, Attributed to James Stuart, c. 1757. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)

Attributed works:

71. Design for a Wall at Kedleston, Attributed to James Stuart, c. 1757. (Collection Viscount Scarsdale, Kedleston Hall, Derbyshire.)

Attributed works:

72. The Choragic Monument of Lysicrates, Known Vulgarly as the 'Lanthorn of Demosthenes'. From James Stuart and Nicholas Revett, The Antiquities of Athens, Vol. 1 (1762), Chapter IV, Plate III.

Attributed works:

73. Stuart's and Revett's Suggested Reconstruction of the Bronze Tripod Which Once Surmounted the Choragic Monument of Lysicrates (See Fig. 72). From James Stuart and Nicholas Revett, The Antiquities of Athens, Vol. 1 (1762), p. 36.

Attributed works:

74. Pencil Sketch of a Tripod Perfume Burner. From William Chambers's 'Franco-Italian' Sketch-Book, Facing p. 2. (Department of Prints and Engravings, Victoria and Albert Museum, Accession No. 5172.)

Attributed works:

75. Tripod Perfume Burner, by Boulton and Fothergill. One of a Set of Four Supplied in 1777 to the Second Earl Gower. Ormolu on Marble Base; Height, 64 cm. (Collection the Late Fifth Duke of Sutherland.) Photo. by Permission of Messrs Christie's.

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