museums and institutions:
Attributed works:
I. Virgin and Child with Sts Elizabeth and John the Baptist, by Quentin Massys. c.1520–25. Panel, 63 by 48.2 cm. (Sterling and Francine Clark Art Institute, Williamstown).
Attributed works:
II. Le Boulevard de Clichy: effect of winter sunlight, by Camille Pissarro. 1880. Pastel, 60 by 74 cm. (Sterling and Francine Clark Art Institute, Williamstown).
Attributed works:
III. Seated male figure, by Giovanni Francesco Barbieri, called il Guercino. c.1618–19. Red chalk, 37.6 by 28.5 cm. (Sterling and Francine Clark Art Institute, Williamstown).
Attributed works:
IV. Head of an apostle reading, by Benedetto Luti. 1712. Pastel and chalk, 40.8 by 33 cm. (Sterling and Francine Clark Art Institute, Williamstown).
Attributed works:
IX. Roman ruins with laundresses, by Hubert Robert. c.1770. 97.8 by 83.8 cm. (Sterling and Francine Clark Art Institute, Williamstown).
Attributed works:
V. Nathan admonishing David, by Rembrandt Harmensz van Rijn. c.1652–53. Pen and iron gall ink, 12.6 by 14.9 cm. (Sterling and Francine Clark Art Institute, Williamstown).
Attributed works:
VI. Crucifixion with the Virgin, Sts John and Mary Magdalene and God the Father, by Giovanni Benedetto Castiglione. c.1651. Brush and brown oil paint with touches of blue, red and white, 41.6 by 29 cm. (Sterling and Francine Clark Art Institute, Williamstown).
Attributed works:
VII. Studies of horses, by Perino del Vaga. c.1530–35. Pen and brown ink, 29 by 39.4 cm. (Sterling and Francine Clark Art Institute, Williamstown).
Attributed works:
VIII. Laundresses in a landscape, by François Boucher. 1760. 50.5 by 61 cm. (Sterling and Francine Clark Art Institute, Williamstown).
Attributed works:
X. The hermit's court in the Colosseum, by Jean-Honoré Fragonard. 1758. Red chalk drawing on paper mounted on paperboard, 35.3 by 26.5 cm. (Sterling and Francine Clark Art Institute, Williamstown).
Attributed works:
XI. Study for the 'Monument to Balzac', by Jean Alexandre Joseph Falguière. 1898. Unfired clay on a shaped wood modelling board, 72.5 cm. high. (Sterling and Francine Clark Art Institute, Williamstown)
Attributed works:
XII. Bust of Anton Raphael Mengs, by Francesco Righetti and Christopher Hewetson. 1792. Bronze with marble base, 73.7 cm. high. (Sterling and Francine Clark Art Institute, Williamstown)
Attributed works:
XIII. Count Henri-Amédé de Turenne, by Jacques-Louis David. 1816. 70 by 53 cm. (Sterling and Francine Clark Art Institute, Williamstown)
Attributed works:
XIV. Bacchus and Ariadne, by Aimé Jules Dalou. 1894. Marble, 82 cm. high. (Sterling and Francine Clark Art Institute, Williamstown)
Attributed works:
XIX. The angel at the sepulchre, Julia Margaret Cameron. 1869. Albumen print from wet-collodion-on-glass negative, 35.6 by 25.4 cm. (Sterling and Francine Clark Art Institute).
Attributed works:
XV. Pianoforte, by Steinway & Sons, New York, Johnstone, Norman & Co., London, Lawrence Alma-Tadema and Edward John Poynter. 1884. Ebony veneer with boxwood, sandalwood, cedar, mother-of-pearl, copper, brass and pewter, 102.1 by 266.1 by 151.9 cm. (Sterling and Francine Clark Art Institute).
Attributed works:
XVI. Soup tureen and stand with maker's mark of Joseph Ignaz Würth. Vienna, 1779–81. Silver, 48.3 cm. long stand: 68.6 cm. long. (Sterling and Francine Clark Art Institute).
Attributed works:
XVII. The abduction of Polyxena, by Pio Fedi. c.1858. Cast bronze, 110 cm. high. (Sterling and Francine Clark Art Institute).
Attributed works:
XVIII. Chrysanthemums, by James Jacques Joseph Tissot. c.1874–75. 118.4 by 76.4 cm. (Sterling and Francine Clark Art Institute).
Attributed works:
XX. Mary Cassatt at the Louvre: The Paintings Gallery, by Hilaire Germain Edgar Degas. 1879–80. Etching, softground etching, acquatint and drypoint on china paper, 30.5 by 12.6 cm. (Sterling and Francine Clark Art Institute).
Attributed works:
XXI. Standing female nude, by Gustave Le Gray. c.1855. Albumen print from wet-collodion-on-glass negative, 29.5 by 21.9 cm. (Sterling and Francine Clark Art Institute).
Attributed works:
XXII. Still life with game, by Charles Nègre. 1855–60. Albumen print from wet-collodion-on-glass negative, 43.5 by 35.4 cm. (Sterling and Francine Clark Art Institute).
Attributed works:
XXIII. Jules Tashereau, Edgar Degas and Jacques-Emile Blanche, by Hilaire Germain Edgar Degas. December 1895
Attributed works:
XXIV. Harbour of Balaklava, the Cattle Pier, by Roger Fenton. 1856. Salt print, 48.3 by 65.4 cm. (Sterling and Francine Clark Art Institute, Williamstown).
Attributed works:
XXV. Entrance to the Port of Boulogne, by Edouard Baldus. 1855. Salt print from waxed paper negative, 25.4 by 40.6 cm. (Sterling and Francine Clark Art Institute, Williamstown).
Attributed works:
XXVI. The Grafly Album: Male nude figure studies at the Art Students League of Philadelphia, by the circle of Thomas Eakins. 1886. Twenty albumen prints and one gelatin silver print, mounted in album. (Sterling and Francine Clark Art Institute, Williamstown).
