Attributed works:
46. Tomás Zumalacárregui, by J. F. Lewis after C. F. Henningsen. Pen and Ink, Pencil and White Heightening, 21.5 by 17 cm. (London Art Market, 1986).
Attributed works:
47. Tomás Zumalacárregui, after a Drawing by C. F. Henningsen. Lithograph. Frontispiece to C. F. Henningsen: The Most Striking Events of a Twelvemonth's Campaign with Zumalacárregui, London [1836].
Attributed works:
48. The Spanish Wife's Last Appeal, by F. C. and C. G. Lewis after the Water-Colour by J. F. Lewis. Etching and Mezzotint, 61 by 78.5 cm., Published by Graves & Co., London, 12th June 1841. (Victoria and Albert Museum, London).
Attributed works:
49. Murillo Painting the Virgin in the Franciscan Convent at Seville, by J. F. Lewis. 1838. Water-Colour and Body-Colour on Paper, 54.2 by 75.3 cm. (Minneapolis Institute of Arts).
Attributed works:
50. The Pillage of a Convent in Spain by Guerilla Soldiers, by J. F. Lewis. 1838. Water-Colour and Body-Colour on Paper, 50.8 by 73 cm. (London Art Market, 1974).
Attributed works:
51. Study for the Lower Left Side of The Proclamation of Don Carlos, by J. F. Lewis. Water-Colour and Body-Colour on Two Joined Strips of Paper, 44.5 by 26 cm. (Yale Center for British Art, New Haven).
Attributed works:
52. Study for the Upper Central Section of The Proclamation of Don Carlos, by J. F. Lewis. Water-Colour and Body-Colour on Paper, 55.9 by 28 cm. (Ashmolean Museum, Oxford).
Attributed works:
54. St Bavo about to Receive the Monastic Habit at Ghent, by Peter Paul Rubens. Oak Panel, 106.7 by 82.1 cm. (National Gallery, London).
Attributed works:
55. Study for the Lower Right Corner of The Proclamation of Don Carlos, by J. F. Lewis. Water-Colour and Body Colour on Three Joined Sheets of Paper, 44.1 by 58.7 cm. (Ashmolean Museum, Oxford).
Western art unattributed:
53. Montage of Figs.51, 52 and 55.
