museums and institutions:
Attributed works:
1. Detail of Fig.3.
Attributed works:
10. Infra-red reflectogram (IRR) composite image of Fig.3 (1.5-1.73 μm).
Attributed works:
11. Fig.10 with the black ink of the faun removed digitally, showing a
vase of flowers beneath.
Attributed works:
12. Head, 6 June, 1947, by Pablo Picasso. 1947. Coloured crayon
on the page opposite the colophon of the book Cinq sonnets de
Pétrarque / avec une eau-forte de / Picasso / et les explications
du traducteur, each page 33.4 by 25.7 cm. (Private collection).
Attributed works:
2. Photomicrograph of The faun musician (bottom), showing orange
and pink media from an earlier composition visible through losses
in the uppermost black ink layer.
Attributed works:
3. The faun musician, by Pablo Picasso. 7th–11th June 1947. Brush
and black ink and gouache on cream wove paper, folded, 32.7 by
50.2 cm. (Art Institute of Chicago; © 2020 Estate of Pablo Picasso;
DACS, London, 2022).
Attributed works:
4. Head of a woman – Françoise, by Pablo Picasso. 1945. Etching,
aquatint and engraving on Arches wove paper, plate 13.9 by 11.9 cm.,
sheet (irreg.) 32 by 24.8 cm. (From Cinq Sonnets de Pétrarque, plate,
fol.6.; Museum of Modern Art, New York; Scala; © 2020 Estate of Pablo
Picasso; DACS, London, 2022).
Attributed works:
5. Vase with foliage and three sea urchins, by Pablo Picasso. 21st October
1946. Oleoresinous enamel paint and charcoal on paper mounted on reused
canvas, 46 by 38 cm. (Musée Picasso, Antibes; © imageArt; photograph
Claude Germain; © Succession Picasso 2022; DACS, London, 2022).
Attributed works:
6. The faun musician, by Pablo Picasso, open folio as it originally
appeared as a frontispiece opposite the title page to Cinq Sonnets de
Pétrarque. (© 2020 Estate of Pablo Picasso; DACS, London, 2022).
Attributed works:
7. Detail of a photograph by Michel Sima, showing ceramics and
drawings by Pablo Picasso at the Atelier Madoura, Vallauris. 1948.
(© Michel Sima Héritiers; Bridgeman Images).
Attributed works:
8. MA-XRF composite map of Fig.3, showing Prussian blue crayon
(blue), gouache media containing titanium white (red) and cerulean
blue gouache (green).
Attributed works:
9. Raking-light image of the verso of Fig.3, flipped horizontally.
