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104 articles
Exhibition Review
Paula Modersohn-Becker: Ich bin Ich / I Am Me
01/2025 | 1462 | 167
Pages: 46-8
related names
Reviewer:
Buenger, Barbara Copeland (Buenger, Barbara Copeland)
Subjects
dates:
Reviewed Items
subjects:
Paula Modersohn-Becker: Ich bin Ich / I Am Me Art Institute of Chicago 10th October 2024–13th January 2025 | :
Illustrations
Attributed works:
16. Mädchen zwischen Bäumen auf einer Wiese mit blühenden Anemonen sitzend, by Paula Modersohn- Becker. c.1901. Oil tempera on canvas, 110 by 100 cm. (Paula- Modersohn- Becker-Stiftung, Bremen; exh. Art Institute of Chicago).
Exhibition Review
Christina Ramberg: A Retrospective
10/2024 | 1459 | 166
Pages: 1072–4
related names
Reviewer:
Cooke, Lynne (Cooke, Lynne )
Subjects
dates:
Reviewed Items
subjects:
Christina Ramberg: A Retrospective Art Institute of Chicago | :
Illustrations
Attributed works:
18. Hair, by Christina Ramberg. 1968. Acrylic on Masonite, 17.8 by 21 cm. (Private collection; exh. Art Institute of Chicago).
Attributed works:
19. Delicate decline, by Christina Ramberg. 1972. Acrylic on Masonite, 57.8 by 82 cm. (© Estate of Christina Ramberg; private collection; exh. Art Institute of Chicago).
Attributed works:
blue jacket, by Christina Ramberg. 1981. Acrylic on Masonite, 124.8 by 94.7 cm. (© Estate of Christina Ramberg; private collection; exh. Art Institute of Chicago).
Book Review
The Embroidered Altarpiece from El Burgo de Osma
08/2024 | 1457 | 166
Pages: 879–80
related names
Reviewer:
Monnas, Lisa (Monnas, Lisa)
Subjects
Reviewed Items
subjects:
The Embroidered Altarpiece from El Burgo de Osma Edited by Evelin Wetter and Martha Wolff. 428 pp. incl. 308 col. + b. & w. ills. (Abegg- Stiftung, Riggisberg, 2022), CHF 85. ISBN 978–3–905014–72–3. | :
Illustrations
Western art unattributed:
3. Detail of the embroidered altarpiece from Burgo de Osma, showing Christ. Spain, mid-1450s–mid-1460s. Linen, silk, gilt and silvered-metal silk threads, seed pearls and metal spangles. (Art Institute of Chicago).
Article
Dāvūd Gürcü, Ottoman refugee and Girodet’s first Mamluk model
05/2024 | 1454 | 166
Pages: 479-487
related names
Author:
Dowad, Thadeus (Dowad, Thadeus)
Subjects
dates:
Illustrations
Attributed works:
1. The revolt of Cairo, 21st October 1798, by Anne-Louis Girodet. 1810. Oil on canvas, 365 by 500 cm. (Musée national des châteaux de Versailles et de Trianon, Versailles; Bridgeman Images).
Attributed works:
2. Katchef Dahouth, by Anne-Louis Girodet. 1804. Oil on canvas, 144.7 by 133 cm. (Art Institute of Chicago; Bridgeman Images).
Attributed works:
4. Mustapha, by Anne-Louis Girodet. 1819. Oil on canvas, 59 by 46 cm. (Musée Girodet, Montargis; Bridgeman Images).
Attributed works:
5. Portrait of a Mamelouk, by Horace Vernet. 1810. Oil on canvas, 75 by 61.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6. Portrait of Jean Baptiste Belley, by Anne-Louis Girodet. 1797. Oil on canvas, 158 by 111 cm. (Musée national des châteaux de Versailles et de Trianon, Versailles; Bridgeman Images).
Attributed works:
7. Roustam Raza, by Jacques-Nicolas Paillot de Montabert. 1806. Oil on canvas, 152 by 125.5 cm. (Musée de l’Armée, Paris).
Exhibition Review
Camille Claudel
02/2024 | 1451 | 166
Pages: 196–199
related names
Reviewer:
Becker, Jane (Becker, Jane)
Subjects
artists:
dates:
Reviewed Items
subjects:
Camille Claudel Art Institute of Chicago 7th October 2023–19th February 2024 | :
Illustrations
Attributed works:
20. Femme accroupie (Crouching woman), by Camille Claudel. c.1884–85. Patinated plaster, 37.5 by 38.5 by 24.5 cm. (Musée Camille Claudel, Nogentsur- Seine; exh. Art Institute of Chicago).
Attributed works:
21. Jeune Romain or Mon frère (Young Roman or My brother), by Camille Claudel. 1882/83–87. Painted plaster, 52 by 45 by 27 cm. (Art Institute of Chicago).
Attributed works:
22. Les causeuses or La confidence (Chatterboxes or Confidence), by Camille Claudel. 1897. Marble onyx and bronze, 44.9 by 42.2 by 39 cm. (Musée Rodin, Paris; exh. Art Institute of Chicago).
Exhibition Review
Remedios Varo: Science Fictions
11/2023 | 1448 | 165
Pages: 1225-1228
related names
Reviewer:
Harris, Steven (Harris, Steven)
Subjects
artists:
dates:
Reviewed Items
subjects:
Remedios Varo: Science Fictions Art Institute of Chicago 29th July–27th November | :
Illustrations
Attributed works:
7. Ciencia inùtil, o El alquimista (Useless science, or The alchemist), by Remedios Varo. 1955. Oil on hardboard, 105 by 53 cm. (Museo de Arte Moderno, Mexico City; exh. Art Institute of Chicago).
Attributed works:
8. Creación de las aves (Creation of the birds), by Remedios Varo. 1957. Oil on hardboard, 54 by 64 cm. (Museo de Arte Moderno, Mexico City; exh. Art Institute of Chicago).
Attributed works:
9. Armonía (Harmony), by Remedios Varo. 1956. Oil on hardboard, 75 by 92.7 cm. (Private collection; exh. Art Institute of Chicago).
Short Notice
Looking slowly with Cezanne
04/2023 | 1441 | 165
Pages: 422
related names
Author:
Smith, Paul (Smith, Paul)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
1. Basket of apples, by Paul Cezanne. c.1893. Oil on canvas, 60 by 85 cm. (Art Institute of Chicago).
Attributed works:
10. Curtain, pitcher and a fruit bowl, by Paul Cezanne. 1893–94. Oil on canvas, 59.7 by 73 cm. (Private collection).
Attributed works:
11. Still life with apples, by Paul Cezanne. 1893–94. Oil on canvas, 65.8 by 81.6 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
12. Still life with a ginger jar and eggplants, by Paul Cezanne. 1893–94. Oil on canvas, 72.4 by 91.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
14. Mont Sainte-Victoire, by Paul Cezanne. 1902–06. Oil on canvas, 64.8 by 81.3 cm. (Philadelphia Museum of Art).
Attributed works:
15. Mont Saint-Victoire seen from the Bibémus Quarry, by Paul Cezanne. c.1895–99. Oil on canvas, 65.1 by 81.3 cm. (Baltimore Museum of Art; Bridgeman Images).
Attributed works:
16. Still life with plaster cupid, by Paul Cezanne. c.1894. Oil on paper on board, 70.6 by 57.3 cm. (Courtauld Institute Gallery, London).
Attributed works:
17 and 18. Cupid, by Hébert fils mouleur, after François Duquesnoy. c.1900. Plaster, height 45.7 cm. Photographed at a distance of approx. 65 cm. (Photograph the author).
Attributed works:
19. Bathers (Les grandes baigneuses), by Paul Cezanne. c.1894–1905. Oil on canvas, 127.2 by 196.1 cm. (National Gallery, London).
Attributed works:
2. Auvers, panoramic view, by Paul Cezanne. 1873–75. Oil on canvas, 65.2 by 81.3 cm. (Art Institute of Chicago).
Attributed works:
20. Detail of Fig.19, showing the head of the figure fifth from the left. (Photograph the author).
Attributed works:
21. Ginger jar. China, c.1900. Stoneware, height 13.7 cm. Photographed from a distance of approx. 22 cm. (Photograph the author).
Attributed works:
22. Detail of Fig.25, showing the eye-socket on the right of the hindmost skull. (Photograph the author).
Attributed works:
23. The hindmost skull shown in Fig.25. (Atelier Cezanne, Aix-en- Provence; photograph the author).
Attributed works:
24. Still life with ginger jar, sugar bowl and oranges, by Paul Cezanne. 1902–06. Oil on canvas, 60.6 by 73.3 cm. (Museum of Modern Art, New York).
Attributed works:
25. Three skulls on a patterned carpet, by Paul Cezanne. 1904. Oil on canvas, 54.5 by 65 cm. (Kunstmuseum Solothurn; Bridgeman Images).
Attributed works:
3. Madame Cezanne in a red armchair, by Paul Cezanne. c.1877. Oil on canvas, 72.4 by 55.9 cm. (Museum of Fine Arts, Boston).
Attributed works:
4. Madame Cezanne in a yellow chair, by Paul Cezanne. 1888–90. Oil on canvas, 80.9 by 64.9 cm. (Art Institute of Chicago).
Attributed works:
5. The sea at L’Estaque behind trees, by Paul Cezanne. 1878–79. Oil on canvas, 73 by 92 cm. (Musée Picasso, Paris; Bridgeman Images).
Attributed works:
6. The Gulf of Marseilles seen from L’Estaque, by Paul Cezanne. 1878–79. Oil on canvas, 59 by 73 cm. (Musée d’Orsay, Paris; Bridgeman Images).
Attributed works:
7. Photograph of the motif in Fig.8 taken on 27th September 2022 at 17:24. (Photograph the author).
Attributed works:
8. Cliffs in L’Estaque, by Paul Cezanne. 1882–85. Oil on canvas, 73 by 92 cm. (Collection Museu de Arte de São Paolo; Bridgeman Images).
Attributed works:
9. Betschdorf jug. c.1900. Stoneware, height 25.8 cm. (Photograph the author).
Short Notice
Becuccio Bicchieraio and his wife, Lucrezia, restored
03/2023 | 1440 | 165
Pages: 302-305
related names
Author:
Wigfield, Elizabeth (Wigfield, Elizabeth)
Author:
Zappella, Christine (Zappella, Christine)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. The Gambassi Altarpiece, by Andrea del Sarto. 1527–28. Oil on canvas, 209 by 176 cm. (Galleria Palatina, Florence; photograph Scala, Florence; courtesy of the Ministero Beni e Att. Culturali e del Turismo) .
Attributed works:
2. and 3. Domenico da Gambassi and Lucrezia di Lippo di Iacopo Guidi by Andrea del Sarto, photographed before treatment. 1525/28. Oil on panel, each panel 22.5 by 15.9 cm. (Art Institute of Chicago).
Attributed works:
4. Figs.2 and 3, photographed in January 1964.
Attributed works:
5 and 6. Figs.2 and 3, annotated to show the location of incisions.
Attributed works:
7 and 8. Figs.2 and 3, photographed in July 2019, during treatment.
Attributed works:
9 and 10. Figs.2 and 3, after treatment and in new frames.
Article
Picasso’s ‘Faun musician’: revealing the making, contextualising the meaning
03/2022 | 1428 | 164
Pages: 246-253
related names
Author:
Andral, Jean-Louis (Andral, Jean-Louis)
Author:
Casadio, Francesca (Casadio, Francesca)
Author:
Dahm, Kristi (Dahm, Kristi)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
1. Detail of Fig.3.
Attributed works:
10. Infra-red reflectogram (IRR) composite image of Fig.3 (1.5-1.73 μm).
Attributed works:
11. Fig.10 with the black ink of the faun removed digitally, showing a vase of flowers beneath.
Attributed works:
12. Head, 6 June, 1947, by Pablo Picasso. 1947. Coloured crayon on the page opposite the colophon of the book Cinq sonnets de Pétrarque / avec une eau-forte de / Picasso / et les explications du traducteur, each page 33.4 by 25.7 cm. (Private collection).
Attributed works:
2. Photomicrograph of The faun musician (bottom), showing orange and pink media from an earlier composition visible through losses in the uppermost black ink layer.
Attributed works:
3. The faun musician, by Pablo Picasso. 7th–11th June 1947. Brush and black ink and gouache on cream wove paper, folded, 32.7 by 50.2 cm. (Art Institute of Chicago; © 2020 Estate of Pablo Picasso; DACS, London, 2022).
Attributed works:
4. Head of a woman – Françoise, by Pablo Picasso. 1945. Etching, aquatint and engraving on Arches wove paper, plate 13.9 by 11.9 cm., sheet (irreg.) 32 by 24.8 cm. (From Cinq Sonnets de Pétrarque, plate, fol.6.; Museum of Modern Art, New York; Scala; © 2020 Estate of Pablo Picasso; DACS, London, 2022).
Attributed works:
5. Vase with foliage and three sea urchins, by Pablo Picasso. 21st October 1946. Oleoresinous enamel paint and charcoal on paper mounted on reused canvas, 46 by 38 cm. (Musée Picasso, Antibes; © imageArt; photograph Claude Germain; © Succession Picasso 2022; DACS, London, 2022).
Attributed works:
6. The faun musician, by Pablo Picasso, open folio as it originally appeared as a frontispiece opposite the title page to Cinq Sonnets de Pétrarque. (© 2020 Estate of Pablo Picasso; DACS, London, 2022).
Attributed works:
7. Detail of a photograph by Michel Sima, showing ceramics and drawings by Pablo Picasso at the Atelier Madoura, Vallauris. 1948. (© Michel Sima Héritiers; Bridgeman Images).
Attributed works:
8. MA-XRF composite map of Fig.3, showing Prussian blue crayon (blue), gouache media containing titanium white (red) and cerulean blue gouache (green).
Attributed works:
9. Raking-light image of the verso of Fig.3, flipped horizontally.
Article
A reliquary bust from the workshop of Niclaus Gerhaert von Leyden
02/2020 | 1403 | 162
Pages: 102-107
related names
Author:
Warren, Jeremy (Warren, Jeremy)
Subjects
dates:
places:
places:
Illustrations
Attributed works:
1. St Agnes, by the workshop of Niclaus Gerhaert von Leyden. c.1465. Walnut, 53.9 by 41.4 by 24.6 cm. (Anglesey Abbey, Cambridgeshire; the National Trust).
Attributed works:
10. Detail of the high altar of St Martin, Lorch am Rhein, by an unknown Middle Rhenish sculptor. Completed 1483. Limewood and oak, 128 by 722 cm. (Bildarchiv Monheim GmbH / Alamy stock photograph).
Attributed works:
2. St Barbara, by the workshop of Niclaus Gerhaert von Leyden. c.1465. Walnut, 50.5 by 44.5 by 27.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. St Catherine of Alexandria, by the workshop of Niclaus Gerhaert von Leyden. c.1465. Walnut, 47.3 by 44.8 by 25.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
4. St Margaret of Antioch, by the workshop of Niclaus Gerhaert von Leyden. c.1465. Walnut, 50.8 by 45.5 by 29.6 cm. (Art Institute of Chicago).
Attributed works:
5. St Agnes, after Niclaus Gerhaert von Leyden. c.1870. Plaster, 53 by 48 by 27 cm. (Musée de l’OEuvre Notre-Dame, Strasbourg).
Attributed works:
6. and 7. Fig.1, photographed from the sides.
Attributed works:
8. Head of a Sibyl, by Niclaus Gerhaert von Leyden. 1463. Sandstone, 23.5 by 30 by 22 cm. (Liebieghaus Skulpturensammlung, Frankfurt; photograph Ruehl und Bormann, Darmstadt).
Attributed works:
9. Fig.1, photographed from the back.
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