museums and institutions:
Attributed works:
1. Hunting on the Lagoon, by Vittore Carpaccio. c. 1490. Oil and Tempera on Panel, 75.2 by 63.6 by 1.8 cm. (J. Paul Getty Museum, Malibu).
Attributed works:
10. End View of Both Panels, Showing Matching Wood Grain. A. Hunting on the Lagoon, B. Two Venetian Ladies.
Attributed works:
11. Trompe l'œil Still Life, by Vittore Carpaccio, Reverse of Fig. 1. [Hunting on the Lagoon, by Vittore Carpaccio. c. 1490. Oil and Tempera on Panel, 75.2 by 63.6 by 1.8 cm. (J. Paul Getty Museum, Malibu).]
Attributed works:
12. Infra-Red Reflectogram of Hunting on the Lagoon. [Hunting on the Lagoon, by Vittore Carpaccio. c. 1490. Oil and Tempera on Panel, 75.2 by 63.6 by 1.8 cm. (J. Paul Getty Museum, Malibu)]
Attributed works:
13. Detail of Fig. 12, Showing the Adding of a Hat to Figure's Hair. [Infra-Red Reflectogram of Hunting on the Lagoon by Vittore Carpaccio. c. 1490. Oil and Tempera on Panel, 75.2 by 63.6 by 1.8 cm. (J. Paul Getty Museum, Malibu).]
Attributed works:
14. Detail of Fig. 12, Showing Changes to Figure's Positioning. [Infra-Red Reflectogram of Hunting on the Lagoon by Vittore Carpaccio. c. 1490. Oil and Tempera on Panel, 75.2 by 63.6 by 1.8 cm. (J. Paul Getty Museum, Malibu).]
Attributed works:
15. Detail of Fig. 12, Showing Changes to the Bow-String. [Infra-Red Reflectogram of Hunting on the Lagoon by Vittore Carpaccio. c. 1490. Oil and Tempera on Panel, 75.2 by 63.6 by 1.8 cm. (J. Paul Getty Museum, Malibu).]
Attributed works:
16. Detail of Fig. 12, Showing Traces of Pouncing. [Infra-Red Reflectogram of Hunting on the Lagoon by Vittore Carpaccio. c. 1490. Oil and Tempera on Panel, 75.2 by 63.6 by 1.8 cm. (J. Paul Getty Museum, Malibu).]
Attributed works:
17. Detail of Fig.12, Showing Perspectival Lines. [Infra-Red Reflectogram of Hunting on the Lagoon by Vittore Carpaccio. c. 1490. Oil and Tempera on Panel, 75.2 by 63.6 by 1.8 cm. (J. Paul Getty Museum, Malibu).]
Attributed works:
18. Photocomposite with Diagram Reconstructing Carpaccio's Original Perspective Scheme.
Attributed works:
19. The Vision of St Augustine, by Vittore Carpaccio. c. 1505. Pen and Ink, 27.7 by 42.7 cm. (British Museum, London).
Attributed works:
2. Two Venetian Ladies, by Vittore Carpaccio. c. 1490. Oil and Tempera on Panel, 94.5 by 63.5 by 1.3 cm. (Museo Civico Correr, Venezia).
Attributed works:
20. Fig.11, after Cleaning and before Restoration. [ Trompe l'œil Still Life, by Vittore Carpaccio, Reverse of Hunting on the Lagoon, by Vittore Carpaccio. c. 1490. Oil and Tempera on Panel, 75.2 by 63.6 by 1.8 cm. (J. Paul Getty Museum, Malibu).]
Attributed works:
21. The English Ambassadors Taking Leave, from the Legend of St Ursula Cycle, by Vittore Carpaccio. c. 1496-98. 280 by 253 cm. (Accademia, Venice).
Attributed works:
22. The Dream of St Ursula, from the Legend of St Ursula Cycle, by Vittore Carpaccio. c. 1496-98. 274 by 267 cm. (Accademia, Venice).
Attributed works:
3. Photocomposite of Figs. 1 and 2. [Hunting on the Lagoon, by Vittore Carpaccio. c. 1490. Oil and Tempera on Panel, 75.2 by 63.6 by 1.8 cm. (J. Paul Getty Museum, Malibu) and Two Venetian Ladies, by Vittore Carpaccio. c. 1490. Oil and Tempera on Panel, 94.5 by 63.5 by 1.3 cm. (Museo Civico Correr, Venezia).]
Attributed works:
4. Fig. 1 after Cleaning and before Restoration. [Hunting on the Lagoon, by Vittore Carpaccio. c. 1490. Oil and Tempera on Panel, 75.2 by 63.6 by 1.8 cm. (J. Paul Getty Museum, Malibu).]
Attributed works:
5. Fig. 2 after Cleaning and before Restoration. [Two Venetian Ladies, by Vittore Carpaccio. c. 1490. Oil and Tempera on Panel, 94.5 by 63.5 by 1.3 cm. (Museo Civico Correr, Venezia).]
Attributed works:
6. X-Radiograph of Hunting on the Lagoon. [Hunting on the Lagoon, by Vittore Carpaccio. c. 1490. Oil and Tempera on Panel, 75.2 by 63.6 by 1.8 cm. (J. Paul Getty Museum, Malibu)]
Attributed works:
7. Diagram of the Original Construction of the Two Panels, as Seen from the Back.
Attributed works:
8. Diagram of the Nail Holding the Hinge Through the Panel of Hunting on the Lagoon.
Attributed works:
9. Diagram of the Hypothetical Original Bifold Construction of the Panels, Viewed from the Front, in Closed and Half-Open Positions.