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702 articles
Book Review
Riemenschneider and Late Medieval Alabaster
11/2023 | 1448 | 165
Pages: 1244-1246
related names
Reviewer:
Williamson, Paul (Williamson, Paul)
Subjects
art literature:
subjects:
Reviewed Items
subjects:
Riemenschneider and Late Medieval Alabaster Edited by Gerhard Lutz. 180 pp. incl. 100 col. ills. (Cleveland Museum of Art and D. Giles Limited, Lewes, 2023), £21.95. ISBN 978–1–913875–43–5. | :
Illustrations
Attributed works:
1. St Jerome and the lion, by Tilman Riemenschneider. c.1495. Alabaster with traces of paint and gilding, 37.8 by 28.1 by 15.9 cm. (Cleveland Museum of Art).
Western art unattributed:
2. St George and the dragon. English, c.1400. Alabaster, painted and gilded, 81.5 by 60.5 by 20.5 cm. (National Gallery of Art, Washington).
Article
A sartorial portrait of Ottaviano Ubaldini della Carda by Piero della Francesca
07/2023 | 1444 | 165
Pages: 720–737
related names
Author:
Brüggen Israëls, Machtelt (Brüggen Israëls, Machtelt)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Flagellation of Christ with figures here identified as Joseph of Arimathea and an assistant asking Pilate for the body of Christ, by Piero della Francesca. c.1456–57. Egg tempera and oil on panel, 67.5 by 91 cm. (Galleria Nazionale delle Marche, Urbino; Bridgeman Images).
Attributed works:
10. Detail of the Communion of the Apostles, by Justus of Ghent, showing the donor figures. 1473–74. Oil on panel. (Galleria Nazionale delle Marche, Urbino; Scala Archives; courtesy the Ministero Beni e Attività Culturali e del Turismo).
Attributed works:
11. Horsewoman of Coins, by the workshop of Bonifacio Bembo. Before 1447. Paint and tooled gold on paper, 18.9 by 9 cm. (Beinecke Rare Book and Manuscript Library, Yale University Library, New Haven CT).
Attributed works:
12. Detail from St Gregory the Great and St Matthias, by Masolino, showing the cope of St Gregory the Great. c.1428–29. Tempera and oil on panel, transferred to fibreboard. (National Gallery, London; Bridgeman Images).
Attributed works:
2. Ottaviano Ubaldini della Carda and Federico di Montefeltro, by Ambrogio Barocci. 1470s. Cesane stone, 50 by 110 cm. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
3. Detail of Fig.4, showing the donor figures, Guidubaldo di Montefeltro, Count Federico di Montefeltro and Ottaviano Ubaldini della Carda.
Attributed works:
4. The Lamentation of Christ, by Francesco di Giorgio. c.1473. Bronze, 85 by 58 cm. (S. Maria del Carmelo, Venice; Scala Archives).
Attributed works:
5. Medal of Duke Filippo Maria Visconti (obverse), by Pisanello. c.1441. Bronze, diameter 10.3 cm. (National Gallery of Art, Washington).
Attributed works:
6. Detail of an altar frontal with the Visconti device of the dove and motto ‘à bon droit’. Italy, c.1450–60. Red velvet with a single-height pile with a design in gold pattern wefts and silver brocaded wefts, 98 by 241 cm. (Museo Poldi Pezzoli, Milan; Scala Archive).
Attributed works:
7. Federico di Montefeltro, Duke of Urbino, and his son Guidubaldo, by Pedro Berruguete. c.1476. Oil on panel, 138 by 82.5 cm. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
8. Luca Pacioli and Guidubaldo di Montefeltro, attributed to Jacopo de’ Barbari. 1495. Oil on panel, 99 by 120 cm. (Museo di Capodimonte, Naples; Photo Scala, Florence).
Attributed works:
9. Detail of Fig.1, showing the figures here identified as Joseph of Arimathea and an assistant asking Pilate for the body of Christ.
Western art unattributed:
13. Detail of a cope with the Medici coat of arms and devices. Italy, 1470s or 1480s. Red velvet with single-height cut pile with a design in gold bouclé pattern wefts and allucciolato effect, 278 by 152 cm. (Museo d’arte sacra dell’Abbazia di Vallombrosa).
Western art unattributed:
14. Detail of the cope shown in Fig.13 with the motif of the Medici coat of arms covered by a roundel of St Giovanni Gualberto embroidered in silk and gold. Italy, c.1494.
Book Review
De Filarete a Riccio: Bronzes italiens de la Renaissance (1430–1550)
02/2023 | 1439 | 165
Pages: 208-209
related names
Reviewer:
Avery, Charles (Avery, Charles)
Subjects
museums and institutions:
Reviewed Items
subjects:
De Filarete a Riccio: Bronzes italiens de la Renaissance (1430–1550) By Philippe Malgouyres. 720 pp. inc. 1270 col. + b. & w. ills. (Musée du Louvre Éditions and Mare et Martin, Paris, 2020), €65. ISBN 978–2–36222–006–7. | :
Article
Donatello, musical sculpture, and the shock of sound
11/2019 | 1400 | 161
Pages: 904-915
related names
Author:
Bloch , Amy R. (Bloch , Amy R.)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
1. Detail of Fig.6.
Attributed works:
10. Detail of Fig.6.
Attributed works:
11. Detail of Fig.6, showing Head of a man, by Donatello and workshop. c.1439 (gilded 1456). Bronze with traces of gilding, 45 by 35 by 30 cm. (Museo dell’Opera del Duomo, Florence).
Attributed works:
12. Detail of Fig.6, showing Head of a man, by Donatello and workshop, with Michelozzo (?). c.1439 (gilded 1456). Bronze with traces of gilding, 45 by 35 by 33 cm. (Museo dell’Opera del Duomo, Florence).
Attributed works:
13. Martyrs’ door of the Old Sacristy, S. Lorenzo, Florence, by Donatello. c.1437–43, bronze, 235 by 109 cm. (Alinari Archives, Florence).
Attributed works:
14. Apostles’ door of the Old Sacristy, S. Lorenzo, Florence, by Donatello. c.1437–43, bronze, 235 by 109 cm. (Alinari Archives, Florence).
Attributed works:
15. Detail of Fig.13
Attributed works:
16. Detail of Fig.14, with one handle rotated.
Attributed works:
2. Winged trumpeter from the font in the baptistery of Siena Cathedral, by Donatello. 1429. Bronze, height 36 cm. (Bridgeman Images).
Attributed works:
3. Detail of the tomb of Rainaldo Brancacci in Sant’Angelo a Nilo, Naples, by Donatello and Michelozzo. c.1426–28. Marble. (Scala).
Attributed works:
4. Feast of Herod from the font in the baptistery of Siena Cathedral, by Donatello. 1423–27. Bronze with gilding, 60 by 60 cm. (Bridgeman Images).
Attributed works:
5. Cantoria, by Luca della Robbia. 1431–38. Marble, 328 by 560 cm. (Museo dell’Opera del Duomo, Florence; Bridgeman Images).
Attributed works:
6. Cantoria, by Donatello. 1433–39. Marble, glass, ceramic, gold, bronze, 348 by 570 cm. (Museo dell’Opera del Duomo, Florence; Bridgeman Images).
Attributed works:
7. Pulpit of the Cathedral of Santo Stefano, Prato, by Donatello and Michelozzo. 1428–38 (figural reliefs by Donatello, 1433–38). Marble, ceramic, gold, each relief 73.5 by 79 cm. (Museo dell’Opera del Duomo, Prato; photographed post-restoration).
Attributed works:
8. The Cavalcanti Annunciation in S. Croce, Florence, by Donatello. c.1428–33. Partially gilded sandstone (macigno), height 420 cm.; width at base 248 cm.; width at top 274 cm. (Bridgeman Images).
Attributed works:
9. Detail of Fig.6. (Alinari Archives, Florence).
Book Review
Painting the Page in the Age of Print: Central European Manuscript Illumination of the Fifteenth Century. Edited by Jeffrey F. Hamburger, Robert Suckale and Gude Suckale-Redlefsen, with Eberhard König, transl. David Sánchez
09/2019 | 1398 | 161
Pages: 782-783
related names
Reviewer:
White, Eric (White, Eric)
Subjects
dates:
Book Review
Illuminated Manuscripts and Incunabula in Cambridge. A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part V, Illuminated Incunabula. Volume one, Books Printed in Italy before 1501. By Azzurra Elena Andriolo and Suzanne Reynolds
03/2019 | 1392 | 161
Pages: 254-255
related names
Reviewer:
Szépe, Helena (Szépe, Helena)
Subjects
dates:
styles:
Reviewed Items
subjects:
Illuminated Manuscripts and Incunabula in Cambridge. A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part V, Illuminated Incunabula. Volume one, Books Printed in Italy before 1501. By Azzurra Elena Andriolo and Suzanne Reynolds | :
Illustrations
Attributed works:
3. Page from Argonautica, by Apollonius Rhodius, edited by Janus Lascaris, Florence 1496. (Trinity College, Cambridge, MS VI.18.38, f.α2r).
Book Review
Venice Illuminated: Power and Painting in Renaissance Manuscripts. By Helena Katalin Szépe
02/2019 | 1391 | 161
Pages: 168-169
related names
Reviewer:
Humfrey, Peter (Humfrey, Peter)
Subjects
dates:
places:
Illustrations
Western art unattributed:
4. Girolamo Zane as Procurator and as Captain General of the Sea. 1568. Vellum, 29.5 by 21 cm. (British Library, London; King’s MS 156 fols.11v–12v).
Book Review
Le miniature della Fondazione Giorgio Cini: Pagine, Ritagli, Manoscritti. Edited by Massimo Medica and Federica Toniolo
02/2019 | 1391 | 161
Pages: 167-168
related names
Reviewer:
Panayotova, Stella (Panayotova, Stella)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
3. Communion of the Apostles in initial C, by Maestro Olivetano or Frate Girolamo da Milano. 1439. Tempera and gold leaf on parchment, 36 by 31.3 cm. (Fondazione Giorgio Cini, Venice).
Book Review
Fifty English Steeples: The Finest Medieval Parish Church Towers and Spires in England. By Julian Flannery
02/2019 | 1391 | 161
Pages: 166
Article
Bicci di Lorenzo’s altarpiece for the Compagni family chapel in S. Trinita, Florence
01/2019 | 1390 | 161
Pages: 36-43
related names
Author:
Gordon, Dillian (Gordon, Dillian)
Subjects
dates:
media:
Illustrations
Attributed works:
1. Hypothetical reconstruction of the altarpiece for the Compagni chapel in S. Trinita, Florence, by Bicci di Lorenzo with the assistance of Stefano d’Antonio. Reconstruction by the author with the help of Rachel Billinge. Panels photographed by John Hammond. The main tier, roundels and pilasters are illustrated as Fig.2 and the predella panels as Figs.3, 4 and 9.
Attributed works:
2. Altarpiece of the Virgin and Child with Saints for the Compagni chapel in S. Trinita, Florence, by Bicci di Lorenzo, assisted by Stefano d’Antonio, 1434. Egg tempera on wood, 207 by 299.4 cm. (Westminster Abbey, London; WA 0045; © The Dean and Chapter of Westminster).
Attributed works:
3. St John Gualberto and the destruction of the Abbey of Moscheta, by Bicci di Lorenzo. 1434. Egg tempera on panel, 27.5 by 31 cm. (Private collection; courtesy the Salamon Gallery, Milan).
Attributed works:
4. The baptism of Christ, by Bicci di Lorenzo. 1434. Egg tempera on panel, 27.9 by 31 cm. (York Art Gallery; courtesy York Museums Trust).
Attributed works:
5. Detail of Fig.3, showing the head of St John Gualberto.
Attributed works:
6. Detail of Fig.4, showing the head of Christ.
Attributed works:
7. Detail of Fig.1, showing the pilaster figure of St Benedict. (Photograph by John Hammond; © The Dean and Chapter of Westminster)
Attributed works:
8. Detail of Fig.9, showing the Virgin and Child.
Attributed works:
9. Nativity and Adoration of the Shepherds, by Bicci di Lorenzo. 1434. Egg tempera on panel, 25.5 by 62 cm. (Private collection.)
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