By using this website you agree to our Cookie policy

Search

2 articles
Book Review
Axel Haig and the Victorian Vision of the Middle Ages
09/1985 | 990 | 127
Pages: 630
related names
Reviewer:
O'Donnell, Roderick (O'Donnell, Roderick)
Subjects
dates:
places:
Reviewed Items
subjects:
Axel Haig and the Victorian Vision of the Middle Ages | author: Crook, J. Mordaunt , author: Lennox-Boyd, C. A.
Advertisements
Advertisements February 1985 (Front)
02/1985 | 983 | 127
Pages: i-x
Subjects
artists:
Illustrations
Attributed works:
Ben Nicholson and His Second Wife, Barbara Hepworth, by Ben Nicholson. 1933. (National Portrait Gallery, London).
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Neroccio De'Landi (1447-1500). Virgin and Child with Sts. Jerome and Mary Magdalene. Panel: 62 × 42.5 cms
Attributed works:
[David Koester Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[Galdy Galleries Ltd, 19 East 71st Street, New York] Amelia Bridgewater-Farnborough. "View of Monte Mario" Dated 1861
Attributed works:
[Galerie 39, 39 Kew Road, Richmond] George Grosz 'Ecce Homo' signed lithographs. 21 January - 23 March.
Attributed works:
[Gallery Lingard, Old Registry Office, 250 King's Road, London] Axel Herman Haig (1835-1921). The Church of St. Etienne Le Vieux. Caen. 1877, Pen and Brown Inck. Signed with Monogram & Dated 1877. 19½ × 14½ Inches (45.5 × 37 cm)
Attributed works:
[Hoogsteder-Naumann Ltd, 4 East 74th Street, New York] C. de Man. New Church in Delft
Attributed works:
[Marlborough Fine Art Ltd, 6 Albermarle Street, London] Henry Moore. Large Reclining Woman, 1982, Bronze, Length 98 in/249 cm, Edition of 7.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Bartholomeus Breenbergh, 'Landscape with Ruins of an Aqueduct,' Circa 1628, Oil on Metal, 30.5 by 43.2 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Guido Reni, David with the Head of Goliath 143 by 215 cm,
Attributed works:
[Spencer A. Samuels, 11 East 57th Street, New York] Filippo Bellini (Urbino 1550-1604). The Immaculate Conception Study for an Altarpiece. Pen and Sepia Wash, Heightened with White. 12⅝ times 9⅜ in. (32.1 × 23.9 cm.). Verso Bearing Inscription and Signature of the Two Donor's Approval.