By using this website you agree to our Cookie policy

Search

232 articles
Advertisements
Advertisements (front)
09/2024 | 1458 | 166
Pages: i-xv
Subjects
Illustrations
Attributed works:
An important Italian demilune commode by Henry Thomas Peters (Windsor 1792-Genoa 1852) after a design by Carl Randoni (Turin 1755-1831) for the Royal Genoese Palace in 1821. Its twin is in Attingham Park, Shropshire. [Burzio/BIAF]
Attributed works:
Antonio de Medici, by Alessandro Allori (1535–1607). Early 1590s. Oil on panel, 107.3 by 86.4 cm. [DICKINSON, LONDON/BIAF]
Attributed works:
DAVID DES GRANGES (1611–1672) Portrait miniature of Charles II (1630–85), as King of Scotland; 1651 Watercolour on vellum Set into the original gold locket, enamelled with designs on base and lid, the lid set with diamonds Oval, 41mm (1 5⁄8in) high [The Limner Company]
Attributed works:
Figure studies, by Henry Moore (1898–1986). c.1948. Watercolour, ink, wash and wax resist, 28 by 21.5 cm. [CHRISTOPHER KINGZETT, LONDON/British Art Fair]
Attributed works:
GIACOMO CERUTI (1698–1767) A Lady in Costume (possibly Mary, Queen of Scots), mid-18th century Recently acquired by the Pinacoteca di Brera, Milan [Robilant + Voena]
Attributed works:
Head of the Bishop Andrea de’ Mozzi, attributed to a collaborator of Arnolfo di Cambio (c.1245–1302). c.1296–c.1300. Serena Pietra with traces of polychrome, height 39 cm. [BOTTICELLI ANTICHITÀ, FLORENCE/BIAF]
Attributed works:
Leaping man, by Elisabeth Frink (1930–93). 1985. Bronze with a brown patina, 40 by 37 by 15 cm. [PORTLAND GALLERY, LONDON/British Art Fair]
Attributed works:
M.G.F.A. Choiseul-Gouffier. Voyage pittoresque de la Grèce. 2 vol. in 3. Paris 1782-1824. [Venator & Hanstein]
Attributed works:
Madonna with Child and St Mary Magdalene, by Tiziano Vecellio, known as Titian, and workshop (c.1488/90–1576). c.1555–60. Oil on canvas, 104 by 92.5 cm. [CARLO ORSI, MILAN/BIAF]
Attributed works:
Madonna with Child, by Agnolo di Cosimo, called Bronzino (1503–72). 1525–26. Oil on panel, 75 by 62 cm. [GALERIE CANESSO, PARIS/BIAF]
Attributed works:
Meeting point, by L.S. Lowry (1887–1976). 1973. Offset lithograph printed in colours on wove, 47 by 71 cm. [HIDDEN GALLERY, BATH AND BRISTOL/British Art Fair]
Attributed works:
Mr Rochester, by Paula Rego (1935– 2022). 2001. Unique hand-painted lithograph, 89.5 by 67 cm. [JAMES HYMAN GALLERY, LONDON/British Art Fair]
Attributed works:
Munnie and Janette, by William Crosbie (1915–99). 1937. Oil on paper, 58.5 by 66 cm. [THE FINE ART SOCIETY, EDINBURGH/British Art Fair]
Attributed works:
Paul Nash (1889-1946) Studio, 1929 Watercolour, 57.3 by 41.3cm [Patrick Bourne & Co/British Art Fair]
Attributed works:
Pordenone, Mary Magdalene, circa 1530-1532 Museum Boijmans Van Beuningen, Rotterdam. Loan Stichting Boijmans Van Beuningen (former Koenigs collection) [Fondation Custodia]
Attributed works:
Portrait of Achille Fontanelli, by Andrea Appiani (1754–1817). 1813. Oil on canvas, 125 by 96 cm. [ROBILANT+VOENA, LONDON, MILAN, PARIS and NEW YORK/BIAF]
Attributed works:
River Stour, Essex, by Algernon Newton (1880–1968). 1938. Oil on board, 12 by 17 cm. [AUSTIN / DESMOND FINE ART, LONDON/British Art Fair]
Attributed works:
Rue du Mortier d’Or, by Walter Sickert (1860–1942). 1903. Oil on canvas, 33.5 by 41 cm. [BROWSE & DARBY, LONDON/British Art Fair]
Attributed works:
Simone di Filippo, called Simone dei Crocifissi (Bologna, documented between 1354 -1399) Virgin and Child between Saints John the Baptist and Bartholomew (central panel); Archangel Gabriel, Saint Petronius, Saint Christopher and Saint Anthony (left panel); Virgin Annunciate, Saint Jerome, a Bishop Saint (Ambrose?) and Saint Florian (right panel) [Moretti]
Attributed works:
Sir Horace Mann, by Prince Hoare (1711–69). c.1749. Terracotta, height 51.5 cm. [WALTER PADOVANI, MILAN/BIAF]
Attributed works:
Soldiers in a billet, by Keith Vaughan (1912–77). 1942. Pen, brush and ink, 25.5 by 35 cm. [ABBOTT AND HOLDER, LONDON/British Art Fair]
Attributed works:
Spring time, by William Nicholson (I872–1949). 1922. Pen, ink, watercolour and crayon, 21 by 16 cm. [PATRICK BOURNE & CO, LONDON/British Art Fair]
Attributed works:
Still life with flowers in a glass vase, by Giovanna Garzoni (1600–70). c.1640–50. Tempera painted on vellum with traces of black pencil, 44.8 by 37.5 cm. [COLNAGHI, LONDON, MADRID, BRUSSELS and NEW YORK/BIAF]
Attributed works:
Study of Francis Bacon, no.3, by Clive Barker (b.1940). 1978. Polished bronze, 10.5 by 18.5 cm. [WHITFORD FINE ART, LONDON/British Art Fair]
Attributed works:
The Bruno of Cologne table, by Pietro Piffetti (1701–77). c.1750. Burr walnut and other precious woods, 104.5 by 55 by 83 cm. [BURZIO, LONDON/BIAF]
Attributed works:
The escape of the naked young man after the capture of Christ, by Giusto Fiammingo (active Rome c.1615–25). Oil on canvas, 220 by 290 cm. [ROB SMEETS OLD MASTER PAINTINGS, GENEVA/BIAF]
Attributed works:
The players, by John Bellany (1942–2013). 1967. Oil on board, 161 by 183 cm. [CASTLEGATE HOUSE GALLERY, COCKERMOUTH/British Art Fair]
Attributed works:
Three children with a dog in an interior, by Peter Edward Stroehling (1768–1826). 1789. Oil on copper, 38 by 48 cm. [PAOLO ANTONACCI, ROME/BIAF]
Attributed works:
Untitled, from the Black Balloon Archive, by Liz Johnson Artur. Chromogenic print, 50.8 by 61 cm. (© Liz Johnson Artur; Victoria and Albert Museum, London). [The Burlington Magazine]
Advertisements
Advertising (front Matter)
09/2022 | 1434 | 164
Pages: i-xvi
Subjects
advertisements:
Illustrations
Attributed works:
10.8.75., by John Hoyland (1934–2011). 1975. Acrylic on canvas, 123 by 91.5 cm. [FREDERICK CHARLES ART, KENT. BIAF]
Attributed works:
A pair of vases with portraits of Clemens of Saxony and his sister Maria Josepha Amelia of Saxony, painted by Raffaele Giovine. 1822. Porcelain with gilt-bronze and polychrome, height 60 cm. [BRUN FINE ART, LONDON AND MILAN. BIAF]
Attributed works:
Alexander, Tsar of Russia, by Lorenzo Bartolini (1777– 1850). 1807. Marble, height 71 cm. [ROBERTO CAMPOBASSO, NAPLES. BIAF]
Attributed works:
Arturo Martini, Group of Soldiers (detail), 1933,34. Bronze with green patina, 68 x 42 x 42 cm [Walter Padovani, BIAF]
Attributed works:
Assassin 2, by Elisabeth Frink (1930–93). 1963. Bronze, 51 by 17 cm. [WILLOUGHBY GERRISH, LONDON AND YORKSHIRE. BIAF]
Attributed works:
Clifton Suspension Bridge, by Julian Trevelyan (1910–99). 1962. Oil on canvas, 76.5 by 91.5 cm. [FREYA MITTON ART, SOMERSET. BAF]
Attributed works:
Coffee pot with marks for the Sienese families of Sansedoni and Venturi Gallerani, by Adriano Haff ner (1703–68). c.1740. Embossed and chiselled silver, height 30 cm. [DARIO GHIO, MONTE CARLO. BIAF]
Attributed works:
DAVID BOMBERG (BRITISH 1890-1957) THE GARDEN AND TOWER OF THE SACRISTY, CUENCA CATHEDRAL Est. £200,000-300,000 (+ fees). [Dreweatts]
Attributed works:
Dorelia in a blue coat, by Augustus John (1878–1961). 1910. Oil on panel, 33 by 23.5 cm. [BROWSE & DARBY, LONDON. BAF]
Attributed works:
Filippo Pedrini San Pelegrino Laziosi 70x48,5 cm [Arte-Fact]
Attributed works:
Head of a prophet, by Giovanni di Balduccio (1290–1349). Marble, 31.5 by 14 by 43.5 cm. [ALESSANDRO CESATI, MILAN. BIAF]
Attributed works:
Head of an man wearing a turban, by Giovan Battista Tiepolo (1696–1770). Oil on canvas, 43.5 by 35.5 cm. [CARLO ORSI, MILAN. BIAF]
Attributed works:
Kronos, by Adamo Tadolini (1788– 1868). c.1830–50. Terracotta, 35 by 26 by 23 cm. [GALLERIA MARIETTA, FLORENCE. BIAF]
Attributed works:
Madonna and child, by the Master of 1310 (active, 1300–30). Tempera on wood with gold, 36.1 by 31.6 cm. [SALAMON GALLERY, MILAN. BIAF]
Attributed works:
Madonna and child, cast after a model by Girolamo Ticciati (1676–1744). c.1747–53. Red wax with a plaster support, 33.5 by 19.5 cm. [WALTER PADOVANI, MILAN, BIAF]
Attributed works:
May ’61, by Roger Hilton (1911–75). Oil on canvas, 63 by 76 cm. [JONATHAN CLARK FINE ART, LONDON. BIAF]
Attributed works:
Nowhere 2, by Robyn Denny (1930–2014). Acrylic on canvas, 163 by 120 cm. [NINE BRITISH ART, LONDON. BAF]
Attributed works:
Obituary: Francis Bacon, by Hugh Mendes (b.1955). 2021. Oil on linen, 30 by 20 cm. [CHARLIE SMITH, LONDON. BAF]
Attributed works:
Reclining nude, by Henry Moore (1898–1986). 1980. Bronze, 11 by 16.5 cm. [OSBORNE SAMUEL, LONDON. BAF]
Attributed works:
RUTILIO MANETTI 1571 - Siena - 1639 Allegory of the Four Seasons Oil on canvas 169 x 231 cm (661/2 x 91 in.)[Robilant and Voena]
Attributed works:
Self portrait, by Ronald Ossory Dunlop (1894–1973). c.1935. Oil on board, 37 by 29 cm. [CASTLEGATE HOUSE GALLERY, CUMBRIA. BIAF]
Attributed works:
The blue jug, by F.C.B. Cadell (1883–1937). 1925. Oil on canvas, 61 by 50.8 cm. [PORTLAND GALLERY, LONDON. BAF]
Attributed works:
The feast of Absalom, by Niccolò Tornioli (1606–51). Oil on canvas, 147.5 by 216.2 cm. [ROBILANT+VOENA, LONDON AND MILAN. BIAF]
Attributed works:
Tsar of Russia, by Lorenzo Bartolini (1777– 1850). 1807. Marble, height 71 cm. ROBERTO CAMPOBASSO, NAPLES Coff ee pot with marks for the Sienese families of Sansedoni and Venturi Gallerani, by Adriano Haff ner (1703–68). c.1740. Embossed and chiselled silver, height 30 cm. DARIO GHIO, MONTE CARLO St Jerome in penitence, by Girolamo Munziano (1532–92). Oil on canvas, 228 by 164 cm. [SANTA TECLA, PADUA. BIAF]
Attributed works:
Whiteleaf Hill, by John Nash (1893–1977). 1920. Pen and ink and watercolour on paper, 32.5 by 39.5 cm. [MOORE-GWYN FINE ART, LONDON. BIAF]
Western art unattributed:
Commode. Venice, c.1850. Wood, marble, bronze, gilt and lacquer, 147 by 84 by 60 cm. [ATTILIO CECCHETTO ANTIQUARIO, TREVISO. BIAF]
Article
Avatars of Antiquity II: Drapery as metaphor
12/2020 | 1413 | 162
Pages: 1056-1071
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
places:
styles:
subjects:
subjects:
Illustrations
Attributed works:
1. Drapery study for the high priest in the Trial and martyrdom of St Stephen, by Edward Poynter. 1872. Black chalk on buff paper, 41 by 27.5 cm. (Royal Academy of Arts, London).
Attributed works:
10. Draped female torso, from the Acropolis, Xanthos. 470–460 BC. Marble, height 123.8 cm. (British Museum, London).
Attributed works:
11. Rebecca at the well, by Nicolas Poussin. 1648. Oil on canvas, 118 by 199 cm. (Musée du Louvre, Paris).
Attributed works:
12. Detail from Paul preaching at Athens, by Raphael. c.1516. Body colour on paper mounted on canvas, whole canvas 320 by 390 cm. (Royal Collection, on loan to the Victoria and Albert Museum, London).
Attributed works:
13. Drapery study for the high priest in the Trial and martyrdom of St Stephen, by Edward Poynter. 1872. Black chalk on buff paper, 27.6 by 27.1 cm. (Royal Academy of Arts, London).
Attributed works:
14. Drapery study for the kneeling handmaiden in Semiramis founding Babylon, by Edgar Degas. 1860–62. Graphite with lead-white body colour and blue wash on paper, 24.4 by 31.1 cm. (Musée d’Orsay, Paris).
Attributed works:
15. Cymon and Iphigenia by Frederic Leighton. c.1884. Oil on canvas, 162.6 by 327.7 cm. (Art Gallery of New South Wales, Sydney).
Attributed works:
16. Drapery study by Leonardo. c.1475–82. Brown-grey wash and lead white on linen prepared with a pale grey ground, 220 by 139 cm. (Cabinet des Dessins, Musée du Louvre, Paris).
Attributed works:
17. Detail of Virgin and Child, by Masaccio. 1426. Egg tempera on wood, whole panel 134.8 by 73.5 cm. (National Gallery, London).
Attributed works:
18. The penitence of Mary Magdalene, by Charles Le Brun. 1655. Oil on canvas, 252 by 171 cm. (Musée du Louvre, Paris).
Attributed works:
19. Heliodorus driven from the Temple, by Eugène Delacroix. 1855–61. Mural, 751 by 485 cm. (Chapelle des Anges, Saint-Sulpice, Paris)
Attributed works:
2. Detail of an Antique mural painting of a dancer, by Filippo Morghen after Camillo Paderni. Engraving, 38 by 48 cm. (page). (From Le pitture antiche d’Ercolano e contorni, I, Naples 1757).
Attributed works:
20. Ariadne on Naxos, by G.F. Watts. 1867–75. Oil on canvas, 75 by 94 cm. (Guildhall Museum, London).
Attributed works:
21. Divine figures from the east pediment of the Parthenon, Athens, believed to represent Venus reclining on the lap of her mother, Dione, by Phidias or associate. 438–432 BC. Marble, length 233 cm. (British Museum, London).
Attributed works:
22. Captive Andromache, by Frederic Leighton. c.1888. Oil on canvas, 195.6 by 406.4 cm. (City Art Gallery, Manchester).
Attributed works:
23. Detail of the figure of Amor in the chimneypiece made for the residence of Cornelius Vanderbilt II on Fifth Avenue at 57th Street, Manhattan, by Augustus Saint-Gaudens. c.1881–83. Limestone, height of chimneypiece 468.3 cm. (Metropolitan Museum of Art, New York).
Attributed works:
24. Dido receiving Aeneas and Cupid disguised as Ascanius, by Francesco Solimena. 1710. Oil on canvas, 207.2 by 310.2 cm. (National Gallery, London).
Attributed works:
3. One of the ‘attitudes’ of Lady Hamilton, by Tommaso Piroli after Friedrich Rehberg. Engraving, 26.9 by 20.8 cm. (From F. Rehberg: Drawings Faithfully Copied from Nature at Naples, n.p. 1794, fig.7).
Attributed works:
4. Veiled and masked dancer. Alexandria(?), c.100 BC. Bronze, height 20.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
5. Detail of Two dancers, after Antonio Canova. 1799. Tempera on paper. (Casa Canova, Possagno).
Attributed works:
6. Hebe, by Antonio Canova. 1816–17. Marble with gilt metal, height 158 cm. (Pinacoteca Civica, Forlì).
Attributed works:
7. Veiled woman (Allegory of Purity), by Antonio Corradini. 1717–25. Carrara marble. (Museo del Settecento Veneziano, Ca Rezzonico, Venice).
Attributed works:
8. Hebe, by Bertel Thorvaldsen. 1819–23. Marble, height 152.2 cm. (Thorvaldsen Museum, Copenhagen).
Western art unattributed:
9. Kore, from the Temple of Hera, Samos. 570–60 BC. Marble, height 192 cm. (Musée du Louvre, Paris).
Exhibition Review
Bill Brandt / Henry Moore
06/2020 | 1407 | 162
Pages: 520-524
related names
Reviewer:
Harrison, Martin (Harrison, Martin)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Bill Brandt / Henry Moore The Hepworth Wakefield 7th February–1st November | :
Illustrations
Attributed works:
1. Liverpool Street extension, by Bill Brandt. 1940, printed c.1948. Gelatin silver print, 24.4 by 19.3 cm. (Edwynn Houk Gallery, New York; exh. The Hepworth Wakefield).
Attributed works:
2. Tube shelter perspective: the Liverpool Street extension, by Henry Moore. 1941. Pencil, wax crayon, coloured crayon, watercolour, wash, pen and ink on paper, 48 by 43.5 cm. (Tate, London; exh. The Hepworth Wakefield).
Attributed works:
3. Contact sheet for details of Auguste Rodin’s Walking man (1877–78), by Henry Moore. 1967. 25.2 by 20.3 cm. (Henry Moore Foundation; exh. The Hepworth Wakefield).
Attributed works:
4. Nude, Baie des Anges, by Bill Brandt. 1959. Gelatin silver print, 61.6 by 52.1 cm. (  Bill Brandt Archive Ltd, London; exh. The Hepworth Wakefield).
Exhibition Review
Lee Miller and Surrealism in Britain. The Hepworth Wakefield
10/2018 | 1387 | 160
Pages: 863-865
related names
Reviewer:
Matheson, Neil (Matheson, Neil)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
21. Portrait of space, near Siwa, Egypt, by Lee Miller. 1937. Gelatin silver print, 29.2 by 23.3 cm. (© Lee Miller Archives, East Sussex; exh. The Hepworth Wakefield).
Attributed works:
22. A l’heure de l’observatoire – Les amoureux, by Man Ray. 1932–34/1970. Coloured lithograph after oil painting. 68 by 104 cm. (Collection Clo and Marcel Fleiss, Paris; exh. The Hepworth Wakefield).
Advertisements
Advertisements (front)
09/2018 | 1386 | 160
Pages: i–xxiv
Subjects
subjects:
Illustrations
Attributed works:
[Auktionshaus Heickmann, Chemnitz. CASPAR DAVID FRIEDRICH (1774–1840) Bohemian Landscape. Watercolour. 126 x 208 mm. Dated by the artist "den 16ten May 1828" and entitled "Morgennebel" (Morning fog).]
Attributed works:
[Bonhams, London. JOHN WILLIAM GODWARD, RBA (BRITISH, 1861-1922) Dolce far niente signed and dated ‘J.W.GODWARD.’07’ (lower left) oil on canvas 51.4 x 76.2cm (20 1/4 x 30in). £200,000 - 300,000 *]
Attributed works:
[Bonhams, London. SIR WINSTON SPENCER CHURCHILL O.M., HON. R.A. (1874-1965) The Riviera, a Sketch signed with initials ‘WSC’ (lower right) oil on canvas board 35.4 x 50.8 cm. (13 7/8 20 in.) Painted circa 1930 £100,000 – 150,000*]
Attributed works:
[British Art Fair, London. Apples and pears in a striped bowl, by Matthew Smith (1879–1959). 1952. Canvas, 45 by 61 cm. BROWSE AND DARBY, LONDON]
Attributed works:
[British Art Fair, London. Chariot, by Clive Barker (b.1940). 1974. Chrome-plated brass and bronze, 19 by 23 cm. WHITFORD FINE ART, LONDON]
Attributed works:
[British Art Fair, London. Garden, W6, by Victoria Crowe (b.1945). Oil on board, 58.4 by 71.1 cm. JENNA BURLINGHAM FINE ART, KINGSCLERE, HAMPSHIRE]
Attributed works:
[British Art Fair, London. Helmet head 4, by Henry Moore (1898–1986). 1963. Bronze, 42 by 87 by 52 cm. GOODMAN FINE ART, LONDON]
Attributed works:
[British Art Fair, London. House by a lake, by Ivon Hitchens (1893–1979). 1940. Canvas, 20 by 30 cm. JONATHAN CLARK FINE ART, LONDON]
Attributed works:
[British Art Fair, London. Los Angeles No.1, 2000, by R.B. Kitaj (1932–2007), 2000. Canvas, 121.9 by 121.9 cm. OFFER WATERMAN, LONDON]
Attributed works:
[British Art Fair, London. Pitchfork on green; pitchfork on pink, by Michael Craig-Martin (b.1941). 2003. Acrylic on canvas, 153 by 46 cm. BEAUX ARTS, LONDON]
Attributed works:
[British Art Fair, London. The governess, by Ambrose McEvoy (1878–1927). Canvas, 91.4 by 71.1 cm. MAAS GALLERY, LONDON]
Attributed works:
[British Art Fair, London. Three forms (extra eye), by Barbara Hepworth (1903–75). 1969. Bronze, 22.4 by 20.2 by 15.1 cm. OSBORNE SAMUEL, LONDON]
Attributed works:
[British Art Fair, London. Trio of bowls, by Lucy Rie (1902–1995). Glazed stoneware, various sizes. ASKEW ART, LONDON]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. ERCOLE SETTI (1530 –Modena –1618) A PROCESSION Pen and brown ink, black chalk, 10.5 x 30 cm]
Attributed works:
[Chiswick Auctions, London. MEDARDO ROSSO (ITALIAN, 1858-1928): ‘BAMBINA RIDENTE’ (BAMBINA CHE RIDE) A wax over plaster head Probably cast by the sculptor’s son, Francesco Rosso, from the original plaster model. Provenance: Sold to the Peridot Gallery, New York in 1959 by the sculptor’s daughter-in-law Clotilde Longoni Rosso. Thence by descent. Estimate £50,000 – 80,000]
Attributed works:
[Christie's, New York. POMPEO BATONI (1708–1787) Portrait of a lady, possibly Alexandrine Eftikhevna Demidoff, née Safonova (1745–1778), halflength, holding a wicker basket with flowers, 1775 (detail) oil on canvas $400,000–600,000]
Attributed works:
[Dulwich Picture Gallery, London. Jusepe de Ribera, Martyrdom of Saint Bartholomew (detail), 1644, Oil on canvas, Museu Nacional d'Art de Catalunya, Barcelona. ©Museu Nacional d'Art de Catalunya, Barcelona. 2018. Photo: Calveras/Mérida/Sagristà.]
Attributed works:
[F. Baulme Fine Arts, Paris. Jan Van Bijlert, Paris and Oenone, oil on canvas, 123.5 x 91 cm, signed, lower left ‘J Bijlert fecit’ Provenance: Collection of the painter Jean-Baptiste Marie Pierre (1714- 1789); thence by descent]
Attributed works:
[Frieze Masters, London. Sebastiano del Piombo, Portrait of a Lady (detail), mid-1520s, The National Gallery, London. On loan from Longford Castle collection. © Private collection. Photography: John Bodkin.]
Attributed works:
[Galerie Michel Descours, Lyon. Pierre Peyron, The Death of Alcestis, or The Heroism of Conjugal Love, oil on canvas, 96 × 107 cm (37.8 × 42.1 in.)]
Attributed works:
[Hazlitt Holland-Hibbert, London. Barbara Hepworth Five Studies of a Girl, 1951 (detail) Oil and pencil on board]
Attributed works:
[La Biennale de Paris. Sailing downwind, by Charles Lapicque (1898–1988). 1952. Canvas, 116 by 89 cm. ART CUÉLLARNATHAN, ZURICH]
Attributed works:
[La Biennale Paris. Angel, attributed to Giuseppe Sanmartino (1720–93). 1750. Terracotta with glass inlay, 38 cm high. GALERIE SISMANN, PARIS]
Attributed works:
[La Biennale Paris. Mantel clock showing allegories of astronomy and history, by Jean-André Lepaute (1720–1789) and Jean-Baptiste Lepaute (1727–1802). c.1770. Chased, patinated and gilt bronze with a marble base, 68 by 80 by 28.5 cm. GALERIE DE LA PENDULERIE, PARIS]
Attributed works:
[La Biennale Paris. Shell VI, by Eva Vlčková. 2018. Glass, 33 cm high. GALERIE CLARA SCREMINI, PARIS]
Attributed works:
[La Biennale Paris. Still life with a basket of fruit, bouquet of flowers and exotic shells, by Balthasar van der Ast (1590–1656). Panel, 75 by 107 cm. GALERIA ANA CHICLANA, MADRID AND PARIS]
Attributed works:
[La Biennale Paris. Theatrum orbis terrarum, by Abraham Ortelius (1527–98). 1603 posthumous edition. Paper, bound in vellum, 46 by 29.7 cm. LIBRAIRIE CAMILLE SOURGET]
Attributed works:
[Peter Finer, London. A Pair of Flintlock Presentation Pistols by Nicholas-Noël Boutet, 1805. PROVENANCE: Private collection, Germany]
Attributed works:
[Robilant + Voena, London. John Chamberlain, Untitled, c. 1963, painted and chromium-plated steel, 54.6 x 48.3 x 58.4 cm. Lucio Fontana, Concetto spaziale, Attese, 1967, water-based paint on canvas, 80 x 65 cm. The Apollo Vescovali, 2nd century AD, marble, 166 cm (height). Andy Warhol, One Multicolored Marilyn (Reversal Series), 1979/86, acrylic and silkscreen ink on canvas, 45.7 x 35.2 cm.]
Attributed works:
[Venator & Hanstein, Cologne. M.E. Bloch. Ichthyologie. 12 parts in 6 vol. Berlin 1785-97. With 432 coloured copperplates.]
Western art unattributed:
[Galerie Sismann, Paris. APOSTLE Limestone, traces of polychromy and gilt Lorraine 1330–1340 H. 90 cm]
Exhibition Review
Aftermath: Art in the Wake of World War One. Tate Britain, London
09/2018 | 1386 | 160
Pages: 788-790
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
22. The floating one, by Ernst Barlach. 1927, cast 1987. Bronze, 213 by 74 by 68 cm. (SchleswigHolsteinische Landesmuseen Schloss Gottorf, Schleswig; exh. Tate Britain, London).
Attributed works:
23. Grey day, by George Grosz. 1921. Canvas, 115 by 80 cm. (Nationalgalerie, Berlin; exh. Tate Britain, London).
Attributed works:
24. Wire, by Paul Nash. 1918–19. Watercolour, chalk and ink on paper, 48.6 by 63.5 cm. (Imperial War Museums, London; exh. Tate Britain, London).
Exhibition Review
Post-War art. Munich
04/2017 | 1369 | 159
Pages: 339-341
related names
Reviewer:
Lewison, Jeremy (Lewison, Jeremy)
Subjects
dates:
museums and institutions:
places:
subjects:
subjects:
Illustrations
Attributed works:
79. Berlin '64, by Emilio Vedova. 1964 (Fondazione Emilio e Annabianca Vedova, Venice; exh. Haus der Kunst, Munich)
Attributed works:
80. Self-portrait of Suffering, by Ibraham El-Salahi. 1961 (Iwalewahaus, Universität Bayreuth; exh. Haus der Kunst, Munich)
Attributed works:
81. Installation view of the 'Concrete Visions' section of Postwar: Art between the Pacific and the Atlantic at the Haus der Kunst, Munich)
Exhibition Review
Henry Moore and contemporary art. Perry Green
08/2014 | 1337 | 156
Pages: 544-545
related names
Reviewer:
Barratt, Martha (Barratt, Martha)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
43. Reclining figure, by Henry Moore (Henry Moore Foundation, Perry Green)
Attributed works:
44. Kiss and tell, by Richard Deacon (Arts Council Collection, London; exh. Henry Moore Institute, Perry Green)
Attributed works:
45. Self-portrait (as Henry Moore), by Simon Starling, with Yasuo Miichi (Modern Institute, Glasgow, exh. Henry Moore Institute, Perry Green)
Exhibition Review
Bacon/Moore: Flesh and Bone
12/2013 | 1329 | 155
Pages: 847-848
related names
Reviewer:
Whitfield, Sarah (Whitfield, Sarah; Whitfield, Mrs)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
46. Lying figure in a mirror, by Francis Bacon (Museo de Bellas Artes, Bilbao; exh. Ashmolean Museum, Oxford)
Attributed works:
47. Portrait of a man with glasses III, by Francis Bacon (Private collection; exh. Ashmolean Museum, Oxford)
Attributed works:
48. Animal head, by Henry Moore (Henry Moore Foundation, Perry Green; exh. Ashmolean Museum, Oxford)
load more