1. The verso of the last folio of a copy of Dante’s Commedia, Venice 1497,
with an inscription in iron-gall ink and a drawing of the Virgin and Child
in red chalk. 30.5 by 19.8 cm. (University of Sydney, Library, Inc.97.1).
Attributed works:
10. Infra-red reflectogram of the under-drawing of the painting
illustrated in Fig.9. (National Gallery, London).
Attributed works:
11. View of Castel San Zeno, Montagnana, with a seated figure in the
foreground, by Giorgione. Red chalk on paper, 20.3 by 29 cm. (Museum
Boijmans Van Beuningen, Rotterdam).
Attributed works:
12. Cupid bending a bow, attributed to Giorgione. c.1508. Red chalk on
paper, 23.7 by 15.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
13. Detail of fol.iii recto of the volume illustrated in Fig.1.
Attributed works:
2. Below left Composite image of the watermark ‘Van Gelder’ in the
flyleaves of the volume illustrated in Fig.1.
Attributed works:
3. Annotations of earlier sale or ownership in the volume illustrated
in Fig.1.
Attributed works:
4. Detail of the the opening page of the volume illustrated in Fig.1,
showing the accession number of the University of Sydney Library.
Attributed works:
5. Detail of Fig.1, showing the inscription.
Attributed works:
6. The Holy Family (‘The Benson Holy Family’), by Giorgione. c.1502.
Panel, 37.3 by 45.6 cm. (National Gallery of Art, Washington).
Attributed works:
7. Infra-red reflectogram of the painting illustrated in Fig.6, showing
preliminary drawing executed with the point of a brush. (National Gallery
of Art, Washington).
Attributed works:
8. Opposite Detail of Fig.1, showing the drawing of the Virgin and Child,
here attributed to Giorgione. Red chalk, 14 by 9.5 cm.
Attributed works:
9. Adoration of the Magi, by Giorgione. c.1502. Panel, 29.8 by 81.3 cm.
(National Gallery, London).
Attributed works:
Detail of fol.iii verso of the volume illustrated in Fig.1.