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253 articles
Article
New documents for Vincenzo Foppa and Ludovico Brea in Liguria
09/2024 | 1458 | 166
Pages: 921-27
related names
Author:
Zurla, Michela (Zurla, Michela)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Madonna and Child enthroned, with saints and the donor Giuliano Della Rovere (Della Rovere Altarpiece), by Vincenzo Foppa and Ludovico Brea. 1487–90. Tempera and oil on wood. (Oratory of S. Maria di Castello, Savona).
Attributed works:
2. Madonna and Child enthroned, with saints and the donor Manfredo Fornari (Polyptych of the Madonna del Libro), by Vincenzo Foppa. 1489, Tempera on wood, 210 by 181 cm. (Pinacoteca Civica, Savona; Bridgeman Images).
Attributed works:
3. Martyrdom of St Sebastian, by Vincenzo Foppa. 1485–90. Detached fresco on canvas, 265 by 170 cm. (Pinacoteca di Brera, Milan; courtesy Italian Ministry of Culture; Bridgeman Images).
Attributed works:
4. Madonna and Child enthroned with angels playing music, by Ludovico Brea. 1510–20. Oil on wood, 110 by 70 cm. (Museo Poldi Pezzoli, Milan; Photo Scala, Florence).
Attributed works:
5. Detail of Fig.1, showing Giuliano della Rovere as well as some of the sculpted elements of the polyptych.
Attributed works:
6. St Stephen, by Vincenzo Foppa. 1460–62. Tempera on wood, 89 by 34 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
7. Archangel Michael, by Vincenzo Foppa. 1460–62. Tempera on wood, 91 by 34 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
8. Detail of Fig.1, showing the Virgin and Child.
Article
Concealing portraits in Renaissance Venice: Jacometto’s painted box
02/2024 | 1451 | 166
Pages: 126–1139
related names
Author:
Manges Nogueira, Alison (Manges Nogueira, Alison)
Subjects
dates:
sources:
subjects:
Illustrations
Attributed works:
1. and 2. A tethered roebuck (recto) and Alvise Contarini (verso), by Jacometto Veneziano. c.1485–95. Oil and gold on panel (recto), oil on panel (verso), 11.7 by 8.6 cm. (Robert Lehman Collection, Metropolitan Museum of Art, New York).
Attributed works:
10. Portrait of a woman, possibly a Novice of San Secondo, by Jacometto Veneziano. c.1490. Oil on panel, 24 by 15.5 cm. (Cleveland Museum of Art).
Attributed works:
11. Rendering of the figural outlines in the painting in Fig.3.
Attributed works:
12. Auditus, by Cornelis Cort after Frans Floris I. 1561. Engraving, 21.5 by 26.5 cm. (National Gallery of Art, Washington).
Attributed works:
13. Detail of Orpheus (‘The Widener Orpheus’), showing the figure of Orpheus. Venice, c.1515. Oil on panel transferred to canvas, 39.5 by 81 cm. (National Gallery of Art, Washington; Bridgeman Images).
Attributed works:
14. Orpheus and Charon, by Nicola da Urbino. Urbino, c.1515. Maiolica, diameter 28.2 cm. (Museo Correr, Venice).
Attributed works:
15. The wedding of Orpheus and Eurydice, Eurydice bitten by a snake, and Orpheus and Charon, after Benedetto Bordon. 1497. Woodcut, 29.8 by 20.6 cm. (page). (From Ovidio Metamorphoseos vulgare, transl. Giovanni de’ Bonsignori, Venice 1497, fol.83v; Metropolitan Museum of Art, New York).
Attributed works:
16. Daniel in the cave of the lions, by Cima da Conegliano. c.1495. Tempera and gold on panel, 57.7 by 43.5 cm. (Pinacoteca Ambrosiana, Milan; Bridgeman Images).
Attributed works:
17. Orpheus charming the animals, by the workshop of Cima da Conegliano. Early 16th century. Pen and wash on paper, 25 by 20 cm. (Gabinetto dei Disegni e delle Stampe degli Uffizi, Florence).
Attributed works:
18. Orpheus redeeming Eurydice, by Moderno. Late 15th or early 16th century. Bronze, diameter 10.6 cm. (National Gallery of Art, Washington).
Attributed works:
19. Petrarch, Laura and Orpheus, attributed to the Petrarch Master. 1463–64. Coloured pigments, gold and ink on parchment, 23 by 14 cm. (From Sonnets and Triumphs by Petrarch, Victoria and Albert Museum, London, L.101-1947).
Attributed works:
20. Portrait medal of Cristoforo Civran. Venice, late 15th century. Bronze, diameter 4.9 cm. (Private collection).
Attributed works:
21. Stag at rest chained to a tree, by Giulio Campagnola. c.1510–15. Engraving with stipple, 18.2 by 11.8 cm. (British Museum, London).
Attributed works:
22. Deer chained to a laurel tree. Venice, late 15th century. Tempera on vellum. (From Rime, by Niccolò Lelio Cosmico, Biblioteca Nazionale Marciana, Venice, MS Marciano It. IX 152 (=7057), fol. 2v.).
Attributed works:
23. Tiberius. Roman, 14–20, in a mount with a Medici emblem and inscription, Italian or French, 16th century. Sardonyx, gold, pearl and enamel, 8 by 4.8 cm. (Art Institute of Chicago).
Attributed works:
24. Staurotheke with a double-sided sliding lid. Constantinople (?), early 9th century. Gilded silver, gold, enamel worked in cloisonné and niello, 2.7 by 10.3 by 7.1 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. and 4. A scene here identified as Orpheus and Charon (verso) and Portrait of a woman here identified as Daria Querini (recto), by Jacometto Veneziano. c.1485–95. Oil and gold on panel (verso), oil on panel (recto), 10.2 by 7.3 cm. (Robert Lehman Collection, Metropolitan Museum of Art, New York).
Attributed works:
5. Portrait effigy of Elisabeth Krauss, with a sliding cover. Nuremberg, c.1640. Coloured wax and wood, 13.5 by 12.2 cm. (Germanisches Nationalmuseum, Nuremberg).
Attributed works:
6. Giovanna de’ Rossi, by Lorenzo Lotto. c.1505. Oil on panel, 42.9 by 33.6 cm. (Musée des Beaux Arts, Dijon).
Attributed works:
7. Allegory of Chastity (cover for Giovanna de’ Rossi), by Lorenzo Lotto. c.1505. Oil on panel, 42.9 by 33.7 cm. (National Gallery of Art, Washington).
Attributed works:
8. Philipp Melanchthon and cover with grotteschi and an inscription, by Hans Holbein the Younger. 1535. Oil on panel, diameter 9 cm. (Landesgalerie, Niedersachsisches Landesmuseum, Hannover).
Attributed works:
9. Portrait of a boy, by Giovanni Bellini. c.1474. Oil on panel, 38 by 23 cm. (Barber Institute of Fine Arts, Birmingham).
Article
Newly attributed drawings by Botticelli
04/2023 | 1441 | 165
Pages: 358-365
related names
Author:
Rinaldi, Furio (Rinaldi, Furio)
Subjects
Illustrations
Attributed works:
1. Study for a standing man (St Sebastian), by Sandro Botticelli. c.1473–74. Metalpoint (silver?) and white gouache on ochre prepared paper, 18.4 by 9.3 cm. (Musée du Louvre, Paris).
Attributed works:
10. Detail of Fig.12, showing the face of the third onlooker on the right.
Attributed works:
11. Head of a man in near profile looking left, here attributed to Sandro Botticelli. c.1468–70. Traces of black chalk, metalpoint (lead?) heightened with white and grey wash, on yellow-ochre prepared paper, 13.2 by 11 cm. (Christ Church Picture Gallery, Oxford).
Attributed works:
12. Adoration of the Magi, by Sandro Botticelli, showing the face of an onlooker. c.1470–75. Tempera and oil on poplar panel, 68 by 102 cm. (National Gallery of Art, Washington).
Attributed works:
13. Head of a veiled woman, by Fra Filippo Lippi. c.1452. Silverpoint and white gouache, retouched with pen and brown ink and red chalk, on ochre-prepared paper, 30 by 20.5 cm. (Gabinetto Disegni e Stampe degli Uffizi, Florence).
Attributed works:
2. Study of two standing figures and a right hand, by Sandro Botticelli. c.1475. Silverpoint and white gouache on mauve-lilac prepared paper, 16.5 by 10 cm. (Palais des Beaux-Arts, Lille).
Attributed works:
3. Two partial studies of a profile, here attributed to Sandro Botticelli. c.1475. Metalpoint (lead?) and white gouache on yellowochre prepared paper, 18.9 by 7.1 cm. (Gabinetto dei Disegni e Stampe delle Uffizi, Florence).
Attributed works:
4. Detail of the Cestello Annunciation, by Sandro Botticelli, showing the face of the Archangel Gabriel. 1489. Tempera on panel, 150 by 156 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
5. Standing man turned to the right, here attributed to Sandro Botticelli. c.1475. Metalpoint (lead?) and white gouache on yellow-ochre prepared paper, 18.9 by 7.1 cm. (recto of Fig.3). (Gabinetto dei Disegni e Stampe delle Uffizi, Florence).
Attributed works:
6. Study for a standing draped figure turned to the left, by Sandro Botticelli. Metalpoint (lead?) and white gouache on ochre prepared paper, 18.3 by 8.3 cm. (© RMN-Grand Palais; Musée du Louvre; Stéphane Maréchalle).
Attributed works:
7. Virgin and Child with the young St John the Baptist, by Sandro Botticelli. c.1468–70. Tempera and gold on poplar panel, 90.7 by 67 cm. (Musée du Louvre, Paris; Tarker; Bridgeman Images).
Attributed works:
8. Head of a woman looking down to the left, here attributed to Sandro Botticelli. c.1468–70. Metalpoint (lead?) heightened with white and light grey wash on yellow-ochre prepared paper, 13.4 by 10.7 cm. (Christ Church Picture Gallery, Oxford).
Attributed works:
9. Detail of Fig.7, showing the face of the Virgin.
Article
Giorgione in Sydney
03/2019 | 1392 | 161
Pages: 190-199
related names
Author:
Anderson, Jaynie (Anderson, Jaynie)
Author:
Newbigin, Nerida (Newbigin, Nerida)
Author:
Sommerfeldt, Julie (Sommerfeldt, Julie)
Author:
Wilson, Kim (Wilson, Kim)
Subjects
dates:
museums and institutions:
styles:
subjects:
Illustrations
Attributed works:
1. The verso of the last folio of a copy of Dante’s Commedia, Venice 1497, with an inscription in iron-gall ink and a drawing of the Virgin and Child in red chalk. 30.5 by 19.8 cm. (University of Sydney, Library, Inc.97.1).
Attributed works:
10. Infra-red reflectogram of the under-drawing of the painting illustrated in Fig.9. (National Gallery, London).
Attributed works:
11. View of Castel San Zeno, Montagnana, with a seated figure in the foreground, by Giorgione. Red chalk on paper, 20.3 by 29 cm. (Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
12. Cupid bending a bow, attributed to Giorgione. c.1508. Red chalk on paper, 23.7 by 15.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
13. Detail of fol.iii recto of the volume illustrated in Fig.1.
Attributed works:
2. Below left Composite image of the watermark ‘Van Gelder’ in the flyleaves of the volume illustrated in Fig.1.
Attributed works:
3. Annotations of earlier sale or ownership in the volume illustrated in Fig.1.
Attributed works:
4. Detail of the the opening page of the volume illustrated in Fig.1, showing the accession number of the University of Sydney Library.
Attributed works:
5. Detail of Fig.1, showing the inscription.
Attributed works:
6. The Holy Family (‘The Benson Holy Family’), by Giorgione. c.1502. Panel, 37.3 by 45.6 cm. (National Gallery of Art, Washington).
Attributed works:
7. Infra-red reflectogram of the painting illustrated in Fig.6, showing preliminary drawing executed with the point of a brush. (National Gallery of Art, Washington).
Attributed works:
8. Opposite Detail of Fig.1, showing the drawing of the Virgin and Child, here attributed to Giorgione. Red chalk, 14 by 9.5 cm.
Attributed works:
9. Adoration of the Magi, by Giorgione. c.1502. Panel, 29.8 by 81.3 cm. (National Gallery, London).
Attributed works:
Detail of fol.iii verso of the volume illustrated in Fig.1.
Article
Signorelli, the Vitelli and the Medici
06/2017 | 1371 | 159
Pages: 442-444
related names
Author:
Mazzalupi, Matteo (Mazzalupi, Matteo)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
2. Holy family, by Luca Signorelli. Late 1480s (Gallerie degli Uffizi, Florence)
Attributed works:
3. Posthumous portrait of Niccolò Vitelli, by Luca Signorelli. Late 1490s or early 1500s (Barber Institute of Fine Arts, University of Birmingham)
Attributed works:
4. Portrait of Camillo Vitelli, by Luca Signorelli. Late 1490s or early 1500s (Berenson Collection, I Tatti, Florence)
Attributed works:
5. Portrait of Vitellozzo Vitelli, by Luca Signorelli. Late 1490s or early 1500s (Berenson Collection, I Tatti, Florence)
Book Review
À la mode italienne. Commerce du luxe et diplomatie dans les Pays-Bas meridionaux, 1477–1530, F. Veratelli
12/2014 | 1341 | 156
Pages: 820-821
related names
Reviewer:
Nuttall, Paula (Nuttall, Paula)
Subjects
places:
Article
A new book on Signorelli
12/2013 | 1329 | 155
Pages: 832-833
related names
Author:
Wright, Alison (Wright, Alison)
Subjects
artists:
dates:
Illustrations
Attributed works:
33. Virgin and Child, by Luca Signorelli (Galleria degli Uffizi, Florence)
Attributed works:
34. Portrait of a man, by Luca Signorelli (Gemäldegalerie, Berlin)
Book Review
Nuns and Reform Art in Early Modern Venice. The Architecture of Santi Cosma e Damiano and its Decoration from Tintoretto to Tiepolo
01/2013 | 1318 | 150
Pages: 33
related names
Reviewer:
Sapienza, Valentina (Sapienza, Valentina)
Subjects
dates:
places:
Book Review
The Afterlife of Raphael’s Paintings
12/2012 | 1317 | 154
Pages: 851-852
related names
Reviewer:
Bonsanti, Giorgio (Bonsanti, Giorgio)
Subjects
artists:
dates:
Book Review
Michelangelo. The Achievement of Fame, 1475–1534
12/2012 | 1317 | 154
Pages: 850-851
related names
Reviewer:
Chapman, Hugo (Chapman, Hugo)
Subjects
artists:
Illustrations
Attributed works:
28. Portrait of a young man (Tommaso de' Cavalieri?), by Michelangelo. c.1533. Black chalk, 69.5 by 48.8 cm. (Musée Bonnat, Bayonne).
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