museums and institutions:
Attributed works:
1. The Virgin with an angel and child, by Parmigianino. c.1525. Pen,
ink and wash over black chalk on pink-tinted paper, 20.1 by 16.1 cm.
(Albertina, Vienna).
Attributed works:
10. Madonna and Child with St John the Baptist and St Jerome (‘The
vision of St Jerome’), by Parmigianino. 1526–27. Oil on poplar panel,
342.9 by 148.6 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
11. Study for or after the head of St John, perhaps by Parmigianino
or Barocci. 1527 or later. Red, black and white chalk on paper, 39.1 by
25.6 cm. (British Museum, London).
Attributed works:
12. Study for the figure of Adam, by Michelangelo. 1511. Red chalk over
stylus on paper, 19.3 by 25.9 cm. (British Museum, London).
Attributed works:
13. Raising of Lazarus, by Sebastiano del Piombo. 1517–19. Oil on
synthetic panel, transferred from wood, 381 by 289.6 cm. (National
Gallery, London; Bridgeman Images).
Attributed works:
14. St Catherine of Alexandria, by Raphael. c.1507–08. Oil on canvas, 71.5
by 55.7 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
15. ‘Portrait of the sister of Raffaelle’ attributed to Raffaello Sanzio.
1841. Chalk lithograph on paper within a lithographic mount, 40 by 28.2
cm. (From A Series of Fac-Similes of Original Drawings by Raffaelle da
Urbino, London 1841, pl.16; © Royal Academy of Arts, London).
Attributed works:
16. ‘The Virgin and the Apostles’ attributed to Raffaello Sanzio. 1841.
(From A Series of Fac-Similes of Original Drawings by Raffaelle da
Urbino, London 1841, pl.11; © Royal Academy of Arts, London).
Attributed works:
17. The departure of the Argonauts, by Pietro del Donzello.
1487. Oil on panel, 83.8 by 163.8 cm. (The Mari-Cha Collection Limited).
Attributed works:
18. The Argonauts in Colchis, by Bartlommeo di Giovanni.
1487. Oil on panel, 83.2 by 163.8 cm. (The Mari-Cha Collection Limited).
Attributed works:
19. Initial letter ‘A’ for a gradual, including a scene of the Annunciation
by Lorenzo Monaco. c.1410. Pen, ink and wash over black chalk on vellum,
40 by 32.7 cm. (British Museum, London).
Attributed works:
2. Isabella Hutchinson (Mrs. Wolff), by Thomas Lawrence. 1815.
Oil on canvas, 128.2 by 102.4 cm. (Art Institute of Chicago).
Attributed works:
20. Adoration of the Magi, by Baldassare Peruzzi. c.1522–23. Pen, ink and
wash on paper, 112.5 by 107 cm. (British Museum, London).
Attributed works:
3. Samuel Woodburn, by Thomas Lawrence. c.1823. Oil on canvas, 109.2
by 83.5 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Attributed works:
4. The woman taken in adultery, attributed to Abraham van Dyck.
c.1652. Pen with brown ink and wash with some red chalk and white
heightening, 19.3 by 28 cm. (Private collection, courtesy Sotheby’s).
Attributed works:
5. The woman taken in adultery, by Rembrandt. 1644. Oil on oak panel,
83.8 by 65.4 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
6. Rinaldo and Armida, by Anthony van Dyck. 1634–45. Oil on panel, 57
by 41.5 cm. (National Gallery, London).
Attributed works:
7. Seaport with the embarkation of the Queen of Sheba, by Claude
Lorrain. 1648. Oil on canvas, 149.1 by 196.7 cm. (National Gallery, London;
Bridgeman Images).
Attributed works:
8. Seaport with the embarkation of the Queen of Sheba, by Claude
Lorrain. c.1648. Pen and brown ink over graphite on paper, 27.1 by 42.2
cm. (Kupferstichkabinett, Staatliche Museen, Berlin).
Attributed works:
9. Study for the infant Christ, by Parmigianino. 1526–27. Red chalk
on paper, 23.8 by 16.7 cm. (École des Beaux-Arts, Paris).
