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142 articles
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07/2024 | 1456 | 166
Pages: i-xii
Subjects
artists:
artists:
Illustrations
Attributed works:
Black Cross II, by Harmony Hammond (b.1944). 2020–21. Oil and mixed media on canvas, 229.6 by 183.5 by 7 cm. [Whitney Biennial]
Attributed works:
Black Cross II, by Harmony Hammond (b.1944). 2020–21. Oil and mixed media on canvas, 229.6 by 183.5 by 7 cm. [Whitney Biennial]
Attributed works:
Daughters: Reverance, by Rose B. Simpson (b.1983). 2024. Ceramic, twine, grout, steel, lava beads, osha root, pine, hide and leather, dimensions variable. [Whitney Biennial]
Attributed works:
Frans Pourbus the Younger (1569 - 1622) Oil on canvas: 23 1/8 x 17 1/8 in. (58.7 x 43.5 cm.) Henri IV of France (1553 - 1610) Dated, upper right: ‘ANo 1610’ [Weiss Gallery]
Attributed works:
How Many Ways Can You Disappear, by Karyn Olivier (b.1968). 2021. Potwarp, lobster traps, buoys washed ashore on Matinicus Island, and rope reproduced in salt, height 4.5.m. [Whitney Biennial]
Attributed works:
Liveness (Multi- Scalar Motion #1), by Torkwase Dyson (b.1973). 2022. Glass, graphite, acrylic, wood and steel, approximately 400 by 1400 by 880 cm. [Whitney Biennial]
Attributed works:
Sir Thomas Lawrence, P.R.A. Bristol, 1769 - London, 1830 Portrait of Anne, Viscountess Pollington, later Countess of Mexborough, with her son, John Charles, later 4th Earl of Mexborough Oil on canvas, 236.2 x 144.8 cm [Moretti]
Attributed works:
Still from In Her Time (Iris’s Version), by Diane Severin Nguyen (b.1990). 2023–24. HD video, colour, sound, 62 min 37 sec. [Whitney Biennial]
Attributed works:
Still from Mojo’q che b’ixan ri ixkanulab’/Antes de que los volcanes canten/Before the Volcanoes Sing, by Clarissa Tossin (b.1973). 2022. HD video, colour, sound, 64 mins 17 secs. [Whitney Biennial]
Attributed works:
Still from Too Bright to See (Part I), by Madeleine Hunt-Ehrlich (b.1987). 2022. 16mm film, colour, sound, 24 min. [Whitney Biennial]
Attributed works:
Talking Shit with Amaru (Wari), by Eamon Ore-Giron (b.1973). 2023. Mineral paint and Flashe on canvas, 213.4 by 152.4 cm. [Whitney Biennial]
Attributed works:
TEMPO RUBATO (STOLEN TIME), by Nikita Gale (b.1983). 2023–24. Modified player piano, audio and LED lighting system, dimensions variable. [Whitney Biennial]
Attributed works:
xhairymutantx Embedding Study 1, by Holly Herndon (b.1980) and Mat Dryhurst (b.1984). 2024. Thermal dye diffusion transfer print, 119 by 180 cm. [Whitney Biennial]
Book Review
Sir Thomas Lawrence: Le génie du portrait anglais
06/2024 | 1455 | 166
Pages: 655–656
related names
Reviewer:
Wright, Amina (Wright, Amina)
Subjects
artists:
subjects:
Reviewed Items
subjects:
Sir Thomas Lawrence: Le génie du portrait anglais By Frédéric Ogée. 420 pp. incl. 400 col. ills. (Cohen & Cohen, Paris, 2022), €120. ISBN 978–2–36749–095–3. | :
Illustrations
Attributed works:
6. Arthur Wellesley, 1st Duke of Wellington, by Thomas Lawrence. 1814–15. Oil on canvas, 317.1 by 225.7 cm. (Royal Collection Trust; © His Majesty Charles III 2024).
Article
Thomas Lawrence’s portrait of Martha Carr
04/2024 | 1453 | 166
Pages: 380–385
related names
Author:
Bethencourt Pérez, Fátima (Bethencourt Pérez, Fátima)
Author:
Kowalczyk, Ernest (Kowalczyk, Ernest)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Martha Carr, by Thomas Lawrence. c.1790. Oil on canvas, 76 by 64 cm. (Museo Nacional del Prado, Madrid; Bridgeman Images).
Attributed works:
2. Queen Charlotte, by Thomas Lawrence. 1789–90. Oil on canvas, 239.5 by 147 cm. (National Gallery, London).
Attributed works:
3. Mrs Thomas Chinnal Porter, by Richard Cosway. 1790. Watercolour on ivory, 7 by 5.8 cm. (Victoria and Albert Museum, London).
Attributed works:
4. Thomas Chinnal Porter, by Richard Cosway. 1790. Watercolour on ivory, 7 by 5.8 cm. (Victoria and Albert Museum, London).
Attributed works:
5. Master Ward, by George Romney. 1771–73. Oil on canvas, 126 by 102 cm. (Museo Nacional del Prado, Madrid; Bridgeman Images).
Attributed works:
6. John Fane, 10th Earl of Westmoreland, by Thomas Lawrence. c.1806. Oil on canvas, 247 by 147 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
7. Mrs Thornton, by John Hoppner. Late 18th century–early 19th century. Oil on canvas, 61 by 74 cm. (Museo Nacional del Prado, Madrid).
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06/2023 | 1443 | 165
Pages: i-xxxvi
Subjects
Illustrations
Attributed works:
A group of Mars and History, by Wilhelm Christian Meyer (b.1726). 1766/67. Berlin porcelain, 44.2 cm. [E. & H. MANNERS LTD, LONDON/Treasure House London]
Attributed works:
A lady reading in an interior, by Carl Vilhelm Holsøe (1863–1935). Oil on canvas, 64.8 by 61 cm. MACCONNAL-MASON, LONDON/Treasure House Fair]
Attributed works:
Adolf Michael Böhm Othello Oil on canvas 53 x 42.5 cm, 207/8 x 16¾ in [Trinity Fine Art]
Attributed works:
An unknown noble boy, by Robert Peake (1551–1619). c.1605. Oil on panel, 113.2 by 88 cm. [THE WEISS GALLERY, SW1Y/London Art Week]
Attributed works:
Anne, Viscountess Pollington, later Countess of Mexborough, with her son John Charles, later 4th Earl of Mexborough, by Thomas Lawrence (1769–1830). c.1812. Oil on canvas, 236.2 by 144.8 cm. [MORETTI FINE ART, SW1Y/London Art Week]
Attributed works:
Anthony van Dyck (1599–1641), John Belasyse, First Baron Belasyse of Worlaby, 1636 [Robilant and Voena]
Attributed works:
Antoine-Jean GROS La Citoyenne Poussielgue Oil on canvas 28 7/8 x 23 1/2 inches Executed 1797 [Wildenstein]
Attributed works:
Artemisia Gentileschi Rome, 1593 – Naples, after 1654 Susanna and the Elders, about 1636–7 Oil on canvas, 265 x 210 cm [Moretti]
Attributed works:
Cake basket, by Paul de Lamerie (1688–1751). 1742. Silver, height 35.5 cm. [SHRUBSOLE GALLERY, NEW YORK/Treasure House Fair]
Attributed works:
Calle San Pedro, Cuenca, by David Bomberg (1890–1957). 1934. Oil on canvas, 67 by 52 cm. OSBORNE SAMUEL, LONDON/Treasure House Fair]
Attributed works:
CIRCLE OF PIERRE PUGET (1620–1694) Aeneas and Anchises, c.1680–90 Bronze, 23 in. (58.5 cm.) high Estimate: £150,000–250,000 [Christie's]
Attributed works:
Crucifixion with the Virgin, St John the Baptist and the Magdalen, by Fra Angelico (c.1395/1400–1455). c.1419–25. Tempera on gold-ground poplar panel, 59.7 by 34.2 cm. [CHRISTIE’S, SW1Y/London Art Week]
Attributed works:
David Roberts, R.A. (1796-1864), View of Tetouan from the Terrace of Cohen’s House, Morocco, inscribed and dated 10th April 1833, watercolour over pencil on two sheets of joined paper, 23 by 67.9 cm., 9 by 26¾ in. This is a rare double sketchbook sheet from Roberts’s first trip to Africa in the spring of 1833. [Guy Peppiatt Fine Art]
Attributed works:
Downshire Hill, Hampstead, by Algernon Newton (1880–1968). 1934. Oil on canvas, 45 by 75 cm. [ABBOTT & HOLDER, WC1/London Art Week]
Attributed works:
EDGAR DEGAS (1834-1917) Danseuse rajustant sa jupe, c. 1895 stamped with signature lower left charcoal heightened with white chalk on toned paper 12 x 10 in. (30.4 x 25.4 cm) [John MItchell Fine Paintings/London Art Week]
Attributed works:
Edward Wortley Montagu and his son Massoud Fortunatus, by Pietro Longhi (1701–85). Oil on canvas, 52 by 67 cm. [TRINITY FINE ART & WALTER PADOVANI, W1S/London Art Week]
Attributed works:
Etretat, le cap d’Antifer, by Claude Monet (1840–1926). c.1885. Pastel on paper, 27 by 35 cm. [JOHN MITCHELL FINE PAINTINGS, W1K/London Art Week]
Attributed works:
GA S PA R D D U G H E T Rome, 1615–1675 FIGURES BY A RIVER IN A CLASSICAL LANDSCAPE Black & white chalks on blue paper, with black ink framing lines 38 x 50 cm | 15 x 19  in [Nonesuch Gallery]
Attributed works:
GUSTAVE DORÉ (Strasbourg 1832 – Paris 1883) The fall of the Rebel Angels, circa 1871–72 Signed G Doré lower left. Oil on canvas, 125 x 148 cm (49¼ x 58¼ in) [Clase Fine Art]
Attributed works:
Head of a woman, by Erich Wolfsfeld (1884–1956). c.1920. Oil on paper, 36.5 by 26 cm. [AGNEWS, SW1A/London Art Week]
Attributed works:
Iron composition, by Lynn Chadwick (1914–2003). 1954. Iron and copper on a marble base, 53 by 33 by 25 cm. [PIANO NOBILE, LONDON/Treasure House Fair]
Attributed works:
JEAN-BAPTISTE WICAR Lille 1762–1834 Rome Portrait of Luigi Isingard, Ligure, c. 1800 Graphite 24.5 x 19.7 cm. (95/8 x 73/4 in.) [James Mackinnon]
Attributed works:
Kehinde Wiley (b. 1977), Triple Portrait of Charles II, 2008 [Robilant and Voena]
Attributed works:
MARLOW MOSS (1889-1958) Untitled, 1950 Black ink, pencil and tempera, 241 x 271 mm. (9½ x 10¾ in.) [Stephen Ongpin]
Attributed works:
Painting with orange and purple, by Adrian Heath (1920–92). 1956. Oil on canvas, 127 by 101.6 cm. [RICHARD GREEN, LONDON/Treasure House Fair]
Attributed works:
Pair of armchairs, attrib. Thomas Chippendale (1718–79). c.1780. Giltwood and upholstery, 44.5 by 65 by 66 cm. [RONALD PHILLIPS, LONDON/Treasure House Fair]
Attributed works:
Paul Cézanne (Aix-en-Provence 1839–1906) La Vie des Champs Oil on canvas, 10  x 13  in. (27.6 x 35.2 cm.) Painted c.1876-77 [Agnews]
Attributed works:
Portrait of Rudolph Nureyev, by David Hockney (b.1937). 1969. Pen and ink on paper, 43.3 by 35.3 cm. [CHRISTOPHER KINGZETT, LONDON/Treasure House Fair]
Attributed works:
Self-portrait of the artist with a bearded man, by Auguste- Barthélémy Glaize (1807–93). c.1830. Oil on card affixed to board, 44.5 by 59 cm. [ELLIOTT FINE ART, SW1/London Art Week]
Attributed works:
Stained glass panel, designed by A.W.N. Pugin (1812–52) and made by John Hardman & Son (founded 1845). English (Birmingham), 1846–52 and later. Stained glass and lead, 107 by 52 cm. [H. BLAIRMAN & SONS, SW1H/London Art Week]
Attributed works:
Striding Mars, by Giambologna (1529– 1609). c.1580. Bronze, height 39.4 cm. [STUART LOCHHEAD, SW1Y/London Art Week]
Attributed works:
Study after the monument to Sir Francis Vere, Westminster Abbey, by Richard Parkes Bonington (1802–28). c.1825. Wash over pencil, 14.6 by 19.6 cm. [JAMES MACKINNON, SW1Y/London Art Week]
Attributed works:
The Iberian Graham, no.722, by George Graham (1673–1751). c.1736. Walnut, silver, brass and steel, height 45.7 cm. [CARTER MARSH & CO., WINCHESTER/Treasure House Fair]
Attributed works:
The new home, by Walter Sickert (1860–1942). c.1912. Oil on canvas, 50.8 by 40.6 cm OFFER WATERMAN, LONDON/Treasure House Fair]
Attributed works:
The north front of Chalfont Lodge, Buckinghamshire, by Thomas Girtin (1775–1802). Commissioned c.1800. Watercolour over traces of pencil heightened with bodycolour, 42 by 54.9 cm. [GUY PEPPIATT FINE ART, SW1Y/London Art Week]
Attributed works:
The punishment of Cupid, by Luigi Pichler (1773–1854). c.1830. Brown sard and gold, height and width of gem 2.1 by 1.8 cm. WARTSKI, LONDON/Treasure House Fair]
Attributed works:
THOMAS LANDSEER (1795 - 1880), A Bengal Tiger, 46 in. (H) x 59 in. (W); Estimate: £50,000-£80,000 [Sloane Street Auctions].
Attributed works:
THOMAS SMITH OF DERBY (1720 - 1767), A View of Oxford, Christ Church Meadows, 27 in. (H) x 48 in. (W); Estimate: £25,000-£35,000 [Sloane Street Auctions].
Attributed works:
Torso (woman rubbing her back), by Edgar Degas (1834–1917). Early 20th century. Bronze, height 43 cm. [SLADMORE, LONDON/Treasure House Fair]
Attributed works:
Untitled, by Gillian Ayres (1930–2018). 1993. Acrylic on canvas, 40.2 by 56.5 cm. [STEPHEN ONGPIN FINE ART, W1K/London Art Week]
Attributed works:
Vase, Sèvres. 1843. Porcelain, height 63 cm. [MICHELE BEINY, NEW YORK/Treasure House Fair]
Attributed works:
VUE DU PONT DU VICOVARO SUR LE TEVERONE 27 MILLES DE ROME SÈVRES IMPERIAL MANUFACTORY OF PORCELAIN, CIRCA 1805 FROM THE SERVICE CAMBACÉRÈS DEPICTING ITALIAN VEDUTE Hard-paste porcelain. Diameter 23.3 cm Provenance: Twinight collection, New York, n°2106. [Raccanello & Leprince/London Art Week]
Attributed works:
William Adolphe Bouguereau (French, 1825-1905) Bergère (Shepherdess), 1888 Oil on canvas 45-1/2 x 32-1/2 inches (115.6 x 82.6 cm) Property from the Estate of Mrs. Amon G. Carter, Jr., Fort Worth, Texas Estimate: $500,000 - $700,000 [Heritage Auctions]
Attributed works:
‘But whose velvet violet lining with the lamplight gloating o’er, She shall press, ah nevermore!’, by Gustave Doré (1832–83). c.1882–83. Ink, wash and white heightening on paper, 51.5 by 35.8 cm. [CLASE FINE ART, SW1Y/London Art Week]
Non-western art unattributed:
A shabti for the controller vizier of the city (Thebes). Egypt, Ity New Kingdom, late 18th dynasty, c.1323– 1295 BC. Steatite, height 15.8 cm. [CHARLES EDE, LONDON/Treasure House Fair]
Non-western art unattributed:
Grasshopper. Central Mexico, Aztec Culture (1325–1521). Grey basalt, length 35.5 cm. [GALERIE MESTDAGH, BRUSSELS/Treasure House Fair]
Non-western art unattributed:
Serapi carpet. Persia, c.1880. Cotton and wool, 310 by 290 cm. KESHISHIAN, LONDON/Treasure House Fair]
Non-western art unattributed:
Study of a male Common Emerald Dove (Chalcophaps Indica). China, 19th century. Watercolour and gold leaf on paper, 38 by 25 cm. [AMIR MOHTASHEMI, W8/London Art Week]
Western art unattributed:
Archittetura dell’Africa. Pavia, c.1710. Tin-glazed earthenware, diameter 26 cm. RACCONELLO LEPRINCE, SW7/London Art Week]
Western art unattributed:
Corpus Christi. France, c.1400. Gilt and polychromed walnut, 73 by 65 cm. [DANIEL KATZ GALLERY, W1J/London Art Week]
Western art unattributed:
Roman oscillum fragment from a mask of Silenus. c.1st century AD. Marble, height 14.5 cm. [RUPERT WACE, AT SHAPERO RARE BOOKS, W1S/London Art Week]
Western art unattributed:
Somerset; a view from the garden of Montacute House with St Michael’s Hill in the foreground and Glastonbury Tor in the distance Oil on canvas, 18¾ x 24½ inches. c.1755, before the building of St Michael’s Hill Tower in 1760. [Abbott and Holder]
Article
The fate of the ‘Lawrence Gallery’: Samuel Woodburn and the National Gallery
12/2022 | 1437 | 164
Pages: 1234-1251
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
1. The Virgin with an angel and child, by Parmigianino. c.1525. Pen, ink and wash over black chalk on pink-tinted paper, 20.1 by 16.1 cm. (Albertina, Vienna).
Attributed works:
10. Madonna and Child with St John the Baptist and St Jerome (‘The vision of St Jerome’), by Parmigianino. 1526–27. Oil on poplar panel, 342.9 by 148.6 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
11. Study for or after the head of St John, perhaps by Parmigianino or Barocci. 1527 or later. Red, black and white chalk on paper, 39.1 by 25.6 cm. (British Museum, London).
Attributed works:
12. Study for the figure of Adam, by Michelangelo. 1511. Red chalk over stylus on paper, 19.3 by 25.9 cm. (British Museum, London).
Attributed works:
13. Raising of Lazarus, by Sebastiano del Piombo. 1517–19. Oil on synthetic panel, transferred from wood, 381 by 289.6 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
14. St Catherine of Alexandria, by Raphael. c.1507–08. Oil on canvas, 71.5 by 55.7 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
15. ‘Portrait of the sister of Raffaelle’ attributed to Raffaello Sanzio. 1841. Chalk lithograph on paper within a lithographic mount, 40 by 28.2 cm. (From A Series of Fac-Similes of Original Drawings by Raffaelle da Urbino, London 1841, pl.16; © Royal Academy of Arts, London).
Attributed works:
16. ‘The Virgin and the Apostles’ attributed to Raffaello Sanzio. 1841. (From A Series of Fac-Similes of Original Drawings by Raffaelle da Urbino, London 1841, pl.11; © Royal Academy of Arts, London).
Attributed works:
17. The departure of the Argonauts, by Pietro del Donzello. 1487. Oil on panel, 83.8 by 163.8 cm. (The Mari-Cha Collection Limited).
Attributed works:
18. The Argonauts in Colchis, by Bartlommeo di Giovanni. 1487. Oil on panel, 83.2 by 163.8 cm. (The Mari-Cha Collection Limited).
Attributed works:
19. Initial letter ‘A’ for a gradual, including a scene of the Annunciation by Lorenzo Monaco. c.1410. Pen, ink and wash over black chalk on vellum, 40 by 32.7 cm. (British Museum, London).
Attributed works:
2. Isabella Hutchinson (Mrs. Wolff), by Thomas Lawrence. 1815. Oil on canvas, 128.2 by 102.4 cm. (Art Institute of Chicago).
Attributed works:
20. Adoration of the Magi, by Baldassare Peruzzi. c.1522–23. Pen, ink and wash on paper, 112.5 by 107 cm. (British Museum, London).
Attributed works:
3. Samuel Woodburn, by Thomas Lawrence. c.1823. Oil on canvas, 109.2 by 83.5 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Attributed works:
4. The woman taken in adultery, attributed to Abraham van Dyck. c.1652. Pen with brown ink and wash with some red chalk and white heightening, 19.3 by 28 cm. (Private collection, courtesy Sotheby’s).
Attributed works:
5. The woman taken in adultery, by Rembrandt. 1644. Oil on oak panel, 83.8 by 65.4 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
6. Rinaldo and Armida, by Anthony van Dyck. 1634–45. Oil on panel, 57 by 41.5 cm. (National Gallery, London).
Attributed works:
7. Seaport with the embarkation of the Queen of Sheba, by Claude Lorrain. 1648. Oil on canvas, 149.1 by 196.7 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
8. Seaport with the embarkation of the Queen of Sheba, by Claude Lorrain. c.1648. Pen and brown ink over graphite on paper, 27.1 by 42.2 cm. (Kupferstichkabinett, Staatliche Museen, Berlin).
Attributed works:
9. Study for the infant Christ, by Parmigianino. 1526–27. Red chalk on paper, 23.8 by 16.7 cm. (École des Beaux-Arts, Paris).
Exhibition Review
The Great Spectacle: 250 Years of the Summer Exhibition. Royal Academy of Arts, London
08/2018 | 1385 | 160
Pages: 678-681
related names
Reviewer:
Yarker, Jonathan (Yarker, Jonathan)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
18. The exhibition at the Royal Academy in Pall Mall in 1771, by Richard Earlom after Michel Vincent Brandoin. 1772. Mezzotint, 47.2 by 56.6 cm. (Royal Academy of Arts, London).
Attributed works:
19. Clio and the children, by Charles Sims. 1913–15. Canvas, 114.3 by 182.9 cm. (Royal Academy of Arts, London).
Attributed works:
20. Male nude, after a figure from Michelangelo’s Last Judgment, by James Nevay. 1772. Pencil and white chalk on paper, 51.5 by 39.2 cm. (Royal Academy of Arts, London).
Attributed works:
21. Green and red variations, by Sandra Blow. 1978. Oil and collage on canvas, 137.2 by 121.9 cm. (Royal Academy of Arts, London).
Article
A friend in need: Thomas Lawrence and the Baring family
05/2014 | 1334 | 156
Pages: 307-310
related names
Author:
Orbell, John (Orbell, John)
Subjects
artists:
subjects:
Illustrations
Attributed works:
15. Sir Francis Baring, John Baring and Charles Wall, Partners of Barings, by Thomas Lawrence (Private collection)
Attributed works:
16. Sir Francis Baring, by Benjamin West (Baring Archive Trust, London)
Attributed works:
17. The Domestic Connections of Sir Francis Baring - Harriet, Lady Baring (wife), Francis T. Baring (grandson), Charles Baring Wall (grandson), Mrs Harriet Wall (daughter) and (Sir) Thomas Baring (eldest son), by Thomas Lawrence (Private collection)
Attributed works:
18. Francis T. Baring as a boy, by Thomas Lawrence (Baring Archive Trust, London)
Article
New information on Lawrence’s ‘Portrait of Joseph Henry’
04/2013 | 1321 | 155
Pages: 246-249
related names
Author:
Scattone, Leslie M. (Scattone, Leslie M.)
Subjects
artists:
dates:
Illustrations
Attributed works:
37. Joseph Henry, by Thomas Lawrence. c.1805. Canvas, 75.9 by 63.2 cm. (Sarah Campbell Blaffer Foundation, Houston).
Attributed works:
38. Infra-red detail of Fig.37. (Photographed by Maureen Eck and Bert Samples).
Attributed works:
39. Infra-red detail of Fig.37. (Photographed by Maureen Eck and Bert Samples).
Attributed works:
40. William Lock the Younger, by Thomas Lawrence. c.1795-1800. Black chalk on prepared canvas, 66 by 48.3 cm. (Yale Center for British Art, New Haven).
Attributed works:
41. George Hamilton-Gordon, 4th Earl of Aberdeen, by Thomas Lawrence. 1807-08. Canvas, 77.5 by 61 cm. (National Trust for Scotland, Haddow House; reproduced by kind permission of the National Trust for Scotland Photo Library).
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04/2013 | 1321 | 155
Pages: s.p.
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Browse & Darby. 19 Cork Street. London. Walter Richard Sickert (1860-1942). Le Rue de la Boucherie avec le chevet de l'Eglise, Dieppe, circa 1900-03.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Joseph Wright of Derby, A.R.A. (Derby 1734-1797). A view in Dovedale, Derbyshire; and A view of the Convent of San Cosimato and part of the Claudian Aquaduct near Vicovaro in the Roman Campagna. The first signed with initials and dated 'I.W.P. 1786' (lower left), oil on canvas, unlined 18 x 25 cm (45.7 x 63.5 cm)]
Attributed works:
[Christopher Mendez, London. Studies of the head of Saskia and others, by Rembrandt van Rijn (1606-69). 1936. Bartsch 365. 14.5 by 12.4 cm]
Attributed works:
[Emanuel von Bayer, London. Blonde girl, by Lucian Freud (1922-2011). 1985. Edition: 2/15. Signed. Etching on paper, 69.5 by 54.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Jusepe de Ribera. Jativa, 1591 - Naples, 1652. Portrait of Don Manuel de Zuniga y Fonseca, Count of Monterrey, robed as a Knight of Santiago. Oil on canvas, 121 x 86 cm (47 3/8 x 33 7/8 in)]
Attributed works:
[Glasgow Print Studio, New York. Irises, by Elizabeth Balckadder. 2012. Edition of 50. Etching, 69 by 48 cm]
Attributed works:
[Guy Peppiatt Fine Art. River wide House. 6 Manson’s Yard. Duke St., St. James’s. London Joseph Mallord William Turner, R.A. (1775-1851). A Limekiln at Britton Ferry, South Wales - Moonlight. Signed lower right, watercolour over traces of pencil. 19.5 by 27.3 cm (7 1/2 by 10 3/4 in)]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Walter Sickert. 1860-1942. Lady seated by a stove, circa 1921. Oil on canvas. 17 x 13 inches; 43.2 x 33 cm. Signed]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Alfons Walde, Nude, ca. 1925, Gouache on paper.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Anna Mahler, Gustav Mahler, after 1946, plaster model, unique piece.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Anselm Kiefer, The raft of the Medusa, 2003, gouache on photographic paper.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Egon Schiele, Female nude lying on her side and leaning on one elbow, 1918, black charcoal on paper.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Léon-François Comerre, Odalisque, oil on canvas.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Oskar Kokoschka, Nuda, 1913, charcoil and watercolour on paper.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Oskar Kokoschka. Flower still life, 1959, Oil on canvas.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Richard Gerstl, Self-Portrait, 1906/07. Oil on canvas]
Attributed works:
[James Kinmont Fine Art, London. Blue Mandala, by Victor Pasmore, 1978. Edition of 90. Signed, numbered and dated. Etching and aquatint, 70 by 100 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Adriaen Thomasz Key (c. 1545 Antwerp - c.1589 Antwerp). Adoration oft the Magi. Oil on panel, 66 x 89 cm]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Sir Thomas Lawrence PRA. Arthur Atherley. Oil on canvas. 24 1/2 x 20 inches. 610 x 510 mm. Painted 1792]
Attributed works:
[Marlborough Graphic, London. Women with bird II, by Quentin Blake. 2012. Edition of 30. Etching and aquatint, 35 by 31 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. John Constable. View of East Bergholt House (detail)]
Attributed works:
[TATE Britain. London. Kurt Schwitters. En Morn 1947]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. Piccadilly. London. Cyril Power. The Tube Station. c.1932. Osborne Samuel Ltd.]
Article
The ‘Cartones of Leonardo da Vinci’
03/2011 | 1296 | 153
Pages: 148-155
related names
Author:
Wolk-Simon, Linda (Wolk-Simon, Linda)
Subjects
collectors and dealers:
museums and institutions:
Illustrations
Attributed works:
1. Head of St Bartholomew from the Last Supper, after Leonardo da Vinci. c.1500? Black and coloured chalks, pastel and charcoal(?), with later additions in watercolour, 62.5 by 43.5 cm. (Private collection, London).
Attributed works:
10. Head of Judas from the Last Supper, by a Lombard artist (possibly Giovanni Antonio Boltraffio) after Leonardo da Vinci. Early sixteenth century. Black chalk, pastel and watercolour, 56.2 by 43.5 cm. (Cabinet des Estampes et des Dessins de Strasbourg; photograph Musées de la Ville de Strasbourg, N. Fussler).
Attributed works:
11. Head of St Peter from the Last Supper, by a Lombard artist (possibly Giovanni Antonio Boltraffio) after Leonardo da Vinci. Early sixteenth century. Black chalk, pastel and watercolour, 56.2 by 43.5 cm. (Cabinet des Estampes et des Dessins de Strasbourg; photograph: Musées de la Ville de Strasbourg, N. Fussler).
Attributed works:
12. Head of Saint John the Evangelist from the Last Supper, by a Lombard artist (possibly Giovanni Antonio Boltraffio) after Leonardo da Vinci. Early sixteenth cen­tury. Black chalk, pastel and watercolour, 56.2 by 43.2 cm. (Cabinet des Estampes et des Dessins de Strasbourg; photograph: Musées de la Ville de Strasbourg, N. Fussler).
Attributed works:
13. Head of Christ from the Last Supper, by a Lombard artist (possibly Giovanni Antonio Boltraffio) after Leonardo da Vinci. Early sixteenth century. Black chalk, pastel and watercolour, 56.2 by 43.4 cm. (Cabinet des Estampes et des Dessins de Strasbourg; photograph: Musées de la Ville de Strasbourg, N. Fussler).
Attributed works:
2. Head of St James the Less from the Last Supper, after Leonardo da Vinci. c.1500? Black and coloured chalks, pastel and charcoal(?), with later additions, 67.3 by 50.8 cm. (Collection of Mr and Mrs John M. Angelo, New York).
Attributed works:
3. Head of St Andrew from the Last Supper, after Leonardo da Vinci. c.1500? Black and coloured chalks, pastel and charcoal(?), with later additions, 64 by 46.5 cm. (Private collection, London).
Attributed works:
4. Heads of Judas and St Peter from the Last Supper, after Leonardo da Vinci. c.1500? Black and coloured chalks, pastel and charcoal(?), with later additions, 66.6 by 50.8 cm. (Ackland Art Museum, University of North Carolina, Chapel Hill, Ackland Fund 77.53.1).
Attributed works:
5. Head of St John the Evangelist from the Last Supper, after Leonardo da Vinci. c.1500? Black and coloured chalks, pastel and charcoal(?), with later additions, 67.9 by 50.2 cm. (Collection of Mr and Mrs John M. Angelo, New York).
Attributed works:
6. Heads of Sts Thomas and James the Greater from the Last Supper, after Leonardo da Vinci. c.1500? Black and coloured chalks, pastel and charcoal, with later additions, 62.2 by 44.8 cm. (Ackland Art Museum, University of North Carolina, Chapel Hill, Ackland Fund 77.53.2).
Attributed works:
7. Head of St Philip from the Last Supper, after Leonardo da Vinci. c.1500? Black and coloured chalks, pastel and charcoal(?), with later additions, 61.5 by 43 cm. (Private collection, London).
Attributed works:
8. Head of St James the Less from the Last Supper, by a Lombard artist (possibly Giovanni Antonio Boltraffio) after Leonardo da Vinci. Early sixteenth century. Black chalk, pastel and watercolour, 56.5 by 43.3 cm. (Cabinet des Estampes et des Dessins de Strasbourg; photograph: Musées de la Ville de Strasbourg, N. Fussler).
Attributed works:
9. Head of St Andrew from the Last Supper, by a Lombard artist (possibly Giovanni Antonio Boltraffio) after Leonardo da Vinci. Early sixteenth century. Black chalk, pastel and watercolour, 56.2 by 43.2 cm. (Cabinet des Estampes et des Dessins de Strasbourg; photograph: Musées de la Ville de Strasbourg, N. Fussler).
Western art unattributed:
14. The private sitting room of Sir Thos. Lawrence. Anonymous. 1830. Aquatint and etching, 30 by 42 cm. (British Museum, London).
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