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4 articles
Book Review
A Royal Renaissance Treasure and its Afterlives: The Royal Clock Salt
05/2024 | 1454 | 166
Pages: 531–533
related names
Reviewer:
Keating, Jessica (Keating, Jessica)
Subjects
artists:
Reviewed Items
subjects:
A Royal Renaissance Treasure and its Afterlives: The Royal Clock Salt Edited by Timothy Schroder and Dora Thornton. 142 pp. incl. 119 col. ills. (British Museum Press, London, 2021), £40. ISBN 978–0–86159–227–2 | :
Illustrations
Attributed works:
3. Royal Clock Salt, attributed to Pierre Mangot. Paris, c.1530–35. Gilded silver, enamel, ruby, garnet, pearl, shell cameo, agate and rock crystal, height 39.25cm; width 18.5cm. (The Goldsmiths’ Company, London).
Article
Johannes Lutma the Elder: goldsmith, designer, draughtsman
03/2024 | 1452 | 166
Pages: 252–263
related names
Author:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
dates:
media:
places:
styles:
Illustrations
Attributed works:
1. Portrait of Johannes Lutma, by Jacob Adriaensz Backer. c.1646. Oil on canvas, 93 by 73 cm. (Rijksmuseum, Amsterdam).
Attributed works:
10. John Rushout’s coat of arms engraved on the base of the salt cellar in Fig.7.
Attributed works:
11. Design for a condiment dish, attributed to Johannes Lutma. c.1640–50. Black and white chalk on green prepared paper, 27.5 by 19.8 cm. (Rijksmuseum, Amsterdam).
Attributed works:
12. Design for a candlestick, attributed to Johannes Lutma. c.1655–60. Black and white chalk and pink wash on paper, 40.5 by 30.4 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
13. Ewer in ornamental surround, by Jacob Lutma after Johannes Lutma. 1654. Etching and engraving, 22.2 by 17.9 cm. (Rijksmuseum, Amsterdam).
Attributed works:
14. Cup and cover, by Johannes Lutma. 1639 (the knob is a later replacement). Gilded silver, height 32.1 cm. (Walters Art Museum, Baltimore).
Attributed works:
15. Design for a cup, attributed to the workshop of Johannes Lutma. c.1640–60. Black chalk, and brown wash, heightened in white, on blue paper, 41.9 by 25.5 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
16. Design for a ewer, attributed to the workshop of Johannes Lutma. c.1655–60. Black and white chalk on paper, 41.5 by 30.2 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
17. Design for a ewer, attributed to the workshop of Johannes Lutma. c.1655–60. Black and white chalk on paper, 41.3 by 31.9 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
18. Design for a ewer, attributed to the workshop of Johannes Lutma. c.1655–60. Black, white and red chalk on paper, 43.3 by 29.8 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
19. The watermark in the drawing in Fig.20.
Attributed works:
2. Pair of salt cellars, by Johannes Lutma. 1639. Silver, partly gilded, height 24 cm. each. (Rijksmuseum, Amsterdam).
Attributed works:
20. Design for a cup, attributed to the workshop of Johannes Lutma. c.1655–60. Black and red chalk and brown wash, heightened in white, on paper, 41.3 x 31.2 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
21. Design for a cup, here attributed to Joahnnes Lutma. c.1655–60. Red chalk and brown wash, heightened in white, on paper, 40.3 by 28.6 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
22. Design for a helmet, here attributed to Johannes Lutma. c.1655–60. Watercolour, black chalk, heightened in white, on pale brown paper, 17 by 20.9 cm. (Rijksmuseum, Amsterdam).
Attributed works:
3. Design for a cup, by Paulus van Vianen. c.1610. Black chalk, grey and pink wash, 58.7 by 29.4 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
4. Design for a salt cellar, attributed to Adam van Vianen. c.1610–27. Black chalk, pen and brown ink and brown wash on paper, 20.2 by 13.2 cm. (Nationalmuseum, Stockholm).
Attributed works:
5. Design for a ‘bekerschroef’, attributed to Johannes Lutma. c.1635–40. Black and white chalk over a sketch in graphite, on yellow prepared paper, 19.5 by 12.4 cm. (Sir John Soane’s Museum, London; courtesy of the Trustees).
Attributed works:
6. A goldsmith or sculptor carrying a basket of statues, by Johannes Lutma. 1615. Red and black chalk, pen and brown ink on paper, 12.3 by 9.2 cm. (Rijksmuseum, Amsterdam).
Attributed works:
7. Salt cellar, by Johannes Lutma. 1648. Partly gilded silver, height 36.2 cm. (Fishmongers’ Company, London).
Attributed works:
8. Design for a salt cellar, by Johannes Lutma. c.1648. Black and white chalk on pale brown paper, 35.8 by 28.5 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
9. Lutma’s inscription on the back of the drawing in Fig.8.
Article
An Afro-Portuguese ivory from Ksar es-Seghir, Morocco
09/2021 | 1422 | 163
Pages: 822-824
related names
Author:
Afonso, Luís Urbano (Afonso, Luís Urbano)
Author:
Gomes, Mário Varela (Gomes, Mário Varela)
Subjects
media:
places:
Illustrations
Non-western art unattributed:
1. Fragments of a Bini-Portuguese spoon or fork. 1525–50. Ivory, length c.7.6 cm. (From C. Redman: Qsar es-Seghir: An Archaeological View of Medieval Life, Orlando 1986, p.130).
Non-western art unattributed:
2. Technical drawing based on Fig.1. (J. Gonçalves).
Non-western art unattributed:
3. Spoon. Bini-Portuguese, 1525–50. Ivory, length 26 cm. (Welt Museum, Vienna).
Non-western art unattributed:
4. Spoon. Bini-Portuguese, 1525–50. Ivory, 22 cm long. (Musée du Quai Branly, Paris).
Article
The Evolution of Form and Decoration in English Silver Plate. Part II: Conclusion
05/1903 | 3 | 1
Pages: [358]-361+364-367+370-373+376-379
related names
Author:
MacQuoid, Percy (MacQuoid, Percy; M., P.; MacQuoid, P.)
Subjects
dates:
places:
subjects:
subjects:
subjects:
Illustrations
Western art unattributed:
Plate I. Standing Salt. Belonging to New College, Oxford
Western art unattributed:
Plate II. Standing Salt. Belonging to the Vintners' Company
Western art unattributed:
Plate III. Standing Salts. No. 1. No. 2. No. 3.
Western art unattributed:
Plate IV. Porringers. No. 1. No. 2. No. 3. No. 7. No. 4. No. 6. No. 5.
Western art unattributed:
Plate V. Candlesticks. No. 1. No. 2. No. 3. No. 4. No. 5. No. 6. No. 7. No. 8. No. 9
Western art unattributed:
Plate VI. Early Spoons, A. D. 1440-1660.
Western art unattributed:
Plate VII. Later Spoons, A. D. 1655-1800
Western art unattributed:
Plate VIII. Forks, A. D. 1681-1820
Western art unattributed:
Sketch A. Example of round standing salt.
Western art unattributed:
Sketch B. Example of square standing salt.
Western art unattributed:
Sketch C. Square trencher salt of the time of William III
Western art unattributed:
Sketch D. Octagonal trencher salt
Western art unattributed:
Sketch E. Salt cellar from the Queen Anne period
Western art unattributed:
Sketch F. Salt cellar in classical boat shape.
Western art unattributed:
Sketch G. Salt cellar in classical boat shape.
Western art unattributed:
Sketch H. Early 17th c. water bowl
Western art unattributed:
Sketch J. Porringer in classical urn shape