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22 articles
Book Review
The Mystery of Master Fortezza: The Šibenik Engraver’s European Legacy
05/2025 | 1466 | 167
Pages: 505–7
related names
Reviewer:
Belamarić, Josip (Belamarić, Josip)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
The Mystery of Master Fortezza: The Šibenik Engraver’s European Legacy Edited by Marina Lambaša and Flora Turner-Vučetić. 232 pp. incl. numerous col. + b. & w. ills. (Šibenik Municipal Museum and Klovićevi dvori Gallery, Zagreb), €20. ISBN 978–953–6844–89–0. | :
Illustrations
Attributed works:
4. Display plate with Foscari arms, engraved by Orazio Fortezza. c.1560. Brass, engraved and inlaid with pitch, diameter 47.5 cm. (Victoria and Albert Museum, London).
Attributed works:
5. Detail of Fig.4.
Attributed works:
6. Display plate, engraved by Orazio Fortezza. 1555. Brass, engraved and damascened with silver, diameter 48.3 cm. (British Museum, London).
Article
Johannes Lutma the Elder: goldsmith, designer, draughtsman
03/2024 | 1452 | 166
Pages: 252–263
related names
Author:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
dates:
media:
places:
styles:
Illustrations
Attributed works:
1. Portrait of Johannes Lutma, by Jacob Adriaensz Backer. c.1646. Oil on canvas, 93 by 73 cm. (Rijksmuseum, Amsterdam).
Attributed works:
10. John Rushout’s coat of arms engraved on the base of the salt cellar in Fig.7.
Attributed works:
11. Design for a condiment dish, attributed to Johannes Lutma. c.1640–50. Black and white chalk on green prepared paper, 27.5 by 19.8 cm. (Rijksmuseum, Amsterdam).
Attributed works:
12. Design for a candlestick, attributed to Johannes Lutma. c.1655–60. Black and white chalk and pink wash on paper, 40.5 by 30.4 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
13. Ewer in ornamental surround, by Jacob Lutma after Johannes Lutma. 1654. Etching and engraving, 22.2 by 17.9 cm. (Rijksmuseum, Amsterdam).
Attributed works:
14. Cup and cover, by Johannes Lutma. 1639 (the knob is a later replacement). Gilded silver, height 32.1 cm. (Walters Art Museum, Baltimore).
Attributed works:
15. Design for a cup, attributed to the workshop of Johannes Lutma. c.1640–60. Black chalk, and brown wash, heightened in white, on blue paper, 41.9 by 25.5 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
16. Design for a ewer, attributed to the workshop of Johannes Lutma. c.1655–60. Black and white chalk on paper, 41.5 by 30.2 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
17. Design for a ewer, attributed to the workshop of Johannes Lutma. c.1655–60. Black and white chalk on paper, 41.3 by 31.9 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
18. Design for a ewer, attributed to the workshop of Johannes Lutma. c.1655–60. Black, white and red chalk on paper, 43.3 by 29.8 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
19. The watermark in the drawing in Fig.20.
Attributed works:
2. Pair of salt cellars, by Johannes Lutma. 1639. Silver, partly gilded, height 24 cm. each. (Rijksmuseum, Amsterdam).
Attributed works:
20. Design for a cup, attributed to the workshop of Johannes Lutma. c.1655–60. Black and red chalk and brown wash, heightened in white, on paper, 41.3 x 31.2 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
21. Design for a cup, here attributed to Joahnnes Lutma. c.1655–60. Red chalk and brown wash, heightened in white, on paper, 40.3 by 28.6 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
22. Design for a helmet, here attributed to Johannes Lutma. c.1655–60. Watercolour, black chalk, heightened in white, on pale brown paper, 17 by 20.9 cm. (Rijksmuseum, Amsterdam).
Attributed works:
3. Design for a cup, by Paulus van Vianen. c.1610. Black chalk, grey and pink wash, 58.7 by 29.4 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
4. Design for a salt cellar, attributed to Adam van Vianen. c.1610–27. Black chalk, pen and brown ink and brown wash on paper, 20.2 by 13.2 cm. (Nationalmuseum, Stockholm).
Attributed works:
5. Design for a ‘bekerschroef’, attributed to Johannes Lutma. c.1635–40. Black and white chalk over a sketch in graphite, on yellow prepared paper, 19.5 by 12.4 cm. (Sir John Soane’s Museum, London; courtesy of the Trustees).
Attributed works:
6. A goldsmith or sculptor carrying a basket of statues, by Johannes Lutma. 1615. Red and black chalk, pen and brown ink on paper, 12.3 by 9.2 cm. (Rijksmuseum, Amsterdam).
Attributed works:
7. Salt cellar, by Johannes Lutma. 1648. Partly gilded silver, height 36.2 cm. (Fishmongers’ Company, London).
Attributed works:
8. Design for a salt cellar, by Johannes Lutma. c.1648. Black and white chalk on pale brown paper, 35.8 by 28.5 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
9. Lutma’s inscription on the back of the drawing in Fig.8.
Exhibition Review
Kwab: Dutch Design in the Age of Rembrandt. Rijksmuseum, Amsterdam
09/2018 | 1386 | 160
Pages: 781-783
related names
Reviewer:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Subjects
art literature:
dates:
museums and institutions:
Illustrations
Attributed works:
13. Ewer, by Adam van Vianen. Utrecht, 1614. Silver-gilt, height 25 cm. (Rijksmuseum, Amsterdam).
Attributed works:
14. Detail of the choir screen in the Nieuwe Kerk, Amsterdam, designed by Johannes Lutma the Elder. c.1654. Brass, (Nieuwe Kerk, Amsterdam; exh. Rijksmuseum, Amsterdam).
Western art unattributed:
15. Railing. Probably Amsterdam, c.1650. Walnut, height 66.5 cm. (Museum Boijmans van Beuningen, Rotterdam; exh. Rijksmuseum, Amsterdam).
Short Notice
Recent Museum Acquisitions: The Old Kirk Ewer and Basin (Royal Scottish Museum, Edinburgh)
12/1972 | 837 | 114
Pages: 872-873
related names
Author:
Baker, Malcolm (Baker, Malcolm)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
101. Ewer. English (London) 1602-03. Parcel-Gilt Silver. (Royal Scottish Museum, Edinburgh).
Attributed works:
102. Basin. English (London) 1602-03. Parcel-Gilt Silver. (Royal Scottish Museum, Edinburgh.)
Article
Genoese Silver on Loan to the Ashmolean Museum
09/1972 | 834 | 114
Pages: 611-620
related names
Author:
MacAndrew, Hugh (MacAndrew, Hugh; Magandrew, Hugh)
Subjects
dates:
museums and institutions:
patrons:
patrons:
places:
subjects:
subjects:
Illustrations
Western art unattributed:
23. Basin and Ewer, One of a Pair by an Anonymous Goldsmith Working in Genoa, 1619. Silver, the Basin 50.5 cm. in Diam.; The Height of the Ewer 46 cm. (Private Collection; On Loan to the Ashmolean Museum, Oxford.)
Western art unattributed:
24. Detail of Silver Basin Reproduced in Fig.23.
Western art unattributed:
25. Detail of Silver Basin Reproduced in Fig.23.
Western art unattributed:
26. Basin, by an Anonymous Goldsmith Working in Genoa; Stamped with the Latter's Initials and Dated 1621. Silver; Diameter, 64 cm. (Private Collection; On Loan to the Ashmolean Museum, Oxford.)
Western art unattributed:
27. Ewer, the Companion to the Basin Reproduced in Fig.26; By an Anonymous Goldsmith Working in Genoa. Stamped with the Maker's Initials and Dated 1622. Silver; Height, 53.2 cm. (Private Collection; On Loan to the Ashmolean Museum, Oxford.)
Western art unattributed:
28. Detail of the Silver Ewer Reproduced in Fig.27.
Western art unattributed:
29. The Marks Stamped on the Inside of the Pouring Lip of the Ewer Reproduced in Fig.27.
Western art unattributed:
30. Detail of the Silver Ewer Reproduced in Fig.27.
Western art unattributed:
31. Detail of the Silver Basin Reproduced in Fig.26.
Western art unattributed:
32. Detail of the Silver Basin Reproduced in Fig.26.
Western art unattributed:
33. Detail of the Silver Basin Reproduced in Fig.26.
Western art unattributed:
34. Detail of the Silver Basin Reproduced in Fig.26.
Article
Some Spurious Antique Vase Designs of the Sixteenth Century
06/1972 | 831 | 114
Pages: 376+378-386
related names
Author:
Hayward, J. F. (Hayward, J. F.; Hayward, John Forrest; H., J. F.; Hayward, John)
Subjects
artists:
artists:
artists:
dates:
places:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
30. Engraved Design of Antique Vase, by Enea Vico. Dated 1543. (Victoria and Albert Museum.)
Attributed works:
31. Drawing of a Vase in the Antique Manner. Italian or Perhaps Copied by Erasmus Hornick from an Italian Original, Third Quarter of the Sixteenth Century. Pen and Wash. (Victoria and Albert Museum Codex, No.5342.)
Attributed works:
32. Drawing of a Ewer in the Manner of Giulio Romano. Italian, Third Quarter of the Sixteenth Century, from the Liechtenstein Codex. Pen and Wash. (Collection Paul Wallraf.)
Attributed works:
37. Drawing of a Ewer, in the Manner of Giulio Romano, 'Found Outside Naples in a Vineyard', Collection of Cardinal de la Valle, Rome. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
38. Drawing of the Central Area of a Large Dish, by Giulio Romano. Pen and Wash. (British Museum, 1878-7-13-36.)
Attributed works:
39. Drawing of a Bronze Ewer, in the Manner of Giulio Romano, 'Found in the Baths of Antoninus', Collection of Monsignor di Gaddi, Rome. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
40. Drawing of a Ewer, in the Manner of Giulio Romano but Also Showing Influence of Polidoro Caldara, 'Found in the Grotto di Santo Sebastiano'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussicher Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
41. Drawing of a Terra-Cotta Ewer, in the Manner of Giulio Romano. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
43. Drawing of a Ewer, the Design Probably Based on Polidoro, 'Found at Fondi', Collection of Cardinal Sangiorgio. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
44. Drawing of a Gold Vase, Based on Designs of Giulio Romano, 'Destroyed in the Sack of Rome'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
45. Drawing of a Cooler, Designed in the Manner of Giulio Romano but Perhaps by Jacopo da Strada to Match Fig. 44. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Attributed works:
48. Drawing of a Flask, in the Manner of Giulio Romano but with Figures Derived from Francesco Salviati, Perhaps by Jacopo da Strada. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
33. Drawing of a Lamp with Three Wicks, 'Found in the Grotto of the Baldassini'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
34. Drawing of a Ewer, 'Found at Ostia'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
35. Drawing of a Ewer, in the Form of a Head of Minerva, 'Found near the Temple of Bacchus'. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
36. Drawing of a Ewer, in the Form of a Head of a Faun, 'Found near the Temple of Bacchus'. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
42. Drawing of a Ewer, of Bronze with Silver Handle, 'Found in a Vineyard Outside the Piazza del Popolo'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
46. Drawing of a Bronze Vase, 'Found Unfinished in Rome'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Western art unattributed:
47. Drawing of a Flask with Details Derived from Enea Vico, Giulio Romano, Erasmus Hornick etc., 'Found at Capo di Bono Outside Rome'. Third Quarter of the Sixteenth Century. Pen and Wash. (Kunstbibliothek, Preussischer Kulturbesitz, Staatliche Museen, Berlin.)
Supplement
Notable Works of Art Now on the Market: Supplement
12/1971 | 825 | 113
Pages: xii
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
dates:
subjects:
subjects:
subjects:
subjects:
subjects:
subjects:
subjects:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
Plate I. Attic Red-Figure Cup, by the Pistoxenos-Painter. Height, 13 cm.; Diameter 31 cm. without Handles (The Property of Galerie Ulla Lindner, Elektrastrasse 17/8, 8000 Munich 81)
Attributed works:
Plate L. Commode, by Pierre Migeon II. (The Property of Galerie Carroll, Residenzstrasse 21, Munich)
Attributed works:
Plate LI. Plate LII. St Andrew and St Simon Zelotes, by Ignaz Günther. Limewood, Height, Each 26 cm. (The Property of Sigrid Pahl, Merzstrasse 12, Munich)
Attributed works:
Plate LIII. Soldiers in a Landscape, by Claude Joseph Vernet, after Salvator Rosa. Canvas 69.6 by 55.2 cm. (The Property of the Maltzahn Gallery, Ltd., 3 Cork Street, London W1)
Attributed works:
Plate LIV. A Standing Archer, Holding a Sword in His Right Hand, by William Blake. Pencil, 20 by 15.5 cm. (The Property of Zeitlin and Ver Brugge, 815 North La Cienega Blvd., Los Angeles, California, 90069)
Attributed works:
Plate LIX. Portrait of Ada Symon, by Sir John Everett Millais, P. R. A. Signed with Monogram and Dated 1895. Canvas, 136 by 86 cm. (The Property of Vita Juel, 99 Kensington Church Street, London W8)
Attributed works:
Plate LV. Leda and the Swan, by Jules Desbois. Signed. Bronze; Height, 36.1 cm. (The Property of Dr Heuser & Co., Oberstrasse 80, 2 Hamburg 13)
Attributed works:
Plate LVI. Vue du Parc de Saint Cloud, by Constant Troyon. Signed and Dated 1831. Canvas, 44 by 61.5 cm. (The Property of H. Terry-Engell Gallery, 8 Bury Street, St James's, London SW1)
Attributed works:
Plate LVII. Montmartre sous la Neige, by Stanislas Victor Eduard Lépine. Canvas, 47 by 57 cm. (The Property of Arthur Tooth & Sons Ltd., 31 Bruton Street, London W1)
Attributed works:
Plate LVIII. Maunder's Fish Shop, Chelsea, by James MacNeil Whistler. Pencil, 27 by 18 cm. (The Property of the Gerald M. Norman Gallery, 8 Duke Street, London SW1)
Attributed works:
Plate LX. La Goulue by Henri de Toulouse-Lautrec. Original Lithograph in Black and White, 38 by 28 cm. (The Property of the William Weston Gallery, 38 Albemarle Street, London W1)
Attributed works:
Plate LXI. Portrait of the Artist Francis Bacon, by Richard Hamilton. On Cartridge Paper, 4 Collotype and 11 Screenprintings, 82 by 69 cm. (The Property of the Maltzahn Gallery Ltd., 3 Cork Street, London W1)
Attributed works:
Plate XI. St Jerome in Cardinal's Robes, by Vincenzo Foppa. Panel, 33 by 19.5 cm. (The Property of Spencer A. Samuels and Company Ltd., 18 East 76th Street, New York, NY 10021)
Attributed works:
Plate XIII. Aurora and Vespera, by Dirck Barendsz. Both Canvas, 82.5 by 98 cm. (The Property of J. P. Meulemeester, 50/2 Rue de Rollebeek, Brussels 1)
Attributed works:
Plate XIV. Aurora and Vespera, by Dirck Barendsz. Both Canvas, 82.5 by 98 cm. (The Property of J. P. Meulemeester, 50/2 Rue de Rollebeek, Brussels 1)
Attributed works:
Plate XIX. The Deposition, by Jacopo Palma, Called Palma Giovane. Canvas, 117 by 96 cm. (The Property of Galleria Previtali, Via T. Tasso 21, Bergamo)
Attributed works:
Plate XL. The Madonna and Child, by Giovanni Battista Piazzetta. Canvas, 68 by 54 cm. (The Property of Hal O'Nians Gallery, 6 Ryder Street, St James's, London SW1)
Attributed works:
Plate XLI. Seascape with a Storm, Attributed to Marco Ricci. Canvas, 27.5 by 41 cm. (The Property of Carla Grassi Bernardi, Via Bonaventura Cavalieri 1, Milan)
Attributed works:
Plate XLII. Reclining Nude, Attributed to Pierre-Hubert Subleyras. Canvas, 99 by 151.5 cm. (The Property of G. C. Baroni, Borgognissanti 50 - 52r, Florence)
Attributed works:
Plate XLIII. A View of the Piazza in Front of St Peter's, Rome, by Gaspar van Wittel. Copper, 45.5 by 74.5 cm. (The Property of Gilberto Algranti, via Santa Sofia 8, 20122 Milan)
Attributed works:
Plate XLIV. Still-Life with Citrus Fruit, by Bartolomeo Bettera. Canvas, 86.4 by 81.3 cm. (The Property of the Schweitzer Gallery, 958 Madison Avenue, New York, NY 10021)
Attributed works:
Plate XLIX. Mrs Joseph May, by Sir Thomas Lawrence, P. R. A. Canvas, 91 by 73 cm. (The Property of Thomas Agnew & Sons Ltd, 43 Old Bond Street, London W1)
Attributed works:
Plate XLV. Portrait of an Artist (Self-Portrait?), by Alessandro Longhi. Canvas, 147 by 125 cm. (The Property of Alessandro Orsi, via Bagutta 14, Milan)
Attributed works:
Plate XLVII. Adam Giltwood Mirror Incorporating Brackets for Porcelain (The Property of Howard Antiques, 8 Davies Street, Berkeley Square, London W1)
Attributed works:
Plate XLVIII. Portrait of a Child, by Henri Pierre Danloux. Canvas, approx. 80 by 60 cm. (The Property of Galerie Carroll, Residenzstrasse 21, Munich)
Attributed works:
Plate XV. Judith with the Head of Holofernes, by Melchior Feselen. Oak Panel, 105 by 160 cm. (The Property of Galerie Fischer, Haldenstrasse 19, Lucerne, Switzerland)
Attributed works:
Plate XX. The Madonna and Child, by Federico Fiori, Called Barocci. Canvas, 42 by 34 cm. (The Property of Pietro Scarpa, S. Marco 2155, Venice)
Attributed works:
Plate XXI. Flowers in a Vase, by Philippe de Marlier. Canvas, 78.5 by 58 cm. (The Property of Galerie Friederike Pallamar, 9 Porzellangasse 2, 1 Dorotheergasse 7, Vienna)
Attributed works:
Plate XXII. Still-Life, with a View Through a Window, by Juriaen van Streek. Signed in Full. Canvas, 96 by 76 cm. (The Property of Julius Böhler, Briennerstrasse 25, Munich.)
Attributed works:
Plate XXIII. Portrait of a Man, by Frans Hals. Canvas, 73.6 by 61 cm. (The Property of the Brod Gallery, 24 St James's Street, London SW1)
Attributed works:
Plate XXIV. Portrait of a Lady, by Thomas de Keyser. Panel, 50 by 41 cm. (The Property of G. Cramer Oude Kunst, Javastraat 38, The Hague.)
Attributed works:
Plate XXIX. Vision of St Ignatius, by Giovanni Battista Gaulli. Canvas, 72.5 by 37.5 cm. (The Property of P. & D. Colnaghi & Co. Ltd., 14 Old Bond Street, London W1)
Attributed works:
Plate XXV. Dutch Market Scene, by Job Adriaensz. Berckheyde. Signed with Monogram and Dated 1674. Canvas, 72 by 60 cm. (The Property of Galerie Friederike Pallamar, 9 Porzellangasse 2, 1 Dorotheergasse 7, Vienna)
Attributed works:
Plate XXVI. Head of an Old Man, by Jan Lievens. Signed with Monogram JL. Panel, 54.3 by 43.5 cm. (The Property of J. O. Leegenhoek, 96 Avenue Kléber, Paris 16e.)
Attributed works:
Plate XXVIII. Four From a Set of Eight Heads of Philosophers, by Orazio Marinali. Marble; Height, 46.5 cm. (The Property of The Heim Gallery (London) Ltd., 59 Jermyn Street, London SW1)
Attributed works:
Plate XXX. The Risen Christ with the Great Penitents, by Johann Boeckhorst. Canvas, 155.5 by 117.5 cm. (The Property of The Heim Gallery (London) Ltd., 59 Jermyn Street, London SW1)
Attributed works:
Plate XXXI. Winter Landscape with Skaters, by Isaac van Ostade. Signed and Dated 1643. Panel, 65 by 95 cm. (The Property of Hal O'Nians Gallery, 6 Ryder Street, St. James's, London SW1)
Attributed works:
Plate XXXII. View of the Dolo Bridge, from the Paduan Side, by Francesco Guardi. Canvas, 58 by 74 cm. (The Property of Galleria Luigi Bellini, Lungarno Soderini 5, Florence)
Attributed works:
Plate XXXIII. A Pair of Silver-Gilt Salvers on Three Feet, by S. Pantin. London, 1713. Weight, 149 ozs, Diameter, 38 cm. (The Property of How (Of Edinburgh), 2-3 Pickering Place, St James's Street, London, SW1)
Attributed works:
Plate XXXIV. A Pair of Silver-Gilt Salvers on Three Feet, by S. Pantin. London, 1713. Weight, 149 ozs; Diameter, 38 cm; Height, 4.5 cm. Inset: Detail of One Foot. (The Property of How (Of Edinburgh), 2-3 Pickering Place, St James's Street, London, SW1)
Attributed works:
Plate XXXIX. Venetian Capriccio, by Francesco Guardi. Pen, Ink and Wash, 23.6 by 19 cm. (The Property of Stanza del Borgo, Via Borgo Spesso 12, 20121 Milan)
Attributed works:
Plate XXXV. Study of Angels, by Giambattista Tiepolo. Pen over Traces of Black Pencil, 18.1 by 25.5 cm. (The Property of Pietro Scarpa, S. Marco 2155, Venice)
Attributed works:
Plate XXXVI. Zeuxis and the Maidens of Croton, by Francesco Solimena. Canvas, 116 by 167 cm. (The Property of the Hazlitt Gallery, 4 Ryder Street, London, SW1)
Attributed works:
Plate XXXVII. Soup-Tureen, and Stand, by Friedrich Reinhard Schrödel. Silver; Length of Stand, 50 cm. (The Property of S. J. Phillips Ltd., 139 New Bond Street, London W1)
Attributed works:
Plate XXXVIII. Pair of Three-Light Candelabra, by Friedrich Reinhard Schrödel. Silver; Height, 46 cm. (The Property of S. J. Phillips Ltd., 139 New Bond Street, London W1)
Non-western art unattributed:
Plate II. A Tz'u - Chou Pottery Bowl. Chinese, Sung Dynasty. Height, 11.5 cm. (The Property of Spink and Son, Ltd., 5, 6, & 7 King Street, St James's, London SW1)
Non-western art unattributed:
Plate V. Parvati. South India, Chola Dynasty, Early Eleventh Century. Bronze; Height, 84 cm. (The Property of the Doris Wiener Gallery, 831 Madison Avenue, New York, NY 10021)
Non-western art unattributed:
Plate VI. Crowned Bodhisattva Head. Chinese, Late Sung Dynasty. Cast-Iron, Gilt; Height, 43 cm. (The Property of Armin Lemp, Neustadtgasse 6, Zürich.)
Western art unattributed:
Plate III. Head of a Man. Roman, Late Republican Period, c.50-40 B. C. Marble, with Traces of Red Colour in Left Eye; Height, 34 cm. (The Property of Antiken, H. Herzer and Co., Promenadeplatz 13, Munich 2)
Western art unattributed:
Plate IV. Portrait Head. Roman, Late First Century B. C. Marble; Height, 19.5 cm. (The Property of Jeannette Brun, Dufourstrasse 119, Zürich)
Western art unattributed:
Plate IX. Tazza. German, Late Sixteenth Century. Silver-Gilt, Chased. (The Property of Vincent Laloux, Avenue Louise 115, 1050 Brussels.)
Western art unattributed:
Plate VII. Christ the Saviour. Italian, Late Fourteenth Century. Wood, with Traces of Colouring; Height, 175 cm. (The Property of Galleria Luigi Bellini, Lungarno Soderini 5, Florence)
Western art unattributed:
Plate VIII. The Virgin and Child. Spanish, Mid-Thirteenth Century. Wood, Original Polychromy Preserved; Height, 97 cm. (The Property of Stodel en Goudsmit, N. Binnenweg 180, Rotterdam)
Western art unattributed:
Plate X. The Virgin and St Joseph, with an Angel, in Adoration. Flemish, Late Fifteenth Century. Wood, Painted; 30 by 30 cm. (The Property of Nella Longari, Via Bigli 15, Milan)
Western art unattributed:
Plate XII. Tapestry. Brussels, Late Fifteenth Century. 360 by 370 cm. (The Property of Dario Boccara, 184 Faubourg Saint-Honoré, Paris 8e)
Western art unattributed:
Plate XLVI. Oak Bookcase. English, Last Quarter of the Seventeenth Century. (The Property of Ronald A. Lee, 1/9 Bruton Place, London W1)
Western art unattributed:
Plate XVI. Pomander (Illustrated Closed and Open). Italian (Probably Venetian), Sixteenth Century. Silver; Height, 5.8 cm.; Diameter, 3.4 cm. (The Property of Galleria dell'Angelo, Piazza Cioccaro 11, Lugano, Switzerland)
Western art unattributed:
Plate XVII. Hercules. German, c. 1560. Boxwood. Height, 30.5 cm. (The Property of Objects, 96 Mount Street, London W1)
Western art unattributed:
Plate XVIII. Ewer. Italian, c. 1560. Rock Crystal, Carved; Height, 17.5 cm. (The Property of Albrecht Neuhaus, Heinestrasse 9, D 87 Würtzburg, Germany)
Western art unattributed:
Plate XXVII. A Fountain Head. North Italian, Sixteenth Century. Red Porphyry; Height, 26 cm. (The Property of David Peel & Co. Ltd., 2 Carlos Place, London W1)
Article
Themes and Survivals in Connection with Two Still Life Paintings by François Desportes
12/1969 | 801 | 111
Pages: i-viii
related names
Author:
Cailleux, Jean (Cailleux, Jean; Cailleaux, Jean; Cailleux, J.)
Subjects
dates:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
1. Still Life with Bas Relief, by François Desportes. 1741. Canvas, 127 by 97 cm. (MM. Cailleux. Paris.)
Attributed works:
10. Detail from Attributes of the Arts, by Jean Baptiste Siméon Chardin. 1731. Canvas, 140 by 215 cm. (Musée Jacquemart-André, Paris.)
Attributed works:
11. Detail from Studio of the Young Sculptor, by François Boucher. Canvas, 54 by 65 cm. (MM. Cailleux, Paris.)
Attributed works:
12. Detail from Poulterer's Shop, by Gerard Dou. Signed. Panel, 58 by 45 cm. (National Gallery, London.)
Attributed works:
13. Detail from Greengrocer's Shop, by Willem van Mieris. (Ten Bos Collection, Almelo.)
Attributed works:
14. Portrait of a Man, by Hendrik Franz van Lint. Copper, 29.2 by 23.5 cm. (Hazlitt Gallery, London, 1967.)
Attributed works:
2 Still Life with Bas Relief, by François Desportes. Signed and Dated 1741. Canvas, 127 by 97 cm. (MM. Cailleux, Paris.)
Attributed works:
3. Studies of Pieces of Silver, by François Desportes. Canvas. (Manufacture de Sèvres.)
Attributed works:
4. Still Life, by François Desportes. Canvas. (Manufacture de Sèvres: Preserved in the Storerooms of the Musée des Arts Décoratifs, Paris.)
Attributed works:
5. Children with a Goat, by François Du Quesnoy. Bronze Bas Relief, 21 by 37 cm. (Dutuit Collection, Petit Palais, Paris.)
Attributed works:
6. Still Life with Bas Relief, by François Desportes. Signed and Dated 1730. Canvas, 100 by 130 cm. (Private Collection, Italy.)
Attributed works:
7. Still Life with Musical Instruments, by François Desportes. Signed. Canvas, 163 by 128 cm. (Baron Lepic Sale, 18th June 1897, No. 10.)
Attributed works:
8. Infant Satyr Suckled by a Goat, Attributed to François Du Quesnoy. Drawing. (Gabinetto dei Disegni, Galleria degli Uffizi, Florence.)
Attributed works:
9. Infant Satyr Suckled by a Goat, by Jean Baptiste Siméon Chardin. Signed and Dated 1769. Canvas, 53 by 91 cm. (Collection E. Buhrle, Zurich.)
Article
The Drawings and Engraved Ornament of Erasmus Hornick
07/1968 | 784 | 110
Pages: 382-389
related names
Author:
Hayward, J. F. (Hayward, J. F.; Hayward, John Forrest; H., J. F.; Hayward, John)
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Illustrations
Attributed works:
14. Title Page of Set of Eighteen Etched Designs for Ewers and Vases Published by Erasmus Hornick, Nürnberg (1565). (Staatliche Museen, Kunstbibliothek, Berlin.)
Attributed works:
15. Etched Design for a Ewer Signed EH (For Erasmus Hornick), Undated. (Kunstbibliothek, Berlin.)
Attributed works:
16. Design for a Title Page, by Erasmus Hornick. Dated 1560. Pen and Wash. (Victoria and Albert Museum, No.5132.)
Attributed works:
17. Design for a Title Page, by Erasmus Hornick. c.1560. Pen and Wash. (Victoria and Albert Museum. No. 5131.)
Attributed works:
18. Design for the Hilt of a Hunting Sword, by Erasmus Hornick. c.1560. Pen and Wash. (The Liechtenstein Codex; Metropolitan Museum, New York.)
Attributed works:
19. Design for a Title-Page, by Erasmus Hornick. c.1560. Pen and Wash. (Victoria and Albert Museum, No.5215.)
Attributed works:
20. Design for a Vase with Flowers Made of Cut Silver Sheet, by Erasmus Hornick. c.1560. (The Liechtenstein Codex; Present Whereabouts Unknown.)
Attributed works:
21. Design for a Title Page, by Erasmus Hornick. Dated 1569. Pen and Wash. (The Earl of Warwick's Codex; Present Whereabouts Unknown.)
Attributed works:
22. Etched Design for a Flask from the Pattern Book of Designs for Goldsmiths Published by Erasmus Hornick, Nürnberg (1565). (Albertina, Vienna.)
Attributed works:
23. Etched Design for a Ewer from Hornick's 1565 Pattern Book. (Albertina, Vienna.)
Attributed works:
24. Etched Design for a Ewer from Hornick's 1565 Pattern Book. (Albertina, Vienna.)
Attributed works:
25. Etched Design for a Ewer from Hornick's 1565 Pattern Book. (Albertina, Vienna.)
Attributed works:
26. Ewer, by Erasmus Hornick. Pen and Wash. (Victoria and Albert Museum, London, No.5190.)
Attributed works:
27. Ewer, by Erasmus Hornick. Pen and Wash. (Victoria and Albert Museum, London, No.5154.)
Attributed works:
28. Ewer, by Erasmus Hornick. (Collection P. Wallraf, Esq.)
Attributed works:
29. Ewer, by Erasmus Hornick. Pen and Wash. (Victoria and Albert Museum, London, No. 6378.)
Attributed works:
30. Ewer, by Erasmus Hornick. Pen and Wash. (Collection Paul Wallraf, Esq.)
Western art unattributed:
31. Standing Cup of Carved and Engraved Rock-Crystal Mounted in Silver-Gilt. The Rock-Crystal Vessel Carved in Prague or Milan, the Mounts German, End of Sixteenth Century. (Private Collection, England.)
Short Notice
Recent Museum Acquisitions: Blue Glass Facet-Cut Ewer (Corning Museum of Glass, New York)
03/1966 | 756 | 108
Pages: 143+145
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Illustrations
Non-western art unattributed:
51. Facet-Cut Ewer. Late Parthian or Early Sassanian Origin. Second-Third Century A. D. Height, 14.3 cm. (Corning Museum of Glass, New York.)
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