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87 articles
Letter
Stanley Spencer’s postcards of Vézelay
03/2024 | 1452 | 166
Pages: 224
related names
Author:
Martineau, Jane (Martineau, Jane; Martineau, Jane; M., J.T.)
Subjects
media:
subjects:
Illustrations
Attributed works:
Postcard of Jacob fighting with the angel, Vézelay Abbey, sent by Gwen and Jacques Raverat to Stanley Spencer. 1911. (Stanley Spencer Gallery, Cookham).
Exhibition Review
China’s Southern Paradise: Treasures from the Lower Yangzi Delta
01/2024 | 1450 | 166
Pages: 62–65
related names
Reviewer:
Liu, Lihong (Liu, Lihong)
Subjects
dates:
Reviewed Items
subjects:
China’s Southern Paradise: Treasures from the Lower Yangzi Delta Cleveland Museum of Art 10th September 2023– 7th January 2024 | :
Illustrations
Attributed works:
1. Detail from Spring in Jiangnan, by Wen Zhengming. 1530. Handscroll, ink and colour on paper. (Shanghai Museum; exh. Cleveland Museum of Art).
Attributed works:
4. Raft cup, attributed to Zhu Bishan. China, Yuan or early Ming dynasty. Silver with chased decoration, length 16 cm. (Cleveland Museum of Art).
Non-western art unattributed:
2. Lamp in the form of a bull. China, Eastern Han dynasty. Bronze with silver inlay, height 46 cm. (Nanjing Museum; exh. Cleveland Museum of Art).
Non-western art unattributed:
3. Installation view of China’s Southern Paradise: Treasures from the Lower Yangzi Delta at the Cleveland Museum of Art, 2023.
Article
Four wooden ceilings from the Torrijos Palace, Toledo
12/2023 | 1449 | 165
Pages: 1272–1289
related names
Author:
McSweeney, Anna (McSweeney, Anna)
Author:
Rosser-Owen, Mariam (Rosser-Owen, Mariam)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
10. Tile panel possibly from the Torrijos Palace. Attributed to Hernando de Loaysa, Talavera de la Reina, c.1600. Tin-glazed earthenware. (Museo Arqueológico Nacional, Madrid; photograph Peter Kelleher 2022).
Attributed works:
19. Groundplan of the Torrijos Palace. (From E. María Repullés y Vargas: ‘El Palacio de Torrijos’, Resumen de Arquitectura 1 [1894], p.104; Biblioteca Nacional de España , Madrid).
Attributed works:
2. Opening page of the 1902 article on the Torrijos Palace, showing a plaster lintel above a door in the palace. (From ‘El Palacio de Torrijos’, Por Esos Mundos (April 1902), p.342; Victoria and Albert Museum, London).
Attributed works:
20. Exterior façade of the Torrijos Palace, showing the portal and one of the windows with a balcony. (From E. María Repullés y Vargas: ‘El Palacio de Torrijos’, Resumen de Arquitectura 1 (1894), p.102; Biblioteca Nacional de España , Madrid).
Attributed works:
22. Staircase in the Torrijos Palace. (From E. María Repullés y Vargas: ‘El Palacio de Torrijos’, Resumen de Arquitectura 1 (1894), p.103; Biblioteca Nacional de España , Madrid).
Attributed works:
23. The groundplan shown in Fig.19, overlaid to show the location of the four ceilings, the main portal and the patio. (© Mariam Rosser-Owen). A. Ceiling from a room on the south-west side of Torrijos Palace, now in château de Villandry, Loire (Fig.12) B. Ceiling from a room on the north-west side of Torrijos Palace, now in the V&A (Fig.1) C. Staircase on the north-east side of Torrijos Palace (Fig.22) D. Ceiling from a room on the north-east side of Torrijos Palace, now in Finca El Alamín, Santa Cruz del Retamar (Fig.15) E. Ceiling from a room on the north-east side of Torrijos Palace, now in MAN (Fig.8) F. Portal on the east side of Torrijos Palace, now in Finca El Alamín, Santa Cruz del Retama (Fig.13) G. Courtyard of Torrijos Palace (Fig.4) H. Ceiling from a room on the south-east ceiling side of Torrijos Palace, now in Fine Arts Museums, San Francisco (Fig.5)
Attributed works:
25. The ceiling in Fig.8 shown in situ in the Torrijos Palace. Photograph, 1902. (From ‘El Palacio de Torrijos’, Por Esos Mundos, April 1902, p.344).
Attributed works:
27. The ceiling in Fig.12 shown in situ in the Torrijos Palace. Photograph. 1902. (From ‘El Palacio de Torrijos’, Por Esos Mundos, April 1902, p.346; Victoria and Albert Museum, London).
Attributed works:
29. Diagram of an interlace panel on a strapwork carpentry ceiling, by Diego López de Arenas. (From Breve compendio de la carpintería de lo blanco y tratado de alarifes, Seville 1633, repr. 1727; National Art Library Special Collections; Victoria and Albert Museum, London).
Attributed works:
3. The ceiling shown in Fig.1 in situ in the Torrijos Palace. Photograph, 1905. (Victoria and Albert Museum, London, Archive, Central Inventory Register, 1905, MA/30/233).
Attributed works:
30. Diagram of cartabones by Diego López de Arenas. (From Breve compendio de la carpintería de lo blanco y tratado de alarifes, Seville 1633, repr. 1727; National Art Library Special Collections; Victoria and Albert Museum, London).
Attributed works:
6. Plaster cast of the frieze originally below the ceiling shown in Fig.1, c.1910. Plaster, each section approx. 150 by 110 cm. (Victoria and Albert Museum, London).
Western art unattributed:
1. A ceiling from the Torrijos Palace. c.1490. Wood, probably pine, with painting and gilding; with modern plaster of Paris panels, width 6 m. (Victoria and Albert Museum, London).
Western art unattributed:
11. Friezes from the Torrijos Palace. c.1490. Plaster, 133 by 312 by 8 cm. (Museo Arqueológico Nacional, Madrid; photograph Peter Kelleher 2022).
Western art unattributed:
12. Ceiling from the Torrijos Palace. c.1490. Wood, probably pine, with painting and gilding, width approx. 5.5 m. (château de Villandry, Loire; photograph Frédéric Paillet).
Western art unattributed:
13. Portal from the Torrijos Palace. c.1490. (Chapel, Finca El Alamín, Santa Cruz del Retamar; photograph Peter Kelleher 2022).
Western art unattributed:
14. Plinth for a statue of the Virgin on the altar of the chapel at Finca El Alamín, Santa Cruz del Retamar, made from part of the ceiling shown in Fig.15. Early sixteenth century, carved wood. (Photograph Peter Kelleher 2022).
Western art unattributed:
15. Ceiling from the Torrijos Palace. Early sixteenth century. Carved wood. (Chapel, Finca El Alamín, Santa Cruz del Retamar; photograph Peter Kelleher 2022).
Western art unattributed:
16. Ceiling in the grandest room of the palace at Ocaña. 1475–80. Wood, probably pine, with painting and gilding. (Photograph Peter Kelleher 2022).
Western art unattributed:
17. Ceiling in the Throne Hall of the Comares Palace, Alhambra, Granada. 1350. Wood, including pine and cedar, with painting, 11.3 by 11.3 m. (Photograph Simon Lane).
Western art unattributed:
18. Portal of the Colegiata del Santísimo Sacramento, Torrijos. 1509–18. (Photograph Peter Kelleher 2022).
Western art unattributed:
21. Staircase in the palace at Ocaña. 1475–80. (Photograph Peter Kelleher 2022).
Western art unattributed:
24. Panel from a frieze in the Torrijos Palace. c.1490. Plaster, 38 by 55 by 4 cm. (Museo Santa Cruz, Toledo; photograph Mariam Rosser-Owen).
Western art unattributed:
26. Section of the frieze from the ceiling shown in Fig.8. c.1490. Plaster. (Casa Platón Páramo, Oropesa; photograph Peter Kelleher 2022).
Western art unattributed:
28. Exterior of the ceiling shown in Fig.8. (Photograph Peter Kelleher 2022).
Western art unattributed:
4. Courtyard of the Torrijos Palace. Photograph, c.1904. (Instituto del Patrimonio Cultural de España, Ministerio de Cultura y Deporte, VN-10440).
Western art unattributed:
5. Ceiling from the Torrijos Palace. c.1490. Wood, including pine and walnut, with painting and gilding, width 5.72 m. (Museum of the Legion of Honor, San Francisco; Fine Arts Museums of San Francisco).
Western art unattributed:
7. Panel from the original frieze below the ceiling shown in Fig.1. c.1490. Plaster, 29.5 by 58 by 5.5 cm. (Victoria and Albert Museum, London).
Western art unattributed:
8. Ceiling from the Torrijos Palace. c.1490. Wood, probably pine, with painting and gilding; 5.5 by 5.5 m. (Museo Arqueológico Nacional, Madrid; photograph Peter Kelleher 2022).
Western art unattributed:
9. Lintel and doorway from the Torrijos Palace. c.1490. Plaster. (Casa Platón Páramo, Oropesa; photograph Peter Kelleher 2022).
Book Review
Grinling Gibbons and his Contemporaries (1650–1700): The Golden Age of Woodcarving in the Netherlands and Britain
11/2023 | 1448 | 165
Pages: 1247-1249
related names
Reviewer:
Bowett, Adam (Bowett, Adam)
Subjects
Reviewed Items
artists:
Grinling Gibbons and his Contemporaries (1650–1700): The Golden Age of Woodcarving in the Netherlands and Britain By Ada de Wit. 426 pp. incl. 350 col. + 4 b. & w. ills. (Brepols, Turnhout, 2022), €150. ISBN 978–2–503–58488–1. | :
Illustrations
Attributed works:
4. ‘Queen Sophie’s Bookcase’, incorporating carving of c.1690 from William III’s bedchamber at Huis De Voorst. 1847–49. Rosewood, mahogany, oak and limewood, 346 by 233 by 55 cm. (Photograph Paleis Het Loo, Apeldoorn).
Exhibition Review
The Lindisfarne Gospels. Laing Art Gallery, Newcastle
12/2022 | 1437 | 164
Pages: 1267-1269
related names
Reviewer:
Meehan, Bernard (Meehan, Bernard)
Subjects
dates:
Reviewed Items
works:
The Lindisfarne Gospels Laing Art Gallery, Newcastle 17th September–3rd December | :
Illustrations
Western art unattributed:
5. Trumpington Cross. 7th century. Gold and garnet, diameter 3.5 cm. (Museum of Archaeology and Anthropology, University of Cambridge; exh. Laing Art Gallery, Newcastle).
Western art unattributed:
6. Beginning of the Gospel of St John from the Lindisfarne Gospels. c.700. Vellum, 36.5 by 27.5 cm. (British Library, London, Cotton MS Nero D IV, fol.211r; exh. Laing Art Gallery, Newcastle).
Western art unattributed:
7. Eagle, symbol of John the Evangelist. Northumbria or Iona, c.700. Vellum, 28.5 by 21.9 cm. (Corpus Christi College Cambridge, MS 197B; exh. Laing Art Gallery, Newcastle).
Article
Paolo Stella’s Belvedere: a Genoese outpost in Prague
11/2022 | 1436 | 164
Pages: 1088-1103
related names
Author:
Schulz, Anne Markham (Schulz, Anne Markham)
Subjects
dates:
places:
styles:
Illustrations
Attributed works:
1. The west front of the Belvedere, Prague. (Photograph Jan Bazant).
Attributed works:
10. Charles V liberating Christian captives, by Giovanni Domenico Stella(?). Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, east side [11E]; photograph Prague Castle).
Attributed works:
11. Meeting of King Mulay Hassan and Charles V, by Giovanni Domenico Stella(?). Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, east side [13E]; photograph Prague Castle).
Attributed works:
12. King Ferdinand and Queen Anna, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [3W]; photograph Prague Castle).
Attributed works:
13. Plexippos and Toxeus, sons of Thestius, carrying the head of the Caledonian Boar, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, south side [5S]; photograph Prague Castle).
Attributed works:
14. Perseus and Atlas, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, north side [4N]; photograph Prague Castle).
Attributed works:
15. Hermes and Battus, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [7W]; photograph Prague Castle).
Attributed works:
16. Cadmus and the dragon, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [13W]; photograph Prague Castle).
Attributed works:
17. Jason and the Golden Fleece, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [2W]; photograph Prague Castle).
Attributed works:
18. Zeus and Ganymede, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [8W]; photograph Prague Castle).
Attributed works:
19. Hannibal and Scipio Africanus, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, north side [2N]; photograph Prague Castle).
Attributed works:
2. Detail from Miracle of the Goblet, by Giammaria Mosca and Paolo Stella. 1520–29. (Cappella del Santo, Basilica di S. Antonio, Padua; photograph Mauro Magliani).
Attributed works:
20. Mago the Carthaginian reaping grain, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [6W]; photograph Prague Castle).
Attributed works:
21. Leda and the swan, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [11W]; photograph Prague Castle).
Attributed works:
22. Perseus and Andromeda, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, north side [3N]; photograph Prague Castle).
Attributed works:
23. Garden façade of the Villa Doria, Genoa. (Photograph Alinari).
Attributed works:
3. Detail of Fig.2, showing the central kneeling woman. (Photograph Mauro Magliani).
Attributed works:
4. Hope, from the tomb of Lodovico Euffreducci, S. Francesco, Fermo, by Paolo Stella. (Diocesan Museum, Fermo; photograph Mauro Magliani).
Attributed works:
5. St Thomas Aquinas, by Paolo Stella. c.1525. Marble, height 161 cm. (SS. Giovanni e Paolo, Venice; photograph Anne Markham Schulz).
Attributed works:
6. Tomb of Giovanni Battista Bonzio. 1525–26. (SS. Giovanni e Paolo, Venice).
Attributed works:
7. Tomb of Lodovico Euffreducci. c.1528–29. (S. Francesco, Fermo; photograph Mauro Magliani).
Attributed works:
8. Pursuit of fleeing Tunisians by imperial forces, by Giovanni Domenico Stella(?). Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, east side [9E]; photograph Prague Castle).
Attributed works:
9. Danaë, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [10W]; photograph Prague Castle).
Article
A museum asserts its identity: the reopening of the Musée de Cluny
10/2022 | 1435 | 164
Pages: 1000-1007
related names
Author:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
Illustrations
Attributed works:
2. Installation view of Room 13 of the Musée de Cluny. (Musée de Cluny - musée national du Moyen Âge, Paris; photograph Alexis Paoli, OPPIC).
Attributed works:
3. The Hôtel de Cluny from rue Du Sommerand, by Léon et Lévy. 1864–73. (École nationale supérieure des Beaux-Arts, Paris; photograph © Beaux-Arts de Paris, Dist. RMN-Grand Palais / image Beaux-Arts de Paris).
Attributed works:
4. The room of François I in the Hôtel de Cluny. 1840. Print. (Musée de Cluny, Musée National du Moyen Âge, Paris; photograph © RMN-Grand Palais (Musée de Cluny - Musée National du Moyen Âge) / musée Cluny).
Attributed works:
5. The thermes of the Musée de Cluny and the entrance hall designed by Bernard Desmoulin. (Musée de Cluny - Musée National du Moyen Âge, Paris; photograph M. Denancé).
Attributed works:
6. Plan of the of the ground floor of the Musée de Cluny. (After Bernard Desmoulin).
Attributed works:
7. North wall of the frigidarium, Musée de Cluny. c.1880. Watercolour on paper. (Musée de Cluny, Musée National du Moyen Âge, Paris; photograph © RMN-Grand Palais (Musée de Cluny - Musée national du Moyen Âge) / Franck Raux).
Attributed works:
8. Installation view of Room 9 of the Musée de Cluny. (Photograph Alexandra Gajewski).
Attributed works:
9. Installation view of Room 21 of the Musée de Cluny. (Photograph Alexandra Gajewski).
Western art unattributed:
1. Octagonal table. c.1480. Oak, height 75 cm. (Musée de Cluny, Musée National du Moyen Âge, Paris; photograph © RMN-Grand Palais (Musée de Cluny - Musée National du Moyen Âge) / Gérard Blot).
Article
The Emotan Panel in the Penn Museum
09/2022 | 1434 | 164
Pages: 888-897
related names
Author:
Curnow, Kathy (Curnow, Kathy)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Decorative plaque (the Emotan Panel), by Isaac O. Edokpolo. c.1959–66. Wood, 39 by 29.5 by 2 cm. (Penn Museum, Philadelphia).
Attributed works:
10. Detail of Fig.1, showing the medallion.
Attributed works:
11. Isaac O. Edokpolo’s business card. 9 by 7 cm. (Photograph Norma Wolff).
Attributed works:
12. Decorative plaque, by Isaac O. Edokpolo. Before 1966. Wood, approximately 38.53 by 26 cm. (Private collection; photograph Norma Wolff).
Attributed works:
2. Emotan, by John Alexander Danford. 1954. Bronze, height 182.9 cm. without base. (Photograph Barbara Blackmun, 1994).
Attributed works:
3. John Danford working on Emotan in his studio in Chelsea, London, 3rd April 1953. (Keystone Press; Alamy).
Attributed works:
4. A group of chiefs’ wives at a palace ceremony, their hair decorated with coral ornaments and brass feathers. 1994. (Photograph the author).
Attributed works:
5. The Emotan shrine as it appears today. (Photograph 21st June 2018, courtesy AllTimePost.com).
Attributed works:
6. The newly crowned O. ba of Benin Kingdom, Eheneden Erediauwa, is guided through a symbolic bridge by the palace chiefs during his coronation in Benin City, Nigeria, 20th October 2016. (Photograph Reuters / Akintunde Akinleye; Alamy).
Attributed works:
7. Decorative plaque, by Isaac O. Edokpolo. c.1960s. Wood, 30 by 28 cm. (Private collection; photograph Michael Graham Stewart).
Attributed works:
8. Carved container. Late 19th century. Coconut, height 12.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. Prototype medallion for the London Royal Society of Arts, by Thomas Pingo. 1790. Silver, diameter 4.4 cm. (Metropolitan Museum of Art, New York).
Article
Nicolas Pineau as a designer of ornament prints
09/2022 | 1434 | 164
Pages: 864-873
related names
Author:
Laurenti, Aurora (Laurenti, Aurora)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Designs for table and consoles, by Jean Mariette, after Nicolas Pineau. c.1707–09. Etching, 20.5 by 26 cm. (From the series Nouveaux Desseins de Pieds de Tables et de Vases et Consoles de sculpture en bois Inventés par le Sieur Pineau sculpteur / a Paris chez Mariette rue S.Jacques aux colonnes d’Hercules, pl.1, in J. Mariette : Architecture à la mode, Paris 1709; Bibliothèque de l’Institut National d’Histoire de l’Art, Paris, collections Jacques Doucet; 4 est 420).
Attributed works:
10. Detail of Fig.9, showing rocailles with gadroons.
Attributed works:
11. ‘Agraffe en cartel’, by Jacques-François Blondel, after Nicolas Pineau, c. 1737. Etching. (From J.-F. Blondel and C.-A. Jombert: De la distribution des maisons de plaisance et de la décoration des édifices en général, pl.39, II Paris 1738, Paris, INHA, Collection Jacques Doucet, 4 RES 2 (2)).
Attributed works:
12. ‘Couronnement de Cheminée varié de deux façons, convenable pour une Chambre de parade’, by Jacques-François Blondel, after Nicolas Pineau. c.1737. Etching. (From J. Mariette and A.-C. d’Aviler: Cours d’Architecture, pl. 59d, Paris, 1738, ETH-Bibliothek Zürich, Rar 6836).
Attributed works:
13. Design for a chimneypiece, by Nicolas Pineau. c.1737. Red chalk on paper, 42.8 by 25.3 cm. (Musée des Arts Décoratifs, Paris, inv. no.29115).
Attributed works:
2. Designs for table and consoles, by Jean Mariette, after Nicolas Pineau. c.1707–09. Etching, 20.5 by 26 cm (From the series Nouveaux Desseins de Pieds de Tables et de Vases et Consoles de sculpture en bois Inventés par le Sieur Pineau sculpteur / a Paris chez Mariette rue S.Jacques aux colonnes d’Hercules, pl.6, in J. Mariette: Architecture à la mode, Paris 1709; Bibliothèque de l’Institut National d’Histoire de l’Art, Paris, collections Jacques Doucet; 4 est 420).
Attributed works:
3. Designs for torchères, by Jean Mariette, after Nicolas Pineau. c.1707–09. Etching, 20.5 by 26 cm. (From the series Nouveau desseins de Plaques, Consoles, Torcheres, et Médailliers de l’invention du S.r Pineau Sculpteur / A Paris chez JMariette rue S.Jacques aux Colonnes d’Hercules, pl.4; Bibliothèque de l’Institut National d’Histoire de l’Art, Paris, Jacques Doucet collections; RES 50).
Attributed works:
4. Three designs for cartouches by Antoine Herisset, after Nicolas Pineau. 1710–16? Etching, 28.7 by 22 cm. (From the series [Cartouches] a Paris chez Mariette rue S. Jacques aux colonnes d’Hercules, pl.1; Paris, INHA, Jacques Doucet collection, FOL EST 452).
Attributed works:
5. ‘Dessin de porte pour le cabinet de Samajesté [sic]’, by Nicolas Pineau. c.1718. Pencil, black and red chalk on paper, 25 by 13.5 cm. (Musée des Arts Décoratifs, Paris, inv. no.29124).
Attributed works:
6. Designs for chimneypieces, by Nicolas Pineau. c.1720–25? Black chalk on paper, 32 by 20.8 cm. (Musée des Arts Décoratifs, Paris, inv. nos.29098A and 29098B).
Attributed works:
7. ‘Dessein de Cheminée et de Lambris de l’invention du S.r Pineau’, by Jacques-François Blondel, after Nicolas Pineau. Engraving, 35.5 by 22.5 cm. (From the series Dessein de Cheminée pour un Cabinet dont la decorazion variée du Lambris est des plus riches / Mariette exc., pl.5, in J. Mariette: Architecture Françoise, III, Paris 1738; Ecole Nationale Supérieure des Beaux-Arts, Paris; Les 1803).
Attributed works:
8. ‘Decoration de Cheminée, accompagnee d’un riche lambris, propre pour une Gallerie/ A Paris chez Mariette rue S. Jacques aux Colonnes d’Hercules’, by Jacques-François Blondel after Nicolas Pineau. Engraving, 33 by 23 cm. (From the series Decoration de Cheminée pour un grand Apartement, pl.2, in J. Mariette: Architecture Françoise, III, Paris 1738; Paris, INHA, Jacques Doucet collection, FOL EST 452).
Attributed works:
9. ‘Décoration intérieure du côté de l’entrée de la galerie de l’Hôtel de Villars Le Roux invenit / Blondel sculpsit’, by Jacques-François Blondel after Nicolas Pineau. 1746. Etching, 33.7 by 23.5 cm. (From Plans et Décorations intérieures De La Galerie de l’Hôtél de Villars [. . .]; Paris, INHA, Collection Jacques Doucet, EST 469).
Book Review
Intagli rococo : Professionalita  ed elaborazione del gusto negli interni del Palazzo Reale di Torino
03/2022 | 1428 | 164
Pages: 318-320
related names
Reviewer:
Zanuso, Susanna (Zanuso, Susanna)
Subjects
Reviewed Items
subjects:
Intagli rococò: Professionalità ed elaborazione del gusto negli interni del Palazzo Reale di Torino By Aurora Laurenti. 284 pp. incl. numerous col. ills. (Accademia University Press, Turin, 2020), €24. ISBN 978–88–319–7856–9. | :
Illustrations
Attributed works:
6. Detail of the Summer Apartment, Gabinetto del Pregadio, Palazzo Reale, Turin, showing carved and pastiglia decorations on the wall panelling and pier table, by Giovanni Luigi Bosso. 1738–40. (Royal Palace, Royal Museums, Turin; photograph Aurora Laurenti).
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