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10 articles
Article
Johannes Lutma the Elder: goldsmith, designer, draughtsman
03/2024 | 1452 | 166
Pages: 252–263
related names
Author:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
dates:
media:
places:
styles:
Illustrations
Attributed works:
1. Portrait of Johannes Lutma, by Jacob Adriaensz Backer. c.1646. Oil on canvas, 93 by 73 cm. (Rijksmuseum, Amsterdam).
Attributed works:
10. John Rushout’s coat of arms engraved on the base of the salt cellar in Fig.7.
Attributed works:
11. Design for a condiment dish, attributed to Johannes Lutma. c.1640–50. Black and white chalk on green prepared paper, 27.5 by 19.8 cm. (Rijksmuseum, Amsterdam).
Attributed works:
12. Design for a candlestick, attributed to Johannes Lutma. c.1655–60. Black and white chalk and pink wash on paper, 40.5 by 30.4 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
13. Ewer in ornamental surround, by Jacob Lutma after Johannes Lutma. 1654. Etching and engraving, 22.2 by 17.9 cm. (Rijksmuseum, Amsterdam).
Attributed works:
14. Cup and cover, by Johannes Lutma. 1639 (the knob is a later replacement). Gilded silver, height 32.1 cm. (Walters Art Museum, Baltimore).
Attributed works:
15. Design for a cup, attributed to the workshop of Johannes Lutma. c.1640–60. Black chalk, and brown wash, heightened in white, on blue paper, 41.9 by 25.5 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
16. Design for a ewer, attributed to the workshop of Johannes Lutma. c.1655–60. Black and white chalk on paper, 41.5 by 30.2 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
17. Design for a ewer, attributed to the workshop of Johannes Lutma. c.1655–60. Black and white chalk on paper, 41.3 by 31.9 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
18. Design for a ewer, attributed to the workshop of Johannes Lutma. c.1655–60. Black, white and red chalk on paper, 43.3 by 29.8 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
19. The watermark in the drawing in Fig.20.
Attributed works:
2. Pair of salt cellars, by Johannes Lutma. 1639. Silver, partly gilded, height 24 cm. each. (Rijksmuseum, Amsterdam).
Attributed works:
20. Design for a cup, attributed to the workshop of Johannes Lutma. c.1655–60. Black and red chalk and brown wash, heightened in white, on paper, 41.3 x 31.2 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
21. Design for a cup, here attributed to Joahnnes Lutma. c.1655–60. Red chalk and brown wash, heightened in white, on paper, 40.3 by 28.6 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
22. Design for a helmet, here attributed to Johannes Lutma. c.1655–60. Watercolour, black chalk, heightened in white, on pale brown paper, 17 by 20.9 cm. (Rijksmuseum, Amsterdam).
Attributed works:
3. Design for a cup, by Paulus van Vianen. c.1610. Black chalk, grey and pink wash, 58.7 by 29.4 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
4. Design for a salt cellar, attributed to Adam van Vianen. c.1610–27. Black chalk, pen and brown ink and brown wash on paper, 20.2 by 13.2 cm. (Nationalmuseum, Stockholm).
Attributed works:
5. Design for a ‘bekerschroef’, attributed to Johannes Lutma. c.1635–40. Black and white chalk over a sketch in graphite, on yellow prepared paper, 19.5 by 12.4 cm. (Sir John Soane’s Museum, London; courtesy of the Trustees).
Attributed works:
6. A goldsmith or sculptor carrying a basket of statues, by Johannes Lutma. 1615. Red and black chalk, pen and brown ink on paper, 12.3 by 9.2 cm. (Rijksmuseum, Amsterdam).
Attributed works:
7. Salt cellar, by Johannes Lutma. 1648. Partly gilded silver, height 36.2 cm. (Fishmongers’ Company, London).
Attributed works:
8. Design for a salt cellar, by Johannes Lutma. c.1648. Black and white chalk on pale brown paper, 35.8 by 28.5 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
9. Lutma’s inscription on the back of the drawing in Fig.8.
Obituary
Gillian Wilson (1941–2019)
05/2020 | 1406 | 162
Pages: 467-468
related names
Author:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
art literature:
Illustrations
Attributed works:
1. Gillian Wilson, photographed c.1995, during the construction of the Getty Center, Los Angeles. (Photograph courtesy J. Paul Getty Museum, Los Angeles).
Book Review
Les Collections de Monsieur, frère de Louis XIV, Orfèvrerie et objets d’art des Orléans sous l’Ancien Régime, P. Micio
01/2016 | 1354 | 158
Pages: 041
related names
Reviewer:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
dates:
Article
Wilhelm de Rots and early cabinet-making in The Hague
06/2008 | 1263 | 150
Pages: 372-380
related names
Author:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
1. Frederick Henry and Amalia von Solms, by Gerard van Honthorst. c.1637–38. Canvas, 213.2 by 201.7 cm. (Mauritshuis, The Hague).
Attributed works:
2. Cabinet, by Wilhelm de Rots. The Hague, c.1652–55. Oak, veneered with marquetry of tortoiseshell and ivory, the stand of oak and rosewood, inlaid with ivory, 145 by 111.5 by 44 cm. (Rijksmuseum, Amsterdam).
Attributed works:
3. The cabinet in Fig.2, opened up.
Attributed works:
4. Casket, by Wilhelm de Rots. The Hague, c.1652–55. Oak, veneered with marquetry of tortoiseshell and ivory, 26.5 by 56 by 37 cm. (Museum Schloss Fasanerie, Eichenzell).
Attributed works:
6. Detail of the interior of the caisson of a cabinet, attributed to Pierre Gole. Paris, c.1645–50. Marquetry of ebony and kingwood. (Rijksmuseum, Amsterdam).
Attributed works:
9. The left-hand side of the cabinet in Fig.2.
Non-western art unattributed:
10. Settee. Brazil, c.1640. Ivory with some oak, with velvet upholstery, 88 by 205 by 79 cm. (as reproduced in H. Huth: ‘Exotische Elfenbeinmöbel’, Pantheon 13 (1934)).
Western art unattributed:
11. Table and two candle-stands. Probably The Hague, c.1646. Ebony and silver, the table top 102 by 62 cm. (as reproduced in F. Jamrathe: Die kaiserlichen Schlössern von Berlin und Potsdam in ihren inneren Einrichtungen, Berlin 1872).
Western art unattributed:
12. Cabinet. Holland, perhaps The Hague, c.1650–55. Softwood and oak, veneered with ivory, 162 by 142 by 52 cm. (National Trust, Ham House, Richmond).
Western art unattributed:
5. Detail of a chest front. Lübeck, 1626. Oak with marquetry in various woods. (Museum für Kunst und Kulturgeschichte der Hansestadt Lübeck).
Western art unattributed:
7. Medal cabinet. Paris, c.1645–50. Softwood with ebony and walnut, veneered with marquetry of pearwood and ebony, 44 by 58.5 by 35.5 cm. (Musée du Louvre, Paris).
Western art unattributed:
8. Cabinet. Paris?, c.1650–55. Oak, veneered with ebony and rosewood and marquetry of tortoiseshell and ivory, 69 by 83.5 by 39.5 cm. (Musée d’Art et d’Histoire, Saint-Denis).
Publication Received
Het Utrechtse huis. De verzamelingen van het Centraal Museum Utrecht
06/2007 | 1251 | 149
Pages: 424
related names
Reviewer:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Subjects
dates:
print:
subjects:
Reviewed Items
subjects:
Het Utrechtse huis. De verzamelingen van het Centraal Museum Utrecht | author: Baarsen, Reinier , author: Biemond, Dirk Jan , author: Duin, Paul van , author: Leeuwen, Anne-Sophie van
Article
Charles of Lorraine's Audience Chamber in Brussels
07/2005 | 1228 | 147
Pages: 464-473
related names
Author:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
18. Plan of the winter apartment in the palace in Brussels, by Charles of Lorraine. c.1775. Ink on paper, 19.9 by 16.2 cm. (Haus-, Hof- und Staatsarchiv, Lothringisches Hausarchiv, Vienna).
Attributed works:
19. The continence of Scipio, by David Roentgen after Januarius Zick. Neuwied, 1778-79. Elmwood, veneered with marquetry of walnut, sycamore and other woods, 360 by 377 cm. (Österreichisches Museum für Angewandte Kunst, Vienna).
Attributed works:
20. The Sabine women plea for peace between the Romans and the Sabines, by David Roentgen after Januarius Zick. Neuwied, 1778-79. Elmwood, veneered with marquetry of walnut, sycamore and other woods, 360 by 373 cm. (Österreichisches Museum für Angewandte Kunst, Vienna).
Attributed works:
21. Design for a parquet floor, by Laurent Benoît Dewez. c.1773-75. Pen and wash on paper, 47.5 by 54.5 cm. (Algemeen Rijksarchief, Brussels, Plannen van Dewez).
Attributed works:
22. Two stools, attributed to Godtfried Weber, the mounts by Michel Dewez. Brussels, 1777-78. Elmwood, veneered with rosewood and Turkish hazel, mounted in gilt bronze, 47 by 59.2 by 43 cm. (With Aveline, Paris).
Attributed works:
23. Writing-table, possibly by Godtfried Weber, the mounts attributed to Michel Dewez. Brussels, 1777-78. Oak, pinewood and chestnut, veneered with rosewood and Turkish hazel, mounted in gilt bronze, 85 by 244 by 115 cm. (Wallace Collection, London).
Attributed works:
25. Detail of the front of the writing-table in Fig.23.
Attributed works:
26. The side of the writing-table in Fig.23.
Attributed works:
27. Detail of a leg of the writing-table in Fig.23.
Western art unattributed:
24. Detail of a photograph of the Green Salon in the Albertina in Vienna in 1921. (From J. Folnesics: Alte Innenräume Österreichischer Schlösser, Paläste und Wohnhäuser, Vienna 1921, pl.13).
Article
'Ebenisterie' at the court of Charles of Lorraine
02/2005 | 1223 | 147
Pages: 91-99
related names
Author:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
dates:
places:
Illustrations
Attributed works:
17. Charles de Lorraine, by Frans Harrewijn, c. 1750-60. Engraving and etching, 49.3 by 37 cm. (Koninklijke Bibliotheek, Prentenkabinet, Brussels).
Attributed works:
18. Folio cabinet, attributed to Joseph Baumhauer. Paris, c.1758. Oak, veneered with tulipwood and purplewood, mounted in gilt bronze, 118 by 105 by 70 cm. (Photograph: Christie's, London).
Attributed works:
19. Inkstand. Sèvres, 1758-9. Soft-paste porcelain, painted in colours and gold, tray 5.5 by 30.1 by 19.2 cm. (Wadsworth Atheneum, Hartford).
Attributed works:
20. Writing table, by Joseph Baumhauer. Paris, c.1760-65. Oak, veneered with tulipwood and inlaid with plaques of Sevres soft-plate porcelain, five of which are dated 1760; mounted in gilt bronze, 76.5 by 115.9 by 59 cm. (The National Trust, Waddesdon Manor).
Attributed works:
21. Coffee or tea table, by Bernard van Risenburgh. Paris, c.1763. Oak, painted with green varnish and inlaid with plaques of Sevres soft-paste porcelain (the lower one a nineteenth-century Minton replacement), mounted in gilt bronze, 67 by 36 by 25 cm. (Metropolitan Museum of Art, New York).
Attributed works:
22. Gaming table, by David Roentgen. Neuwied, 1775. Oak, veneered with sycamore, mahogany and other woods, 81 by 88.5 by 45 cm. (Osterreichisches Museum fur Angewandte Kunst, Vienna).
Attributed works:
23. Writing cabinet with clock, by David Roentgen and Christian I Kinzing. Neuwied, 1776. Oak and pinewood, veneered with sycamore and other woods, 369 by 152 by 88 cm. (Osterreichisches Museum fur Angewandte Kunst, Vienna).
Attributed works:
24. The Sabine women plea for peace between the Romans and the Sabines, by David Roentgen after Januarius Zick. Neuwied, 1779 (one of a pair). Elmwood, veneered with marquetry of walnut, sycamore and other woods, 360 by 373 cm. (Osterreichisches Museum fur Angewandte Kunst, Vienna).
Attributed works:
25. Candelabrum (the candle-holders missing), by Michel Dewez. Brussels, c. 1776. Mid-eighteenth-century Chinese porcelain, mounted in gilt bronze, 59 by 26 by 22.8 cm. (The National Trust, Waddesdon Manor).
Attributed works:
26. Two candelabra, by Micel Dewez. Brussels, c.1776. Mid-eighteenth-century Chinese porcelain, mounted in gilt bronze, 72 cm. high. (Private collection).
Attributed works:
27. Wall-light, by Michel Dewez. Brussels, c.1775-77. Bronze, gilded and patinated, 113 by 40.6 by 21 cm. (The National Trust, Waddesdon Manor).
Attributed works:
28. Two stools, attributed to Godtfried Weber, the mounts by Michel Dewez. Brussels, 1777-78. Elmwood, veneered with rosewood and Turkish hazel, mounted in gilt bronze, 47 by 59.2 by 43 cm. (With Aveline, Paris).
Attributed works:
29. The side of one of the stools in Fig.28.
Western art unattributed:
30. Photograph of the Green Salon in the Albertina, Vienna, in 1921. (From J. Folnesics: Alte Innenraume Osterreichischer Schlosser, Palaste und Wohnauser, Vienna 1921, pl. 13).
Obituary
Theodoor Herman Lunsingh Scheurleer (1911-2002)
06/2003 | 1203 | 145
Pages: 452
related names
Author:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
art literature:
dates:
Article
High Rococo in Holland: William IV and Agostino Carlini
03/1998 | 1140 | 140
Pages: 172-183
related names
Author:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
dates:
places:
Illustrations
Attributed works:
14. Portrait Bust of Prince William IV, by Jan Baptist Xavery. 1733. Marble, 82 cm. High. (Mauritshuis, The Hague).
Attributed works:
15. The Oranjezaal at Paleis Huis Ten Bosch, The Hague.
Attributed works:
16. Cabinet Designed by Pieter de Swart, the Carving by Agostino Carlini, 1749-50. (Royal Collection, Paleis Huis Ten Bosch, The Hague).
Attributed works:
17. Panelling for the Bedchamber of William IV, Designed by Pieter de Swart, the Carving by Agostino Carlini. c.1749-51. (Royal Collection, Paleis Huis Ten Bosch, The Hague).
Attributed works:
18. Detail of the Panelling for the Bedchamber of William IV at Paleis Huis ten Bosch, The Hague.
Attributed works:
19. Pier-Table, One of a Set of Four, Possibly Designed in Part by Pieter de Swart, Carved by Agostino Carlini. c.1749-51. Gilt Wood, 94 by 206 by 77.3 cm. (Royal Collection, Paleis Huis Ten Bosch, The Hague).
Attributed works:
20. Detail of Fig.19.
Attributed works:
21. Pier-Table, from the Same Set as Fig.19.
Attributed works:
22. Pier-Table, Designed by Pieter de Swart, Carved by Agostino Carlini. c.1749-51. Limewood, Painted Black and Gold, 86 by 68 by 40.5 cm. (Royal Collection, Paleis Huis Ten Bosch, The Hague).
Attributed works:
23. Guéridon, One of a Set of Four, Possibly Designed in Part by Pieter de Swart, Carved by Agostino Carlini. c.1749-51. Gilt Wood, 213 cm. High. (Rijksmuseum, Amsterdam, on Loan from H. R. H. Princess Juliana of the Netherlands).
Attributed works:
24. Detail of One of the Four Guéridons Carved by Carlini for the Oranjezaal.
Attributed works:
25. Candelabrum, One of A set of Four, by Jacob Berkman. 1781. Gilt Wood, c.145 cm. High. (Royal Collection, Paleis Huis Ten Bosch, The Hague).
Attributed works:
26. Design for a Guéridon for the Grand Appartement at Versailles, by François Roumier. 1743. (Bibliothèque Nationale, Paris).
Attributed works:
27. The Former White Dining Room at Huis Ten Bosch, by Jan Waldorp. 1800-01. (Algemeen Rijksarchief, The Hague).
Attributed works:
28. The Guéridon in Fig.23, Seen from a Different Angle.
Attributed works:
29. Guéridon, Presumably an Eighteenth-Century Copy after Those Made for the Oranjezaal by Carlini. Gilt Wood, 212.4 cm. High (J. Paul Getty Museum, Los Angeles).
Attributed works:
30. Guéridon, Nineteenth-Century Copy after Those Made for the Oranjezaal by Carlini. Gilt Wood, c.211 cm. High. (Bomann-Museum, Celle).
Article
Herman Doomer, Ebony Worker in Amsterdam
11/1996 | 1124 | 138
Pages: 739-749
related names
Author:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
24. Portrait of Herman Doomer, by Rembrandt. 1640. Panel, 75 by 55.3 cm. (Metropolitan Museum of Art, New York).
Attributed works:
25. Portrait of Baertje Martens, by Rembrandt. 1640. Panel, 75.1 by 55.9 cm. (Hermitage Museum, St. Petersburg).
Attributed works:
26. Kas, Here Attributed to Herman Doomer. Amsterdam, c.1640-50. Oak Veneered with Ebony, Kingwood, Rosewood and Pseudo-Acacia, Inlaid with Mother-of-Pearl, the Interior with Ivory and Mirror Glass, 218 by 197 by 84 cm. (Rijksmuseum, Amsterdam).
Attributed works:
27. The Kas of Fig.26, Open. [Kas, Here Attributed to Herman Doomer. Amsterdam, c.1640-50. Oak Veneered with Ebony, Kingwood, Rosewood and Pseudo-Acacia, Inlaid with Mother-of-Pearl, the Interior with Ivory and Mirror Glass, 218 by 197 by 84 cm. (Rijksmuseum, Amsterdam).]
Attributed works:
28. Detail of Fig.26. [Kas, Here Attributed to Herman Doomer. Amsterdam, c.1640-50. Oak Veneered with Ebony, Kingwood, Rosewood and Pseudo-Acacia, Inlaid with Mother-of-Pearl, the Interior with Ivory and Mirror Glass, 218 by 197 by 84 cm. (Rijksmuseum, Amsterdam).]
Attributed works:
29. Cabinet, here attributed to Herman Doomer. Amsterdam, c.1635-50. Oak veneered with ebony and fruitwood stained black, kingwood and rosewood, the interior with cedarwood drawers, painted panels, ivory, mirror glass and gilt bronze mounts. 183 by 132 by 42 cm. (Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
30. The Back of the Central Flap of the Kas of Fig.26. [Kas, Here Attributed to Herman Doomer. Amsterdam, c.1640-50. Oak Veneered with Ebony, Kingwood, Rosewood and Pseudo-Acacia, Inlaid with Mother-of-Pearl, the Interior with Ivory and Mirror Glass, 218 by 197 by 84 cm. (Rijksmuseum, Amsterdam).]
Attributed works:
31. Detail of Fig.29. [Cabinet, here attributed to Herman Doomer. Amsterdam, c.1635-50. Oak veneered with ebony and fruitwood stained black, kingwood and rosewood, the interior with cedarwood drawers, painted panels, ivory, mirror glass and gilt bronze mounts. 183 by 132 by 42 cm. (Museum Boijmans Van Beuningen, Rotterdam).]
Attributed works:
32. The Cabinet of Fig.29, Open. [Cabinet, here attributed to Herman Doomer. Amsterdam, c.1635-50. Oak veneered with ebony and fruitwood stained black, kingwood and rosewood, the interior with cedarwood drawers, painted panels, ivory, mirror glass and gilt bronze mounts. 183 by 132 by 42 cm. (Museum Boijmans Van Beuningen, Rotterdam).]
Attributed works:
33. Games-board, inlaid with mother-of-pearl plaques by Jean Bellequin. Amsterdam, 1622. Walnut veneered with ebony, snakewood, sycamore, ivory and mother-of-pearl, with gilt metal fittings. 14 by 48.5 by 42.5 cm. (Museum für Kunst und Gewerbe, Hamburg).
Attributed works:
34. Mirror Frame, Here Attributed to Herman Doomer or His Workshop. Amsterdam, c.1640-55. Oak Veneered with Ebony, Decorated with Black-Coloured Whale-Bone. 50.5 by 45 cm. (Rijksmuseum, Amsterdam).
Attributed works:
35. Cabinet, Here Attributed to Herman Doomer. Amsterdam, c.1635-50. Oak Veneered with Ebony, Rosewood, Padouk and Holly. 176 by 130 by 58 cm. (Rijksmuseum, Amsterdam).
Attributed works:
37. The House Builders, by Frank Dicksee. 1879. 135.9 by 152.4 cm. (Coll. Bruno Welby, Bt., Denton Manor).
Western art unattributed:
36. Kas, Amsterdam (?), Mid-17th Century. Oak Veneered with Rosewood and Tortoise-Shell, Inlaid with Mother-of-Pearl. 230 cm. Wide (Photo Christie's).