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5 articles
Article
The Antiquarian Plate of George IV: A Gloss on E. A. Jones
06/1979 | 915 | 121
Pages: 343-351+353
related names
Author:
Bury, Shirley (Bury, Shirley)
Author:
Snodin, Michael (Snodin, Michael)
Author:
Wedgwood, Alexandra (Wedgwood, Alexandra; Wedgwood, Alexandra Gordon Clark)
Subjects
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artists:
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artists:
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Illustrations
Attributed works:
10. Verrier, from a Set of Twenty-Four. Maker's Mark of John Bridge. London 1826-27. Silver-Gilt. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
11. Pendent-Cross. English, Perhaps by Rundell and Bridge. c.1825. Faceted Amethysts Set in Gold Wire Filigree, Decorated with Applied Stamped Shells. (Victoria and Albert Museum).
Attributed works:
12. Design for a Flagon, Probably for St George's Chapel, Windsor, by A. W. N. Pugin. Signed on the verso J. G. Bridge and Dated 1827. Pen and Ink and Wash. (Victoria and Albert Museum).
Attributed works:
13. Design for an Alter Candlestick, Probably for St George's Chapel, Windsor, by A. W. N. Pugin. 1827. (Victoria and Albert Museum).
Attributed works:
14. Standing Cup, Known as the Coronation Cup. Maker's Mark of John Bridge. London 1826-27. Silver-Gilt, Set with Diamonds and Precious Stones. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
15. Design for a Chalice, Probably for St George's Chapel, Windsor, by A. W. N. Pugin. Signed on the verso J. G. Bridge and Dated 1827. Pen and Ink and Wash. (Victoria and Albert Museum).
Attributed works:
16. Detail of Fig. 14. [Standing Cup, Known as the Coronation Cup. Maker's Mark of John Bridge. London 1826-27. Silver-Gilt, Set with Diamonds and Precious Stones. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.]
Attributed works:
2. Design for the National Cup, after John Flaxman. c.1819. Pencil and Wash Drawing. (Victoria and Albert Museum).
Attributed works:
3. The National Cup. Maker's Mark of John Bridge. London 1824-25. Silver-Gilt, Set with Diamonds and Precious Stones. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
4. Cup and Cover. Maker's Mark of John Bridge. London 1825-26. Silver, with Two-Colour Gilding. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
5. Cup, after a Design by Albrecht Dürer. Maker's Mark of John Bridge. 1826-27. Silver-Gilt, Set with Precious Stones. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
6. Detail of Fig. 5. [Cup, after a Design by Albrecht Dürer. Maker's Mark of John Bridge. 1826-27. Silver-Gilt, Set with Precious Stones. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.]
Attributed works:
7. Design for a Cup, with an Alternative Stem, by Albrecht Dürer. c.1500. Pen and Ink. (British Museum).
Attributed works:
8. Bowl. Maker's Mark of Edward Farrell. London 1824-25. Silver-Gilt. Probably from the Collection of The Duke of York. (Private Collection).
Western art unattributed:
9. Bowl. English, Dated 1610. Fruitwood. (From O. Evan-Thomas: Domestic Utensils of Wood, London [1932], pl. 14). (Present Whereabouts Unknown).
Article
Rossetti and His Jewellery
02/1976 | 875 | 118
Pages: 94+96-102
related names
Author:
Bury, Shirley (Bury, Shirley)
Subjects
artists:
collectors and dealers:
dates:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
51. Gold chain of c. 1840, with the Wedding Ring of Mrs William Morris Attached to it. (May Morris Bequest, Victoria & Albert Museum).
Attributed works:
52. Burmese gold bracelet, probably dating from the first half of the nineteenth century; photographed in the same position as it appears in Rossetti's The Beloved (Fig.54). (May Morris Bequest, Victoria & Albert Museum).
Attributed works:
53. Top: Silver pendant set with chrysoprase, pearls and other stones, designed and made by May Morris, c.1905. (Presented to the Victoria & Albert Museum by Miss M. F. V. Lobb). Bottom: Silver heart-shaped brooch set with coloured glass (May Morris's 'Indian' brooch). European, mid-nineteenth century. (May Morris Bequest, Victoria & Albert Museum).
Attributed works:
54. Detail from The Beloved (Fig.55) Showing the Burmese Bracelet (Fig.52) on the Wrist of the Bride.
Attributed works:
55. The Beloved, by Dante Gabriel Rossetti. 1865-66 and Retouched in 1873. Canvas. (Tate Gallery).
Attributed works:
56. Astarte Syriaca, by Dante Gabriel Rossetti. Dated 1877. Canvas. Mrs Morris sat to Rossetti for the Head of the Venus. (Manchester City Art Galleries).
Attributed works:
57. Mariana, by Dante Gabriel Rossetti. Canvas. The subject represents the opening of Act IV of Shakespeare's Measure for Measure. Mrs Morris wore a blue silk dress for this painting, begun by Rossetti in 1868 and completed in 1870. (Aberdeen Art Gallery and Museum).
Attributed works:
58. The Blue Bower, by Dante Gabriel Rossetti. 1865. Canvas. The painting owes its title to the blue tiles with prunus blossom against which Rossetti painted Fanny Cornforth. (The Barber Institute of Fine Arts, University of Birmingham).
Attributed works:
59. Silver pendant decorated with enamel and set with blister pearls and semi-precious stones. Designed and made by Mr and Mrs Arthur Gaskin of Birmingham in c.1906. (Private Collection).
Attributed works:
60. Detail from The Blue Bower (Fig.58); A Chain Has been Looped Through the Vertical Pin of the Brooch to Form a Pendant.
Attributed works:
61. Rossetti's design for the back and the front of a watch case made for Morris, Marshall, Faulkner & Company in 1863 by an unknown craftsman. (Birmingham City Museum and Art Galleries).
Attributed works:
62. La Bella Mano, by Dante Gabriel Rossetti. 1875. Canvas. (Bancroft Collection, Delaware Art Museum).
Western art unattributed:
50. Silver Belt. Probably from the Tyrol, Seventeenth Century or Later. (May Morris Bequest, Victoria & Albert Museum).
Short Notice
Alessandro Castellani and the Revival of Granulation
10/1975 | 871 | 117
Pages: 664-665+667-668
related names
Author:
Bury, Shirley (Bury, Shirley)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
50. Above: Two Gold Bracelets Decorated with Granulated and Applied Wire Ornament. One is Signed with the Initials of Alessandro Castellani. Below: Gold Necklace with Pendant Head of Achelous, Bearing the Marks of the Castellani Firm and of Carlo Giuliano; Presented to the Museum by Giuliano's Sons in 1900. (Victoria and Albert Museum).
Attributed works:
51. Detail of the Two Bracelets in Fig.50. [Two Gold Bracelets Decorated with Granulated and Applied Wire Ornament. One is Signed with the Initials of Alessandro Castellani.]
Attributed works:
52. Above: Alessandro Castellani's Mark on the Back of One of the Bracelet Clasps. Below: The Castellani and Giuliano Marks on the Back of the Achelous Pendant.
Attributed works:
54. Above: The Medallion Stripped of Its Appendages. Below: Fragments of Castellani Jewellery Purchased by Henry Cole in 1858.
Western art unattributed:
53. Illustration of a Roman Medallion in the Catalogue of the Alessandro Castellani Sale of 1884.
Letter
Hampstead Arts Centre
12/1965 | 753 | 107
Pages: 633
related names
Author:
Bury, Shirley (Bury, Shirley)
Author:
Christopherson, John (Christopherson, John)
Author:
Gabriel, Caroline (Gabriel, Caroline)
Author:
Gay, Bernard (Gay, Bernard)
Author:
Jackson, Jeannette (Jackson, Jeannette)
Author:
Laws, Frederick (Laws, Frederick)
Author:
Papworth, Jean (Papworth, Jean)
Author:
Schwarz, Hans (Schwarz, Hans)
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dates:
places:
subjects:
Short Notice
The Prince Consort and the Royal Plate Collections
08/1962 | 713 | 104
Pages: 352-355
related names
Author:
Bury, Shirley (Bury, Shirley)
Subjects
collectors and dealers:
dates:
museums and institutions:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
39. Silver Candelabrum Set with Cairngorms and Stag's Horn. Made by Elkington & Co. Designed by Emile Jeannest. c.1855-7. (Balmoral Castle.) Reproduced by Gracious Permission of H.M. The Queen.
Attributed works:
40. Lady Godiva. Statuette in Silver, Parcel-Gilt, with a Gilt Bronze and Enamelled Stand. Made by Elkington & Co. Designed by Emile Jeannest. The Front of the Stand is Inscribed 'Given by The Queen to The Prince Consort Aug.26th 1857'. (Windsor Castle.) Reproduced by Gracious Permission of H.M. The Queen.
Attributed works:
41. The 'Alhambra' Table Fountain. Silver, Parcel-Gilt, the 'Shrine' Enamelled. London Hallmark for 1852-3. Maker's Mark of Robert Garrard. Designed by Edward Lorenzo Percy; Horses by Edmund Cotterill. (Buckingham Palace.) Reproduced by Gracious Permission of H.M. The Queen.
Attributed works:
42. Gilt Centrepiece. London Hallmark for 1842-3. Maker's Mark of Robert Garrard. Dogs Modelled by Edmund Cotterill. (Buckingham Palace.) Reproduced by Gracious Permission of H.M. The Queen.