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28 articles
Article
The decoration of the ballroom wing at Buckingham Palace, 1850–56
04/2024 | 1453 | 166
Pages: 368–379
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Author:
Rumley, Peter T.J. (Rumley, Peter T.J.)
Subjects
artists:
Moxon, Charles (1808–1890) / Gruner, Ludwig / Consoni, Nicola (1814–1884) / Blore, Edward / Cubitt, Thomas / Pennethorne, James
buildings:
Buckingham Palace, London, Great Britain
dates:
1850-1859
patrons:
Albert, Prince Consort of Victoria / Victoria, Queen of Great Britain, 1819-1901
subjects:
British art / British architecture / Interiors / Conservation / Victorian art
Illustrations
Attributed works:
1. Detail of Fig.10, showing the archivolt and throne dais in the ballroom, Buckingham Palace.
Attributed works:
10. The Ballroom, Buckingham Palace, 17th June 1856, by Louis Haghe. 1856. Pencil, watercolour and bodycolour on paper, 31.7 by 47.7 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
11. Part of the frieze in the Promenade Gallery (now West Gallery), Buckingham Palace, London, by Nicola Consoni. 1852. Oil on canvas. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
12 and 13. Paintings by Nicola Consoni in the Promenade Gallery, Buckingham Palace, London, by Robert Howlett. 1856. Albumen prints, 10.2 by 5.6 cm and 10.5 by 5.5 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
15. Urn of flowers, by Charles Moxon. Oil on canvas. (Promenade Gallery, now West Gallery, Buckingham Palace, London; photograph the author).
Attributed works:
16. The Promenade Gallery, Buckingham Palace, by Hills and Saunders. 1873. Albumen print, 16 by 20.5 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
17. The children’s fancy ball at Buckingham Palace, 7th April 1859, by Eugenio Agneni. 1859. Pencil and watercolour on paper, 31 by 45 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
18. The ballroom at Buckingham Palace, London, arranged for a banquet. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
19. The Approach Gallery, Buckingham Palace, by Hills and Saunders. 1873. Albumen print, 14.7 by 20.5 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
2. Detail of a plan of the south-west wing of Buckingham Palace, London, showing the Ball and Concert Room, Ball Supper Room, Promenade Gallery and Approach Gallery, by James Pennethorne. 1852. (National Archives, London, work 34/371).
Attributed works:
4. Design for the new ballroom at Buckingham Palace, London, by James Pennethorne. 1852. Pen and ink on paper. (Royal Library, Windsor Castle; © His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
5. Elevations of the front and side of the organ in the ballroom, Buckingham Palace, London, by James Pennethorne. c.1852. Pen and ink with watercolour, over pencil, 43.8 by 61.1 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
6. Organ in the ballroom, Buckingham Palace, London, designed by Henry Cephas Lincoln. 1818–55. Painted and gilded maplewood and gilt metal. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
7. Charles Moxon, by William Quiller Orchardson. 1875. Oil on canvas, 116.8 by 83.8 cm. (Tate).
Attributed works:
8. First hour of the night, by Michelangelo Maestri. c.1800. Watercolour and gouache over engraved outline on card, 44.5 by 34 cm. (Private collection).
Attributed works:
9. Parnassus, by Raphael. 1511. Fresco, width 6.7 m. (Stanze della Segnatura, Apostolic Palace, Vatican).
Western art unattributed:
14. Decoration in the Promenade Gallery, now the East Gallery, Buckingham Palace, London, revealed during redecoration in 1981. (Photograph Louis Randall).
Western art unattributed:
3. Detail of The Scala Regia, Vatican, Rome. 1870. Engraving. (Liszt Collection; Bridgeman Images).
Article
Prince Albert, architect: the Duchess of Kent’s mausoleum
08/2023 | 1445 | 165
Pages: 842–851
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Author:
Hall, Michael (Hall, Michael)
Subjects
artists:
Gruner, Ludwig / Humbert, Albert Jenkins / Frankl, Albrecht / Muller, Anton
artists:
Theed the Younger, William (1804-1891)
dates:
1860-1869
patrons:
Albert, Prince Consort of Victoria / Victoria, Queen of Great Britain, 1819-1901
places:
Frogmore, Home Park, Windsor
subjects:
Victoria, Duchess of Kent (1786–1861) / Mausoleums / British architecture / Sculpture / Temples / Sarcophagi / Architects / Buildings
Illustrations
Attributed works:
1. The Duchess of Kent’s mausoleum, Frogmore, by George Washington Wilson. c.1876. Albumen print, 24 by 16.8 cm. (detail). (© His Majesty King Charles III 2023; Royal Collection Trust).
Attributed works:
10. Detail of the interior of the Duchess of Kent’s mausoleum, Frogmore, showing a cherub’s head carved by William Theed the Younger. (Photograph the author).
Attributed works:
2. The ducal mausoleum at Coburg, by T.J.L. Rothbarth. 1860. Watercolour on paper, 31.2 by 46.8 cm. (© His Majesty King Charles III 2023Royal Collection Trust).
Attributed works:
3. The Duchess of Kent’s mausoleum, seen from below, by William Leighton Leitch. Watercolour on paper, 12 by 17.5 cm. (© His Majesty King Charles III 2023; Royal Collection Trust).
Attributed works:
4. Frogmore House from across the lake, by J.G.P. Fischer. 1847. Watercolour on paper, 40 by 52 cm. (© His Majesty King Charles III 2023; Royal Collection Trust).
Attributed works:
5. The Pelham Mausoleum, Brocklesby, Lincolnshire, by James Wyatt. 1787–92. (English Heritage Archive; photograph Janet Tierney).
Attributed works:
6. Interior of the Pelham Mausoleum, Brocklesby, Lincolnshire, by J.M.W. Turner. c.1810. Graphite and watercolour on paper, 64 by 49 cm. (Tate Britain, London, Turner Bequest CXCV 130).
Attributed works:
7. Detail of the bronze doors of the Duchess of Kent’s mausoleum, Frogmore, showing palm branch decoration designed by Prince Albert. (Photograph the author).
Attributed works:
8. The entrance to the burial chamber of the Duchess of Kent, Frogmore, by William Corden. 1861. Watercolour on paper, 24.9 by 17.8 cm. (© His Majesty King Charles III 2023; Royal Collection Trust).
Attributed works:
9. The interior of the Duchess of Kent’s mausoleum, Frogmore, by Gabriele Carelli. 1880. Graphite and watercolour on paper, 40.5 by 33 cm. (© His Majesty King Charles III 2023; Royal Collection Trust).
Article
The Photography Centre at the Victoria and Albert Museum, London
05/2023 | 1442 | 165
Pages: 536-543
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Author:
Stein, Lisa (Stein, Lisa)
Subjects
museums and institutions:
Victoria and Albert Museum, London, Great Britain / National Science and Media Museum, Bradford, Great Britain / Royal Photographic Society, Bristol, Great Britain
museums and institutions:
Photography Centre, Victoria and Albert Museum, London, Great Britain
patrons:
Cole, Henry, 1808-1882 / Albert, Prince Consort of Victoria
subjects:
Museums / Collections, Public / Collections / Displays / Photography / Digital technology / Archives / Camera obscuras / women photographers / Daguerreotypes
Illustrations
Attributed works:
1. The display of cameras at the entrance to the Photography Centre at the Victoria and Albert Museum, London, in 2018. (Courtesy David Kohn Architects, London; photograph Will Pryce).
Attributed works:
10. Devotion, by Julia Margaret Cameron. 1865. Albumen print from wet collodion glass negative, 22.8 by 27.9 cm. (Victoria and Albert Museum, London, inv. no.45154).
Attributed works:
2. The Sir Elton John and David Furnish Gallery at the Victoria and Albert Museum, London, in 2018. (Courtesy David Kohn Architects, London; photograph Will Pryce).
Attributed works:
3. Architectural rendering of the Kusama Gallery (Room 98) in the Photography Centre at the Victoria and Albert Museum, London, designed by Gibson Thornley Architects (© Schmidt Massie).
Attributed works:
4. Architectural rendering of the Parasol Foundation Gallery (Room 97) in the Photography Centre at the Victoria and Albert Museum, London. (© Gibson Thornley Architects).
Attributed works:
5. Self-portrait as walking woman with bag, 1979 Lima, Peru 2019 Los Angeles, CA, from the series 1979 contact negatives, by Tarrah Krajnak. 2019, printed in 2022. Cyanotype, 60.8 by 50.5 cm. (© Tarrah Krajnak; Victoria and Albert Museum, London; inv. no.PH.139-2023).
Attributed works:
6. Untitled, from the Black Balloon Archive, by Liz Johnson Artur. Chromogenic print, 50.8 by 61 cm. (© Liz Johnson Artur; Victoria and Albert Museum, London, inv. no.PH.1209).
Attributed works:
7. The Exhibition of the Photographic Society of London and the Société Française de Photographie at the South Kensington Museum, by Charles Thurston Thompson. 1858. Albumen print from wet collodion negative, 29 by 33.3 cm. (Victoria and Albert Museum, London, inv. no.2715-1913).
Attributed works:
8. Raphael Cartoon, The conversion of the proconsul also known as The blinding of Elymas, by Raphael, c.1515–16, by Charles Thurston Thompson. 1858. Scan from a glass plate negative, 91.4 by 91.4 cm. (Victoria and Albert Museum, London, inv. no.E.644-2017).
Attributed works:
9. Ancient ruins in the Canon de Chelle, New Mexico, by Timothy O’Sullivan. 1873. Albumen print, 20.1 by 27.3 cm. (Victoria and Albert Museum, London, inv. no.PH.242-1979).
Article
The Chamber Floor of the Royal Pavilion, Brighton, 1815–45
10/2022 | 1435 | 164
Pages: 986-999
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Author:
Conrad, Stephen (Conrad, Stephen)
Subjects
artists:
Nash, John, 1752-1835 / Crace and Son, London, Great Britain
buildings:
Royal Pavilion, Brighton, Great Britain
patrons:
George IV, King of Great Britain, 1762-1830 / Victoria, Queen of Great Britain, 1819-1901 / Albert, Prince Consort of Victoria
styles:
Chinoiserie
subjects:
British architecture / Interiors / Bedrooms / Furniture / Wallpaper / Cross sections / Royalty
Illustrations
Attributed works:
1. The Staircase at the North End of the Long Gallery, by John Nash. 1823. Aquatint. (From J. Nash: Views of the Royal Pavilion, Brighton, London 1826).
Attributed works:
10. Detail of Fig.4, showing rooms that were modified for use by Queen Victoria and her children.
Attributed works:
11. Bedroom used by the Duke of Clarence, Chamber Floor, Royal Pavilion, Brighton.
Attributed works:
12. Fragment of blue flowered wallpaper from the Prince Regent’s original Bedroom. Wallpaper with overlaid additions, 40.7 by 55.9 cm. (Royal Pavilion, Brighton; R6013/2; photograph Alexandra Loske).
Attributed works:
13. Bedroom used by the Duke of York, Chamber Floor, Royal Pavilion, Brighton.
Attributed works:
2. Detail of Longitudinal section of the Pavilion, by John Nash. 1823. From left to right the ground floor rooms are the Banqueting Room Gallery, the Saloon and the Music Room Gallery. Aquatint (From J. Nash: Views of the Royal Pavilion, Brighton, London 1826).
Attributed works:
3. Plan of the Chamber Floor, Royal Pavilion, Brighton. Before 1842. North is on the left. (Royal Collection; RCIN 918963)
Attributed works:
4. Plan of the Chamber Floor, Royal Pavilion, Brighton (Good 18), by Joseph Good. c.1832. North is at the top. Pen and ink on paper, 53.5 by 173.5 cm. (Royal Pavilion, Brighton, Archive; RG000308).
Attributed works:
5. Queen Victoria’s Bedroom before the reinstatement of the original Chinese wallpaper, Chamber Floor, Royal Pavilion, Brighton.
Attributed works:
6. Detail of Fig.4, showing some of the rooms used by Queen Victoria.
Attributed works:
8. The Double Lobby or Gallery (South) above the Corridor, by John Nash. 1823. Aquatint. (From J. Nash: Views of the Royal Pavilion, Brighton, London 1826).
Attributed works:
9. Detail of Fig.4, showing the rooms that were planned for use by the Duchess of Kent and her entourage.
Exhibition Review
Raphael: Prince Albert’s Passion
01/2021 | 1414 | 163
Pages: 64-67
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Reviewer:
Hall, Michael (Hall, Michael)
Subjects
artists:
Raphael / and / followers of
collectors and dealers:
Victoria, Queen of Great Britain, 1819-1901 / Albert, Prince Consort of Victoria
dates:
2020-2030
media:
Drawings / Prints / Photographs / Cartoons (working drawings) / Tapestries
museums and institutions:
The Lightbox, Woking, Great Britain
subjects:
Royal Collection, (Great Britain) / Collections, Private / Reproductions / Copies
Reviewed Items
subjects:
Raphael: Prince Albert’s Passion The Lightbox, Woking 3rd October 2020– 31st January 2021 | :
Illustrations
Attributed works:
10. Conversion of the proconsul, by Raphael. c.1514. Metalpoint, brown wash, white heightening and later pen and ink over stylus lines, pin-pointing and black-chalk underdrawing on paper, 26.9 by 35.4 cm. (Royal Collection Trust; © HM Queen Elizabeth II 2021; exh. The Lightbox, Woking).
Attributed works:
11. Nude study, after Raphael, by Queen Victoria. 1860. Pen, ink and pencil on paper, 17.7 by 11.1 cm. (Royal Collection Trust; © HM Queen Elizabeth II 2021; exh. The Lightbox, Woking).
Attributed works:
12. Three men, after Raphael. c.1853–60. Albumen print, 22.9 by 15.6 cm. (Royal Collection Trust; © HM Queen Elizabeth II 2021; exh. The Lightbox, Woking).
Attributed works:
13. Colonna Madonna, after Raphael. c.1848–58. Berlin porcelain plaque in gilt-wood frame, 74.2 by 58.3 (plaque), 133.8 by 86.8 (frame). (Royal Collection Trust; © HM Queen Elizabeth II 2021; exh. The Lightbox, Woking).
Article
Henry de Triqueti’s ‘Vase of dreams’
11/2019 | 1400 | 161
Pages: 924-933
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Author:
Dagorne, Richard (Dagorne, Richard)
Author:
Robinson, Alicia (Robinson, Alicia)
Subjects
artists:
Triqueti, Henri-Joseph-François / Carrier-Belleuse, Albert Ernest
dates:
1860-1869
media:
Vases / Ivory / Bronzes
museums and institutions:
Victoria and Albert Museum, London, Great Britain / Bethnal Green Museum, London, Great Britain
styles:
British art
subjects:
Iconography / Carvings / Allegory / Dreams / Albert, Prince Consort of Victoria / Victoria, Queen of Great Britain, 1819-1901 / Layard, Austen Henry, Sir, 1817-1894 / Neo-classicism / Renaissance art / Deaccessioning / Destruction
Illustrations
Attributed works:
1. The Albert Memorial Chapel, Windsor Castle, Berkshire, by George Washington Wilson. Albumen photographic print, 33.9 by 46.1 cm (Royal Collection Trust; © Her Majesty Queen Elizabeth II 2019).
Attributed works:
10. Ice bucket, designed by Jules Klagmann and executed by Jean- Valentin Morel and Henri Duponchel. c.1844. Cast and engraved silver, 38.5 by 29.5 cm. (Musée du Louvre, Paris; © RMN-Grand Palais).
Attributed works:
11. Vase of creation, by Antoine Vechte. 1848–61. Repoussé silver, 93 by 38 cm. (Musée du Louvre, Paris; © RMN-Grand Palais).
Attributed works:
12. Preparatory model for the young man’s dreams from the Vase of dreams, by Henry de Triqueti. c.1860. Patinated plaster, 28.5 by 32.5 cm. (Musée Girodet, Montargis).
Attributed works:
13. Vase, by Albert Carrier-Belleuse. Minton & Co., 1862. Bone china, painted and gilded, height 95.5 cm. (Victoria and Albert Museum, London).
Attributed works:
14. Vase and tripod, designed by Constant Sevin and made by Ferdinand Barbedienne. 1862. Gilt bronze and champlevé enamel, height 78.7 cm. (Victoria and Albert Museum, London).
Attributed works:
15. Vase of the vintage, by Henry de Triqueti. 1839–44. Patinated bronze, height 108 cm. (Musée des arts décoratifs, Paris).
Attributed works:
16. Mother of Moses, by Henry de Triqueti. 1852. Terracotta, 21 by 35 cm. (Musée des Beaux-Arts, Orléans).
Attributed works:
17. Laura and Petrarch at the Fontaine de Vaucluse, by Henry de Triqueti. 1836. Lithographic stone, 20 by 30 cm. (Private collection).
Attributed works:
18. Laura and Petrarch, by Henry de Triqueti. 1836. Plaster, diameter 31.4 cm. (Musée Girodet, Montargis).
Attributed works:
19. Dante presented to Homer by Virgil, by Henry de Triqueti. 1836. Plaster, diameter 31 cm. (Musée Girodet, Montargis).
Attributed works:
2. Vase of dreams, by Henry de Triqueti. 1860. Chromolithograph, from J.B. Waring: Masterpieces of Industrial Art and Sculpture at the International Exhibition, London 1863. (Bridgeman Images).
Attributed works:
3. Sappho and Cupid, by Henry de Triqueti. c.1851. Ivory, height 64 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II 2019).
Attributed works:
8. Preparatory drawing for the Vase of dreams, by Henry de Triqueti. c.1860. Pen and brown ink, 13 by 44.8 cm. (Ecole nationale supérieure des beaux-arts, Paris).
Attributed works:
9. Preparatory drawing for the Vase of dreams, by Henry de Triqueti. c.1860. Pencil, pen and black ink, with white chalk, 13 by 44.8 cm. (Ecole nationale supérieure des beaux-arts, Paris).
Attributed works:
Below left 4. Detail of the Vase of dreams, by Henry de Triqueti, showing the maiden’s dreams. Photograph. (© Victoria and Albert Museum, London).
Attributed works:
Below right 5. Detail of the Vase of dreams, by Henry de Triqueti, showing the young man’s dreams. Photograph. (© Victoria and Albert Museum, London).
Attributed works:
Bottom left 6. Detail of the Vase of dreams, by Henry de Triqueti, showing the man of productive labour’s dreams. Photograph. (© Victoria and Albert Museum, London).
Attributed works:
Bottom right 7. Detail of the Vase of dreams, by Henry de Triqueti, showing the man of intelligence’s dreams. Photograph. (© Victoria and Albert Museum, London).
Book Review
Victorian Miniatures in the Collection of Her Majesty The Queen
06/2012 | 1311 | 154
Pages: 429-430
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related names
Reviewer:
Olausson, Magnus (Olausson, Magnus)
Subjects
collectors and dealers:
Albert, Prince Consort of Victoria / Victoria, Queen of Great Britain, 1819-1901 / Elizabeth II, Queen of Great Britain, 1926-2022
print:
Miniatures (paintings)
subjects:
Collections, Private / Miniatures (paintings) / Paintings / Victorian / British / English / Catalogues
Reviewed Items
subjects:
Victorian Miniatures in the Collection of Her Majesty The Queen | author: Remington, Vanessa
Exhibition Review
Victoria and Albert. London
07/2010 | 1288 | 152
Pages: 485-486
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related names
Reviewer:
Baker, Christopher (Baker, Christopher)
Subjects
dates:
2010-2019
museums and institutions:
Queen's Gallery, Buckingham Palace, London, Great Britain
patrons:
Albert, Prince Consort of Victoria / Victoria, Queen of Great Britain, 1819-1901
places:
London / England
print:
Albert, Prince Consort of Victoria
print:
Victoria, Queen of Great Britain, 1819-1901
print:
Collecting
subjects:
Reviews / Exhibitions / Collecting / Taste (aesthetics) / Commissions / Collectors
subjects:
Royal Collection, (Great Britain)
Reviewed Items
subjects:
Victoria & Albert, Art & Love | institution: Queen's Gallery, Buckingham Palace
Illustrations
Attributed works:
37. The Alhambra table fountain, by R. & S. Garrard & Co. (goldsmiths); Edward Lorenzo Percy, Edmund Cotterill and William Spencer (modellers). 1853. Silver, partly gilt and enamel, 112 by 82 by 82 cm. (The Royal Collection; exh. The Queen’s Gallery, London).
Attributed works:
38. The Madonna of Humility with angels, attributed to Zanobi Strozzi. c.1440–50. Tempera and tooled gold on panel, 87.4 by 49.5 cm. (The Royal Collection; exh. The Queen’s Gallery, London).
Attributed works:
39. Albert, Prince Consort, by Baron Carlo Marochetti. c.1865. Bronze, 19 by 78 by 39 cm. (The Royal Collection; exh. The Queen’s Gallery, London).
Article
‘The gem of the Palace’: Queen Victoria’s Audience Room at Windsor Castle
12/2009 | 1281 | 151
Pages: 824-829
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Author:
Roberts, Hugh (Roberts, Hugh)
Subjects
artists:
Thomas, John
buildings:
Windsor Castle, Windsor, Great Britain
patrons:
Victoria, Queen of Great Britain, 1819-1901
patrons:
Albert, Prince Consort of Victoria
places:
Windsor / England
print:
Windsor Castle, Windsor, Great Britain
subjects:
Interiors / Interior views / Interior design / Interior spaces
Illustrations
Attributed works:
11. Realised design for the Queen’s Audience Room, Windsor Castle, by John Thomas. 1861. Watercolour, 39.7 by 29.3 cm. (Royal Collection, RCIN 919808).
Attributed works:
12. The Queen’s Audience Room looking north, by A.-A.-E. Disdéri. 1867. Photograph, 22.6 by 28.1 cm. (Royal Collection, RCIN 2100100).
Attributed works:
13. The Queen’s Audience Room, by Joseph Nash. 1845. Watercolour, 29.6 by 35.4 cm. (Royal Collection, RCIN 919807).
Attributed works:
14. The Queen’s Audience Room, elevation of east wall (preliminary design), by John Thomas. Signed and dated 2nd August 1860. Pen and watercolour, 51.3 by 67.3 cm. (Royal Collection, RCIN 740188a).
Attributed works:
15. The Queen’s Audience Room, design for curtains and pelmet, by John Thomas. c.August 1860. Pencil, 54 by 72.7 cm. (Royal Collection, RCIN 740188f).
Attributed works:
16. The Queen’s Audience Room, design for chimney­piece, grate, fender and candle-brackets, by John Thomas(?). August 1860? Pencil and wash, 42 by 38.5 cm. (Library Drawings and Archives Collections, Royal Institute of British Architects, London).
Western art unattributed:
17. The Queen’s Audience Room, east door, detail of porcelain plaques painted with Poetry and Jurisprudence after Raphael (Windsor Castle).
Western art unattributed:
18. The Queen’s Audience Room, porcelain plaque painted with the insignia of the Order of the Garter (Windsor Castle).
Western art unattributed:
19. The Queen’s Audience Room, north door, inset with porcelain plaques painted with the armorials of Queen Victoria and Prince Albert (Windsor Castle).
Western art unattributed:
20. The Queen’s Audience Room, glazed giltwood frame containing twenty-two enamel miniatures of the Stuart dynasty (Windsor Castle)
Short Notice
Eduard Joseph d'Alton and the Origin of Prince Albert's Collection
08/1987 | 1013 | 129
Pages: 532-538
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related names
Author:
Rose, Margaret A. (Rose, Margaret A.; Rose, Margaret)
Subjects
artists:
Alton, Eduard Joseph d'
collectors and dealers:
Albert, Prince Consort of Victoria
collectors and dealers:
Alton, Eduard Joseph d'
dates:
1800-1899
places:
England / London
subjects:
Royal Collection, (Great Britain)
subjects:
Collections, Private / Documents / Royalty
subjects:
Pander, Heinz Christian
Illustrations
Attributed works:
61. Self-Portrait, by Eduard d'Alton. Engraving.
Attributed works:
62. Engravings of the Skeleton of a Horse (After Stubbs), from Part II of d'Alton's Natural History of the Horse (Bonn, 1816). (British Library).
Attributed works:
63. Engraving for d'Alton and Christian Pander's 'Die Skelete der Pachydermata' of 1821.
Attributed works:
64. Engraving for d'Alton and Christian Pander's 'Die Skelete der Pachydermata' of 1821.
Attributed works:
65. Philosophy, by Jacob Goetzenberger. Fresco in the Old Aula of the University of Bonn. (Destroyed; Photo Rheinisches Bildarchiv, Cologne).
Attributed works:
66. Head of St John the Baptist, Attributed by d'Alton to Sir Anthony van Dyck. 50.2 by 41 cm. (Royal Collection; Reproduced by Gracious Permission of Her Majesty the Queen).
Attributed works:
67. Astrologer Sitting, Attributed by d'Alton to Rembrandt, Redesignated 'A Philosopher' by Anon, by Christopher White. 67.3 by 52.1 cm. (Royal Collection; Reproduced by Gracious Permission of Her Majesty the Queen).
Attributed works:
68. Portrait of Rembrandt's Mother, Attributed by d'Alton to A. G. van den Eeckhout, Reattributed by Christopher White to Abraham van Dyck. Oil on Wood, 34 by 25.7 cm. (Royal Collection; Reproduced by Gracious Permission of Her Majesty the Queen).
Attributed works:
69. The Triumph of Paracelsus, Studio of Rubens, Retitled The Family Olden-Barnveld by d'Alton. c.162.5 by 218.5 cm. (Royal Collection; Reproduced by Gracious Permission of Her Majesty the Queen).
Western art unattributed:
70. Venus and Cupid, after Michelangelo. Oil on Panel, 128.6 by 198.1 by 2.9 cm. (Royal Collection; Reproduced by Gracious Permission of Her Majesty the Queen).
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