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5 articles
Article
Adam Silver Reassessed
01/1997 | 1126 | 139
Pages: 17-25
related names
Author:
Snodin, Michael (Snodin, Michael)
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subjects:
Illustrations
Attributed works:
26. Detail from an Engraving Showing the Sideboard at Kenwood House, Designed 1767-69. Engraving by P. Begbie after Robert Adam, from The Works in Architecture of Robert and James Adam, Vol. I, 1773. (Victoria and Albert Museum, London).
Attributed works:
27. Design for the Sideboard at Kedleston Hall, by an Adam Office Hand after Robert Adam. 1762. Pen and Wash, 45 by 60.3 cm. (The National Trust, Kedleston Hall).
Attributed works:
28. Design for a Ewer, by Jacques Androuet Ducerceau. c.1550. Etching, 12.6 by 6.5 cm. (Victoria and Albert Museum, London).
Attributed works:
29. Record Drawing of Metalwork at Kedleston Hall, by an Adam Office Hand. c.1759-62. Pen and Pencil, 29.1 by 40.8cm. (Sir John Soane's Museum, London).
Attributed works:
30. Design for a Silver Sauceboat for Kedleston Hall, by Robert Adam. c.1759-62. Pen and Pencil, 18.5 by 28.6 cm. (Sir John Soane's Museum, London).
Attributed works:
31. Design for the First Version of the Richmond Race Cup, by Robert Adam. c.1763. Pen and Pencil, 44.6 by 21.2cm. (Sir John Soane's Museum, London).
Attributed works:
32. Design for a Vase, by Jacques Stella. 1667. Engraving, 27.7 by 20.3 cm. (Victoria and Albert Museum, London).
Attributed works:
33. Ewer, by Enea Vico. 1543. Engraving, 26.2 by 19 cm. (Victoria and Albert Museum, London).
Attributed works:
34. Design for the Richmond Race Cup, as Executed, by Robert Adam. c.1763. Pen and Pencil, 46.5 by 37.6cm. (Sir John Soane's Museum, London).
Attributed works:
35. Design for a Gold Cup for Colonel Pelham, by John Vardy after William Kent. Etching, 22.6 by 16.9 cm. From J. Vardy: Some Designs of Mr Inigo Jones and Mr William Kent, London [1744].
Attributed works:
36. Design for a Silver-Gilt Cup and Cover for General Francis Lascelles, by James Adam (Or Adam Office). 1764. Pen and Wash, 51.9 by 41 cm. (Sir John Soane's Museum, London).
Attributed works:
37. Design for a Silver-Gilt Candlestick, by an Adam Office Hand after Robert Adam. c.1766. Pen and Wash, 52.6 by 36 cm. (Sir John Soane's Museum, London).
Attributed works:
38. Design for a Silver Wine Cooler for the Earl of Bute, by Robert Adam. c.1761-63. Pen and Wash, 35.2 by 51.1 cm. (Sir John Soane's Museum, London).
Attributed works:
39. Design for a Silver Soup Tureen, by Robert Adam. Probably Late 1750s. Pen and Pencil, 20.1 by 31.9 cm. (Sir John Soane's Museum, London).
Attributed works:
40. Design for a Silver Candlestick for the Duke of Roxburgh, by Robert Adam. August 1775. Pen and Pencil, 40.6 by 25.8 cm. (Sir John Soane's Museum, London).
Attributed works:
41. Design for a Silver Candlestick and Two Cups and Covers for the Duke of Roxburgh, by an Adam Office Hand after Robert Adam. Probably 1775. 44.4 by 59.4 cm. (Sir John Soane's Museum, London).
Attributed works:
42. Sketch Design for a Silver Candlestick, Probably for the Duke of Roxburgh, by Robert Adam. c.1775. Pencil, 21.5 by 16.6 cm. (Sir John Soane's Museum, London).
Attributed works:
43. Set of Candlesticks. Mark of Thomas Heming, London Hallmarks for 1776-67. Silver, 35 cm. High (London Art Market, 1973).
Short Notice
Admiral Keppel's 'Freedom Box' from the City of London
06/1993 | 1083 | 135
Pages: 403-410
related names
Author:
Murdoch, Tessa (Murdoch, Tessa)
Author:
Snodin, Michael (Snodin, Michael)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
32. The Lid of Fig. 33, Showing the City of London Crowning Keppel with a Laurel Wreath Flanked by Figures of Justice and Fame. (Museum of London).
Attributed works:
33. Freedom Box Presented to Admiral Keppel by the Corporation of London, 1779. Enamelled Gold on a Wooden Carcase, 15.8 cm. Long, 9.3 cm. Wide, 6.8 cm. High. (Museum of London).
Attributed works:
34. Back Panel of Fig. 33, Showing Truth and Scrutiny and Honour Placing a Herald's Cap on Military Virtue. (Museum of London).
Attributed works:
35. Design for the Back Panel, by John Bacon. Pen and Ink and Wash, 6.3 by 15 cm. (Victoria and Albert Museum, London).
Attributed works:
36. Design for the Left-Hand End Panel, Showing the British Triton Advancing and the French Triton Being Allowed to Escape under the Mantle of Night, by John Bacon. Pen and Ink and Wash, 6.3 by 8.8 cm. (Victoria and Albert Museum, London).
Attributed works:
37. Design for the Right-Hand End Panel, Showing Mercury with a Money Bag Crossing the Sea Protected by a British Triton, by John Bacon. Pen and Ink and Wash, 6.3 by 8.8 cm. (Victoria and Albert Museum, London).
Attributed works:
38. Design for the Front Panel, Showing the Arms, Supporters and Regalia of the City of London, by John Bacon. Pen, Ink and Wash, 6.3 by 15 cm. (Victoria and Albert Museum, London).
Attributed works:
39. Design for the Bottom Panel, with an Inscription Tablet in the Centre, by John Bacon. Pen, Ink and Wash, 8.7 by 15 cm. (Victoria and Albert Museum, London).
Attributed works:
40. Design for the Top of the Box, Showing the City, Supported by Justice, Presenting the Freedom to Keppel Flanked by Mars and Neptune, by John Bacon. Pen, Ink and Wash, 8.7 by 15cm. (Victoria and Albert Museum, London).
Attributed works:
41. Design for Admiral Keppel's Freedom Box, by Robert Adam. c.1779. Pencil, Pen, and Wash, 30 by 15.9cm. (Sir John Soane's Museum, London).
Attributed works:
42. Title Page of the Description of the Freedom Box, London, Incorporating John Bacon's Design for the Top of the Box. 1779. (Museum of London).
Attributed works:
43. Engraving by J. Collyer after William Charron Showing the Top of the Box as Executed, from the Description of the Freedom Box, 1779. (Museum of London).
Western art unattributed:
44. Binding of the Description of the Freedom Box. Red Morocco Tooled with Gold, 32.7 by 25 cm. (Museum of London).
Article
William Beckford's Silver II
12/1980 | 933 | 122
Pages: 820-831+833-834
related names
Author:
Baker, Malcolm (Baker, Malcolm)
Author:
Snodin, Michael (Snodin, Michael)
Subjects
artists:
artists:
artists:
artists:
collectors and dealers:
collectors and dealers:
dates:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
16. Jug. Maker's Mark of Philip Rundell. London, 1823-24. Silver, with an Ivory Handle and Knob. (National Trust for Scotland, Brodick Castle).
Attributed works:
17. Salt Cellar. Maker's Mark of J. H. W. London 1843-44. Silver-Gilt. Inscribed 'Short Fecit Bristol'. (National Trust for Scotland, Brodick Castle).
Attributed works:
18. Detail of a Page from Gregorio Franchi's Accounts, Showing Those for John Cuttel (1817) and James Aldridge (1818). (From the Beckford Papers, Formerly in the Possession of the Duke of Hamilton).
Attributed works:
19. Pair of Scent of Flasks. Maker's Mark of James Aldridge. London 1820-21. Glass in Gold and Agate Mounts. (National Trust for Scotland, Brodick Castle).
Article
William Beckford's Silver I
11/1980 | 932 | 122
Pages: 734-748
related names
Author:
Baker, Malcolm (Baker, Malcolm)
Author:
Snodin, Michael (Snodin, Michael)
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
artists:
collectors and dealers:
collectors and dealers:
dates:
places:
places:
subjects:
Illustrations
Attributed works:
12. Candlestick. Maker's Mark of John Schofield. London 1781-82. Silver. (National Trust for Scotland, Brodick Castle).
Attributed works:
13. Bowl. Maker's Mark of John Schofield. London 1796-97. Silver-Gilt. (Royal Scottish Museum).
Attributed works:
15. Ewer and Basin, Designed by Jean Guillaume Moitte. Maker's Mark of Henri Auguste. Paris, 1787. Inscribed: H Auguste F Paris 14 Avril 1802. Silver-Gilt. (Present Whereabouts Unknown).
Attributed works:
16. 'A Groupe of the Rarest Articles of Virtu'. W. Hughes after T. Higham. Woodcut from J. Rutter: Delineations of Fonthill and Its Abbey, London 1823, p.7. The Gold Tazza by Auguste Is on the Extreme Right.
Attributed works:
17. Wall Sconce. Maker's Mark of Paul Storr. London 1804-05. Silver-Gilt. (National Trust for Scotland, Brodick Castle).
Attributed works:
18. The Oratory Lamp. Anonymous Woodcut from J. Rutter, op cit., p.65.
Attributed works:
19. Interior of St Michael's Gallery (Detail). J. Cleghorn and D. Wolstenholme Jnr. after W. Finley. Engraving and Acquatint from J. Rutter, op cit., pl.7.
Attributed works:
20. Wall Sconce. Maker's Mark of William Burwash. London 1818-19. Silver-Gilt. (National Trust for Scotland, Brodick Castle).
Attributed works:
21. King Edward's Gallery, Looking North. J. le Keux after Cattermole, Shaw, etc. Engraving from J. Briton: Graphical and Literary Illustrations of Fonthill Abbey, London 1823, Pl. VIII.
Attributed works:
22. Pair of Candlesticks. Maker's Mark of Paul Storr. London 1800. Silver-Gilt. Inscribed: 'Made for the Abbey at Fonthill by Vulliamy & Son, 1800'. (Private Collection).
Attributed works:
23. Bowl. Maker's Mark of James Aldridge. London 1812-13. Silver-Gilt. (Victoria and Albert Museum).
Attributed works:
24. Tea Pot. Maker's Mark of Paul Storr. London 1812-13. Silver-Gilt. (Royal Scottish Museum, Purchased with the Aid of the National Art-Collections Fund).
Attributed works:
25. Tea Pot. Maker's Mark of John Page. London 1817-18. Silver-Gilt. (Royal Scottish Museum).
Attributed works:
26. Ladle, the Stem after an Engraving by Heinrich Aldegrever, 1539. Maker's Mark of John Robins. London 1812-13. Silver-Gilt. (Royal Scottish Museum).
Attributed works:
27. Sugar Tongs. Unmarked, but Probably by Story and Elliott. c.1812-13. Maker's Mark of John William Story. London 1812-13. Unmarked. All Silver-Gilt. (Royal Scottish Museum, Purchased with the Aid of the National Art-Collections Fund).
Attributed works:
28. Milk Jug. Maker's Mark of Philip Rundell. London 1819-20. Silver-Gilt. (Royal Scottish Museum, Purchased with the Aid of the National Art-Collections Fund).
Attributed works:
29. Sugar Bowl. Maker's Mark of Philip Rundell. London 1819-20. Silver-Gilt. (Royal Scottish Museum, Purchased with the Aid of the National Art-Collections Fund).
Attributed works:
31. Sideboard Dish. Maker's Mark of Samuel Whitford II, the Arms and Centre Plate Marked by William Burwash. London 1814-15. Silver-Gilt. (Victoria and Albert Museum).
Attributed works:
32. Salver. Maker's Mark of William Burwash. London 1817-18. Silver-Gilt. (Private Collection).
Attributed works:
33. Ladle. Maker's Mark of Paul Storr. London 1815-16. Gold, the Finial an Indian Jade Set with Rubies. (National Trust for Scotland, Brodick Castle).
Attributed works:
34. Cup and Cover. Maker's Mark of James Aldridge. London 1815-16. Indian Agate Bowl and Cover and Chalcedony Knops Set with Rubies, All in Silver-Gilt Mounts. (Victoria and Albert Museum).
Attributed works:
36. Circular Arabesque Ornament, by Peter Flötner. Woodcut from the Kunstbuch.
Attributed works:
37. Bowl and Cover. Maker's Mark of John Harris VI. London 1818-19. Agate in Silver-Gilt Mounts. (National Trust for Scotland, Brodick Castle).
Attributed works:
38. Detail of Fig.34.
Attributed works:
39. Design for a Standing Cup of Mounted Hardstone. Probably by Gregorio Franchi, c. 1815. Pen and Ink and Wash. (From the Aldridge Design Book, Victoria and Albert Museum).
Attributed works:
40. Cup and Cover. Maker's Mark of James Aldridge. London 1816-17. Agate in Gold Mounts. (National Trust for Scotland, Brodick Castle).
Attributed works:
41. Teaspoon. Maker's Mark of John Harris VI. London 1820-81. Gold. (National Trust for Scotland, Brodick Castle).
Attributed works:
42. Bowl. Maker's Mark of Paul Storr. London 1816-17. Agate in Silver-Gilt Mounts. (Private Collection, Lent to the National Trust for Scotland, Brodick Castle).
Attributed works:
44. Cream Jug. Maker's Mark of John Robins. London. Famille Rose Porcelain in Silver-Gilt Mounts. (National Trust for Scotland, Brodick Castle).
Attributed works:
45. Cream Jug. Maker's Mark of James Aldridge. London 1817-18. Famille Rose Porcelain in Silver-Gilt Mounts. (National Trust for Scotland, Brodick Castle).
Attributed works:
46. Design for a Mounted Cream Jug. Probably by Gregorio Franchi, c. 1817. Pen and Ink. (From the Aldridge Design Book, Victoria and Albert Museum).
Attributed works:
47. Cream Jug. Maker's Mark of James Aldridge. London 1818-19. Chinese Porcelain in Silver-Gilt Mounts. (National Trust for Scotland, Brodick Castle).
Attributed works:
48. Cream Jug. Maker's Mark of James Aldridge. London 1820-21. Famille Verte Porcelain in Silver-Gilt Mounts. (National Trust for Scotland, Brodick Castle).
Attributed works:
49. Design for a Hardstone Cup in Enamelled Mounts. By Gregorio Franchi, c. 1815-20. Pen and Ink and Wash and Water-Colour. (From the Aldridge Design Book, Victoria and Albert Museum).
Western art unattributed:
14. Toasting Fork. London 1793-94. Gold. (The Duke of Hamilton).
Western art unattributed:
30. Design for a Cup. Anonymous, Nuremberg, c. 1580. Dotted Manner Engraving with Added Pencil Lines. (Victoria and Albert Museum).
Western art unattributed:
35. Cup and Cover. Maker's Mark and Hall-Mark Unrecorded. Lapsis Lazuli Mounted in Silver-Gilt. (From Christie's: Sale Catalogue, 17th to 19th June 1882, p.220).
Western art unattributed:
43. Spoon. No Marks. Carved Agate in Enamelled Gold Mounts. (National Trust for Scotland, Brodick Castle).
Article
The Antiquarian Plate of George IV: A Gloss on E. A. Jones
06/1979 | 915 | 121
Pages: 343-351+353
related names
Author:
Bury, Shirley (Bury, Shirley)
Author:
Snodin, Michael (Snodin, Michael)
Author:
Wedgwood, Alexandra (Wedgwood, Alexandra; Wedgwood, Alexandra Gordon Clark)
Subjects
art literature:
artists:
artists:
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
10. Verrier, from a Set of Twenty-Four. Maker's Mark of John Bridge. London 1826-27. Silver-Gilt. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
11. Pendent-Cross. English, Perhaps by Rundell and Bridge. c.1825. Faceted Amethysts Set in Gold Wire Filigree, Decorated with Applied Stamped Shells. (Victoria and Albert Museum).
Attributed works:
12. Design for a Flagon, Probably for St George's Chapel, Windsor, by A. W. N. Pugin. Signed on the verso J. G. Bridge and Dated 1827. Pen and Ink and Wash. (Victoria and Albert Museum).
Attributed works:
13. Design for an Alter Candlestick, Probably for St George's Chapel, Windsor, by A. W. N. Pugin. 1827. (Victoria and Albert Museum).
Attributed works:
14. Standing Cup, Known as the Coronation Cup. Maker's Mark of John Bridge. London 1826-27. Silver-Gilt, Set with Diamonds and Precious Stones. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
15. Design for a Chalice, Probably for St George's Chapel, Windsor, by A. W. N. Pugin. Signed on the verso J. G. Bridge and Dated 1827. Pen and Ink and Wash. (Victoria and Albert Museum).
Attributed works:
16. Detail of Fig. 14. [Standing Cup, Known as the Coronation Cup. Maker's Mark of John Bridge. London 1826-27. Silver-Gilt, Set with Diamonds and Precious Stones. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.]
Attributed works:
2. Design for the National Cup, after John Flaxman. c.1819. Pencil and Wash Drawing. (Victoria and Albert Museum).
Attributed works:
3. The National Cup. Maker's Mark of John Bridge. London 1824-25. Silver-Gilt, Set with Diamonds and Precious Stones. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
4. Cup and Cover. Maker's Mark of John Bridge. London 1825-26. Silver, with Two-Colour Gilding. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
5. Cup, after a Design by Albrecht Dürer. Maker's Mark of John Bridge. 1826-27. Silver-Gilt, Set with Precious Stones. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
6. Detail of Fig. 5. [Cup, after a Design by Albrecht Dürer. Maker's Mark of John Bridge. 1826-27. Silver-Gilt, Set with Precious Stones. (Royal Collection). Reproduced by Gracious Permission of H. M. the Queen.]
Attributed works:
7. Design for a Cup, with an Alternative Stem, by Albrecht Dürer. c.1500. Pen and Ink. (British Museum).
Attributed works:
8. Bowl. Maker's Mark of Edward Farrell. London 1824-25. Silver-Gilt. Probably from the Collection of The Duke of York. (Private Collection).
Western art unattributed:
9. Bowl. English, Dated 1610. Fruitwood. (From O. Evan-Thomas: Domestic Utensils of Wood, London [1932], pl. 14). (Present Whereabouts Unknown).