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2 articles
Book Review
Matisse–Derain: La Vérité du fauvisme, Matisse–Derain: Collioure 1905, un été fauve, Matisse and the Subject of Modernism
05/2007 | 1250 | 149
Pages: 337-338
related names
Reviewer:
House, John (House, John; H., J.)
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dates:
print:
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Reviewed Items
subjects:
Matisse–Derain: La Vérité du fauvisme, Matisse–Derain: Collioure 1905, un été fauve, Matisse and the Subject of Modernism | author: Ayats, Alain , author: Billard, Alain , author: Flam, Jack , author: Giraudon, Collette , author: Grammont, Claudine , author: Klein, John , author: Labrusse, Rémi , author: Matamoros, Joséphine , author: Munck, Jacqueline , author: Szymusiak, Dominique , author: Wright, Alastair
Illustrations
Attributed works:
36. Drying the sails, by André Derain. 1905. Canvas, 82 by 101 cm. (Pushkin Museum of Fine Arts, Moscow).
Article
André Derain in London (1906-07): letters and a sketchbook
04/2004 | 1213 | 146
Pages: 243-260
related names
Author:
Labrusse, Rémi (Labrusse, Rémi)
Author:
Munck, Jacqueline (Munck, Jacqueline)
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artists:
artists:
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places:
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subjects:
Illustrations
Attributed works:
28. The pool of London, by André Derain. c.1906. 65.5 by 99 cm. (Tate, London).
Attributed works:
29. Portrait of Bartolomeo Savona, by André Derain. 1906. 46 by 35.5 cm. (Barber Institute of Fine Arts, Birmingham).
Attributed works:
30. Palace of Westminster, by André Derain. 1906. 81.5 by 100 cm. (Musee de l'Annonciade, Saint-Tropez).
Attributed works:
31. Big Ben, London, by André Derain. c.1906. 79 by 98 cm. (Levy Gift, Musee d'Art moderne, Troyes).
Attributed works:
32. Hungerford Bridge at Charing Cross, by André Derain. c.1907. 80.3 by 100.3 cm. (National Gallery of Art, Washington).
Attributed works:
33. Waterloo Bridge. Grey weather, by Claude Monet. 1903. 65 by 100 cm. (Ordrupgaard, Copenhagen).
Attributed works:
34. The Thames and Tower Bridge, by André Derain. c.1906-07. 66.5 by 99 cm. (Fridart Foundation, Courtauld Institute of Art, London).
Attributed works:
36. Copy after Titian's Bacchus and Ariadne, by André Derain. Coloured crayons, in London sketchbook. 28 by 21.5 cm. (Private Collection).
Attributed works:
37. Illustrated letter from André Derain to Henri Matisse, March 1906. (Henri Matisse Archives, Paris).
Attributed works:
38. Illustrated letter from André Derain to Maurice de Vlaminck, March 1906. (Musee de Chartres).
Attributed works:
42. Seated nude, head in hand, by André Derain. c.1907. Pencil, in London sketchbook, 28 by 21.5 cm. (Private collection).
Attributed works:
43. Six figures, by André Derain. c.1906. Blue pencil, in London sketchbook, 21.5 by 28 cm. (Private collection).
Attributed works:
44. The dance, by André Derain. c.1906-07. Oil and distemper on canvas, 185 by 228.5 cm. (Fridart Foundation, Courtauld Institute of Art, London).
Attributed works:
45. The red sails, by André Derain. c.1906. 76 by 99 cm. (Private collection, New York).
Attributed works:
46. Blackfriars Bridge, London, by André Derain. c.1907. 80.2 by 99.3 cm. (Glasgow City Art Gallery and Museums).
Attributed works:
47. Study with colour annotations for Blackfriars Bridge, London, by André Derain. c.1907. Pencil and coloured crayons, in London sketchbook, 28 by 43 cm. (Private collection).
Attributed works:
48. Regent Street, by André Derain. c.1907. 66 by 99.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
49. Study for Regent Street, by André Derain. Pencil, in London sketchbook, 28 by 43 cm. (Private collection).
Attributed works:
50. Barges on the Thames (Southwark Bridge), by André Derain. c.1907, 81.3 by 99 cm. (Leeds City Art Galleries).
Attributed works:
51. Letter from Derain to Matisse, 15th March 1906. (Henri Matisse Archives, Paris).
Non-western art unattributed:
39. Maori hut post, New Zealand. c.1850. Wood. (British Museum, London).
Non-western art unattributed:
40. Maori figure, New Zealand. c.1850. Wood. 85 cm high. (British Museum, London).
Non-western art unattributed:
41. Hawaiian mask. Eighteenth century. Wood, 107 cm high. (British Museum, London).
Western art unattributed:
35. Detail of Tower Bridge, London. 1896. Photograph. (Francis Frith Archive).