Medieval Women: In Their
Own Words
British Library, London
25th October 2024–2nd March 2025 |
:
Illustrations
Attributed works:
7. Building the
City of Ladies,
from Livre de la
Cité des Dames,
by Christine
de Pizan.
1410–c.1414. Ink
and pigment
on parchment,
36.5 by 28.5 cm.
(British Library,
London, Harley
MS 4431/2,
f.290r).
Attributed works:
8. Birthing girdle.
England, early
15th century.
Ink and pigment
on two pieces
of parchment
stitched
together, 122 by
8.5 cm. (British
Library, London,
Harley Roll T.11).
Attributed works:
9. Bas-de-page
illustration of
women bringing
in the harvest,
from the
Luttrell Psalter.
Lincolnshire,
1325–40. Ink
and pigment on
parchment, 35 by
24.5 cm. (British
Library, London,
Add MS 42130,
f.172v).
Article
New documents for Vincenzo Foppa and Ludovico Brea in Liguria
1. Madonna and Child enthroned, with saints and the donor Giuliano
Della Rovere (Della Rovere Altarpiece), by Vincenzo Foppa and
Ludovico Brea. 1487–90. Tempera and oil on wood. (Oratory of
S. Maria di Castello, Savona).
Attributed works:
2. Madonna and Child enthroned, with saints and the donor
Manfredo Fornari (Polyptych of the Madonna del Libro), by Vincenzo
Foppa. 1489, Tempera on wood, 210 by 181 cm. (Pinacoteca Civica,
Savona; Bridgeman Images).
Attributed works:
3. Martyrdom of St Sebastian, by Vincenzo Foppa. 1485–90.
Detached fresco on canvas, 265 by 170 cm. (Pinacoteca di Brera,
Milan; courtesy Italian Ministry of Culture; Bridgeman Images).
Attributed works:
4. Madonna and Child enthroned with angels playing music,
by Ludovico Brea. 1510–20. Oil on wood, 110 by 70 cm. (Museo
Poldi Pezzoli, Milan; Photo Scala, Florence).
Attributed works:
5. Detail of Fig.1, showing Giuliano della Rovere as well as some
of the sculpted elements of the polyptych.
Attributed works:
6. St Stephen, by Vincenzo Foppa. 1460–62. Tempera on wood,
89 by 34 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
7. Archangel Michael, by Vincenzo Foppa. 1460–62. Tempera on
wood, 91 by 34 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
8. Detail of Fig.1, showing the Virgin and Child.
Book Review
Michelangelo Merisi da Caravaggio: Documenti, fonti e inventari 1513–1883
Michelangelo Merisi da Caravaggio:
Documenti, fonti e inventari 1513–1883
By Stefania Macioce. 746 pp. (Ugo Bozzi Editore,
Rome, 2023), €100. ISBN 978–88–7003–068–6. |
:
Short Notice
A new document for Luca della Robbia and his Portuguese patron Afonso of Braganza, 1st Marquis of Valença
1. Resurrection, by Luca della Robbia. 1442–45.
Glazed terracotta, 200 by 260 cm. (Florence
Cathedral; Bridgeman Images).
Attributed works:
2. Ascension, by Luca della Robbia. 1446–51.
Glazed terracotta, 200 by 260 cm. (Florence
Cathedral; Bridgeman Images).
Attributed works:
3. Madonna della Misericordia with Sts Peter
and Benedict, by Andrea della Robbia or
follower. c.1490. Glazed terracotta, 260
by 233 cm. (S. Maria in Gradi, Arezzo).
Titian: Sources and Documents
Edited by Charles Hope. Six vols, approx.
3,000 pp. incl. 5 b. & w. ills. (Ad Ilissvm and
The Burlington Press, London, 2023), £500.
ISBN 978–1–912168–23–1. |
:
Gold
British Library, London
20th May–2nd October |
:
Illustrations
Attributed works:
7. Qur’an of
Sultan Uljaytu.
1310–11. Colour
on gold leaf on
parchment,
57 by 40 cm.
(British Library,
London, Or 4945,
fol.1v–2r).
Attributed works:
8. Chapter 8
from the Lotus
Sutra. Japan,
1636. Gold and
silver ink on
indigo-dyed
paper, 27.5 by
57.5 cm. (British
Library, London,
Or 13926).
Attributed works:
9. Detail from
the Carmina
regia (‘Address
of the City
of Prato to
Robert of
Anjou’), showing
Robert of Anjou
enthroned.
Tuscany,
c.1335–40.
Colour and gold
on parchment,
48 by 34 cm.
(British Library,
London, Royal
MS 6 E.IX,
fol.10v).
1. Detail of David and Goliath, by Caravaggio, showing the head of
Goliath, believed to be a self-portrait of the artist. c.1609–10. Oil on
canvas, 125 by 101 cm. (Galleria Borghese, Rome; Bridgeman Images).
Attributed works:
2. Rest on the flight into Egypt, by Caravaggio. 1597. Oil on
canvas, 135.5 by 166.5 cm. (Doria Pamphilj Gallery, Rome;
Bridgeman Images).
Attributed works:
3. The choice of Hercules, by Annibale Carracci. 1596. Oil on canvas, 167 by
237 cm. (Museo e Real Bosco di Capodimonte, Naples; Bridgeman Images).
2. Plan of Villa Madama, Rome, showing the reconstructed final scheme,
including the gardens: A – Road leading to the Vatican; B – New land
purchased in 1519; C – Facade towards Vatican; and D – Terrace in
front of the stables. Drawn by the author, after D.R. Coffin: ‘The plans
of Villa Madama’, Art Bulletin 49 (1967).
Attributed works:
3. Project for the south east part of the Villa Madama incorporating
the newly purchased land, by Antonio da Sangallo the Younger. 1519.
Pen-and-ink over incised lines on paper, 56.3 by 43.2 cm. (Galleria degli
Uffizi, Florence, GDSA 179A).
Attributed works:
4. Detail of a large project for the Villa Madama, Rome, showing the
south-east corner of the villa and the area designated for the new
gardens, by Antonio da Sangallo the Younger. 1519. Pen-and-ink on paper,
max. 60.1 by 125.8 cm. (Galleria degli Uffizi, Florence, GDSA 314A).
Attributed works:
5. Elevation and section of the Villa Madama, Rome, with survey
details of the land designated for the garden, by Antonio da Sangallo
the Younger. 1519. Pen-and-ink over incised lines on paper, max.
38.5 by 59.4 cm. (Galleria degli Uffizi, Florence, GDSA 1518A).
Attributed works:
6. Project for a terraced garden at Villa Madama, Rome, by Raphael.
1519. Pen and ink over incised lines on paper, 53.1 by 39.5 cm.
(Galleria degli Uffizi, Florence, GDSA 1356A).
Short Notice
A family matter: new documents clarify a legal dispute involving Giambattista Tiepolo
7. Detail from the Banquet of Cleopatra, by
Giambattista Tiepolo, showing a self-portrait of
the artist (centre). 1740s. Fresco. (Palazzo
Labia, Venice; Scala Images).
Exhibition Review
Mantegna: Making Antiquity Modern. Palazzo Madama, Turin
Mantegna: Making Antiquity
Modern
Palazzo Madama, Turin
12th December 2019–4th May |
:
Illustrations
Attributed works:
7. Self-portrait,
by (or after a
design by) Andrea
Mantegna. Here
dated to 1480s.
Bronze, height 47
cm. (S. Andrea,
Mantua).
Attributed works:
8. Study for a
‘Lamentation’,
by Andrea
Mantegna. Here
dated to c.1455–
60. Pen and wash
on paper, 15.1 by
10 cm. (Private
collection; exh.
Palazzo Madama,
Turin).
Attributed works:
9. Detail of
Virgin and Child
(‘Madonna of
the quarries’),
by Andrea
Mantegna. Here
dated to 1488–90.
Tempera on
panel, 32 by 29.6
cm. (Gallerie degli
Uffizi, Florence;
exh. Palazzo
Madama, Turin).