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114 articles
Exhibition Review
Matisse, Derain, and Their Friends: The Parisian Avant-Garde 1904–1908
01/2024 | 1450 | 166
Pages: 81–84
related names
Reviewer:
Deltour, Louis (Deltour, Louis)
Subjects
dates:
museums and institutions:
styles:
Reviewed Items
styles:
Matisse, Derain, and Their Friends: The Parisian Avant- Garde 1904–1908 Kunstmuseum, Basel 2nd September 2023– 21st January 2024 | :
Illustrations
Attributed works:
23. Posters in Trouville, by Albert Marquet. 1906. Oil on canvas, 65.1 by 81.3 cm. (National Gallery of Art, Washington; exh. Kunstmuseum, Basel).
Attributed works:
24. Installation view of Matisse, Derain and Friends: The Paris Avantgarde 1904–1908 at Kunstmuseum, Basel, 2023. (Photograph Max Ehrengruber).
Attributed works:
25. Regent Street, London, by André Derain. 1906. Oil on canvas, 66 by 99.4 cm. (Metropolitan Museum of Art, New York; exh. Kunstmuseum, Basel).
Exhibition Review
Marie Cuttoli: The Modern Thread from Miró to Man Ray
12/2020 | 1413 | 162
Pages: 1098-1101
related names
Reviewer:
Parrish, Sarah (Parrish, Sarah)
Subjects
art literature:
Reviewed Items
subjects:
Marie Cuttoli: The Modern Thread from Miró to Man Ray By Cindy Kang. 160 pp. incl. 100 col. ills. (Barnes Foundation, Philadelphia, and Yale University Press, New Haven and London, 2020), £35. ISBN 978–0– 300–25131–9. | :
Illustrations
Attributed works:
18. Composition with three figures – Fragment, by Fernand Léger. 1932. Oil on canvas, 144.2 by 114.3 cm. (Carnegie Museum of Art, Pittsburgh; Artists Rights Society (ARS), New York / ADAGP, Paris 2020; exh. Barnes Foundation, Philadelphia).
Attributed works:
19. Rhythmic figures (woman and birds), designed by Joan Miró for Myrbor. 1934. Cotton and wool with silk, 195.6 by 175.3 cm. (Barnes Foundation, Philadelphia; © Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris 2020).
Attributed works:
20. Evening dress, embroidery designed by Natalia Goncharova for Myrbor. c.1926. Silk with silk appliqué and metallic thread and wool yarn embroidery (Philadelphia Museum of Art).
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11/2018 | 1388 | 160
Pages: i–xxiv
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Daniel Katz Ltd (dealers), London, Great Britain / Robilant and Voena, London, Great Britain / London Art Week / Galerie Neuse, Bremen, Germany / Stephen Ongpin Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Burzio, London, Great Britain / Brun Fine Art, London / Didier Aaron Ltd, London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Christie's, London / Rijksmuseum, Amsterdam, Netherlands / British Museum, London, Great Britain / Holburne Museum, Bath, Great Britain / Château de Fontainebleau, Fontainebleau, France / Harvey Miller Publishers, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Brimo de Laroussilhe, Paris, France / Fine Arts Paris / F. Baulme Fine Arts, Paris, France / Galerie Berès, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Talabardon & Gautier, Paris, France / Galerie de la Présidence, Paris, France / Galerie Canesso, Paris, France / Irish Art Review / Burlington Magazine / John Sandoe Books, London, Great Britain / Sotheby's, London, Great Britain / Guildhall Art Gallery, London, Great Britain / Cambi Aste, Genova, Italy / Peter Finer (antique arms), London, Great Britain / The Art Newspaper, London, Great Britain / Minerva Magazine / Sculpture Journal, Liverpool, Great Britain / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Adam Bray, London, Great Britain / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Timothy Newbery (frames), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / The-saleroom.com / Chiswick Auctions, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm
subjects:
Exhibition Review
Chaim Soutine at the Jewish Museum, New York
08/2018 | 1385 | 160
Pages: 660-665
related names
Reviewer:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
Subjects
dates:
media:
museums and institutions:
Illustrations
Attributed works:
1. Still life with herrings, by Chaim Soutine. c.1916. Canvas, 64.5 by 48.5 cm. (Larock-Granoff Collection, Paris; exh. Jewish Museum, New York).
Attributed works:
2. Still life with rayfish, by Chaim Soutine. c.1924. Canvas, 81 by 100 cm. (Metropolitan Museum of Art, New York; exh. Jewish Museum, New York).
Attributed works:
3. Fish, peppers, onions, by Chaim Soutine. c.1919. Canvas, 64.8 by 49.2 cm. (Barnes Foundation, Philadelphia; exh. Jewish Museum, New York).
Attributed works:
4. Hanging turkey, by Chaim Soutine. c.1925. Board, 96 by 72 cm. (The Henry and Rose Pearlman Foundation, on long term loan to the Princeton University Art Museum; exh. Jewish Museum, New York).
Attributed works:
5. Carcass of beef, by Chaim Soutine. c.1925. Canvas, 140.3 by 107.5 cm. (Albright-Knox Gallery, Buffalo; exh. Jewish Museum, New York).
Article
Picasso’s portraits of Isabel Rawsthorne
09/2017 | 1374 | 159
Pages: 720-727
related names
Author:
Jacobi, Carol (Jacobi, Carol)
Subjects
artists:
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
44. The hat with flowers (Bust of a woman), by Pablo PIcasso. 10th April 1940. (Centre Georges Pompidou, Paris; courtesy RMN-Grand Palais and Bertrand Prévost; © Succession PIcasso/DAC, London 2017)
Attributed works:
45. Bust of a Woman, by Pablo Picasso. 11th April 1940 (Private collection; © Succession Picasso/DACS, London 2017)
Attributed works:
46. Bust of a woman, by Pablo PIcasso. 14th April 1940 (Private collection; © Successon Picasso/DACS, London 2017)
Attributed works:
47. Isabel in Venice, photograph by Balthus. 1937 (Private collection)
Attributed works:
48. Head of Isabel II, by Alberto Giacometti. 1938-39 Collection Fondation Alberto et Annette Giacometti, Paris; © Estate of Alberto Giacometti/ACS and DACS, London 2017)
Attributed works:
49. Seated figure, by Isabel Rawsthorne. c. 1936 (Tate Archive, London; © Etate of Isabel Rawsthorne, DACS)
Attributed works:
50. Portrait of Madame Isabel Delmer, by André Derain. 1936 (Private collection)
Attributed works:
51. Isabel, by Jacob Epstein. 1933 (Ferens Art Gallery, Hull; photograph from J. Epstein Let There Be Sculpture, London 1940, p.323)
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Advertisements March 2013 (front)
03/2013 | 1320 | 155
Pages: s.p.
Subjects
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collectors and dealers:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Sussex. A fine small Charles II spring table clock by Johannes Knibb of Oxford. c.1685. Height: 30cm]
Attributed works:
[Arturo & Corinne Cuéllar, Zurich. View of the Sciora, Bregaglia valley, by Giovanni Giacometti (1868-1933). Watercolour and pencil, 33 by 42 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Jean François Millet (Gruchy 1814 - 1875 Barbizon). Le Vigneron, ca. 1851. Signed bottom right. Charcoal heightened with white, 36.5 x 28 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Jacques-Louis David (Paris 1748 - Brussels 1825). Portrait of a man with hat, in profile. Graphite on paper, signed 'L.David' lower right. Diameter: 7 cm (including frame)]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. Charles Le Brun (1619-1690). The sacrifice of Polyxena, 1617 (detail), oil on canvas, 179 x 131 cm. (70 1/2 x 51 1/2 in). Monogrammed and dated lower left, on the edge: C.L.B.F./ 1647]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Paolo Farinati (Verona 1524-1606). Saint Anthony of Padua. Brown ink over traces of black chalk, highlighted with white feather work and white washes. 41.5 cm x 27 cm]
Attributed works:
[David Lévy & Associates, Brussels. Gouache Drwing, by Joan Mirò (1893-1983). 1914. Gouache and pencil, 69.9 by 104.8 cm]
Attributed works:
[Day & Faber, London. St. Augustin, St. Jerome (possibly St. Mark), St. Bartholomew and an unidentified saint, by Ciro Ferri (1634-89). Quill and brown wash on black chalk, 38 by 43.4 cm]
Attributed works:
[Dickinson, London and New York. Annette, Venice, by Alberto Giacometti (1901-66). c.1960. Signed and numbered: 'Alberto Giacometti 6/6', inscribed with the foundry mark: 'Susse Fondr Paris'. Bronze with brown patina, 47.5 by 26.5 by 12.7 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Study of a dog, by Jean-Baptiste Oudry (1686-1755). Black chalk with white chalk highlights on blue paper, 23.3 by 35.2 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jusepe de Ribera (1591-1652), The Mocking of Christ, oil on canvas (detail), 106 x 87 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Romantic village, by William Lee-Hankey. Signed. British. Oil on canvas, 51 by 61 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Sir Edward Burne-Jones. Study for the central head in the painting The Car of Love. Black chalk, 365 x 550 mm]
Attributed works:
[Francesca Antonacci Damiano Lapicella Fine Art, Rome and Florence. Head of Minos after Michelangelo, by Vincenzo Camuccini (1771-1844). Red chalk on ivory card, 47.8 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Carlo Ceresa. San Giovanni Bianco, 1609 - Bergamo, 1679. Portrait of a gentleman with a Wig. Oil on canvas, 196.5 x 115.3 cm (77 3/8 x 45 3/8 in)]
Attributed works:
[Galerie Cenesso, Paris. Allegory of Peace, by Francesco Furini (1603-46). Inscribed on the shield: 'optima rerum'. Oil on canvas, 84 by 70 cm]
Attributed works:
[Galerie Eric Coatelem, Paris. Studies of young oriental with sword for the 'Revolt of Cairo', by Anne Louis Girodet de Roucy-Trioson (1767-1824). Pencil, stump, white chalk highlights, 28.4 by 36.8 cm]
Attributed works:
[Galerie Paul Prouté, Paris. Landscape with herders (verso: study of a tree), by Giovanni Benedetto Castiglione, called Il Grechetto (1609-64). Pen and brown ink, over black chalk, 10.5 by 15.4 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Johann Georg Platzer. Adoration of the Shepherds & Deposition from the Cross (Pendants)]
Attributed works:
[Jean-Luc Baroni, London. The earthly paradise, by André Derain (1880-1954). Signed at bottom right: 'A. Derain'. Watercolour, 50 by 65 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Alonso Sanchez Coello. Valencia 1531-1588 Madrid. Portrait of a Young Noblewoman wearing Fine Jewels and a Black Dress with Gold Embroidery in the form of Wheatsheaves and a High White Ruff Collar. Oil on canvas: 35.2 x 25.3 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Attributed to Gaspare Diziani. Belluno 1689-1767 Venice. Venetian Acrobats forming a Pyramid known as the 'Forze d'Ercole'. Oil on canvas: 72.3 x 88 cm]
Attributed works:
[Katrin Beelnger, Munich. View of the Bay of Posillipo, by Claude-Joseph Vernet (1714-1789). Inscribed in pen and brown ink: 'vue de pousilipo'. Pen and grey ink and grey wash over black chalk on two joined sheets of paper, 45 by 70.7 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. Luigi Sabatelli (Florence 1772 - 1850 Milan). Portrait of Luigi Ricasoli (b.1801), at the Age of Seven. Signed and dated, lower right: Luigi Sabatelli / fece 1808; inscribed, lower left: Luigi Ricasoli. Pen and brown ink, 298 x 208 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Eglon Hendrik Van der Neer. Noble lady at a table with a lute and sheet music. Around 1667. Oil on panel. 31.6 x 22.8 cm (detail)]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Willem van Aelst (1627 - after 1683). Still life with Fish, Bread and a Nautilus Cup. Oil on canvas, 67.8 x 54.6 cm. Signed and dated 1678]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. Attrib. to Anne-Louis Girodet de Roussy- Trioson. Montargis 1767-1824 Paris. Pyrrhus Before Glaucius, ca. 1790. Graphite underdrawing, brush & grey wash, white gouache heightening on brown prepared laid paper. 225 x 302 mm]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. John Martin. Haydon Bridge 1789 - Douglas 1854. A stream flowing into a pool in a forest, June 1841. Signed and dated (with pen and brown ink lower left): 'J. Martin. June. //1841'. Watercolour, bodycolour heightenings, 9 3/4 x 13 1/2 in. (24. x 34.2 cm)]
Attributed works:
[Rafael Valls, Ltd, London. A view of Frankfort, by Christian Schutz I. Signed and dated 'SCHÜZ. F/1754'. Oil on canvas, 51 by 119.5 cm]
Attributed works:
[Rountree Fine Arts Ltd, London. The racehorse Belfonds with H. Semblat up, at Chantilly by Sir Alfred James Munnings KCVO, PRA (1878-1959). Signed 'A.J. Munnings' (lower right). Oil on canvas, 78.7 by 96.5 cm]
Attributed works:
[Sanda Lipton, London. A George II circular silver counter dish by Joseph Sanders. London 1733. The centre is engraved with a widow's lozenge surrounded by engraved decoration. The arms on the lozenge are those for a woman whose maiden name was probably Carey. Diameter: 12 cm]
Attributed works:
[Schlichte Bergen Old Master Painting & Drawings, Amsterdam. Landscape with figures with the Ponte Reale over the Volturno, by Luigi Fergola (1768-1834). Signed and dated 1801. Gouache on paper, 67 by 96 cm]
Attributed works:
[Sperone Westwater, New York. Rosso scuro, by Carla Accardi (born 1924). 1974. Enamel on sicofoil, 115 by 180 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Willem van Mieris. The Penitent Mary Magdalene]
Attributed works:
[Talabardon & Gautier, Paris. Portrait of the founder Ferdinard Barbedianne, by Thomas Couture (1815-70). Monogrammed at bottom right: 'TC'. Charcoal, pencil and white chalk, 53 by 40.5 cm]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. Piccadilly. London. Cyril Power. The Tube Station. c.1923. Linocut. Osborne Samuel Ltd]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, England. Michel de Montaigne, by Gilles-Lambert Godecharle (1750-1835). Terracotta. Height: 60 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartolomeo Cavaceppi (c. 1716-1799) (attributed to) Monumental Marble Bust of Alexander the Great. White marble, 80 cm high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giuseppe Piamontini (1664-1742). Milo of Croton. Bronze, 43.5 cm high]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Albrecht Durer, Das Wappen mit dem Totenkopf. 1503. Copper engraving. Meder 98. I a. Ex coll. H. A. Cornill d'Orville and Sir Henry Studdy Theobald.]
Western art unattributed:
[Cesati, Milan. St. John the Evangelist, by Silvestro dell'Aquila (c.1450 - 1504). Central Italy. Late 15th century.]
Western art unattributed:
[Lennox Cato Antiques, Edenbridge, Kent. An eighteenth-century mahogany bureau bookcase of the Chippendale period. c.1765-70. Height: 214 cm. Width: 106 cm. Depth: 58 cm.]
Western art unattributed:
[Mark Gallery, London. Birth of the Virgin, showing St. Anne attended by a midwife with St. Joachim and below the infant Virgin in the arms of a Nursemaid. Northern Russian icon, early seventeenth century. 62.5 by 53 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Angel with Tambourine. Walnut, with original polychrome and gilding. Italy, Lombardy, mid 15th century. H. 69.5 x W. 17 x D. 15 cm]
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01/2012 | 1306 | 154
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Subjects
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Illustrations
Attributed works:
[Chanel. Première watch. Steel, diamonds and ceramic]
Attributed works:
[Charly Bailly Fine Art, Paris. An imaginary landscape with figures, monkeys and fruits: 'The cat's paw' and A capriccio landscape with birds and figures, by Jan Weenix (c.1640-1719). Both oil on canvas, 177 by 113 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Jan Brueghel II (Antwerp 1601-1678). Tulipomania. Circa 1637. Oil on panel, 24 x 35 cm (9 1/2 by 13 3/4 in)]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Giambattista Tiepolo (Venice 1696- 1770 Madrid). The Arrival of Henry III at the Villa Contarini. Oil on canvas. 28 1/4 x 42 in. (71.7 x 106.7 cm)]
Attributed works:
[Christopher Bishop Fine Art Exhibiting at: James Francis Trezza Gallery, 39 East 78th Street. Going to market, by Jean-Baptiste Huet (1745-1811). Blind Stamp of Joseph Newman lower right (Lugt, 2540). Pen and ink with sepia washes, 23 by 38.1 cm]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Guercino (1591-1666). Immaculate Virgin. Red chalk on laid paper, 5 3/4 x 7 1/2 inches (192 x 161 mm)]
Attributed works:
[Didier Aaron, Inc. 32 East 67th Street. Soldiers resting inside the Colosseum, Rome, by Joseph-Benoit Suvée (1743-1807). c.1775. Red chalk, 45 by 32.3 cm]
Attributed works:
[Frascione Arte. Palazzo Ricasoli Firidolfi. Via Maggio 5/7. Florence. Maestro delle Palazze (?) active in Spoleto (Umbria) at the end of the XIII century. Crucifix. c1288-1300. Tempera and silver on panel. 159 x 119 cm. 62.6 x 46.9 in]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Nicolas Colombel. Sotteville-lès-Rouen, 1644 - Paris, 1717. Rinaldo abandoning Armida. Oil on canvas, 118 x 170 cm (46 1/2 x 67 in)]
Attributed works:
[Galerie Florence de Voldère, Paris. Spring, by Abel Grimmer (1570-1610). Oil on panel. Diameter: 12 cm]
Attributed works:
[Galerie Jean-François Cazeau, Paris. Forest with rocks in Sausset-les-Pins, by André Derain (1880-1954). 1911-13. Signed lower right: Derain. Oil on canvas, 40.5 by 32.5 cm]
Attributed works:
[Galleria Manuel Barbié, Barcelona. Still life with fruit and guitar, by Pablo Picasso (1881-1973). 1922. Signed and dated. Oil on cardboard, 34.6 by 43.5 cm]
Attributed works:
[Laura Pecheur. Exhibiting at Gallery Schlesinger Ltd. 24 East 73rd Street, 2nd Floor, New York. Setting sun by Dora Maar.]
Attributed works:
[Laura Pecheur. Exhibiting at Gallery Schlesinger Ltd. 24 East 73rd Street, 2nd Floor, New York. Tree at sunset, by Dora Maar (1907-97). Monogrammed. Titled by the artist. Colored ink, 24 by 32 cm]
Attributed works:
[Marc Heiremans, Brussels. Free-blown glaze vase. c.1933. The vase bears four leaf-shaped decorations made of murrine canes. Each leaf is covered with a gold layer, and encloses a red glass thread. Vittorio Donà, designer for S.A.I.A.R.-Ferro Toso Murano, Italy.]
Attributed works:
[Margot Gordon Fine Art, Exhibiting at: Shepherd & Derom Galleries, 58 East 79 Street. 21 January -18 February. The Putti supporting a beam or a plaque, by Raffaello Sanzio, called Raphael (1483 - 1520). Pen and brown ink over black chalk, 11.4 by 6.9 cm]
Attributed works:
[Mia N Weiner, Exhibiting at: L'antiquare and the Connosseur. 36 East 73rd Street. Study of a man's hand, by Giuseppe Cesari, called Il Cavaliere d'Arpino (1568-1640). From a seventeenth-century album dismembered in 1980 which consisted largely of Cavaliere head studies by d'Arpino. Red and black chalk, 11.3 by 10.4 cm]
Attributed works:
[Mia N. Weiner. Exhibiting at: L’Antiquaire & The Connoisseur. 36 East 73rd Street. New York. Workshop of Paolo Veronese. Verso: Study of the Madonna & Child. Black and white chalk on paper. 12 5/9 x 9 1/2" (322 x 242 mm)]
Attributed works:
[Moeller Fine Art Ltd, 36 East 64th Street. Study for Blue Spot, by Vassily Kandinsky (1866-1944). 1912-13. Monogram lower right: K. Watercolour, opaque white and black ink on paper, 36,5 by 26,4 cm]
Attributed works:
[Santa Tecla Srl. Palazzo Savonarola. Piazza dei Savonarola, 66. Padova. The Master of the Twelve Apostols (Giacomo Panizzati?) (Active in Ferrara in the first half of the 16th century). Portrait of a gentleman with his dog. Circa 1530. Bears monogram GP on the parapet, lower right. Oil on canvas, 76.3 x 65.3 cm (30 x 25 3/4 in)]
Attributed works:
[The Canon Gallery. Huntingdon, Camsbs. The Lagoon, Venice by Federico Nerly Junior (1824-1919). Signed. Oil on canvas in original frame. Canvas: 29 x 51 cm (11.5 x 20 in). Framed: 51 x 71 cm (20 x 28 in)]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Bathélemy Prieur (Berzieux, Marne circa 1536 - Paris, 1611). Cavalier. Bronze, rich brown natural patina with extensive black/dark brown lacquer. Height (without base) 21.8 cm (8 5/8 in.)]
Non-western art unattributed:
[Pierre Dartevelle, Brussels. Anthropomorphic container. Ovimbundu people of Angola. Wood. Height: 16 cm]
Western art unattributed:
[Margot Gordon. Exhibiting at: Shepherd & Derom Galleries. 58 East 79 Street. New York. Northern Italian School XVI Century (attributed by Berenson to Lorenzo Lotto). Portrait of a Man. Brush and gray ink, gray and red gouache. 156 x 128 mm]
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12/2010 | 1293 | 152
Pages: s.p.
Subjects
subjects:
Illustrations
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Miguel Parra (Valence 1780-1846 Madrid). Still Life with flowers and a stone figure fountain in a landscape. Signed and dated lower right: M. l Parra Valencia 1830. Oil on canvas unlined. One of a pair, 119 by 88 cm (46 3/4 by 34 3/4 in.)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1 The Property of a private French collector. Pierre Bonnard (1867-1947). Terrasse à Vernon. Painted in 1923. Oil on canvas. 46 1/2 x 40 1/2 in. (118 x 103 cm) signed and dated 'Bonnerd 23' (lower right)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Michael Rysbrack (1694-1770). A Terracotta bust of John Locke, 1755. Plus a letter from Rysbrack to his Patron dated 31 July 1756, Discussing the delivery of the bust.]
Attributed works:
[Dickinson. 58 Jermyn Street. London. 19 East 66th Street. New York. Georges Seurat (1859-1891), Paysage avec Cheval, 1882/3. Inscribed on the reverse by Maximilien Luce in blue chalk: Catalogue Seurat 2/ G.Seaurat / Catalogue de La Revue 54 /L.. Oil on panel, 16 x 25 cm (6 1/4 x 9 7/8 in)]
Attributed works:
[Dickinson. 58 Jermyn Street. London. 19 East 66th Street. New York. Georges Seurat (1859-1891), Paysan travaillant, 1882/3. Inscribed on the reverse by Maximilien Luce in blue chalk: G. Seurat L 43. Oil on panel, 16 x 25 cm (6 1/4 x 9 7/8 in)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Andrea De Lione. Naples, 1610 - 1685. The Crossing of the Red Sea. Oil on octagonal canvas, 74 x 74 cm (29 x 29 cm)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mariotto di Nardo. (1394 Florence 1424). Presentation of the Virgin. Oil on panel: 23.1 by 37.5 cm]
Attributed works:
[Moretti. 43-44 New Bond Street. London. Quattro 'favole' inedite di Giacinto Gimignani]
Attributed works:
[Stern Pissarro Gallery. 66 St. James’s Street. London. Alfred Sisley, La Seine à Saint-Cloud, oil on canvas, 38 x 55.3 cm / 15 x 21.8 in, signed & dated 1877.]
Western art unattributed:
[Galleria Longari. Via Bigli 12, 20121 Milan. Lapicida lombardo del XII secolo. LEONE GUARDIANO. Granito grigio. 43 x 74 x 26 cm]
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06/2010 | 1287 | 152
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Subjects
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artists:
collectors and dealers:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Agnew's, Exhibiting at Tryon Gallery, 7 Bury Street, St. James's. The launch of a galleon, by Teodoro Filippo di Liagno called Filippo Napoletano (1587-1629). Pen and brown ink and brown wash over black chalk, 29.2 by 53.4 cm]
Attributed works:
[Agnew's. Cupid and Psyche, by Benjamin West (1738-1820). Oil on canvas, 137.8 by 142.9 cm]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Leon de Troy (French, 1857-1955). Head of an African Man. Circa 1880. 19 1/2 x 15 3/8 inches (49.5 x 39 cm)]
Attributed works:
[Ben Elws Fine Art. Portrait of a young artist, attributed to Anne-Louis Girodet de Roussy-Trioson (1767-1824). Oil on canvas, 33.5 by 21.5 cm]
Attributed works:
[Bonhams. The head of a bearded man, a sketch for 'the visitation', by Federico Barocci (c.1526-1612). Oil on paper, laid down on canvas, 39.5 by 31.25 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Sir Peter Paul Rubens (Siegen 1577 - 1640 Antwerp). Portrait of a commander, three-quarter-length, being dressed for battle. Oil on panel. 48 1/4 x 38 3/8 in. (122.6 x 98.2 cm)]
Attributed works:
[Deborah Gage. The Holy family in the carpenter's shop, by Bartolomé Estaban Murillo (1618-82). Signed: Bar.me Murillo. Oil on canvas, 214.5 by 166.5 cm]
Attributed works:
[Derek Johns Ltd. Sylvia freed by Amyntas, by Willem van Mieris (1662-1747). Oil on panel, 37 by 44 cm]
Attributed works:
[Dickinson, London and New York. Citrons at verre, by Pablo Picasso (1881-1973). Signed centre left: Picasso and dated on the reverse: 14.1.44. Oil on canvas, 27 by 41 cm]
Attributed works:
[Didier Aaron, Clifford House, 15 Clifford Street. Wall decorations, by François-Joseph Bélanger (1744-1818). c. 1785-89.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Agostino Tassi. Ponzano Romano near Rome, 1578 - Rome, 1644. A Shipyard. Oil on canvas, 74,5 x 98,5 cm (29 5/16 x 38 3/4 in). One of a pair (with The Capture of Troy)]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. Jan van Os. Middelharnis 1744 - 1808 The Hague. Still Life with Pineapples and Grapes. Oil on wood: 68.4 x 49.2 cm (26.9 x 19.3 inches). Signed and dated at bottom right: J Van Os f. 1776]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Barbara Hepworth 1903-1975. Two Forms (Maori), 1965. Carved slate on original black painted wooden base. Height: 13 1/2 inches; 34.3 cm]
Attributed works:
[Hazlitt-Holland Hibbert, London. Writing piece 'Well', by Anthony Caro. b.1924. Steel, 50.8 by 59.1 by 14 cm]
Attributed works:
[James Harvey, London. Equestrian portrait of George Burrows on his grey, by James Seymour (1702-52). Signed with monogram and dated 1746, lower left. Oil on canvas, 101.6 by127 cm]
Attributed works:
[Jean-Luc Baroni, 7-8 Mason's Yard. Studies of acrobats and a satyr, by Marco Marchetti called Marco da Faenza (1528-88). Bears number lower right corner: 52. Pen and brown ink and wash, 25.2 by 16.6 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jean-Auguste-Dominique Ingres (Montauban 1780-1867 Paris). Study of a Male Nude, Standing, with his Arms Crossed. Signed lower left: Ingres. Black chalk, 446 by 260 mm]
Attributed works:
[Katrin Bellinger at Colnaghi, 15 Old Bond Street. The death of St. Sebastian (?), by Paolo Farinati (1524-1606). Numbered in white chalk, lower right: 16. Black chalk, pen and brown ink, brown wash, heightened with white on yellow-ochre prepared paper, 35 by 46 cm.]
Attributed works:
[London International Fine Art Fair. Ducan Grant - Still Life with Bust of Virginia Woolf.]
Attributed works:
[MacConnal-Mason, London. La conciergerie, by Christopher Richard Wynne Nevinson (1889-1946). Signed. Oil on canvas, 50.8 by 61 cm]
Attributed works:
[N. & I. Franklin, London. A set of four Victorian etched crystal claret jugs with cast silver-gilt mounts. Made by John Figg of London, c.1875.]
Attributed works:
[Offer Waterman, London. Landscape with river and temple, by Ivon Hitchens (1893-1979). c.1943. Oil on canvas, 44.5 by 77.5 cm]
Attributed works:
[Philip Mould Ltd. Self-portrait, by Anthony van Dyck (1599-1641). Oil on canvas, oval, 59.7 by 47.3 cm.]
Attributed works:
[Philip Mould. 29 Dover Street. London. Angelica Kauffmann (1741-1807). Portrait of a Lady, c.1780. Oil on canvas, 24 3/4 x 20 2/2 inches, 62.5 x 52 cm]
Attributed works:
[Sandra Cronan, London. A Tutti Frutti bracelet and pair of dress clips, set throughout with diamonds, carved emeralds, sapphires and rubies. Mounted in platinum. By Henri Picq. Paris, c. 1925.]
Attributed works:
[Stoppenbach & Delestre: 25 Cork Street. Le jongleur, by André Derain (1880-1954). Gouache on paper, 20.5 by 12.5 cm]
Attributed works:
[Trinity Fine Art, 29 Bruton Street. Peasant woman with a young boy, by Francesco de Mura (1696-1782). Oil on paper, laid down on canvas, 37 by 51.2 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Giovanni Baratta: The Statues from Palazzo Giugni rediscovered.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Putto, one of a pair modelled by Carlo Francesco Mellone, cast by the founder Giuseppe Fontana, Milan, 1718. Bronze. Height: 71 cm]
Attributed works:
[Whitfield Fine Art. The rest on the flight into Egypt, by Antonio de Bellis (c.1616.57). Oil on copper, 31 by 22 cm]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Electress Elisabeth Auguste as Magnanimità. Pen, brownish blank ink, red chalk. 20 x 15.3 cm]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Glaucus and Scylla. Pen, brown ink, red chalk. 28,1 x 28,3 cm]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Pallas Athena with the Sculpture. Pen, brownish blank ink, red chalk 32,8 x 19,8 cm]
Non-western art unattributed:
[Russian, Eastern & Oriental Fine Art Fair. London. 'Bishamon' - Edo Period 18th century. Sydney Moss Ltd.]
Western art unattributed:
[Apter-Fredericks Ltd, London.A pair of George II burr walnut armchairs with shaped solid back splat and out-scrolling arms, with contemporary needlework drop-in seats, the legs headed by the Astley family crest of feathers and a ducal coronet, standing on carved hairy paw feet. English, c.1730]
Western art unattributed:
[London International FIne Art Fair. A pair of bronze and ormolu candelabras on marble plinths, M&J Duncan, East Essex.]
Western art unattributed:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. A Marble Group of Three Satyrs Fighting a Serpent, Roman Imperial, circa 1st Century A.D.]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. An Italian engraved ivory inlaid rosewood centre table made for the Duke of Urbino Francesco Maria II della Rovere (1549-1631), circa 1596.97]
Western art unattributed:
[Thomas Coulborn & Sons, Sutton Coldfield. Scarlet japanned secretaire. English, c.1730. Height: 206 cm. Width: 105 cm. Depth: 56 cm]
Western art unattributed:
[Tomasso Brothers, Leeds. Lucius Venus. Rome, 17th century. White marble and breccia africano. Height: 90 cm]
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Subjects
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Illustrations
Attributed works:
[Bernheimer-Colnaghi. Munich and London. David and Bathsheba, by Lucas Cranach the elder (1472-1553). Signed lower right with the device of a winged serpent and dated: 1534. Oil on panel, 115 by 79.3cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Fancisco José de Goya y Lucientes (Fuendetodos 1746-1828 Bordeaux). Bajan rinendo. Brush and grey wash, scraping. 9 1/4 x 5 1/8 in. (234 x 143mm)]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Franz Xaver Winterhalter (1805-1873). Portrait of Duchess Rosalie Paulee Duchatel (detail). Oil on canvas, 1841, 256 x 158 cm]
Attributed works:
[Douwes Fine Art. Amsterdam. A young man, half-length, wearing a burgundy jacket and a feathered cap, by Jan van Bijlert (1597/8-1671). Signed: Jv. bylert. fe:. Oil on panel, 55.5 by 45 cm]
Attributed works:
[Douwes Fine Art. Stadhouderskade 40. Amsterdam. 37 Duke St. St James’s. London. Rembrandt Harmensz. van Rijn (Leiden 1606 - 1669 Amsterdam). "Beggar in a brimmed Hat", circa 1645-1650. Black chalk: 145 x 100 mm: on laid paper.]
Attributed works:
[G. Sarti. Paris. Adam and Eve mouring over dead Abel, by Giovanni Battista Caracciolo, called Battistello (1578-1635). c. 1625. Oil on canvas, 144 by 178 cm]
Attributed works:
[Galerie Berès. Paris. Composition 1952, by Oscar Gauthier (b.1921). 1952. Signed and dated lower right: OSCAR GAUTHIER 52. Gouache on paper, 50 by 32 cm]
Attributed works:
[Galerie Canesso, Paris. The singer, by Pietro Bellotti (1625-1700). Oil on canvas, 72.5 by 54 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Michael Sweerts. Bruxelles, 1618 - Goa, India, 1664. The Great Laundry Day. Oil on canvas, 49 x 78,5 cm (19 5/16 x 30 7/8 in)]
Attributed works:
[Galerie David Levy. Paris. Personage 1945, by Victor Brauner (1903-1966). 1945. Monogram at lower left, dated at lower right: 22 x 11 x 45 x. Wax on paper, watercolour and indian ink, 14.1 by 9 cm]
Attributed works:
[Galerie de La Scala. Paris. Project for a plate, by André Derain (1880-1954). Signed: a derain. Watercolour on paper, 15.8 by 16.4 cm]
Attributed works:
[Galerie Didier Aaron & Cie. Paris, London & New York. L'Amour, by Charles-Joseph Natoire (1700-77). Dated at bottom: 1745. Red chalk, pastel and white chalk on beige paper, 27 by 35.1 cm]
Attributed works:
[Galerie Laurentin. Paris. Don Quichotte, by Gérard Garouste (b.1946). c. 1997. Gouache, 97 by 55.5 cm]
Attributed works:
[Galerie Laurentin. Paris. Portrait of Madeleine au Chapeau, by Tsugouharu Foujita (1886-1968). 1932. Ink on paper, 48.5 by 38.2 cm]
Attributed works:
[Galerie Talarbardon & Gautier. Paris. Cornelia, mother of the Grachhi, by Jean-Guillaume Moitte (1746-1810). Pen, ink and grey wash, 29 by 54.8 cm]
Attributed works:
[Galerie Zlotowski. Paris. Study for the portrait of Jacques Nayral, by Albert Gleizes (1881-1953). Wash and Indian ink, with blue pencil squaring, 62 by 47.8 cm]
Attributed works:
[Galeries Hans. Jungfernstieg, 34 III. D-20354 Hamburg. Sebastiano del Piombo. Portrait of Michelangelo. Oil on panel, 88.5 x 74cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. David Bomberg 1890-1957. Zahara, Andalucia, circa 1935. Oil on canvas. 24 1/2 x 29 1/2 inches; 62.5 x 75 cm]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Louis-Jean Desprez (Auxerre 1743-1804 Stockholm) and Francesco Piranesi (Rome 1756 - 1810 Paris). The Temple of Serapis in Pozzuoli. Etching by Piranesi, with extensive watercolour and gouache by Dsprez; 1781. Wollin 5 i/II, before the engraved names of the artists and before the title. Desprez's signeture and title faintly visible. Piranesi's inscription at lower right: se vend chez Mr. François Piranesi - Rome. An extremely fine impression with Desprez's watercolour addition still very fresh and intense.]
Attributed works:
[London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Marc Quinn, detail from Untitled 4, from Portraits of Landscapes.]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Giovanni Battista Piranesi. Venise 1720-Rome 1778. Study of a man. Brush and brown ink, 137 x 85 mm. Dated around 1770-1775]
Attributed works:
[Paul Prouté. Paris. Study for the 'Bois sacré' or Paysage Idyllique', by François-Louis Français (1814-1897). Watercolour, gouache, pen and brown ink, 32.3 by 39.7 cm]
Attributed works:
[Sebastian + Barquet. New York & London. Bench by George Nakashima. American black walnut, and hickory with one East Indian rosewood bey, 78.7 by 289.5 by 104.7 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giovanni Battista Foggini (1652-1725). Il Porcellino. Height: 16.5 cms.]
Attributed works:
[Trinity Fine Art. London. Charity, by Richard Cosway R.A. (c.1742-1821). Pencil, 23 by 14 cm]
Attributed works:
[W.M. Brady. New York. La tasse, by Pablo Picasso (1881-1973). Signed and dated, lower right: Picasso/22-5-21. Charcoal and stump on paper, 23.3 by 34.3 cm]
Western art unattributed:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Exceptional pair of alabaster vases with chased gilt-bronze serpent décor. Russia (?), late 18th century, circa 1790-1800. H. 4 cm (16 1/2in). Base 17x17 cm (6 1/2 x 6 1/2 in)]
Western art unattributed:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. French School. Late XVIth Century. Allegory of Charity. Oil on canvas, 119 x 99.5 cm]
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