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2 articles
Short Notice
Mentmore Silver-Mounted Cabinet
05/1978 | 902 | 120
Pages: 308-314
related names
Author:
Cocks, Anna Somers (Cocks, Anna Somers; Koks, Anna Somers; Cocks, A. Somers)
Subjects
collectors and dealers:
dates:
dates:
places:
sources:
subjects:
Illustrations
Attributed works:
76. Engraving from Antonio Tempesta's Metamorphoses, p.21, from Which Fig.69 Is Derived.
Attributed works:
77. [Engraving from Antonio Tempesta's Metamorphoses] Page 71 in Tempesta, from Which Fig.70 Is Derived.
Attributed works:
78. [Engraving from Antonio Tempesta's Metamorphoses] Page 95 in Tempesta, from Which Fig.75 Is Derived.
Attributed works:
79. [Engraving from Antonio Tempesta's Metamorphoses] Page 98 in Tempesta, from Which Fig.74 Is Derived.
Western art unattributed:
67. Mentmore Silver-Mounted Cabinet, Closed, Showing the Additions Made to It, Probably for Baron Mayer.(Victoria and Albert Museum).
Western art unattributed:
68. Cabinet, Closely Related to the One Illustrated in Fig.67. (Sale, Christie's, 11th December 1975. Lot 88).
Western art unattributed:
69. Detail from the Mentmore Cabinet Illustrated in Fig.67, Showing Embossed Silver Plaque of the Rape of Europa.
Western art unattributed:
70. Detail from the Mentmore Cabinet Illustrated in Fig.67, Showing Plaque with Cephalus and Procris.
Western art unattributed:
71. Detail from the Mentmore Cabinet Illustrated in Fig.67.
Western art unattributed:
72. Detail from the Mentmore Cabinet Illustrated in Fig.67.
Western art unattributed:
73. The Mentmore Cabinet with Doors Open.
Western art unattributed:
74. Detail from the Mentmore Cabinet Showing Plaque with the Death of Adonis.
Western art unattributed:
75. Detail from the Mentmore Cabinet Showing Plaque with Apollo and Coronis.
Article
Intaglios and Cameos in the Jewellery Collection of the V & A
06/1976 | 879 | 118
Pages: 366-376
related names
Author:
Cocks, Anna Somers (Cocks, Anna Somers; Koks, Anna Somers; Cocks, A. Somers)
Subjects
artists:
artists:
dates:
dates:
dates:
subjects:
subjects:
subjects:
subjects:
Illustrations
Western art unattributed:
20. Top row, left to right: A. Cameo, first century B. C. B. Cameo, last quarter of sixteenth century. C. Cameo, third quarter of sixteenth century. Middle row, left to right: D. Cameo, eighteenth century. E. Cameo, third quarter of sixteenth century. F. Cameo, third quarter of sixteenth century. G. Cameo, last third of sixteenth century. Bottom row, left to right: H. Cameo, second half of sixteenth century. J. Cameo, early seventeenth century. K. Cameo, c.1570. L. Cameo, sixteenth century. M. Cameo, second third of sixteenth century.
Western art unattributed:
21. Top row, left to right: A. Cameo, first century B. C. B. Engraving of cameo (No.21C) in The Marlborough Gems. C. Cameo, first century A. D. Second row, left to right: D. Cameo, first century B. C. E. Cameo, early seventeenth century?. F. Glass paste cameo on silk, probably c.1727. G. Cameo, between 1721 and 1765. H. Cameo, eighteenth century. Third row. J. Intaglio, with impression, first century B. C. Bottom row, left to right: K. Intaglio, with impression, second half of seventeenth century. L. Intaglio, with impression, second-third century A. D. M. Intaglio, with impression, early eighteenth century.
Western art unattributed:
22. Top row. A. Intaglio, with impression, probably c.1744. Second row, left to right: B. Seal, French, after 1763. C. Impression of eighteenth-century intaglio set in a seal. D. Etching of similar impression in Stosch's collection from Mariette's Recueil (1732). Third row, left to right: E. Hardstone seal, third quarter of eighteenth century. F. Impression of intaglio, second century A. D., set in it. G. Tassie impression No.7282 of Mars, by Charles Brown, c.1781. Bottom row, left to right: H. Impression of intaglio after the Mars by Brown, and the seal in which it is set. J. Impression of intaglio probably by C. Brown, 1771, and the deal in which it is set. K. Intaglio, and impression, mid-eighteenth century.
Western art unattributed:
23. Top row, left to right: A. Intaglio, with impression, probably first half of eighteenth century. B. Engraving of intaglio (No.23A) in The Marlborough Gems. Second row. C. Intaglio, with impression, c.1820. Third row, left to right: D. Intaglio, with impression, by Parry, after 1815. E. Intaglio, with impression, from Poniatowski Collection, early nineteenth century. Bottom row, left to right: F. Impression of an intaglio, by Luigi Pichler. G. Impression of intaglio from the Poniatowski Collection.