Nogent-le-Rotrou roman et gothique
Edited by Éliane Vergnolle. 272 pp. incl.
320 col. + b. & w. ills. (Bibliothèque de la
Société Française d’Archéologie, Paris,
2022), €30. ISBN 978–2–901837–94–7. |
:
Bijoux du quotidien: Un trésor picard
redécouvert
By Julie Rohou and François Séguin. 104 pp. incl.
120 col.+ b. & w. ills. (Les éditions de la Rmn-GP,
Paris 2021), €25. ISBN 978–2–7118–7839–0. |
:
Mobilier du Moyen Âge et de la
Renaissance: La collection du musée
du Louvre
By Agnès Bos. 456 pp. incl. 536 col. + 46 b. & w. ills.
(Musée du Louvre and Somogy Editions d’art,
Paris, 2019), €59. ISBN 978–2–7572–1453–4. |
:
Illustrations
Attributed works:
3. Armoire, possibly by Hugues Sambin. 1590–
1600. Walnut, 190.5 by 160 by 55 cm. (Musée
du Louvre, Paris; photograph Philippe Fuzeau).
Exhibition Review
Embroidery in the Middle Ages. Musée de Cluny, Paris
4. Fragment of
an antependium
or wall-hanging
showing Apostles.
Linen, embroidery
and polychrome
silk, 83 by 59 cm.
(Victoria and
Albert Museum,
London; exh.
Musée de Cluny,
Paris).
Western art unattributed:
6. Virgin and child
clothed in the sun
with the moon at
her feet. Germany
(?), c.1500. Canvas,
silk thread,
gold- and silverwrapped
thread,
pearls, metal and
glass appliqués,
68 by 47 by 2 cm.
Musées Royaux
d’Art et d’Histoire,
Brussels; exh.
Musée de Cluny,
Paris).
13. The Meeting of David and Abigail, by Guido Reni. c.1615–20, Canvas, 155.5 by 163.8 cm. (Chrysler Museum of Art, Norfolk VA; exh. New Orleans Museum of Art).
Attributed works:
14. Allegory of Philippe II, duc d’Orléans, Regent of the Realm, by Antoine Dieu. 1718. Canvas, 106 by 77 cm. (Musée National du Château de Versailles; exh. New Orleans Museum of Art).
Attributed works:
15. Preciosa recognised, by Godfried Schalcken. Late 1660s. Panel, 44.2 by 31.2 cm. (National Gallery of Ireland, Dublin; exh. New Orleans Museum of Art).
Book Review
Pliny the Elder and the Emergence of Renaissance Architecture. By Peter Fane-Saunders
1. Portrait of a young woman, by Amedeo Modigliani. Here dated 1918–19. Canvas, 45.7 by 28 cm. (Yale University Art Gallery, New Haven).
Attributed works:
10. Infra-red reflectography detail of the background of Fig.9, showing underdrawing and pentimenti (photograph Pedro Campos and Márcia Rizzutto).
Attributed works:
11. Portrait of the artist’s wife, Jeanne Hébuterne, by Amedeo Modigliani. 1918 (1919?). Canvas, 101 by 65.7 cm. (Norton Simon Museum, Pasadena).
Attributed works:
2. Head of Jeanne Hébuterne, by Amedeo Modigliani. 1918. Canvas, 46 by 29 cm. (Private collection).
Attributed works:
3. X-radiograph of Fig.1.
Attributed works:
4. Infra-red photograph of Fig.1.
Attributed works:
5. Infra-red reflectogram of Fig.8.
Attributed works:
6. Transmitted light photograph of Fig.8.
Attributed works:
7. Raking light detail photograph of Fig.8.
Attributed works:
8. Jeanne Hébuterne, by Amedeo Modigliani. 1919. Canvas, 91.4 by 73 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. Self-portrait, by Amedeo Modigliani. 1919. Canvas, 100 by 64.5 cm. (Museum of Contemporary Art of the University of São Paulo; photograph Pedro Campos and Márcia Rizzutto).
Attributed works:
[Appendix. Summary of the results of pigment, media, ground preparation and varnish analyses, and of the canvas thread counts.]
Book Review
The Painted Book in Renaissance Italy, 1450–1600. By Jonathan J.G. Alexander
47. Three fragments of a decorated border with a roundel of Laocoön and his sons, attributed to the 'Pallavicini Master'. After 1506 (Private collection)
Book Review
Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art. By Timothy Wilson
42. Wide-rimmed bowl painted with Perseus and Andromeda, here attributed to the painter signing 'F.R.' (Francesco Xanto Avelli?). Probably Urbino. c.1522-25 (Metropolitan Museum of Art, New York, acc. no.65.6.9)