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53 articles
Book Review
Il Mobile a Roma dal Rinascimento al Barocco
01/2023 | 1438 | 165
Pages: 95-96
related names
Reviewer:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Subjects
places:
Reviewed Items
subjects:
Il Mobile a Roma dal Rinascimento al Barocco By Alvar González-Palacios. 507 pp. incl. 253 col. + 126 b. & w. ills. (Ugo Bozzi Editore, Rome, 2022), €33. ISBN 978–88–7003–067–9. | :
Illustrations
Attributed works:
4. Cabinet by Giacomo Herman. 1669–78, on an early 18th-century giltwood console table. Ebony veneer, mounted with lapis lazuli, jasper, gilt bronze and 14 gouache miniature paintings depicting views of Rome, and incorporating a clock by Giovanni Wenderlino Hessler and a virginal by Giovanni Battista Mambriani, dated 1676, 284 by 172 by 72.5 cm. (Private collection).
Article
A set of ebony and ivory inlaid furniture for the Duke of Urbino
06/2022 | 1431 | 164
Pages: 546-557
related names
Author:
Tavella, Mario (Tavella, Mario)
Subjects
dates:
media:
Illustrations
Attributed works:
1. The studiolo shown in Fig.2 and the credenza shown in Fig.9 reunited. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
10. Hinged panel from the top of one of the della Rovere cabinets, attributed to Giorgio Tedesco and Giulio Lupi, c.1599, incorporated into a base made c.1656–67. Ebony inlaid with ivory, 25 by 35 cm. (Private collection).
Attributed works:
11. The studiolo shown in Fig.2 and the credenza shown in Fig.9. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
12. The credenza shown in Fig.9 opened.
Attributed works:
13. The credenza on the base, as it appeared at auction in Belgium in 1951. The base is in a private collection.
Attributed works:
14. Hinged panel from the top of one of the della Rovere cabinets, attributed to Giorgio Tedesco and Giulio Lupi. c.1599, altered to include the grand ducal crown and incorporated into the top of the prie-dieu shown in Fig.8, c.1656–67. Ebony inlaid with ivory, 32 by 57 cm. (Galleria Nazionale delle Marche, Urbino).
Attributed works:
15. Hinged panel from the top of one of the della Rovere cabinets, attributed to Giorgio Tedesco and Giulio Lupi. c.1599. Ebony inlaid with ivory, in a giltwood frame, 28.5 by 39 cm. (Private collection).
Attributed works:
2. Studiolo with cerquate decoration, attributed to Giorgio Tedesco and Giulio Lupi. c.1599. Ebony inlaid with ivory, 67 by 73 by 45 cm. (Galleria Nazionale delle Marche, Urbino; photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
3. The studiolo shown in Fig.2 opened. (Galleria Nazionale delle Marche, Urbino. Photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
4. Francesco Maria II della Rovere, Duke of Urbino, by Giorgio Picchi. c.1590. Oil on canvas, 130 by 97 cm. (Altomani & Sons, Pesaro).
Attributed works:
5. Top of the table shown in Fig.6. Ebony inlaid with ivory, 83 by 133 cm. (Private collection; © Sotheby’s).
Attributed works:
6. Table, attributed to Giorgio Tedesco and Giulio Lupi. c.1596–97. Ebony inlaid with ivory, 83 by 133 by 83 cm. (Private collection; © Sotheby’s).
Attributed works:
7. Detail of the hinged panel on the top of the studiolo shown in Fig.2. (Galleria Nazionale delle Marche, Urbino; photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
8. Prie-dieu. Florence, c.1656–67, incorporating panels attributed to Giorgio Tedesco and Giulio Lupi, c.1599. Ebony inlaid with ivory, 92 by 74 by 80 cm. (Galleria Nazionale delle Marche, Urbino; photograph Claudio Ripalti – MIC, GNdM-Urbino).
Attributed works:
9. Credenza with cerquate decoration, attributed to Giorgio Tedesco and Giulio Lupi. c.1599. Ebony inlaid with ivory, 74.5 by 72 by 46 cm. (Private collection, on loan to the Galleria Nazionale delle Marche, Urbino).
Article
Anthonie Palamedes’s paintings for the Delft Surgeons’ Guildhall
02/2021 | 1415 | 163
Pages: 119-127
related names
Author:
Rosen, Jochai (Rosen, Jochai)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
1. Portrait of a group of surgeons supervising the amputation of a leg, by Anthonie Palamedes. c.1658. Oil on panel, 95 by 65 cm. (Photograph RKD, Netherlands Institute for Art History, The Hague).
Attributed works:
10. Title page of J. Veslingius: Konstige ontleding des menschelijken lichaems, Amsterdam 1661. (National Museum Boerhaave, Leiden).
Attributed works:
11. Deceased conjoined twins, by Anthonie Palamedes. 1669. Oil on canvas. (Anatomical Museum, Leiden University Medical Center).
Attributed works:
12. Two dead foetuses, by Anthonie Palamedes. 1658. Oil on canvas. (Anatomical Museum, Leiden University Medical Center).
Attributed works:
13. Deathbed portrait of conjoined twins, by Evert van der Maes. c.1628. Oil on canvas, 54 by 65.5 cm. (Haags Historisch Museum, The Hague).
Attributed works:
2. Portrait of a group of surgeons supervising a trepanation, by Anthonie Palamedes. c.1658. Oil on panel, 95 by 65 cm. (Photograph RKD, Netherlands Institute for Art History, The Hague).
Attributed works:
3. Detail of Caring for the sick, by Domenico di Bartolo, showing a man being washed before an operation. 1440. Fresco, height approx. 450 cm. (Pellegrinaio, Spedale di S. Maria della Scala, Siena; Bridgeman Images).
Attributed works:
4. Frontispiece of Franciscus Arcaeus: De recta curandorum vulnerum atque febrium ratione tractatus brevis & succinctus, Amsterdam 1658. (Leiden University, Special Collections).
Attributed works:
5. Serratura, by Hans Wechtlin, from H. von Gersdorf: Feldbuch der Wundartznei, Strasbourg 1528. Woodcut, 30 by 20 cm.
Attributed works:
6. Amputation scene. After a design for the frontispiece of P. Barbette: Opera chirurgico-anatomica, ad circularem sanguinis motum, aliaque recentiorum inventa, accommodata, Leiden 1672.
Attributed works:
7. Amputation scene, from W. Hildanus: De Gangraena et Sphacelo, Tractatus Methodicus, 1617.
Attributed works:
8. Acts of medicine and surgery including the amputation of a leg below the knee, by Jost Amman. c.1565. Woodcut. (National Library of Medicine, Bethesda MD).
Attributed works:
9. The physician as God, from a series of four engravings, Allegories of the medical profession, by the workshop of Hendrick Goltzius. c.1587. Engraving, 17.8 by 22.8 cm. (Rijksmuseum, Amsterdam).
Article
Neo-classicism in technicolour: the Melbourne cabinets
06/2019 | 1395 | 161
Pages: 464-473
related names
Author:
Bowett, Adam (Bowett, Adam)
Author:
Savill, Rosalind (Savill, Rosalind)
Subjects
dates:
media:
museums and institutions:
styles:
Illustrations
Attributed works:
1. Cabinet, one of a pair, attributed to Thomas Chippendale. c.1772. Mahogany, deal and oak, with veneers of holly and other woods, 238 by 114 by 53 cm. (Firle Place, East Sussex).
Attributed works:
10. Square compotier, one of four. 1770–71. Sèvres soft-paste porcelain, 21 by 21 cm. (Firle Place, East Sussex).
Attributed works:
11. Shell-shaped compotier, one of four. 1770–71. Sèvres soft-paste porcelain, width 22 cm. (Firle Place, East Sussex).
Attributed works:
12. Round compotier, one of four. 1770–71. Sèvres soft-paste porcelain, diameter 21 cm. (Firle Place, East Sussex).
Attributed works:
13. Oval compotier (jatte Anglaise), one of four. 1770–71. Sèvres softpaste porcelain, 31 by 23.5 centimetres. (Firle Place, East Sussex).
Attributed works:
14. Sugar bowl, one of a pair. 1770–71. Sèvres soft-paste porcelain, Bowl 12 by 15 cm., platter 23 by 18.5 cm. (Firle Place, East Sussex).
Attributed works:
15. Liqueur cooler, one of a pair. 1770–71. Sèvres soft-paste porcelain, 31 by 31 by 14.5 cm. (Firle Place, East Sussex).
Attributed works:
16. Wine bottle cooler, one of a pair. 1770–71. Sèvres soft-paste porcelain, 15 by 20 cm. (Firle Place, East Sussex).
Attributed works:
2. One of the cabinets, photographed at Panshanger, Hertfordshire, in 1935. (Country Life Picture Library).
Attributed works:
3. Commode, attributed to Thomas Chippendale. c.1772. Mahogany, deal and oak, with veneers of holly and other woods, 94 by 226 by 62.5 cm. (Renishaw Hall, Derbyshire, reproduced by kind permission of Mrs Alexandra Hayward).
Attributed works:
4. Detail of Fig.6, showing the ram’s head tripods in mulberry. (Oliver Bowett).
Attributed works:
5. Detail of Fig.6. (Oliver Bowett).
Attributed works:
6. Opposite Digital reconstruction of the original marquetry colours of the cabinet illustrated in Fig.1, based on UV-Vis analysis. (Oliver Bowett).
Attributed works:
7. Detail of Fig.16, showing a cherub with a copy of Hamlet.
Attributed works:
8. Detail of Fig.13, showing a trophy of arms and armour.
Attributed works:
9. Salad bowl, one of two. 1770–71. Sèvres soft-paste porcelain, diameter 23 cm. (Firle Place, East Sussex).
Exhibition Review
Thomas Chippendale studies 1968–2018: reflections on his 300th anniversary
09/2018 | 1386 | 160
Pages: 734-739
related names
Reviewer:
Goodison, Nicholas (Goodison, Nicholas)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
1. Opposite Secretaire, by Thomas Chippendale. 1773. Mahogany with Chinese lacquer and English japanning, 86 by 136 by 43 cm. (Leeds Museums and Galleries, Temple Newsam House).
Attributed works:
2. Drawing for three chairs by Thomas Chippendale. 1753. Pen and grey wash on paper, 20.3 by 33 cm. (The Chippendale Society).
Attributed works:
3. Card table, by Thomas Chippendale. 1759. Mahogany and oak, 75 by 89 by 46 cm. (closed). (Dumfries House Trust).
Attributed works:
4. Armchair, by Thomas Chippendale. 1767. Mahogany, 96 by 63.5 by 65 cm. (Nostell Priory, The National Trust).
Attributed works:
5. Armchair, by Thomas Chippendale. c.1774. Gilt limewood with tapestry covers. 105 by 70 by 74 cm. (Newby Hall, Yorkshire).
Attributed works:
6. Armchair, attributed to Gillows, based on a plate XVII of The Gentleman and Cabinet-Maker’s Director by Thomas Chippendale, London 1762. 1784. Mahogany, 101.6 by 58.4 by 47.5 cm. (Birmingham Museums Trust, Soho House).
Attributed works:
7. Digital reconstruction of Fig.8, to show the original appearance of the marquetry.
Attributed works:
8. Top of a pier table, by Thomas Chippendale. c.1772. Veneered mahogany, 60 by 196 cm. (The Chippendale Society).
Attributed works:
9. Commode, by Thomas Chippendale. c.1773. Veneered mahogany with gilt-brass mounts, 94 by 228.6 by 63.5 cm. (Renishaw Hall, Derbyshire).
Exhibition Review
Kwab: Dutch Design in the Age of Rembrandt. Rijksmuseum, Amsterdam
09/2018 | 1386 | 160
Pages: 781-783
related names
Reviewer:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Subjects
art literature:
dates:
museums and institutions:
Illustrations
Attributed works:
13. Ewer, by Adam van Vianen. Utrecht, 1614. Silver-gilt, height 25 cm. (Rijksmuseum, Amsterdam).
Attributed works:
14. Detail of the choir screen in the Nieuwe Kerk, Amsterdam, designed by Johannes Lutma the Elder. c.1654. Brass, (Nieuwe Kerk, Amsterdam; exh. Rijksmuseum, Amsterdam).
Western art unattributed:
15. Railing. Probably Amsterdam, c.1650. Walnut, height 66.5 cm. (Museum Boijmans van Beuningen, Rotterdam; exh. Rijksmuseum, Amsterdam).
Exhibition Review
Charles Rennie Mackintosh: Making the Glasgow Style. Kelvingrove Art Gallery and Museum, Glasgow
08/2018 | 1385 | 160
Pages: 681-684
related names
Reviewer:
Donnelly, Max (Donnelly, Max)
Subjects
dates:
Illustrations
Attributed works:
22. Book binding for L’Evangile de L’Enfance de Notre Seigneur Jésus Christ, by Jessie M. King. c.1900–01. Tooled vellum with gilding, 30.6 cm by 23.5 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Attributed works:
23. Stencil card for the decoration of the Hill House, Helensburgh, designed by Charles Rennie Mackintosh and made by Guthrie & Wells. 1904. Card and paint, 54 cm by 41.5 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Attributed works:
24. Water sprite, designed by William Gibson Morton and probably made by William Stewart. 1895– 96. Leaded coloured glass, 72 cm by 64.2 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Exhibition Review
Thomas Chippendale
05/2018 | 1382 | 160
Pages: 414-416
Subjects
dates:
media:
places:
Illustrations
Attributed works:
10. Armchair from a set of twelve by Thomas Chippendale. c.1774. Carved and gilded limewood, with the original tapestry covers, 105 by 70 by 74 cm. (Newby Hall, Yorkshire; exh. Leeds City Museum).
Attributed works:
11. Pier table made for the Yellow Damask Sitting Room at Harewood House, Yorkshire, by Thomas Chippendale. 1775. Various woods, the frame originally silvered, 95 by 235 by 67 cm. (Private collection; exh. Leeds City Museum).
Attributed works:
12. Library armchair from a set of six by Thomas Chippendale. 1768. Mahogany, originally covered in ‘Green hair Cloth’, 96 by 68 by 59 cm. (Nostell Priory, Yorkshire, The National Trust; exh. Leeds City Museum).
Attributed works:
13. Cabinet, one of a pair made for Melbourne House, London, by Thomas Chippendale. c.1773. Mahogany and various woods, 238 by 114 by 53 cm. (The Trustees of the Firle Estate Settlement; exh. Leeds City Museum).
Letter
A painted cabinet in Edinburgh
02/2017 | 1367 | 159
Pages: 132
related names
Author:
Hopkinson, Martin (Hopkinson, Martin; Hopkinson, Martin)
Subjects
dates:
Illustrations
Western art unattributed:
60. The cloud cabinet. c.1877-78 (National Museum of Scotland, Edinburgh)
Article
Two Antwerp cabinets decorated by Victor Wolfvoet II
10/2016 | 1363 | 158
Pages: 793-802
related names
Author:
Martin, Gregory (Martin, Gregory)
Author:
Schepers, Bert (Schepers, Bert)
Subjects
dates:
Illustrations
Attributed works:
27. Allegory of the benefits of peace, by Victor Wolfvoet II. c.1645 (Museo Nacional de San Carlos/INBA, Mexico City)
Attributed works:
28. Cabinet, decorated with paintings by Victor Wolfvoet II and/or his studio. c.1645 (Rijksmuseum, Amsterdam)
Attributed works:
29. Cabinet, decorated with paintings by Victor Wolfvoet II and/or his studio. c.1645 (Rubenshuis, Antwerp)
Attributed works:
30. Allegory of the benefits of peace, by Victor Wolfvoet II and/or his studio. c.1645 (Whereabouts unknown; copyright Christie's Images Limited 2015)
Attributed works:
31. Allegory of the benefits of peace, attributed to by Victor Wolfvoet II. c.1645 (Whereabouts unknown; copyright Christie's Images Limited 2015)
Attributed works:
32. Peace, crowned, attended by Abundance and Justice, by Victor Wolfvoet II (Rijksmuseum, Amsterdam)
Attributed works:
33. Cephalus and Procris, by Victor Wolfvoet II and/or studio. Decoration on a drawer in the cabinet illustrated in Fig.28 (Rijksmuseum, Amsterdam)
Attributed works:
34. Cephalus and Procris, by Victor Wolfvoet II and/or studio. Decoration on a drawer in the cabinet illustrated in Fig.29 (Rubenshuis, Antwerp)
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