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3 articles
Short Notice
A newly discovered portrait by William Nicholson
04/2020 | 1405 | 162
Pages: 319-320
related names
Author:
McBurney, Henrietta (McBurney, Henrietta)
Author:
Sutherland, Gillian (Sutherland, Gillian)
Subjects
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
4. Blanche Athena Clough, by William Nicholson. 1924. Oil on canvas, 89 by 68.5 cm. (Courtesy the Principal and Fellows of Newnham College, Cambridge).
Attributed works:
5. Blanche Athena Clough, by William Nicholson. 1924. Oil on canvas, 90.4 by 70.2 cm. (Courtesy the Principal and Fellows of Newnham College, Cambridge).
Attributed works:
6. Letter from William Nicholson to Cathleen Mann. Undated [1924]. Pen on paper. (Private collection; repr. in P. Reed: William Nicholson Catalogue Raisonn  of the Oil Paintings, New Haven and London 2011, p.415, fig.149).
Attributed works:
7. Blanche Athena Clough, by William Rothenstein. 1928. Black and white chalk on buff paper, 28.8 by 19 cm. (Courtesy the Principal and Fellows of Newnham College, Cambridge).
Article
A newly discovered variant at Eton College of the Queen Elizabeth I Sieve portrait
10/2014 | 1339 | 156
Pages: 640-659
related names
Author:
Kimbriel, Christine Slottved (Kimbriel, Christine Slottved)
Author:
McBurney, Henrietta (McBurney, Henrietta)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
11. Digital overlay of faces in Fig.3 and the 'Darnley' portrait of Queen Elizabeth I, by a Continental artist (National Portrait Gallery, London; overlay by Christine Slottved Kimbriel)
Attributed works:
3. Sieve portrait of Queen Elizabeth I, by Quentin Metsys (Pinacoteca Nazionale, Siena; image reproduced by kind permission of the Ministero per i Beni e le attività Culturali; photograph copyright of the Soprintendenza B.S.A.E. di Siena e Grosseto)
Attributed works:
7. Detail of the brooch in Fig.3 (Pinacoteca di Siena)
Attributed works:
8. Detail of the pendant jewel in the Portrait of Queen Mary I, by Hans Eworth (By permission of the Society of Antiquaries of London)
Western art unattributed:
1. Sieve portrait of Queen Elizabeth I, English school, 1580s (Eton College; by permission of the Provost and Fellows of Eton College; photograph by C. Titmus; copyright of the Hamilton Kerr Institute, University of Cambridge)
Western art unattributed:
10. Detail of the pendant jewel in Fig.1 (Photograph by C. Titmus; copyright of the Hamilton Kerr Institute, University of Cambridge)
Western art unattributed:
12. Diagram showing relationship between face patterns of Sieve portraits (Christine Slottved Kimbriel)
Western art unattributed:
13. View of the Provost's parlour, Eton College, showing Fig.1 hanging on the wall at the left. Photograph of 1926 (Eton College Photographic Archive; by permission of the Provost and Fellows of Eton College)
Western art unattributed:
14. Detail of red-mantled table before removal of overpaint in Fig.1 (Photograph by C. Titmus; copyright of the Hamilton Kerr Institute, University of Cambridge)
Western art unattributed:
15. Detail of globe with partial removal of overpaint in Fig.1 (Photograph by C. Titmus; copyright of the Hamilton Kerr Institute; University of Cambridge)
Western art unattributed:
2. X-radiograph of Fig.1 made in 1965 showing the globe (Heinz Archive, National Portrait Gallery, London)
Western art unattributed:
4. Sieve portrait of Queen Elizabeth I, English school, 1580s (Private collection, Chicago; by kind permission of the owner; photograph copyright of K. Ara)
Western art unattributed:
5. Sieve portrait of Queen Elizabeth I, English school, 1580s and later (Uppingham School; by kind permission of Uppingham School)
Western art unattributed:
6. Fig.1 before conservation treatment (Eton College; by permission of the Provost and Fellows of Eton College; photograph by C. Titmus; copyright of the Hamilton Kerr Institute, University of Cambridge)
Western art unattributed:
9. Detail of the brooch in Fig.4 (Photograph copyright of K. Ara)
Short Notice
The Later History of Cassiano dal Pozzo's 'Museo Cartaceo'
08/1989 | 1037 | 131
Pages: 549-553
related names
Author:
McBurney, Henrietta (McBurney, Henrietta)
Subjects
collectors and dealers:
dates:
dates:
museums and institutions:
places:
Illustrations
Western art unattributed:
40. Bittern of Young Heron, Italian, Seventeenth Century. Water-Colour and Body-Colour, 44.4 by 30.5 cm. (Location Unknown).
Western art unattributed:
41. White Stork, Italian, Seventeenth Century. Water-Colour and Body-Colour, 44.7 by 34.1 cm. (Courtauld Institute Galleries, London).
Western art unattributed:
42. Ferret, Italian, Seventeenth Century. Water-Colour and Body-Colour over Black Chalk on Blue Paper, 10.6 by 31.4 cm. (Location Unknown).
Western art unattributed:
43. Leg and Feather of a White Stork, Italian, Seventeenth Century. Water-Colour and Body-Colour over Black Chalk, 38.1 by 22.8 cm. (Royal Library, Windsor).
Western art unattributed:
44. Shrike, Italian, Seventeenth Century. Water-Colour and Body-Colour, Inscribed in Brown Ink, 15.5 by 22 cm. (Location Unknown).
Western art unattributed:
45. Head of a European White Pelican, Italian, Seventeenth Century. Water-Colour and Body-Colour over Black Chalk, 35.5 by 54.4 cm. (Royal Library, Windsor).
Western art unattributed:
46. Greek Mint, Italian, Seventeenth Century. Water-Colour and Body-Colour, Inscribed in Brown Ink, 41.9 by 26.8 cm. (Private Collection, Italy).
Western art unattributed:
47. Horseshoe Crab, Italian, Seventeenth Century. Water-Colour and Body-Colour, Inscribed in Brown Ink. (Size and Location Unknown).
Western art unattributed:
48. Head of a White Stork, Italian, Seventeenth Century. Water-Colour and Body-Colour, 21 by 27.4 cm. (Royal Library, Windsor).
Western art unattributed:
49. Deformed Artichoke, Italian, Seventeenth Century. Pen and Brown Ink, 23.9 by 19.9 cm. (Royal Library, Windsor).
Western art unattributed:
50. Broccoli, Italian, Seventeenth Century. Water-Colour and Body-Colour over Black Chalk. 34.2 by 46.5 cm. (Royal Library, Windsor).