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287 articles
Book Review
Die Bronzen des Massimiliano Soldani Benzi (1656–1740): Representationsstrategien des europäischen Adels um 1700
11/2024 | 1460 | 166
Pages: 1195
related names
Reviewer:
Avery, Charles (Avery, Charles)
Subjects
art literature:
Reviewed Items
subjects:
Die Bronzen des Massimiliano Soldani Benzi (1656–1740): Representationsstrategien des europäischen Adels um 1700 By Carina A.E. Weißmann. 501 pp. incl. 313 col. + b. & w. ills. (De Gruyter, Berlin and Boston, 2022), €95. ISBN 978–31–1069–365–2. | :
Book Review
Marcel Duchamp and the Lure of the Copy
11/2024 | 1460 | 166
Pages: 1183–1185
related names
Reviewer:
Hopkins, David (Hopkins, David)
Subjects
art literature:
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Marcel Duchamp and the Lure of the Copy By Paul B. Franklin. 234 pp. incl. numerous col. + b. & w. ills. (Peggy Guggenheim Collection and Marsilio Arte, Venice, 2024), £30. ISBN 979–12–5463–138–6. | :
Illustrations
Attributed works:
28. Marcel Duchamp with an incomplete example of Boîte-envalise at Peggy Guggenheim’s townhouse, New York, in August 1942. (From Time Magazine, 7th September 1942).
Attributed works:
29. Rotorelief no.5 – poisson japonais from the series Rotoreliefs (disques optiques), by Marcel Duchamp. 1935. Cardboard disk printed recto and verso in colour offset lithography, diameter 20 cm. (© Association Marcel Duchamp; private collection).
Attributed works:
30. Peigne (Comb), by Marcel Duchamp. 1964, replica of 1916 original readymade. Steel comb with painted inscription, 16.5 by 3 by 0.2 cm.; box, 18.5 by 5.7 by 1.8 cm. (© Association Marcel Duchamp; private collection).
Book Review
Guido Reni Guido Reni alla Galleria Borghese: Dopo la mostra gli studi
11/2024 | 1460 | 166
Pages: 1172–1176
related names
Reviewer:
Oy-Marra, Elisabeth (Oy-Marra, Elisabeth)
Subjects
art literature:
artists:
dates:
places:
styles:
Reviewed Items
subjects:
Guido Reni Edited by David García Cueto. 440 pp. incl. numerous col. + b. & w. ills. (Museo Nacional del Prado, Madrid, 2023), €37. ISBN 978–84–8480–590–8. | :
subjects:
Guido Reni alla Galleria Borghese: Dopo la mostra gli studi Edited by Francesca Cappelletti and Raffaella Morselli. 192 pp. incl. numerous col. + b. & w. ills. (Sagep Editori, Genoa, 2022), €40. ISBN 978–88–6373–928–2. | :
Illustrations
Attributed works:
17. Massacre of the Innocents, by Guido Reni. 1611. Oil on canvas, 268 by 170 cm. (Pinacoteca Nazionale di Bologna).
Attributed works:
18. Landscape with a country dance, by Guido Reni. 1603–06. Oil on canvas, 81 by 99 cm. (Galleria Borghese, Rome).
Attributed works:
19. Abduction of Helen, by Guido Reni. 1631. Oil on canvas, 253 by 265 cm. (Musée du Louvre, Paris).
Article
Authenticity issues with works by Vincent van Gogh
10/2024 | 1459 | 166
Pages: 1045–55
related names
Author:
Meedendorp, Teio (Meedendorp, Teio)
Author:
Oudheusden, Saskia van (Oudheusden, Saskia van)
Author:
Tilborgh, Louis van (Tilborgh, Louis van)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Self-portrait as a painter, by Vincent van Gogh. 1887–88. Oil on canvas, 61.5 by 50 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
10. Comparison of pink colours in the collars, left: Head of a woman with a green bonnet (Fig.8), right: Head of a woman (Fig.6).
Attributed works:
11. Comparison of lips, top: Head of a woman with a green bonnet (Fig.8), centre: Head of a woman (Fig.6).
Attributed works:
12. Detail of infra-red reflectogram of Head of a woman (Fig.6).
Attributed works:
14. Wood gatherers in the snow, by Vincent van Gogh. August/September 1884. Oil on canvas on panel, 67 by 126 cm. (Private collection).
Attributed works:
15. Reproduction of Fig.14 in Vincent van Gogh: 40 Photocollographies d’après ses tableaux et dessins, Amsterdam 1904, plate 19.
Attributed works:
17. Detail of Fig.14, showing the man in Van Gogh’s original painting.
Attributed works:
2. Interior of a restaurant, formerly attributed to Vincent van Gogh. Oil on canvas, 65 by 81 cm. (Private collection).
Attributed works:
3. Interior of the Grand Bouillon-Restaurant le Chalet, Paris, by Vincent van Gogh. November, early December 1887. Oil on canvas, 54 by 64.5 cm. (Private collection).
Attributed works:
4. Photo of Fig.3 from J.-B. de la Faille: Vincent van Gogh, Paris 1939, p.388.
Attributed works:
5. Portrait of Etienne-Lucien Martin, by Vincent van Gogh. November 1887. Oil on canvas, 65.8 by 54.5 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
6. Head of a woman, by an unknown artist. Early 20th century, probably between 1902 and 1909. Oil on canvas on panel, 40 by 29.9 cm. (Private collection).
Attributed works:
7. Reproduction of ‘Frau mit grüner Haube’, from Kunst und Künstler 12 (1914), p.596.
Attributed works:
8. Head of a woman with a green bonnet, by Vincent van Gogh. Late 1884–early 1885. Oil on canvas on panel, 40.1 by 29.6 cm. (Private collection).
Attributed works:
9. Red: Head of a woman with a green bonnet (Fig.8); green: Head of a woman (Fig.6). (Overlay Heleen van Driel, Van Gogh Museum).
Western art unattributed:
13. Wood gatherer, formerly attributed to Vincent van Gogh. Pencil and watercolour on laid paper, 32.5 by 25 cm. (Private collection).
Western art unattributed:
16. Detail of Fig.15, showing the highlights on the man’s clothing.
Article
Guercino’s ‘Moses’: a recent addition to the artist’s ‘prima maniera’
09/2024 | 1458 | 166
Pages: 912-20
related names
Author:
Treves, Letizia (Treves, Letizia)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
1. Moses, by Guercino. c.1618–19. Oil on canvas, 72 by 63 cm. (Rothschild Foundation, Waddesdon Manor, Buckinghamshire; photograph Moretti Fine Art).
Attributed works:
2. Detail of Fig.1.
Attributed works:
3. King David, by Guercino. c.1617–18. Oil on canvas, 88.5 by 72 cm. (Musée des Beaux-Arts de Rouen; Bridgeman Images).
Attributed works:
4. Head of an old man, by Guercino. c.1619–20. Oil on canvas, 63 by 48.3 cm. (Ashmolean Museum, Oxford).
Attributed works:
5. Elijah fed by ravens, by Guercino. 1620. Oil on canvas, 195 by 156.5 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
6. Moses, by Bernardino Cervi after Guercino. 1624. Engraving, 13.5 by 7.4 cm. (Fondo Corsini, Gabinetto Nazionale delle Stampe, Rome).
Attributed works:
7. Moses, by Adam Bartsch after Guercino. Engraving. (location unknown).
Attributed works:
8. Detail of Fig.9.
Attributed works:
9. Moses with raised hands; mount depicts a fanciful border with leaves, a shell, humanoid figures, and a cartouche that has been cut, by Jan de Bisschop. Brown wash and ink on antique laid paper, framing line in gold; mount: graphite, brown wash and gold, 26.3 by 22.1 cm. (mount), 39.5 by 22.5 cm. (including strip at bottom). (Fogg Art Museum, Harvard University, Cambridge MA; photograph President and Fellows of Harvard College).
Article
A medal of the Sun King by Claude I Ballin
05/2024 | 1454 | 166
Pages: 441–445
related names
Author:
Jouvet, Ludovic (Jouvet, Ludovic)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Louis XIV, by Henri de Villers after Claude I Ballin. 1754 (after a wax of 1672). Uniface bronze, diameter 165 mm. (with frame). (Private collection).
Attributed works:
2. Louis XIV, by Jean Warin. 1665. Marble, height 106 cm. (Château de Versailles).
Attributed works:
3. Abraham Simon, by Georges Vertue after G. Kneller. First half of the 18th century. Red chalk and wash on paper, 16 by 13.1cm. (British Museum, London).
Attributed works:
4. Louis XIV, by Robert Nanteuil. 1664. Engraving, 40.2 by 31.5 cm. (plate). (Bibliothèque nationale de France, Paris).
Attributed works:
5. Ferrante Loffredo, Marquess of Trevico. French, mid-16th century. Wax on glass, diameter 10 cm. (Frick Collection, New York).
Attributed works:
6. Louis XIV, by Francesco Bertinetti. 1672. Uniface bronze, diameter 140 mm. (Musée du Louvre, Paris).
Attributed works:
7. Claude Ballin orfèvre, by Jacques Lubin. c.1675–1700. Etching and engraving, 25.1 by 19.5 cm. (British Museum, London).
Attributed works:
8. Louis XIV, by Jean Warin. 1665. Gold, diameter 100 mm. (Bibliothèque nationale de France, Paris).
Attributed works:
9. Louis XIV, after Claude I Ballin. 1750–1800 (after a wax of 1672). Uniface bronze, diameter 165 mm. (Musée du Louvre, Paris).
Short Notice
The final years of John Michael Wright: new evidence from sale catalogues
04/2024 | 1453 | 166
Pages: 386–388
related names
Author:
Eade, Jane (Eade, Jane)
Subjects
Illustrations
Attributed works:
1. Portrait of a young lady, probably Lady Isabella Sydney, Viscountess Strangford (d.1663), attributed to John Michael Wright. Watercolour and chalk on paper, 26.4 by 20.2 cm. (Private collection).
Attributed works:
2. Lady Anne Percy, Lady Stanhope (1633–54) or Lady Isabella Sydney, Viscountess Strangford (d.1663), by Peter Lely. 1647–49. Oil on canvas, 123 by 99 cm. (Petworth House, West Sussex).
Attributed works:
3. Elizabeth Claypole (née Cromwell), by John Michael Wright. 1658. Oil on panel, 54 by 45.1 cm. (National Portrait Gallery, London).
Article
A rediscovered ‘Pietà’ by Andrea del Sarto
03/2024 | 1452 | 166
Pages: 236–243
related names
Author:
Franklin, David (Franklin, David)
Subjects
art literature:
artists:
dates:
Illustrations
Attributed works:
1. Infra-red image of Fig.2. (Courtesy Institute of Fine Arts, New York).
Attributed works:
2. Pietà, by Andrea del Sarto. c.1515. Oil on panel, 76.8 by 59 cm. (Private collection).
Attributed works:
3. Christ the Redeemer, by Andrea del Sarto. c.1511–12. Oil on panel, 47 by 27 cm. (SS. Annunziata, Florence; Bridgeman Images).
Attributed works:
4. Pietà, by Perugino. c.1494–98. Oil on panel, 71.8 by 92.6 cm. (Clark Art Institute, Williamstown MA).
Attributed works:
5. Pietà with three angels, by Agostino Veneziano after Andrea del Sarto. 1516. Engraving on paper, 28.8 by 21.9 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6. Two studies of a right hand, by Andrea del Sarto. c.1515. Red chalk on paper, 8 by 18.9 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
7. Baptism of the multitudes, by Andrea del Sarto. 1515–16. Fresco, 192 by 205 cm. (Chiostro del Scalzo, Florence; Bridgeman Images).
Article
Early copies on panel after Anthony van Dyck: new findings
02/2024 | 1451 | 166
Pages: 140–144
related names
Author:
Davies, Justin (Davies, Justin)
Subjects
dates:
Illustrations
Attributed works:
1. Charles I, Henrietta Maria, Charles, Prince of Wales and Princess Elizabeth, attributed to Remigius van Leemput, after Anthony van Dyck. After 1651. Oil on panel, 59.8 by 49.4 cm. (Woburn Abbey Collection, Bedfordshire).
Attributed works:
2. Gaspar Gevartius, after Anthony van Dyck. After 1648. Oil on panel, 26 by 20 cm. (Woburn Abbey Collection, Bedfordshire).
Attributed works:
3. Gaspar Gevartius, after Anthony van Dyck. After 1648. Oil on panel, 25.6 by 20 cm. (Rijksmuseum, Amsterdam).
Attributed works:
4. Prince Frederick Henry of Orange, after Anthony van Dyck. After 1670. Oil on panel, 25.4 by 19.9 cm. (Museum of Fine Arts, Budapest).
Attributed works:
5. Jan van Ravesteyn, after Anthony van Dyck. After 1671. Oil on panel, 25.4 by 20 cm. (Museum of Fine Arts, Budapest) .
Attributed works:
6. Jan van Ravesteyn, by Anthony van Dyck. Oil on panel, 24.8 by 18.1 cm. (Collection of the Duke of Buccleuch and Queensberry, Boughton House, Northamptonshire).
Short Notice
A ‘legacy to Mr Peter Lilly’: new light on the collaboration between Peter Lely and Remigius van Leemput
02/2024 | 1451 | 166
Pages: 163–165
related names
Shorter Notice by:
Innes-Mulraine, James (Innes-Mulraine, James)
Subjects
dates:
Illustrations
Attributed works:
1. Henry Hyde, 2nd Earl of Clarendon (1638– 1709), when Viscount Cornbury, with his first wife, Theodosia Capel (1640–62), by Remigius van Leemput after Peter Lely. c.1661–1710. Oil on panel, 36.8 by 47.4 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
2. Henry Hyde, Viscount Cornbury, later 2nd Earl of Clarendon (1638–1709) and his wife, Theodosia Capel, Viscountess Cornbury, by Peter Lely. Before 1662. Oil on canvas, 143 by 181.5 cm. (Private collection).
Attributed works:
3. Henry VII, Elizabeth of York, Henry VIII and Jane Seymour, by Remigius van Leemput. 1667. Oil on canvas, 88.9 by 99.2 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).
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