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593 articles
Short Notice
Antoine Caron and Italy
05/2025 | 1466 | 167
Pages: 478-81
related names
Author:
Ekserdjian, David (Ekserdjian, David; E., D.)
Subjects
dates:
Illustrations
Attributed works:
1. Massacre of the Triumvirate, by Antoine Caron. 1566. Oil on canvas, 116 by 195 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
2. Massacre of the Triumvirs, by Antoine Caron. c.1562. Oil on canvas, 142 by 177 cm. (Musée départemental de l’Oise, Beauvais; Bridgeman Images).
Attributed works:
3. Detail of Fig.2.
Attributed works:
4. Martyrdom of Sts Peter and Paul, by Giovanni Jacopo Caraglio after Parmigianino. 1524–27. Engraving, 26.5 by 45.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
5. Apollo Belvedere, by Antonio Lafrery after Marcantonio Raimondi. 1552. Engraving, 46.5 by 33.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6. Massacre of the Innocents, by Marco Dente after Baccio Bandinelli. 16th century. Engraving, 41.2 by 57.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
7. Niobid Pedagogue. Rome. First half of the 2nd century CE. Marble, height 164 cm. (Galleria degli Uffizi, Florence).
Article
A serendipitous discovery: a lost Italian portrait from Horace Walpole’s miniature cabinet
04/2025 | 1465 | 167
Pages: 368-375
related names
Editor:
Concin, Adriana (Concin, Adriana)
Subjects
collectors and dealers:
dates:
subjects:
subjects:
Illustrations
Attributed works:
1. The Walpole miniature cabinet, designed by Horace Walpole in collaboration with William Kent. 1873. Padouk veneered onto a pine carcase and set with carved ivory plaques, figures and mounts, 152.4 by 91.5 by 21.6 cm. (Victoria and Albert Museum, London).
Attributed works:
10. Visit of the Queen of Sheba to King Solomon, by Lavinia Fontana. 1599. Oil on canvas, 256 by 325 cm. (National Gallery of Ireland, Dublin).
Attributed works:
11. Detail of Fig.10.
Attributed works:
12. Fig.4, shown at actual size.
Attributed works:
2. Portrait after a miniature once in Horace Walpole’s collection at Strawberry Hill, by George Perfect Harding. c.1801–53. Watercolour on paper, 16.3 by 12.8 cm. (British Museum, London).
Attributed works:
3. Portrait of Bianca Cappello, after Jacopo Ligozzi. Pencil and watercolour on paper, 33.7 by 19.8 cm. (Lewis Walpole Library, Yale University, Farmington).
Attributed works:
4. Portrait of a noblewoman, here attributed to Lavinia Fontana. c.1580–90. Oil on copper, 5.5 by 4.75 cm. (Private collection).
Attributed works:
5. Directions for [ar]ranging the pictures in the Rosewood Cabinet in the Tribune, by Horace Walpole. c.1784. Pen and ink with pencil, 32.6 by 25.5 cm. (London Metropolitan Archives).
Attributed works:
6. The Tribune at Strawberry Hill, by John Carter. 1789. Watercolour on paper, 59.2 by 49.5 cm. (Yale Center for British Art, New Haven.)
Attributed works:
7. Disposition of the miniatures in the Rosewood Cabinet in the Tribune at Strawberry Hill, by John Carter. c.1784. Watercolour on paper, 32.6 by 27.5 cm. (From Horace Walpole’s copy of ‘A Description of the Villa of Mr Horace Walpole [. . .]’, London c.1784, fol.33 30; Lewis Walpole Library, Yale University, Farmington).
Attributed works:
8. Detail of Fig.7, showing the illustration of Fig.4 in Walpole’s miniature cabinet.
Attributed works:
9. Portrait of Bianca Cappello with her son Antonio, Alessandro Allori. c.1580. Oil on canvas, 128.4 by 100.5 cm. (Dallas Museum of Art).
Article
Two unpublished portraits by Lavinia Fontana
09/2024 | 1458 | 166
Pages: 893-99
related names
Author:
Denunzio, Antonio Ernesto (Denunzio, Antonio Ernesto)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Self-portrait in the studio, by Lavinia Fontana. 1579. Oil on canvas, diameter 15.7 cm. (Gallerie degli Uffizi, Florence; photo Scala, Florence; courtesy Ministero della Cultura).
Attributed works:
2. Carlo Sigonio, by Lavinia Fontana. 1581. Oil on canvas, 87 by 70 cm. (Private collection; photograph Archivio dell’Arte; Luciano and Marco Pedicini).
Attributed works:
3. Federico Pendasio, by Lavinia Fontana. 1581. Oil on canvas, 87 by 70 cm. (Private collection; photograph Archivio dell’Arte; Luciano and Marco Pedicini).
Attributed works:
4. Carlo Sigonio, by Lavinia Fontana. 1578. Oil on canvas, 122 by 95 cm. (Museo Civico, Modena).
Attributed works:
5. Federico Pendasio, copy after Lavinia Fontana. First quarter of the 17th century. Oil on canvas, 65 by 51cm. (Veneranda Biblioteca Ambrosiana, Milan; Bridgeman Images).
Attributed works:
6. Portrait of a scholar, by Lavinia Fontana. 1581. Oil on canvas, 87 by 72 cm. (Pinacoteca Nazionale, Bologna).
Book Review
The Smiling Walls: Dante e le arti figurative / Dante and the Visual Arts
09/2024 | 1458 | 166
Pages: 978-9
related names
Reviewer:
Ekserdjian, David (Ekserdjian, David; E., D.)
Subjects
dates:
subjects:
Reviewed Items
subjects:
The Smiling Walls: Dante e le arti figurative / Dante and the Visual Arts Edited by Rossend Arqués, Silvia Maddalo and Laura Pasquini. 544 pp. incl. 120 col. ills. (Brepols, Turnhout, 2023), €190. ISBN 978–2–503–59450–7. | :
Illustrations
Attributed works:
4. Dante and Virgil watching Ugolino della Gherardesca, Count of Donoratico, gnawing the neck of Archbishop Ruggieri. Fresco. 1446. (S. Giorgio di Campochiesa, Albenga).
Article
Expanding the oeuvre of the master metalsmith Orazio Fortezza
06/2024 | 1455 | 166
Pages: 570–579
related names
Author:
Turner-Vučetić, Flora (Turner-Vučetić, Flora)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Display plate with Michiel coat of arms, here attributed to Orazio Fortezza. (From sale, Sotheby’s, London, Valuable Renaissance Works of Art, p.12).
Attributed works:
10. Detail of Fig.2, showing a portrait here identified as Orazio Fortezza.
Attributed works:
11. Abduction of Helen, by Andrea Meldolla (also known as Schiavone). 1547. Etching, 40 by 51.6 cm. (British Museum, London).
Attributed works:
12. Detail of Fig.2, showing the central battle scene.
Attributed works:
13. Basin, by Orazio Fortezza (signed Oracio Fortezza). c.1560. Brass, height 11.5 cm. (Museo Correr, Venice).
Attributed works:
14. Detail of a ewer, by Orazio Fortezza, showing a portrait with initials in the medallion. c.1557. Brass. (Museo Bargello, Florence).
Attributed works:
15. Detail of Fig.4, showing the Roman commander Horatius Cocllite defending Rome at the Tiber Bridge.
Attributed works:
16. Detail of Fig.4, showing Torquatus fighting against the Gauls.
Attributed works:
17. Detail of Fig.2, showing the Roman commander Horatius Cocllite defending Rome at the Tiber Bridge.
Attributed works:
18. Detail of Fig.6, showing the battle between Publicola and Tarquin the Proud.
Attributed works:
2. Display plate with Foscari arms, here attributed to Orazio Fortezza. c.1560. Brass, engraved and inlaid with pitch, diameter 47.5 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Display plate, by Orazio Fortezza. 1555. Brass, engraved and partially inlaid with silver, diameter 48.3 cm. (British Museum, London).
Attributed works:
4. Salver, by Orazio Fortezza (signed Horacio Fortezza). 1562. Brass, diameter 46.2 cm. (Victoria and Albert Museum, London).
Attributed works:
5. Ewer, by Orazio Fortezza (signed Horativs Sibenici). c.1560. Brass, height 30 cm. (Victoria and Albert Museum, London).
Attributed works:
6. Display plate, by Orazio Foretzza (signed Oratio Fortezza). c.1572–75. Brass, diameter 47.5 cm. (City Museum, Šibenik).
Attributed works:
7. Detail of a ewer, by Orazio Fortezza, showing Suetonius in the bottomleft corner. c.1557. Brass. (Museo Bargello, Florence).
Attributed works:
8. Detail of Fig.2, showing a portrait here identified as Girolamo Contarini.
Attributed works:
9. Detail of Fig.2, showing a portrait here identified as Andrea Meldola (also known as Meldolla or Schiavone).
Book Review
Aiutando l’arte: Les inscriptions dans les décors post-tridentins d’Italie / Le iscrizioni nella pittura posttridentina italiana
03/2024 | 1452 | 166
Pages: 327–328
related names
Reviewer:
Fontana, Mauro Vincenzo (Fontana, Mauro Vincenzo)
Subjects
dates:
places:
Reviewed Items
subjects:
Aiutando l’arte: Les inscriptions dans les décors post-tridentins d’Italie / Le iscrizioni nella pittura posttridentina italiana Edited by Gwladys Le Cuff and Anne Lepoittevin. 323 pp. incl. 45 col. + 21 b. & w. ills. (Peter Lang, Brussels, 2022), £40. ISBN 978–2–8076–1780–3. | :
Article
Painting on stone in Rome in the sixteenth century
07/2023 | 1444 | 165
Pages: 738–753
related names
Author:
Donati, Andrea Gianluca (Donati, Andrea Gianluca)
Subjects
artists:
places:
Illustrations
Attributed works:
1. Clement VII, by Sebastiano del Piombo. c.1530–34. Oil on slate, 105.4 by 87.6 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
10. Design for the retablo of the Descalzas Reales, Madrid, by Gaspar Becerra. 1563. Brown ink, chalk and wash on paper, 87 by 50.5 cm. (Biblioteca Nacional, Madrid).
Attributed works:
11. Lucrezia, by Leonardo Grazia. c.1540–48. Oil on slate, 55 by 43 cm. (Galleria Borghese, Rome).
Attributed works:
12. Portrait of a young man (of the Orsini family?), by Daniele da Volterra. c.1545–50. Oil on slate, 54.5 by 40.5 cm. (Museo e Real Bosco di Capodimonte, Naples).
Attributed works:
13. Conversion of St Paul, by Taddeo Zuccaro. 1566. Oil on slate. (Cappella Frangipane, S. Marcello al Corso, Rome).
Attributed works:
14. Martyrdom of St Catherine of Alexandria, by Girolamo Siciolante da Sermoneta. 1565–66. Oil on slate, 305 by 188 cm. (Cappella Cesi, S. Maria Maggiore, Rome).
Attributed works:
15. Christ on the Mount of the Olives, by Marcello Venusti. After 1550. Oil on slate, 57 by 75 cm. (Gemäldegalerie, Berlin).
Attributed works:
16. St James the Elder, by Marcello Venusti. 1569–70. Oil on slate, 230 by 160 cm. (Cappella Salviati, Arciconfraternitata SS. Annunziata, S. Maria sopra Minerva, Rome).
Attributed works:
17. St Catherine of Alexandria, by Marcello Venusti. After 1566. Oil on slate, 164 by 82 cm. (Cappella Mutini, S. Agostino, Rome).
Attributed works:
18. Cardinal Alessandro Crivelli, by Marcello Venusti. c.1570–74. Oil on oval slate, height 46 cm. (S. Maria in Aracoeli, Rome).
Attributed works:
19. Cappella De Torres, S. Caterina de’ Funari, Rome. (Photograph Paolo Coen).
Attributed works:
2. Deposition, by Luca Penni. After 1542. Oil on slate, 73 by 153 cm. (Auxerre Cathedral).
Attributed works:
20. St John the Baptist, by Marcello Venusti. c.1575. Oil on slate, 260 by 165 cm. (Cappella De Torres, S. Caterina de’ Funari, Rome).
Attributed works:
21. Madonna in glory with the infant Christ, St Peter and St Paul, by Marcello Venusti. 1577. Oil on slate, 243 by 144 cm. (Chapel of Palazzo Senatorio, Rome).
Attributed works:
3. Nativity, by Francesco Salviati. c.1550. Oil on peperino, 176 by 172 cm. (Chapel of the Pallium, Palazzo della Cancellaria, Rome).
Attributed works:
4. Portrait of Roberto Strozzi, by Francesco Salviati. c.1556–57. Oil on Africano marble, diameter 13 cm. (Private collection).
Attributed works:
5. Portrait of a man with a gold coin, by Francesco Salviati. c.1556–57. Oil on slate, 82 by 53.5 cm. (Private collection).
Attributed works:
6. David and Goliath (obverse), by Daniele da Volterra. c.1550–56. Oil on slate, 133 by 172 cm. (Musée du Louvre, Paris).
Attributed works:
7. David and Goliath (reverse), by Daniele da Volterra. c.1550–56. Oil on slate, 133 by 172 cm. (Musée du Louvre, Paris).
Attributed works:
8. David and Goliath, possibly by Daniele da Volterra. After 1556. Oil on slate, 33.3 by 43.7 cm. (Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome).
Attributed works:
9. Baptism of Christ, by Daniele da Volterra and Michele Alberti. c.1556–74. Oil on slate, 360 by 230 cm. (Cardinal Ricci chapel, S. Pietro in Montorio, Rome).
Short Notice
A portrait of Frances Walsingham: identification and future research
06/2023 | 1443 | 165
Pages: 622-626
related names
Author:
Clifford, Elise Effmann (Clifford, Elise Effmann)
Subjects
dates:
subjects:
Illustrations
Attributed works:
3. Robert Devereux, Earl of Essex, by William Segar. c.1590. Oil on panel, 112 by 86 cm. (National Gallery of Ireland, Dublin).
Western art unattributed:
2. Portrait of a woman, here identified as Frances Walsingham, Lady Sidney. c.1585[?]. Oil on panel, 85.1 by 74 cm. (Fine Arts Museums of San Francisco).
Western art unattributed:
4. Reconstruction in Photoshop of the original inscription on the cartellino in Fig.3. (Courtesy Fine Arts Museums of San Francisco; photograph Randy Dodson).
Western art unattributed:
5. Macro detail of Fig.4, showing the craquelure and vanished letters. (Courtesy Fine Arts Museums of San Francisco; photograph Randy Dodson).
Western art unattributed:
6. Portrait of a woman, here identified as Frances Walsingham, Lady Sidney. c.1585[?]. Oil on panel, 91 by 76 cm. (Parham House, West Sussex; photograph Parham Park Ltd).
Article
The Buccleuch portrait of Sir Nicholas Carew re-examined
02/2023 | 1439 | 165
Pages: 120-127
related names
Author:
Kimbriel, Christine Slottved (Kimbriel, Christine Slottved)
Subjects
dates:
Illustrations
Attributed works:
1. Sir Nicholas Carew, by Hans Holbein the Younger. 1527. Black and coloured chalks on paper, 54.8 by 38.5 cm. (Kunstmuseum Basel).
Attributed works:
2. Sir Nicholas Carew, after Hans Holbein the Younger. c.1585–90. Oil on panel, 95.1 by 102.4 cm. (Collection of the Duke of Buccleuch; photograph Hamilton Kerr Institute).
Attributed works:
3. Infra-red image of Fig.1. (© Hamilton Kerr Institute).
Attributed works:
4. Digital overlay of Figs.1 and 2.
Attributed works:
5. Detail of Fig.2, showing the extreme bottom of the slashed skirt and the better-preserved blue paint with red glaze paint.
Attributed works:
6. Impresa of the Basel book printer Johann Froben, by Hans Holbein the Younger. c.1523. Tempera on unprimed canvas (Tüchlein), 44 by 31 cm. (Kunstmuseum Basel).
Attributed works:
7. The Prodigal Son, by Huybrecht Beuckelaer. 1563–84. Oil on canvas, 127.5 by 155.5 cm. (Musées royaux des Beaux-Arts de Belgique, Brussels).
Article
A portrait of the Lady Isabella by the hand of Bronzino
01/2023 | 1438 | 165
Pages: 26-37
related names
Author:
Edelstein, Bruce L. (Edelstein, Bruce L.)
Subjects
dates:
Illustrations
Attributed works:
1. Eleonora di Toledo with her son Giovanni, by Agnolo Bronzino. c.1545. Oil on panel, 115 by 96 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
10. Portrait of a lady with a cameo, by Alessandro Allori. Oil on panel, 123 by 97 cm. (Galleria degli Uffizi, Florence; Bridgeman Images).
Attributed works:
11. Portrait medal of Isabella de’ Medici Orsini, by Domenico Poggini. 1560. Bronze, diameter 4.9 cm. (Museo Nazionale del Bargello, Florence).
Attributed works:
12. Isabella de’ Medici as a young girl, by Agnolo Bronzino. c.1553. Oil on panel, 44 by 36 cm. (Nationalmuseum, Stockholm).
Attributed works:
13. Portrait of Isabella de’ Medici Orsini, by Alessandro Allori. After 1560. Oil on panel, 99 by 70 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
14. X-radiograph of Fig.2. (Courtesy Thierry Radelet Laboratory).
Attributed works:
2. Portrait of a woman, here identified as Isabella de’ Medici Orsini, here attributed to Agnolo Bronzino. c.1560. Oil on panel, 103.8 by 83.7 cm. (Private collection; courtesy Claudio Giusti).
Attributed works:
3. Portrait of a young lady, probably Camilla Martelli de’ Medici, by Alessandro Allori. 1570s. Oil on canvas mounted on board, 68.6 by 59.1 cm. (Saint Louis Art Museum).
Attributed works:
4. Infra-red reflectogram of Fig.2. (Courtesy Thierry Radelet Laboratory).
Attributed works:
5. Portrait of a young man, by Agnolo Bronzino. Mid-1530s or early 1540s? Oil on panel, 96 by 75 cm. (Metropolitan Museum of Art, New York; Bridgeman Images).
Attributed works:
6. Infra-red reflectogram of Fig.5.
Attributed works:
7. Portrait of a lady (Cassandra Bandini?), by Agnolo Bronzino. c.1550– 55. Oil on panel, 109 by 84 cm. (Galleria Sabauda, Turin).
Attributed works:
8. Bia de’ Medici, by Agnolo Bronzino. c.1542–45. Oil on panel, 64 by 48 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
9. Laura Battiferri, by Agnolo Bronzino. c.1560. 83 by 60 cm. (Museo di Palazzo Vecchio, Florence; Bridgeman Images).
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