1. Capture of the heretics, here attributed to Frans Floris. 1549.
Oil on canvas, 170 by 112 cm. (Private collection).
Attributed works:
10. Victory taming a barbarian, by Lambert Lombard. After 1536–37.
Pen, ink and black chalk on white paper, 25.5 by 12.9 cm (Arenberg and
Clérembault albums, Cabinet des Estampes et des Dessins, Liège).
Attributed works:
11. Giants attacking Olympus, by Balthasar Bos after Frans Floris.
1558. Engraving, 44.2 by 43.9 cm. (British Museum, London).
Attributed works:
2. Victory surrounded by prisoners and trophies, by Frans Floris. 1552.
Etching, 31.4 by 43.8 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. The triumphal arch of the Genoese nation, after Pieter Coecke van
Aelst. 1550. Woodcut, 22.6 by 20.5 cm. (From C. Grapheus: Le triomphe
d’Anvers faict en la susception du Prince Philips, Prince d’Espaign[e],
Antwerp 1550; Metropolitan Museum of Art, New York).
Attributed works:
4. Detail of Fig.1, showing physiognomies characteristic of Frans
Floris’s style.
Attributed works:
5. Detail of Fig.1, showing the texture of the palin-weave linen canvas.
Attributed works:
6. Infra-red reflectography of Fig.1. (Photograph Paolo Triolo).
Attributed works:
7. Detail of Fig.3, indicating the space allocated for the scene depicting
the Capture of the heretics.
Attributed works:
8. Detail of Mars and Venus surprised by Vulcan, by Frans Floris. 1547.
Oil on panel. (Formerly Staatliche Museen, Berlin; destroyed in Second
Word War).
Attributed works:
9. Column pedestal base on the north side of the Arch of
Constantine, Rome, showing Victory taming a barbarian.
(Courtesy Roberto Averardi).