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Book Review
Eleonora di Toledo e l’invenzione della corte dei Medici a Firenze
05/2024 | 1454 | 166
Pages: 510–512
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Reviewer:
Sterpetti, Lunarita (Sterpetti, Lunarita)
Subjects
art literature:
Exhibition catalogues
dates:
1520-1549 / 1550-1559
museums and institutions:
Galleria degli Uffizi, Florence, Italy
patrons:
Eleanor of Toledo, Duchess of Florence, 1522-1562
places:
Florence
subjects:
Italian art / Patronage / Commissions / Taste (aesthetics)
subjects:
Collecting / Collections
subjects:
Medici family
Reviewed Items
subjects:
Eleonora di Toledo e l’invenzione della corte dei Medici a Firenze Edited by Bruce Edelstein and Valentina Conticelli. 432 pp. incl. 390 col. + b. & w. ills. (Sillabe, Livorno, 2023), €35. ISBN 978–88–3340–347–2. | :
Illustrations
Attributed works:
4. Deposition, by Gérard David. 1515–20. Oil on panel, 20 by 14 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
5. Deity mask. Mexico, late 15th–early 16th century. Wood, resin, turquoise and motherof- pearl, 24 by 14.5 by 1.35 cm. (Museo delle Civiltà, Rome).
Book Review
Tudor Liveliness: Vivid Art in Post-Reformation England
03/2024 | 1452 | 166
Pages: 326–327
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Reviewer:
Goldring, Elizabeth (Goldring, Elizabeth)
Subjects
dates:
1520-1549 / 1550-1649
subjects:
English art / Tudor / Stuart
Reviewed Items
subjects:
Tudor Liveliness: Vivid Art in Post-Reformation England By Christina J. Faraday. 198 pp. incl. 120 col. + 4 b. & w. ills. (Paul Mellon Centre for Studies in British Art, London, 2023), £45. ISBN 978–1–913107–37–6. | :
Illustrations
Attributed works:
4. Unknown man clasping a hand from a cloud, by Nicholas Hilliard. 1588. Watercolour on vellum mounted on brown card, height 6 cm. (Victoria and Albert Museum, London; Bridgeman Images).
Article
The permanence of ephemera: a rediscovered fragment by Frans Floris
03/2024 | 1452 | 166
Pages: 244–251
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Author:
Galassi, Maria Clelia (Galassi, Maria Clelia; Galassi, M. C.)
Subjects
art literature:
Grapheus, Cornelius
artists:
Floris, Frans, the Elder, 1519-1570 / Coecke van Aelst, Pieter the elder, 1502-1550 / Vredeman de Vries, Hans / Lombard, Lambert
dates:
1520-1549
places:
Antwerp
sources:
Schiappalaria, Stefano Ambrogio
subjects:
Triumphal arches / Philip II, King of Spain, 1527-1598 / Flemish painting
Illustrations
Attributed works:
1. Capture of the heretics, here attributed to Frans Floris. 1549. Oil on canvas, 170 by 112 cm. (Private collection).
Attributed works:
10. Victory taming a barbarian, by Lambert Lombard. After 1536–37. Pen, ink and black chalk on white paper, 25.5 by 12.9 cm (Arenberg and Clérembault albums, Cabinet des Estampes et des Dessins, Liège).
Attributed works:
11. Giants attacking Olympus, by Balthasar Bos after Frans Floris. 1558. Engraving, 44.2 by 43.9 cm. (British Museum, London).
Attributed works:
2. Victory surrounded by prisoners and trophies, by Frans Floris. 1552. Etching, 31.4 by 43.8 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. The triumphal arch of the Genoese nation, after Pieter Coecke van Aelst. 1550. Woodcut, 22.6 by 20.5 cm. (From C. Grapheus: Le triomphe d’Anvers faict en la susception du Prince Philips, Prince d’Espaign[e], Antwerp 1550; Metropolitan Museum of Art, New York).
Attributed works:
4. Detail of Fig.1, showing physiognomies characteristic of Frans Floris’s style.
Attributed works:
5. Detail of Fig.1, showing the texture of the palin-weave linen canvas.
Attributed works:
6. Infra-red reflectography of Fig.1. (Photograph Paolo Triolo).
Attributed works:
7. Detail of Fig.3, indicating the space allocated for the scene depicting the Capture of the heretics.
Attributed works:
8. Detail of Mars and Venus surprised by Vulcan, by Frans Floris. 1547. Oil on panel. (Formerly Staatliche Museen, Berlin; destroyed in Second Word War).
Attributed works:
9. Column pedestal base on the north side of the Arch of Constantine, Rome, showing Victory taming a barbarian. (Courtesy Roberto Averardi).
Article
Painting on stone in Rome in the sixteenth century
07/2023 | 1444 | 165
Pages: 738–753
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Author:
Donati, Andrea Gianluca (Donati, Andrea Gianluca)
Subjects
artists:
Sebastiano del Piombo / Grazia, Leonardo / Venusti, Marcello / Salviati, Francesco / Becerra, Gaspar / Titian / Michelangelo
artists:
Penni, Luca
artists:
Daniele da Volterra
buildings:
Cappella Chigi, Santa Maria del Popolo, Rome, Italy / Palazzo della Cancelleria, Rome, Italy / San Pietro in Montorio, Rome, Italy / Santa Maria sopra Minerva, Rome, Italy / Santa Maria Maggiore, Rome, Italy / Santa Maria in Aracoeli, Rome, Italy / Palazzo del Vaticano, Rome, Italy
buildings:
Palazzo Senatorio, Rome, Italy / Santa Caterina de' Funari, Rome, Italy / Sant' Agostino, Rome, Italy
dates:
1520-1549 / 1550-1559 / 1550-1599
media:
Stone / Marble / Slate / Supports / Peperino / Porphyry / Frescoes / Murals
places:
Rome
subjects:
Oil painting (technique) / Altarpieces / Portraits
Illustrations
Attributed works:
1. Clement VII, by Sebastiano del Piombo. c.1530–34. Oil on slate, 105.4 by 87.6 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
10. Design for the retablo of the Descalzas Reales, Madrid, by Gaspar Becerra. 1563. Brown ink, chalk and wash on paper, 87 by 50.5 cm. (Biblioteca Nacional, Madrid).
Attributed works:
11. Lucrezia, by Leonardo Grazia. c.1540–48. Oil on slate, 55 by 43 cm. (Galleria Borghese, Rome).
Attributed works:
12. Portrait of a young man (of the Orsini family?), by Daniele da Volterra. c.1545–50. Oil on slate, 54.5 by 40.5 cm. (Museo e Real Bosco di Capodimonte, Naples).
Attributed works:
13. Conversion of St Paul, by Taddeo Zuccaro. 1566. Oil on slate. (Cappella Frangipane, S. Marcello al Corso, Rome).
Attributed works:
14. Martyrdom of St Catherine of Alexandria, by Girolamo Siciolante da Sermoneta. 1565–66. Oil on slate, 305 by 188 cm. (Cappella Cesi, S. Maria Maggiore, Rome).
Attributed works:
15. Christ on the Mount of the Olives, by Marcello Venusti. After 1550. Oil on slate, 57 by 75 cm. (Gemäldegalerie, Berlin).
Attributed works:
16. St James the Elder, by Marcello Venusti. 1569–70. Oil on slate, 230 by 160 cm. (Cappella Salviati, Arciconfraternitata SS. Annunziata, S. Maria sopra Minerva, Rome).
Attributed works:
17. St Catherine of Alexandria, by Marcello Venusti. After 1566. Oil on slate, 164 by 82 cm. (Cappella Mutini, S. Agostino, Rome).
Attributed works:
18. Cardinal Alessandro Crivelli, by Marcello Venusti. c.1570–74. Oil on oval slate, height 46 cm. (S. Maria in Aracoeli, Rome).
Attributed works:
19. Cappella De Torres, S. Caterina de’ Funari, Rome. (Photograph Paolo Coen).
Attributed works:
2. Deposition, by Luca Penni. After 1542. Oil on slate, 73 by 153 cm. (Auxerre Cathedral).
Attributed works:
20. St John the Baptist, by Marcello Venusti. c.1575. Oil on slate, 260 by 165 cm. (Cappella De Torres, S. Caterina de’ Funari, Rome).
Attributed works:
21. Madonna in glory with the infant Christ, St Peter and St Paul, by Marcello Venusti. 1577. Oil on slate, 243 by 144 cm. (Chapel of Palazzo Senatorio, Rome).
Attributed works:
3. Nativity, by Francesco Salviati. c.1550. Oil on peperino, 176 by 172 cm. (Chapel of the Pallium, Palazzo della Cancellaria, Rome).
Attributed works:
4. Portrait of Roberto Strozzi, by Francesco Salviati. c.1556–57. Oil on Africano marble, diameter 13 cm. (Private collection).
Attributed works:
5. Portrait of a man with a gold coin, by Francesco Salviati. c.1556–57. Oil on slate, 82 by 53.5 cm. (Private collection).
Attributed works:
6. David and Goliath (obverse), by Daniele da Volterra. c.1550–56. Oil on slate, 133 by 172 cm. (Musée du Louvre, Paris).
Attributed works:
7. David and Goliath (reverse), by Daniele da Volterra. c.1550–56. Oil on slate, 133 by 172 cm. (Musée du Louvre, Paris).
Attributed works:
8. David and Goliath, possibly by Daniele da Volterra. After 1556. Oil on slate, 33.3 by 43.7 cm. (Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome).
Attributed works:
9. Baptism of Christ, by Daniele da Volterra and Michele Alberti. c.1556–74. Oil on slate, 360 by 230 cm. (Cardinal Ricci chapel, S. Pietro in Montorio, Rome).
Article
Bronzino’s portrait of Cosimo I de’ Medici in armour re-examined
01/2023 | 1438 | 165
Pages: 4-15
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Author:
Dredge, Paula (Dredge, Paula)
Author:
Gérard-Austin, Anne (Gérard-Austin, Anne)
Author:
Howard, Daryl (Howard, Daryl)
Author:
Ives, Simon (Ives, Simon)
Subjects
artists:
Bronzino, Agnolo
dates:
1520-1549
museums and institutions:
Art Gallery of New South Wales, Sydney, Australia / Nelson-Atkins Museum of Art, Kansas City (MO), United States / Galleria degli Uffizi, Florence, Italy / J. Paul Getty Museum, Los Angeles, United States
patrons:
Cosimo I, Grand Duke of Tuscany, 1519-1574 / Giovio, Paolo, 1483-1552
subjects:
Italian art / Portraits / Technical analysis / Scanning macro X-ray fluorescence (MA-XRF) spectroscopy / Infrared reflectography / Pigments / Versions / Copies
Illustrations
Attributed works:
1. Cosimo I de’ Medici in armour, by Agnolo Bronzino. c.1545. Oil on poplar panel, 86 by 66.8 cm. (Art Gallery of New South Wales, Sydney; © Art Gallery of New South Wales, Diana Panuccio).
Attributed works:
10. Detail of the XRF copper map of Fig.1, showing an inscribed horizontal line on the lower-right side passing through the broncone and the additional leaves of the side branch. (© Art Gallery of New South Wales).
Attributed works:
11. Detail of the XRF lead map of Fig.1, showing an inscribed horizontal line on the lower-right side passing through the broncone and the additional leaves of the side branch. (© Art Gallery of New South Wales).
Attributed works:
12. XRF scan mapping the distribution of arsenic in Fig.1. (© Art Gallery of New South Wales).
Attributed works:
13. XRF scan mapping the distribution of copper in Fig.1. The black and white arrows indicate the green copper-based azurite pigment embedded into the indentation left in the surface after inscribing lines and the painting out of armour at the waist in preparation for cutting the panel. (© Art Gallery of New South Wales).
Attributed works:
14. Detail of Fig.8, showing an inscribed horizontal line on the lower-left side with removal of lead. (© Art Gallery of New South Wales).
Attributed works:
15. Paint cross section outside the inscribed line showing two phases of blue/green azurite crystals, one circled in white.
Attributed works:
15–17. Paint cross sections and SEM backscattered electron images of the painting illustrated in Fig.1. Locations of sample sites are indicated by the white letters in Fig.18.
Attributed works:
16. Paint cross section of the green background inside the inscribed area showing a single phase of azurite crystals.
Attributed works:
17. Paint cross section on the shoulder showing a thin layer of leadbased paint from armour with grey/green background from the l ower painting and a two-phase azurite pigment circled in white. (© Art Gallery of New South Wales, Paula Dredge).
Attributed works:
18. Purple indicates the areas of copper-based azurite background containing arsenic (outside the inscribed line and upper shoulder). Red indicates the area of copper-based azurite background that does not contain arsenic. Green indicates the area of copper-based azurite background not containing arsenic but repainted. (© Art Gallery of New South Wales, Paula Dredge).
Attributed works:
19. Composite XRF scan map of Fig.1 showing mercury (red) and iron (green). (© Art Gallery of New South Wales).
Attributed works:
2. Cosimo I de’ Medici in armour, by Agnolo Bronzino. 1543. Oil on panel, 71 by 57 cm. (Galleria degli Uffizi, Florence; Bridgeman Images).
Attributed works:
20. Red line trace of all features present in the infra-red image and XRF iron, copper, lead and mercury maps of Fig.1 that are not visible on the painting. (© Art Gallery of New South Wales, Simon Ives).
Attributed works:
21. Portrait of Cosimo I de’ Medici, half-length, in a black slashed doublet and a plumed hat, holding a book, by Jacopo Pontormo. c.1537– 38. Oil (or oil and tempera) on panel, 100.6 by 77 cm. (Private collection; Bridgeman Images).
Attributed works:
22. Head of a man, by Agnolo Bronzino. c.1550–55. Black chalk on paper, 13.8 by 10.3 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
23. Fig.22 superimposed on the face of the Sydney lower painting red line trace in Fig.20. (Photograph © Art Gallery of New South Wales, Simon Ives).
Attributed works:
24. Portrait of a young man, by Agnolo Bronzino. 1550–55. Oil on panel, 85.73 by 68.58 cm. (Nelson-Atkins Museum of Art, Kansas City), and Fig.20 superimposed. (Photograph © Art Gallery of New South Wales, Simon Ives).
Attributed works:
3. Macro photograph of Fig.1, showing a copying error in which the top edge of the helmet has been drawn (placement indicated with white arrows) but mistakenly painted as background. (© Art Gallery of New South Wales, Diana Panuccio).
Attributed works:
4. Macro photograph of Fig.1, showing the reflection of the red ribbon on the proper left rondel. The ridges of red lake paint suggest they were dabbed, leaving the impression of a fingerprint in the paint. (© Art Gallery of New South Wales, Diana Panuccio).
Attributed works:
5. Digital X-radiograph of Fig.1. (© Art Gallery of New South Wales, Paula Dredge).
Attributed works:
6. Detail of infra-red reflectogram of Fig.1. (© Art Gallery of New South Wales, Paula Dredge).
Attributed works:
7. Infra-red reflectogram of Fig.1 with placement of incised lines indicated with white arrows. (© Art Gallery of New South Wales, Paula Dredge).
Attributed works:
8. XRF scan mapping the distribution of lead in Fig.1. (© Art Gallery of New South Wales).
Attributed works:
9. XRF scan mapping the distribution of mercury in Fig.1. (© Art Gallery of New South Wales).
Article
Paolo Stella’s Belvedere: a Genoese outpost in Prague
11/2022 | 1436 | 164
Pages: 1088-1103
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Author:
Schulz, Anne Markham (Schulz, Anne Markham)
Subjects
artists:
Stella, Paolo / Stella, Giovanni Domenico
buildings:
Belvedere, Prague Castle, Prague, Czech Republic
dates:
1520-1549 / 1550-1599
patrons:
Ferdinand I, Holy Roman Emperor, 1503-1564
places:
Prague / Genoa
sources:
Bruto de’ Franchi (Partenopeo) , Paolo / Ovid / Plutarch / Pliny, the Elder, 23-79 AD / Virgil / Diodorus Siculus
styles:
Genoese
subjects:
House of Habsburg / Italian sculpture / Iconography / Classical mythology / Reliefs / Carvings / History / Charles V, Holy Roman Emperor, 1500-1558 / Roman history / Humanism
Illustrations
Attributed works:
1. The west front of the Belvedere, Prague. (Photograph Jan Bazant).
Attributed works:
10. Charles V liberating Christian captives, by Giovanni Domenico Stella(?). Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, east side [11E]; photograph Prague Castle).
Attributed works:
11. Meeting of King Mulay Hassan and Charles V, by Giovanni Domenico Stella(?). Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, east side [13E]; photograph Prague Castle).
Attributed works:
12. King Ferdinand and Queen Anna, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [3W]; photograph Prague Castle).
Attributed works:
13. Plexippos and Toxeus, sons of Thestius, carrying the head of the Caledonian Boar, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, south side [5S]; photograph Prague Castle).
Attributed works:
14. Perseus and Atlas, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, north side [4N]; photograph Prague Castle).
Attributed works:
15. Hermes and Battus, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [7W]; photograph Prague Castle).
Attributed works:
16. Cadmus and the dragon, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [13W]; photograph Prague Castle).
Attributed works:
17. Jason and the Golden Fleece, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [2W]; photograph Prague Castle).
Attributed works:
18. Zeus and Ganymede, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [8W]; photograph Prague Castle).
Attributed works:
19. Hannibal and Scipio Africanus, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, north side [2N]; photograph Prague Castle).
Attributed works:
2. Detail from Miracle of the Goblet, by Giammaria Mosca and Paolo Stella. 1520–29. (Cappella del Santo, Basilica di S. Antonio, Padua; photograph Mauro Magliani).
Attributed works:
20. Mago the Carthaginian reaping grain, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [6W]; photograph Prague Castle).
Attributed works:
21. Leda and the swan, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [11W]; photograph Prague Castle).
Attributed works:
22. Perseus and Andromeda, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, north side [3N]; photograph Prague Castle).
Attributed works:
23. Garden façade of the Villa Doria, Genoa. (Photograph Alinari).
Attributed works:
3. Detail of Fig.2, showing the central kneeling woman. (Photograph Mauro Magliani).
Attributed works:
4. Hope, from the tomb of Lodovico Euffreducci, S. Francesco, Fermo, by Paolo Stella. (Diocesan Museum, Fermo; photograph Mauro Magliani).
Attributed works:
5. St Thomas Aquinas, by Paolo Stella. c.1525. Marble, height 161 cm. (SS. Giovanni e Paolo, Venice; photograph Anne Markham Schulz).
Attributed works:
6. Tomb of Giovanni Battista Bonzio. 1525–26. (SS. Giovanni e Paolo, Venice).
Attributed works:
7. Tomb of Lodovico Euffreducci. c.1528–29. (S. Francesco, Fermo; photograph Mauro Magliani).
Attributed works:
8. Pursuit of fleeing Tunisians by imperial forces, by Giovanni Domenico Stella(?). Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, east side [9E]; photograph Prague Castle).
Attributed works:
9. Danaë, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [10W]; photograph Prague Castle).
Article
Drawing Titian’s ‘Caesars’: a rediscovered album by Bernardino Campi
07/2019 | 1396 | 161
Pages: 562-571
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Author:
Coulter, Frances (Coulter, Frances)
Subjects
artists:
Titian / Campi, Bernardino / Andreasi, Ippolito / Sadeler, Aegidius, II, ca. 1570-1629
dates:
1520-1549 / 1550-1599
media:
Paintings / Drawings / Engravings
museums and institutions:
Archivo Borromeo, Isola Bella
patrons:
Federico II Gonzaga, Duke of Mantua, 1500-1540 / d'Avalos, Francesco Ferdinando
subjects:
Twelve Caesars / Italian art / Copies / Versions / Commissions
Illustrations
Attributed works:
1. Domitian, by Bernardino Campi. 1561. Black ink, brown wash and white highlights over chalk on cream coloured paper, 19 by 15 cm. (© Archivio Borromeo, Isola Bella).
Attributed works:
13. Titus, by Ippolito Andreasi after Titian. 1568. Pen and ink with grey wash on paper, 20.5 by 16 cm. (Museum Kunstpalast, Düsseldorf; photograph Horst Kolberg).
Attributed works:
14. Octavian/Augustus, by Ippolito Andreasi after Titian. 1568. Pen and ink with grey wash on paper, 20.5 by 16 cm. (Museum Kunstpalast, Düsseldorf; photograph Horst Kolberg).
Attributed works:
15. Octavian/Augustus, by Aegidius Sadeler after Titian, c.1620. Engraving, 35 by 24 cm. (British Museum, London).
Attributed works:
16. Otho, by Aegidius Sadeler after Titian. c.1620. Engraving, 35 by 24 cm. (British Museum, London).
Attributed works:
17. Detail of Pontius Pilate from Ecce homo, by Titian. 1543. Canvas, 242 by 361 cm. (Kunsthistorisches Museum, Vienna; Bridgeman Images).
Attributed works:
18. Alexander the Great, by Giulio Romano. 1537/38. Canvas, 72 by 53.5 cm. (Musee d’Art et d’Histoire, Geneva).
Attributed works:
19. Domitian, by Bernardino Campi after Titian. 1562. Canvas, 138 by 110 cm. (Museo di Capodimonte, Naples).
Attributed works:
20. Octavian/Augustus, by Bernardino Campi after Titian. 1562. Canvas, 138 by 110 cm. (Museo di Capodimonte, Naples).
Attributed works:
7 and 8. Nero and Galba, each by Bernardino Campi after Titian. 1561. Black ink, brown wash and white highlights over chalk on cream coloured paper, 19 by 15 cm. (© Archivio Borromeo, Isola Bella).
Attributed works:
Opposite clockwise from top left 2–5. Julius Caesar, Octavian/Augustus, Caligula and Tiberius. Above 6. Claudius. Each by Bernardino Campi after Titian. 1561. Black ink, brown wash and white highlights over chalk on cream coloured paper, 19 by 15 cm. (© Archivio Borromeo, Isola Bella).
Attributed works:
Opposite clockwise from top left 9–12. Otho, Vitellius, Titus and Vespasian, each by Bernardino Campi after Titian. 1561. Black ink, brown wash and white highlights over chalk on cream coloured paper, 19 by 15 cm. (© Archivio Borromeo, Isola Bella).
Article
Bonifacio de’ Pitati’s ‘Triumphs of Petrarch’ and their Cypriot patron
08/2017 | 1373 | 159
Pages: 600-609
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Author:
Markou, Georgios E. (Markou, Georgios E.)
Subjects
artists:
Bonifacio de'Pitati
dates:
1520-1549
museums and institutions:
Kunsthistorisches Museum, Vienna, Austria / Klassik Stiftung Weimar, Weimar, Germany
places:
Cyprus
subjects:
Italian painting / Lost works / Collections, Public / Formal analysis / Provenance / Iconography / Inventories / Allegories / Patronage / Triumphs
Illustrations
Attributed works:
1. Triumph of Love, by Bonifacio de' Pitati. c.1545 (Kunsthistorisches Museum, Vienna)
Attributed works:
10. Reverse of Fig.9
Attributed works:
11. Portrait of Laura da Pola, by Lorenzo Lotto. 1543-44 (Pinacoteca di Brera, Milan)
Attributed works:
2. Triumph of Chastity, by Bonifacio de' Pitati. c.1545 (Kunsthistorisches Museum, Vienna)
Attributed works:
3. 'Bartolomeo Pesaro' and 'Meschino', detail from Fig.2
Attributed works:
4. Triumph of Death, by Silvio Pomarede, after Bonifacio de' Pitati. 1748-50 (British Museum, London)
Attributed works:
5. Triumph of Fame, by Silvio Pomarede, after Bonifacio de' Pitati. 1750 (British Museum, London)
Attributed works:
6. Triumph of Time, by Bonifacio de' Pitati. c.1545 (Klassik Stiftung Weimar)
Attributed works:
7. Triumph of Divinity, by Bonifacio de' Pitati. c.1545 (Klassik Stiftung Weimar)
Attributed works:
9. Eugenio Synglitico, attributed to Danese Cattaneo. Medallion (British Museum, London)
Western art unattributed:
8. Genealogical tree of the Synglitico family
Article
A response to Joannides and Falomir
06/2016 | 1359 | 158
Pages: 420-423
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Author:
Hope, Charles (Hope, Charles)
Subjects
artists:
Titian
dates:
1520-1549
museums and institutions:
Museo Nacional del Prado, Madrid, Spain / Apsley House, London, Great Britain
patrons:
Philip II, King of Spain, 1527-1598
subjects:
Attribution / Collections, Public / Provenance / Danaë / Italian painting
Illustrations
Attributed works:
10. Tityus, by Titian. 1549 (Museo del Prado, Madrid)
Attributed works:
11. Danaë, by Titian (Museo del Prado, Madrid)
Book Review
Der Braunschweiger Monogrammist, M. Ubl
02/2016 | 1355 | 158
Pages: 129
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Reviewer:
Pijl, Luuk (Pijl, Luuk)
Subjects
artists:
Brunswick Monogrammist
dates:
1520-1549
subjects:
Anonymous artists / Identification / Netherlandish painting / Attribution
Illustrations
Attributed works:
59. Feeding the five thousand, by the Braunschweig Monogrammist. 1540s (Herzog Anton Ulrich-Museum, Braunschweig)
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