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4 articles
Article
British press reaction to the London exhibitions of David, Lefèvre, Wicar and Lethière
05/2025 | 1466 | 167
Pages: 450–59
related names
Author:
Wine, Humphrey (Wine, Humphrey)
Subjects
dates:
Illustrations
Attributed works:
1. Emperor Napoleon in his study at the Tuileries, by Jacques-Louis David. 1812. Oil on canvas, 205 by 127.5 cm. (Musée national du château, Fontainebleau; Bridgeman Images).
Attributed works:
10. The raft of the Medusa, by Théodore Géricault. 1819. Oil on canvas, 491 by 716 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
11. Homer singing his Iliad at the gates of Athens, by Guillaume-Guillon Lethière. 1814. Oil on canvas, 198.1 by 246.4 cm. (Nottingham City Museums and Galleries; Bridgeman Images).
Attributed works:
2. Napoleon crossing the Alps, by the studio of Jacques-Louis David. 1803. Oil on canvas, 268.5 by 224.3 cm. (Château de Versailles; Bridgeman Images).
Attributed works:
3. Portrait of Pope Pius VII and Cardinal Caprara, by Jacques-Louis David. c.1805. Oil on canvas, 138.1 by 96 cm. (Philadelphia Museum of Art; Bridgeman Images).
Attributed works:
4. A full-length portrait of Napoleon after his return from Moscow, by Thomas Goff Lupton after George Clint. 1819. Engraving, 44.9 by 31.4 cm. (British Museum, London).
Attributed works:
5. Bonaparte and General Berthier at the Battle of Marengo, by Joseph Boze, with Robert Lefevre and Carle Vernet. 1800–01. Oil on canvas, 289 by 232 cm. (Musée de l’Armée, Paris; Bridgeman Images).
Attributed works:
6. Consecration of the Emperor Napoleon and the coronation of Empress Josephine on December 2, 1804, by Jacques-Louis David. 1808–22. Oil on canvas, 610 by 971 cm. (Chateau de Versailles).
Attributed works:
6. Consecration of the Emperor Napoleon and the coronation of Empress Josephine on December 2, 1804, by Jacques-Louis David. 1808–22. Oil on canvas, 610 by 971 cm. (Chateau de Versailles).
Attributed works:
7. Resurrection of the son of the widow of Naim, by Jean-Baptiste Wicar. 1816. Oil on canvas, 5.7 by 9 m. (Palais des Beaux-Arts de Lille).
Attributed works:
8. Brutus condemning his sons to death, by Guillaume Guillon-Lethière. 1811. Oil on canvas, 59.4 cm by 99.1 cm. (Sterling and Francine Clark Art Institute, Williamstown MA).
Attributed works:
9. The death of Virginia, by Guillaume-Guillon Lethière. 1828. Oil on canvas, 4.58 by 7.88 m. (Musée du Louvre, Paris; Bridgeman Images).
Short Notice
The paintings collection of Denis Mariette
05/2024 | 1454 | 166
Pages: 488–493
related names
Author:
Wine, Humphrey (Wine, Humphrey)
Subjects
Illustrations
Attributed works:
1. Title page of André Félibien’s Entretiens sur les Vies et les Ouvrages des plus excellens peintres, II, incorporating the emblem of Denys (Denis) Mariette, by Pierre Le Sueur. 1696. Woodcut, 7 by 9.8 cm. (British Museum, London).
Attributed works:
2. The scale of love, by Jean-Antoine Watteau. c.1717–18. Oil on canvas, 51 by 60.1 cm. (National Gallery, London).
Attributed works:
3. Flight into Egypt, by Nicolas Poussin. 1657. Oil on canvas, 97 by 133 cm. (Musée des Beaux-Arts, Lyon; Bridgeman Images).
Short Notice
'Alexander and His Doctor': A Rediscovered Masterpiece by Eustache Le Sueur
05/2000 | 1166 | 142
Pages: 292-296
related names
Author:
Mérot, Alain (Mérot, Alain)
Author:
Wine, Humphrey (Wine, Humphrey)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
20. Fig.22 as Installed at 4 St James's Square Prior to Its Removal to the National Gallery in 1997. [Alexander and His Doctor, by Eustache Le Sueur. c.1648. 99.5 cm. Diameter. (National Gallery, London).]
Attributed works:
21. Alexander and His Doctor, by Benoît I Audran after Eustache Le Sueur. 1711. Engraving. (Bibliothèque Nationale, Département des Estampes, Paris).
Attributed works:
22. Alexander and His Doctor, by Eustache Le Sueur. c.1648. 99.5 cm. Diameter. (National Gallery, London).
Attributed works:
24. Isaac and Esau, by Nicolas Chaperon after a Fresco by the Studio of Raphael in the Vatican Loggie. 1649. Etching, 24.1 by 26.1 cm. (Bibliothèque Nationale, Paris).
Attributed works:
25. Compositional Study for Alexander and His Doctor, by Eustache Le Sueur. c.1648. Black Chalk, Squared up in Red Chalk; Strengthened in Pen and Brown Ink. 18.9 by 19.2 cm. Diameter. (Musée des Beaux-Arts, Besançon).
Attributed works:
26. Compositional Study for Alexander and His Doctor, by Eustache Le Sueur. c.1648. Black Chalk; Partially Strengthened in Pen and Brown Ink; Squared up in Red Chalk, 28.4 by 20.8 cm. (Cabinet des Dessins, Musée du Louvre, Paris).
Attributed works:
27. Study for the Figure of Alexander, by Eustache Le Sueur. c.1648. Black Chalk, with White Heightening, on Grey-Brown Paper. 20 by 38 cm. (Musée Fabre, Montpellier).
Western art unattributed:
23. Elevation Drawing of the North Wall of 'The Great Room' of 4 St James's Square, London, Anonymous.? 1833. Pen and Black Ink and Pencil. (Reproduced by Kind Permission of Lord Lucas of Crudwell).
Article
Two Paintings by Peyron at the National Gallery
04/1997 | 1129 | 139
Pages: 248-255
related names
Author:
Wine, Humphrey (Wine, Humphrey)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
subjects:
Illustrations
Attributed works:
25. Belisarius Receiving Hospitality from a Peasant, by Pierre Peyron. 1779. 93 by 132 cm. (Musée des Augustins, Toulouse).
Attributed works:
26. Cornelia, Mother of the Gracchi, by Pierre Peyron. 1781. 93 by 132 cm. (Musée des Augustins, Toulouse).
Attributed works:
27. Belisarius Receiving Hospitality from a Peasant, by Pierre Peyron. 1779. Oil on Paper Laid down on Canvas, 55 by 84.5 cm. (National Gallery, London).
Attributed works:
28. Cornelia, Mother of the Gracchi, by Pierre Peyron. 1781. 54.5 by 84.5 cm. (National Gallery, London).
Attributed works:
29. Young Athenians Drawing Lots, by Pierre Peyron. 1778. Oil on Paper Laid down on Canvas, 56 by 99 cm. (Wellington Museum, Apsley House, London).
Attributed works:
30. Belisarius Receiving Hospitality from a Peasant, by Pierre Peyron. 1778. Pen and Black Ink, Grey and Brown Wash, White Highlights, on Two Sheets of Faded Blue Paper, 53.2 by 83 cm. (Louvre, Paris).
Attributed works:
31. Belisarius Receiving Hospitality from a Peasant, by Pierre Peyron. 1778. Pen and Black Ink, Bistre Wash, White Highlights with Traces of Black Chalk, 30 by 46 cm. (Graphische Sammlung Albertina, Vienna).
Attributed works:
32. Detail of Fig.30, Showing Belisarius Gripping the Hand of the Peasant. [Belisarius Receiving Hospitality from a Peasant, by Pierre Peyron. 1778. Pen and Black Ink, Grey and Brown Wash, White Highlights, on Two Sheets of Faded Blue Paper, 53.2 by 83 cm. (Louvre, Paris).]
Attributed works:
33. Detail of the Infra-Red Reflectogram of Fig.27. [Belisarius Receiving Hospitality from a Peasant, by Pierre Peyron. 1779. Oil on Paper Laid down on Canvas, 55 by 84.5 cm. (National Gallery, London).]
Attributed works:
34. Composite X-Radiograph of Fig.29. [Young Athenians Drawing Lots, by Pierre Peyron. 1778. Oil on Paper Laid down on Canvas, 56 by 99 cm. (Wellington Museum, Apsley House, London).]
Attributed works:
35. Infra-Red Reflectogram of a Detail of Fig.27, Showing the Underdrawing of Belisarius's Head. [Belisarius Receiving Hospitality from a Peasant, by Pierre Peyron. 1779. Oil on Paper Laid down on Canvas, 55 by 84.5 cm. (National Gallery, London).]
Attributed works:
36. Composite X-Radiograph of Fig.27, before Cleaning and Restoration. [Belisarius Receiving Hospitality from a Peasant, by Pierre Peyron. 1779. Oil on Paper Laid down on Canvas, 55 by 84.5 cm. (National Gallery, London).]
Attributed works:
37. Detail of the Frame of the National Gallery Belisarius before Cleaning and Restoration of the Painting.
Attributed works:
38. Detail of the Frame of the National Gallery Cornelia before Cleaning and Restoration of the Painting.
Attributed works:
39. Composite X-Radiograph of Fig.28 [Cornelia, Mother of the Gracchi, by Pierre Peyron. 1781. 54.5 by 84.5 cm. (National Gallery, London).] before Cleaning and Restoration, Showing the Cardboard Patches Affixed to the Reverse of the Canvas with Lead White Paint during an Earlier Restoration.
Attributed works:
40. Cornelia, Mother of the Gracchi, by Pierre Peyron. 1780-81(?). 24.5 by 32.5 cm. (Art Market, Paris).