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22 articles
Supplement
Recent acquisitions, Musée Fabre, Montpellier (2004–2022)
12/2022 | 1437 | 164
Pages: 1305-1324
Subjects
artists:
museums and institutions:
Illustrations
Attributed works:
1. Lamentation over the dead Christ, by Leonello Spada. c.1610–11. Oil on canvas, 120 by 158 cm. Oeuvre d’intérêt patrimonial majeur, purchase with the support of the Fonds du patrimoine and the FRAM Languedoc-Roussillon and various sponsors, 2012, inv. no.2012.10.1.
Attributed works:
10. Anne Melon, by Jean Ranc. 1702. Oil on canvas, 147 by 116 cm. 11. Joseph Bonnier, by Jean Ranc. 1702. Oil on canvas, 146 by 116 cm. Purchases with the support of the FRAM Occitanie, 2017, inv. nos.2017.12.1 and 2017.12.2.
Attributed works:
12. Offering to Priapus, by Jean Raoux. 1720. Oil on canvas, 91.5 by 74 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2010, inv. no.2010.9.1.
Attributed works:
13. Masterpiece of craftsmanship: rattle, by Marc David Pascal Bazille. 1782. Gilded silver, length 13.5 cm. Purchase, 2007, inv. no.2007.11.1.
Attributed works:
14. Display jar, by the workshop of Pierre Favier the Younger. c.1650–60. Tin-glazed earthenware and polychrome grand feu decoration, 46 by 35.5 by 26 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2013, inv. no.2013.8.1.
Attributed works:
15. Silver covered bowl, by Jacques II Bazille. 1741–42. Silver, 12.5 by 17 cm. Purchase with the support of FRAM Occitanie, 2021, inv. no.2021.17.1.
Attributed works:
16. The paddle game, by Jean Honoré Fragonard. c.1760–65. Oil on canvas, 75.5 by 99 cm. 17. The seesaw, by Jean Honoré Fragonard. c.1760–65. Oil on canvas, 75.5 by 99 cm. Trésors Nationaux, transfer from the Musée du Louvre to the Musée Fabre; the acquisition of these works was made possible thanks to the patronage of Webhelp, 2022, inv. no.2022.10.1 and inv. no.2022.10.2.
Attributed works:
18. Sarah presenting Hagar to Abraham, by Joseph Marie Vien. 1749. Oil on canvas, 98 by 134.5 cm. Purchase with the support of the Fonds du patrimoine, 2015, inv. no.2015.21.1.
Attributed works:
19. Pyrrhus seeing Philoctetes in his lair on the island of Lemnos, by Pierre Henri de Valenciennes. 1789. Oil on canvas, 68.4 by 98.9 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Occitanie, 2019, inv. no.2019.32.1.
Attributed works:
2. Judith and Holofernes, by Filipo Vitale. c.1635. Oil on canvas, 126 by 154 cm. Gift of Didier Malka, 2020, inv. no.2020.34.1.
Attributed works:
20. Bust of Jean-Baptiste Riban, by Augustin Pajou. 1793. Terracotta, 54.5 by 48 by 32.5 cm. Purchase, 2005, inv. no.2005.11.1.
Attributed works:
21. Dying Achilles, by Jean-Baptiste Giraud. 1788. Plaster, 55 by 83 by 37 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2021, inv. no.2021.28.1.
Attributed works:
22. Arria and Paetus, by François André Vincent. c.1787. Oil on canvas, 102.8 by 124.5 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2014, inv. no.2014.5.1. 23. Renaud and Armide, by François André Vincent. c.1787. Oil on canvas, 104 by 122.5 cm. Purchase, 2021, inv. no.2021.29.1.
Attributed works:
24. Commode ‘sauteuse’. Southern French. c.1774–92. Wood and marble, 92 by 130 by 65 cm. Purchase, 2019, inv. no.2019.26.1.
Attributed works:
25. View of Florence and the Arno, by Joseph Wright of Derby. c.1789–93. Oil on canvas, 58.4 by 76.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, A. d’Espous and the Société Jean Larnaudie 2017, inv. no.2017.1.1.
Attributed works:
26. View of the Arno valley, in Florence, by Louis Gauffier. 1795. Oil on canvas, 82 by 110 cm. Purchase with the support of the Fondation d’entreprise du Musée Fabre, 2016, inv. no.2016.21.1.
Attributed works:
27. Self-portrait as a youth in a frock coat, by Pierre-Paul Prud’hon. c.1784. Brown ink and pen on paper, 21 by 17 cm. Purchase, 2017, inv. no.2017.26.1
Attributed works:
28. The return of Ulysses, by François-Xavier Fabre. 1799. Oil on canvas, 100.5 by 148 cm. Purchase with the support of the FRAM Languedoc-Roussillon and the association of the Friends of the Musée Fabre, 2006, inv. no.2006.4.1.
Attributed works:
29. View of the Benedictine Abbey at Vallombrosa, by Louis Gauffier. 1797. Oil on canvas, 84 by 116 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Languedoc- Roussillon, 2008, inv. no.2008.1.1.
Attributed works:
3. Martyrdom of St Agatha, by Andrea Vaccaro. c.1635–40. Oil on canvas, 122 by 159 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2013, inv. no.2013.16.1.
Attributed works:
30. Belisarius, by François-Xavier Fabre. c.1789–1800. Pen, metallic ink and black ink, and metallic ink wash over graphite pencil drawing on laid paper, 20.5 by 15.1 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2009, inv. no.2009.35.2
Attributed works:
31. The martyrdom of St Agnes, by François-Xavier Fabre. 1800–10. Pen and brown ink, and grey wash, over graphite lines, 57 by 48 cm. Purchase, 2017, inv. no.2017.24.1.
Attributed works:
32. Undergrowth, by Antoine Laurent Castellan. 1819. Black chalk, watercolour and white gouache highlights on paper, 14 by 19 cm. 33. The peaks at dusk, by Antoine Laurent Castellan. c.1828. Watercolour over black chalk lines on paper, 15.5 by 23.7 cm. Purchases with the support of the FRAM Languedoc-Roussillon, 2001, inv. no.2001.5.3 and inv. no.2001.5.1.
Attributed works:
34. Marquise Fanny Grimaldi, by François-Xavier Fabre. 1804. Oil on canvas, 80 by 50 cm. 35. Marquis Luigi Grimaldi della Pietra, by François-Xavier Fabre. 1804. Oil on canvas, 80 by 50 cm. Gift of A. d’Espous and the Société Jean Larnaudie, 2021, inv. no.2021.6.1 and inv. no.2021.6.2.
Attributed works:
36. Conjugal tenderness, by Louis Léopold Boilly. c.1807–10. Oil on wood, 52.5 by 43.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2021, inv. no.2021.5.1.
Attributed works:
37. Mont Saint-Michel in a storm, by Théodore Gudin. 1830. Oil on canvas, 97 by 138 cm. Purchase with the support of the FRAM Occitanie, 2017, inv. no.2017.27.1.
Attributed works:
38. Bust of Henry Vassal-Fox, 3rd Baron Holland, by Joseph Nollekens. 1799. Marble, 69 by 43 by 18 cm. Purchase with the support of the FRAM Occitanie, 2018, inv. no.2018.10.1.
Attributed works:
39. Women at the fountain, by Dominique Papety. c.1839–40. Oil on canvas, 96 by 135 cm. Gift of Marie-Hélène Yseult Sabatier, 2010, inv. no.2010.17.1.
Attributed works:
4. Death of St Joseph, by Bernardo Cavallino. c.1635–40. Oil on canvas, 46.5 by 36 cm. Purchase with the support of the Fonds du patrimoine and various sponsors, 2015, inv. no.2015.4.1.
Attributed works:
40. Mariuccia, by Henri Lehmann. 1841. Oil on canvas, 96.4 by 71 cm. Purchase, 2016, inv. no.2016.17.1.
Attributed works:
41. Countess Victoire de Clermont-Tonnerre, by Alexandre Cabanel. 1863. Oil on canvas, 182.5 by 138 cm. Purchase with the support of FRAM Occitanie, 2021, inv. no.2021.2.1.
Attributed works:
42. Michelangelo in his studio, visited by Julius II, by Alexandre Cabanel. 1856. Oil on canvas, 63.3 by 103.1 cm. Purchase, 2015, inv. no.2015.10.1.
Attributed works:
43. Little Italian street singer, by Frédéric Bazille. 1866. Oil on canvas, 131 by 98 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Languedoc-Roussillon, 2002, inv. no.2002.5.1.
Attributed works:
44. Head of a faun, by Alexandre Cabanel. 1860. Charcoal, stump and white highlights on paper, 52.9 by 40.8 cm. Gift of the Talabardon & Gautier gallery, 2020, inv. no.2020.29.1
Attributed works:
45. View of Maïre Island, by Carl Frederik Emmanuel Larsen. 1854. Oil on canvas, 32 by 56.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2020, inv. no.2020.2.1.
Attributed works:
46. Flowers, by Frédéric Bazille. c.1870. Oil on canvas, 63 by 48.5 cm. Purchase, 2004, inv. no.2004.13.2.
Attributed works:
47. Naked young man lying on the grass, by Frédéric Bazille. 1870. Oil on canvas, 147.5 by 138 cm. Purchase with the support of the Fonds du Patrimoine and the FRAM Languedoc-Roussillon, 2002, inv. no.2002.5.2.
Attributed works:
48. The painter René Andreau, by George Daniel de Monfreid. 1895. Oil on canvas, 97.2 by 130.2 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2020, inv. no.2020.19.1.
Attributed works:
49. Orpheus, by Odilon Redon. c.1910. Oil on card, 63.3 by 61 cm. Gift of Jacqueline Englert-Marchal, 2009, inv. 2009.38.1.
Attributed works:
5. A coastal landscape with shipwrecks and ruins, by Salvator Rosa. c.1637. Oil on canvas, 73.8 by 163.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2019, inv. no.2019.16.1.
Attributed works:
50. Girls in green, by Auguste Chabaud. c.1907. Oil on canvas, 80 by 65 cm. Purchase, 2018, inv. 2018.2.1.
Attributed works:
51. Two footballers, by Jean Hugo. 1921. Gouache on paper, 30.5 by 25 cm. Purchase with the support of FRAM Occitanie, 2021, inv. no.2021.15.1.
Attributed works:
52. Panic, by Jean Hugo. 1930. Tempera on canvas, 45 by 54 cm. Purchase with the support of DRAC Occitanie, 2022, inv. no.2022.8.1.
Attributed works:
53. Paul Eluard, by Valentine Hugo. 1932. Pastel on paper, 47 by 30 cm. Purchase with the support of FRAM Occitanie, 2019, inv. no.2019.4.1.
Attributed works:
54. Marie Bell en Phèdre, by Jean Hugo. c.1946. Folding screen with two leaves, pastel on panel, each panel 122 by 49 cm. Purchase with the support of DRAC Occitanie, 2022, inv. no.2022.2.1.
Attributed works:
55. Composition, by Hans Hartung. 1945. Oil on paper mounted on plywood, 73 by 50 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2009, inv. no.2009.4.1.
Attributed works:
56. Painting, by Simon Hantaï. 1958. Oil on canvas, 232.5 by 214 cm. Purchase, 2002, inv. no.2002.9.1.
Attributed works:
57. The bat, by Germaine Richier. 1946. Cleaned natural bronze, 91 by 91 by 52 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 1996, inv. no.96.10.1.
Attributed works:
58. Fencer with mask, by Germaine Richier. 1943. Bronze, 105 by 70 by 33 cm. Purchase, 2006, inv. no.2006.19.1.
Attributed works:
59. 60-T-26, by Martin Barré. 1960. Oil on canvas, 140 by 130 cm. Gift of the Fondation d’entreprise du Musée Fabre with the support of Société Générale, 2009, inv. no.2009.2.1.
Attributed works:
6. Venus and Adonis, by Nicolas Poussin. c.1625–26. Oil on canvas, 74.5 by 199 cm. Gift of F.-X. Fabre, 1825, inv. 825.1.171, and Oeuvre d’intérêt patrimonial majeur, purchase with the support of the Fonds du patrimoine and the FRAM Languedoc- Roussillon and various sponsors, 2010, inv. no.2010.14.1.
Attributed works:
60. Untitled, by Claude Viallat. 1966. Oil on canvas, 80 by 150 cm. Purchase, 2008, inv. no.2008.10.1.
Attributed works:
61. Large pink space I, by Vincent Bioulès. 1969. Glycerophtalic lacquer on canvas, 195 by 189.5 cm. Gift of the association of the Friends of the Musée Fabre, 1995, inv. no.95.8.1.
Attributed works:
62. Transparency, by Geneviève Asse. 1973–74. Oil on canvas, 82.5 by 10.5 cm. Gift of the artist, 2013, inv. no.2013.3.3.
Attributed works:
63. Untitled, 8 November 1967, by Michel Parmentier. 1967. Lacquer on canvas, 245.5 by 229 cm. Purchase, 2020, inv. no.2020.11.1.
Attributed works:
64. Frame, by Pierre Buraglio. 1974. Wood, paint technique and thread, height 180 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2015, inv. no.2015.14.1.
Attributed works:
65. White, by Simon Hantaï. 1974. Oil on canvas, 236.5 by 207 cm. Gift of Jean-Marie Bonnet in memory of Jean Fournier, 2006, inv. no.2006.10.1.
Attributed works:
66. Painting 162 x 114 cm, 27 March 1971, by Pierre Soulages. 1971. Oil on canvas, 162 by 114 cm. Gift of Pierre and Colette Soulages, 2005, inv. no.2005.12.6.
Attributed works:
67. Painting 163 x 434 cm, 28 December 1959, by Pierre Soulages. 1959. Oil on canvas, 163 by 434 cm. Gift of Pierre and Colette Soulages, 2005, inv. no.2005.12.2.
Attributed works:
68. Untitled, by Pierrette Bloch. 1992. Knotted horsehair on foam board, 100 by 70 cm. Purchase, 2019, inv. no.2019.11.3.
Attributed works:
68. Untitled, by Pierrette Bloch. 1992. Knotted horsehair on foam board, 100 by 70 cm. Purchase, 2019, inv. no.2019.11.3.
Attributed works:
69. The impossible encounter, by Yan Pei-Ming. 2019. Oil on canvas, triptych, each panel 150 by 150 cm. Purchase with the support of the Fonds du patrimoine,
Attributed works:
7. The fall of Phaeton, by Sébastien Bourdon. c.1636–42. Oil on canvas, 137 by 170 cm. Purchase, 2018, inv. no.2018.9.1.
Attributed works:
8. St Paul healing the sick and exorcising a possessed man, by Eustache Le Sueur. 1645–46. Oil on canvas, 175 by 137.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2018, inv. no.2018.25.1.
Attributed works:
9. Bust of Jean Deydé, by Christophe Veyrier. 1684. Marble, 50 by 35 by 23.5 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Occitanie, 2017, inv. no.2017.15.1.
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Advertisements (front)
03/2019 | 1392 | 161
Pages: i-xl
Subjects
collectors and dealers:
Nicholas Hall (dealer), New York, United States / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Walter Padovani (dealer), Milan, Italy / Bailly Gallery, Geneva and Paris, Switzerland / Arnoldi-Livie (dealer), Munich, Germany / Bottegantica, Bologna, Italy / Carlo Orsi (dealer), Milan, Italy / Lullo Pampoulides (dealer), London, Great Britain / Rob Smeets, Geneva, Switzerland / Stephen Ongpin Fine Art, London, Great Britain / Alessandro Cesati, Milan, Italy / Simon Dickinson, London, Great Britain / Burzio, London, Great Britain / Santa Tecla Srl, Padua, Italy / Bacarelli & Botticelli, Firenze, Italy / Daxer & Marshall (dealer), Munich, Germany / Zornmuseet, Mora, Sweden / Art Conservation Awards / Irish Arts Review / Biennale Internazionale d'Antiquariato (Italy: Florence) / Paolo Antonacci (dealer), Rome, Italy / Fairfield University Art Museum, Fairfield, United States / Galerie Neuse, Bremen, Germany / Venator & Hanstein KG (auction house), Cologne, Germany / European Fine Art Fair (Maastricht) / Timothy Newbery (frames), London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Day and Faber, London, Great Britain / The-saleroom.com / Didier Aaron, Inc, New York, United States / Rafael Valls, London, Great Britain / Salon du dessin, Paris, France / Galerie Zlotowski, Paris, France / Jean-Luc Baroni, London, Great Britain / Marty de Cambiaire, Paris / Paul Prouté S.A. (gallery), Paris, France / Wienerroither & Kohlbacher, Vienna, Austria / Talabardon & Gautier, Paris, France / Museo Nacional del Prado, Madrid, Spain / Charles Ratton & Guy Ladrière, Paris, France / Master Drawings (art periodical) / Brun Fine Art, London / London Original Print Fair / Dreweatts, Newbury, Great Britain / Artcurial, Paris, France / Hazlitt Gallery, London, Great Britain
Illustrations
Attributed works:
Francisco de Goya Visiones. 23.6 x 14.4 cm. Recently acquired by the Meadows Museum, Dallas
Attributed works:
[Arnoldi-Livie. Ernst Ludwig Kirchner. Bathers at the Beach of Fehmarn, 1912. Graphhite, 46 x 59 cm]
Attributed works:
[Artcurial. Baccio BANDINELLI Male Nudes (recto) Estimate: € 30 000 - 40 000]
Attributed works:
[BAILLY GALLERY, GENEVA AND PARIS. Head, by Amedeo Modigliani (1884–1920). c.1910–12. Pencil on paper, 42.5 by 26.5 cm.]
Attributed works:
[BOTTEGANTICA, MILAN. Futurist blackbirds, by Giacomo Balla (1871–1958). c.1924. Canvas, 66 by 146 cm.]
Attributed works:
[BURZIO, LONDON. Self portrait, by Giusseppe Maria Bonzanigo (1745–1820). 1786. Limewood, walnut, tulipwood, ebony and fruitwood, 62.7 by 59 cm.]
Attributed works:
[Burzio. The Tagliolini Laocoon. Filippo Tagliolini, Naples. c. 1785, 52 cm high.]
Attributed works:
[Carlo Orsi Fine Art. Giovanni Battista Foggini, The Portrait of Margerite Louis of Orléans, Grand Duchess of Tuscany. Marble, hieght 77 cm]
Attributed works:
[CARLO ORSI – TRINITY FINE ART, LONDON. Wicker basket with peaches, jasmine, a rose and a carnation, by Fede Galizia (1578–1630). Panel, 33.7 by 47 cm.]
Attributed works:
[CHARLES RATTON & GUY LADRIÈRE. FRANÇOIS BOUCHER (1703 – Paris – 1770) A COTTAGE Red chalk, 20.5 x 33.7 cm]
Attributed works:
[Daxer and Marshall. Jan Steen, the Alchemist, 1668]
Attributed works:
[Daxer and Marshall. Peder Balke. The Troltindene Range, Norway, 1848]
Attributed works:
[DIDIER AARON & CIE, PARIS. Study for St Genevieve at prayer, by Pierre Puvis de Chavannes (1824–98). 1876. Charcoal with white highlights on paper, 55.5 by 45 cm.]
Attributed works:
[GALERIE ARNOLDI-LIVIE, MUNICH. Young Painter in his atelier, by Michel-Martin drolling (1786–1851). oil on canvas, 47 x 39 cm.]
Attributed works:
[GALERIE NEUSE, BREMEN. Beaker and cover depicting the death of the Swedish King Gustav Adolf in the Battle of Lützen, 1632, by Elias Adam (c.1669–1745). c.1707–11. Ivory with silver-gilt mounts. Height 29.5 cm.]
Attributed works:
[Galerie Neuse. Johann Speiss ( 1824 - c. 1891) Trophy for the Baden-Baden steeple chase in I ffezheim Signed and dated: J. Spiess. fecit Hofgraveur Mannheim 1863 Ivory, Height: 50 cm]
Attributed works:
[GALERIE PAUL PROUTÉ, PARIS. Venus, by Jan Van der Straet, known as Johannes Stradanus (1523–1605). c.1599. Black pencil, brown ink with white gouache highlights on paper, 18.2 by 12.5 cm.]
Attributed works:
[Galerie Paul Prouté.Maurice DENIS (1870 - 1943) Study for two apostels, charcoal, hightened with white on brown paper, 680 x 455 mm]
Attributed works:
[GALERIE ZLOTOWSKI, PARIS. The piano lesson, by Georges Valmier (1885–1937). 1922. Gouache on paper, 14.6 by 16.8 cm.]
Attributed works:
[GALERIEARNOLDI-LIVIE, MUNICH. Standing youth at a water source, by Ferdinand Hodler (1853–1918). 1900/01. Pen and brush with grey wash]
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Eustache Le sueur. Study for the Head of Saint Gervasius in the painting, ‘St Gervasius and St Protasius brought before Anastasius’, in the Musée du Louvre. (circa 1652), black and red chalk, heightened with white and yellow pastel: 195 x 146 mm (7½ x 5¾ in.) (actual size).
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Federico Zuccaro. Allegory of Gluttony, Study for a Section of the Cupola of the Duomo, Florence. (circa 1575-6), pen and brown ink and brown and pink wash, squared for transfer in red chalk: 166 x 306 mm. (6½ x 12 in.), (actual size detail).]
Attributed works:
[JEAN-LUC BARONI, LONDON, AND MARTY DE CAMBIAIRE, PARIS. Man with a top hat and walking stick, by Edouard Manet (1832–83). Pen and black ink wash with gouache highlights on beige paper, 25.7 by 8.8 cm.]
Attributed works:
[KUNSTHANDEL WIENERROITHER& KOHLBACHER, VIENNA. Standing female figure, by Egon Schiele (1890–1918). 1911. Gouache, watercolour and crayon on paper, 44.7 by 31.5 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[LULLO PAMPOULIDES, LONDON. Hercules on the pyre, by Guillaume Coustou (1677–1746). c.1702–03. Terracotta, 40 by 27 cm.]
Attributed works:
[Lullo Pampoulides. Domenico Fetti | Melancholy | Circa 1618 | Oil on canvas | 149.7 x 112.8 cm.]
Attributed works:
[MULLANY HAUTE EPOQUE FINE ART, LONDON. St Francis, by Pedro Roldán (1624–99). c.1660–70. Wood with original polychrome and gilding, 81 by 45 by 40 cm.]
Attributed works:
[Mullany Haute Epoque Fine Art. JOSÉ DE MORA (Baza 1642 – 1724 Granada) Head of Saint John the Baptist Terracotta, with original polychrome Spain, Granada, c. 1695 – 1724 H. 18.4 x W. 26.7 x D. 24.1 cm]
Attributed works:
[Museo Nacional del Prado. Francisco de Goya, José Álvarez de Toledo, marqués de Villafranca y duque de Alba (detalle), 1795. Madrid, Museo Nacional del Prado]
Attributed works:
[ONNO VAN SEGGELEN FINEARTS, ROTTERDAM. Happy company, by Pieter Jansz Quast (1605–47). Graphite and grey wash on vellum, 27.8 by 34.7 cm.]
Attributed works:
[Paolo Antonacci, Rome. Adolfo DE CAROLIS (1874 – 1928) Woman at the Fountain (The Muse Melete) Tempera, pencil and charcoal on paper, 1860 x 1470 mm]
Attributed works:
[Peter Finer. A Wheel-Lock Gun from the Cabinet d'Armes of Louis XIII of France, c. 1620-30]
Attributed works:
[REGINART COLLECTIONS, GENEVA. Summer evening, by Lyonel Feininger (1871–1956). 1933. Watercolour, pencil and ink on paper, 22.9 by 34.5 cm.]
Attributed works:
[ROB SMEETS OLD MASTER PAINTINGS, GENEVA. Study for a standing male figure, by Corrado Giaquinto (1703–66). Canvas, 66.5 by 50 cm.]
Attributed works:
[ROBILANT + VOENA, LONDON. A view of the piazzetta looking towards the Bacino and Isola di S. Giorgio, by Francesco Guardi (1712–93). Canvas, 58.5 by 68 cm.]
Attributed works:
[Robilant +,Voena. Jacopo Bassano, Penitent Saint Jerome, oil on canvas, 88 × 110 cm.]
Attributed works:
[SANTA TECLA Srl. GIROLAMO MUZIANO (Brescia 1532 – Rome 1592) Saint Jerome in the wilderness Oil on canvas, cm 228 x 164 (90 x 64½ in.)]
Attributed works:
[SANTA TECLA, PADUA. The Madonna in prayer, by Giovanni Battista Salvi, called Il Sassoferrato (1609–85). Canvas, 75.3 by 61.6 cm.]
Attributed works:
[SIMON C. DICKINSON LTD, LONDON. White feathers, by Kees van Dongen (1877–1968). c.1910–68. Canvas, 100 by 80 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. A standing halberdier, by Salvator Rosa (1615–73). c.1656/57. Pen and brown ink with brown wash on paper, 14.7 by 9 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. Jos Hessel in the drawing room at the Château des Clayes, by Édouard Vuillard, (1868–1940). Pastel on pink paper, 30.5 by 22.4 cm.]
Attributed works:
[Stephen Ongpin Fine Art. Thomas Gainsborough, R.A. (1727-1788) Wooded Landscape with Cattle and Goats Black and white chalk, with stumping, on buff paper. 229 x 294 mm. (9 x 11½ in.)]
Attributed works:
[TALABARDON& GAUTIER, PARIS. Two bathers, by Armand Séguin (1869–1903). c.1895. Charcoal, pen and ink on paper, 27.7 by 24.6 cm.]
Attributed works:
[TOMASSO BROTHERS FINE ART, LONDON AND LEEDS. The Lamentation over Christ, by Gerard David (c.1460–1523). Panel, 18 x 17.4 cm.]
Attributed works:
[Venator & Hanstein. Hieronymus. Leben der heiligen Altväter. Strasbourg 1482]
Attributed works:
[Walter Padovani. Antonio Minello, Apollo, overall height 68 cm]
Attributed works:
[Walter Padovani. Italy Mother of the Arts, by Pompeo Marchesi (1783–1858). White Carrara marble, 131 by 99 cm.]
Non-western art unattributed:
[The Maastricht Fine Art Open House. A lacquer plaque depicting St. Petersburg on the river Neva with the Winter Palace on the left and the Academy of Science on the right. Japan, Nagasaki, circa 1788.]
Western art unattributed:
[BACARELLI & BOTTICELLI. Allegory of Envy Florence, second half of 17th century Bronze, height 29 cm.]
Western art unattributed:
[CESATI WORKS OF ART, MILAN. Casket, Siena c.1340–50. Painted, gilded and punched wood, 19 by 24 by 14.5 cm.]
Western art unattributed:
[Dreweatts. A Northern Italian, probably Veronese, sculpted marble votive relief depicting the Crucifixion with the Virgin Mary and Saint John, late 13th/early 14th century, 66cm high, 43cm wide]
Western art unattributed:
[Tomasso Brothers. Roman, 50 BC – 50 AD Head of Cato Thasian Marble 42.5 cm (16¾ in.) high. 55.5cm high (21¾ in.), including the socle]
Exhibition Review
The Orléans Collection. New Orleans Museum of Art
01/2019 | 1390 | 161
Pages: 67-69
related names
Reviewer:
Zafran, Eric (Zafran, Eric)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
13. The Meeting of David and Abigail, by Guido Reni. c.1615–20, Canvas, 155.5 by 163.8 cm. (Chrysler Museum of Art, Norfolk VA; exh. New Orleans Museum of Art).
Attributed works:
14. Allegory of Philippe II, duc d’Orléans, Regent of the Realm, by Antoine Dieu. 1718. Canvas, 106 by 77 cm. (Musée National du Château de Versailles; exh. New Orleans Museum of Art).
Attributed works:
15. Preciosa recognised, by Godfried Schalcken. Late 1660s. Panel, 44.2 by 31.2 cm. (National Gallery of Ireland, Dublin; exh. New Orleans Museum of Art).
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10/2010 | 1291 | 152
Pages: s.p.
Subjects
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Illustrations
Attributed works:
[Noortman. Van Eeghenstraat 82. Amsterdam. Eustache Le Sueur (1616 - Paris - 1655). An Allegory of Poetry. Oil on canvas: 130 x 97.5 cm]
Exhibition Review
Eustache Le Sueur. Grenoble
08/2000 | 1169 | 142
Pages: 521-523
related names
Reviewer:
Brejon de Lavergnée, Arnauld (Brejon de Lavergnée, Arnauld; Lavergnée, Arnauld Brejon de; Brejon, Arnauld; Lavergnee, Arnaud Brejon de)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
38. St Bruno Listening to Raymond Diocre Preaching, by Eustache Le Sueur. 21.7 by 33 cm. (Musée du Louvre, Paris).
Attributed works:
39. Reclining Nymph, by Eustache Le Sueur. c.1652-54. Black Chalk, 22 by 44 cm. (Musée des Beaux-Arts, Besançon; Exh. Musée des Beaux-Arts, Grenoble).
Attributed works:
40. Studies of Two Heads and Profile of a Man Seen from the Left, by Eustache Le Sueur. Black Chalk on Grey-Brown Paper, 32 by 21 cm. (Hermitage, St Petersburg).
Attributed works:
41. Studies of Three Tritons, by Simon Vouet or Eustache Le Sueur. Black Chalk, (Private Collection).
Attributed works:
42. Noli me Tangere, ?by Eustache Le Sueur. 145 by 129 cm. (Musée du Louvre, Paris; Exh. Musée des Beaux-Arts, Grenoble).
Attributed works:
43. Portrait of 'M. Albert', by Eustache Le Sueur. 1644. 89 by 73 cm. (Musée de Guéret; Exh. Musée des Beaux-Arts, Grenoble).
Short Notice
'Alexander and His Doctor': A Rediscovered Masterpiece by Eustache Le Sueur
05/2000 | 1166 | 142
Pages: 292-296
related names
Author:
Mérot, Alain (Mérot, Alain)
Author:
Wine, Humphrey (Wine, Humphrey)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
20. Fig.22 as Installed at 4 St James's Square Prior to Its Removal to the National Gallery in 1997. [Alexander and His Doctor, by Eustache Le Sueur. c.1648. 99.5 cm. Diameter. (National Gallery, London).]
Attributed works:
21. Alexander and His Doctor, by Benoît I Audran after Eustache Le Sueur. 1711. Engraving. (Bibliothèque Nationale, Département des Estampes, Paris).
Attributed works:
22. Alexander and His Doctor, by Eustache Le Sueur. c.1648. 99.5 cm. Diameter. (National Gallery, London).
Attributed works:
24. Isaac and Esau, by Nicolas Chaperon after a Fresco by the Studio of Raphael in the Vatican Loggie. 1649. Etching, 24.1 by 26.1 cm. (Bibliothèque Nationale, Paris).
Attributed works:
25. Compositional Study for Alexander and His Doctor, by Eustache Le Sueur. c.1648. Black Chalk, Squared up in Red Chalk; Strengthened in Pen and Brown Ink. 18.9 by 19.2 cm. Diameter. (Musée des Beaux-Arts, Besançon).
Attributed works:
26. Compositional Study for Alexander and His Doctor, by Eustache Le Sueur. c.1648. Black Chalk; Partially Strengthened in Pen and Brown Ink; Squared up in Red Chalk, 28.4 by 20.8 cm. (Cabinet des Dessins, Musée du Louvre, Paris).
Attributed works:
27. Study for the Figure of Alexander, by Eustache Le Sueur. c.1648. Black Chalk, with White Heightening, on Grey-Brown Paper. 20 by 38 cm. (Musée Fabre, Montpellier).
Western art unattributed:
23. Elevation Drawing of the North Wall of 'The Great Room' of 4 St James's Square, London, Anonymous.? 1833. Pen and Black Ink and Pencil. (Reproduced by Kind Permission of Lord Lucas of Crudwell).
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12/1998 | 1149 | 140
Pages: i-xx
Subjects
advertisements:
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Illustrations
Attributed works:
Reliquary Bust of St Clement, Here Attributed to Giuliano Finelli. c.1635-39. Copper and Brass, Gilt and Silvered, with Imitation Jewels, 118 cm. High (Museo Diocesano, Velletri)
Attributed works:
[Alex Wengrad Limited, The Old Knoll, Eliot Hill, London, UK] Silver Statuette, Cast from a Model by Alessandro Algardi of Circa 1632 Stamped FT. Height: 8 3/4 in: 22 cm Excluding Reliquary Base
Attributed works:
[B. E. L. Publishers advertisement] Tomaso da Modena. Saint Michael the Archangel. Italy, Probably Modena 1358/60
Attributed works:
[Blumka Gallery, 209 East 72nd street, New York, New York] Relief of Saint Peter as Suppliant in a Cave The Attribute of the Cock in the upper Right Hand Corner Attributed to Christoph Daniel Schenck (German, 1633-1691) Boxwood, Height: 11 in. (28 cm.); Width 8 1/8 in. (20.6 cm.)
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Antonio Calegari (Brescia, 1699-1777) Lucrecia (?) Terracotta, 53 × 21 × 15.6 cm.
Attributed works:
[Christie's, 8 King Street, London, UK] Bernardo Bellotto (1722-1780). The Grand Canal, Venice, Looking East from the Palazzo Flangini to the Palazzo Vendramin Calergi. Oil on Canvas 23 7/8 × 36 1/8 in. (60.7 × 91.8 cm.)
Attributed works:
[Christie's, 8 King Street, London, UK] Paolo Caliari, il Veronese (1528-1588). The Rest on the Return from Egypt. Oil on Canvas 62 7/8 × 63 7/8 in. (159.8 × 162.4 cm.)
Attributed works:
[Christie's, Cornelis Schuytstraat 57, 1071 JG Amsterdam, Netherlands] Josef Csaky (1888-1971). Girl with a Sheep, Signed and Dated on the Base 'Csaky 29' a Pink Stone Sculpture, 21 in. (53.5 cm.) High
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Francesco Guardi Venice 1712 - 1793 Venice Venice: A View of the Rialto with the Riva del Vin Pen and Brown Ink and Brown and Grey Wash. Signed Fran. co de Guard; Fect. 247 × 423 mm. (9 3/4 × 16 5/8 in.)
Attributed works:
[Concorde Art Associates, New York, New York] August Rodin Study for the Monument to Whistler 25½ Inches High Signed and Numbered 6/8 Fondr & C by Musee Rodin, 1885 Bronze with Dark Brown Patina
Attributed works:
[Daniel Katz Ltd, 59 Jermyn Street, London, UK] 'The Resurrection' Nottingham, England 15th Century. Alabaster, Height: 39cms
Attributed works:
[David & Constance Yates, Lenox Hill Station, New York, New York] Auguste Préault (1809-1879) Le Silence Cast Plaster Diameter: 15 3/4 Inches (400 mm.) Slightly Irregular Depth: 6 Inches (155 mm.)
Attributed works:
[Hall & Knight Ltd., 15 Duke Street, London, UK] Eustache le Sueur (1616-Paris-1655) Marcus Curtius Leaping into the Void. Oil on Canvas, 43 × 35 Inches (110 × 89 cm)
Attributed works:
[Pierre Beres, 14 Avenue de Friedland, Paris, France] Claude-Nicolas Ledoux, L'architecture considérée sous le rapport de l'art..., Paris, 1804, Folio. First edition.
Attributed works:
[Tate Gallery, Millbank, London, UK] Sir William Blake Richmond, Mrs Ernest Moon, 1888
Attributed works:
[University of California Press advertisement. Held in the Vatican Museum] Antonio Canova, Perseus with the Head of Medusa, Marble, 1757-1801. (Musei Vaticani)
Attributed works:
[Victoria and Albert museum, London] John Constable. Sketch for 'The Valley Farm', c.1835. Oil on Canvas. The Canvas Has Been Relined. The Stretcher Is Inscribed in Ink J. Constable P. Valley Farm. (254 × 210mm.)
Attributed works:
[Victoria and Albert museum, London] John Constable. Dedham Lock and Mill, c.1820. Oil on Canvas. Signed and Dated below on Right John Constable. ARA. Pinxt 1820. (537 × 762mm.)
Western art unattributed:
[Liverpool University Press advertisement] book cover. Public Sculpture of Birmingham Including Sutton Coldfield by George T. Noszlopy, ed. Jeremy Beach
Western art unattributed:
[Liverpool University Press advertisement] book cover. Public Sculpture of Liverpool by Terry Cavanagh
Western art unattributed:
[Phillips International, 101 New Bond Street, London, UK] A 17th Century German Carved Ivory Plaque. Provenance: Ernst Boehlen Collection, 8cm High.
Western art unattributed:
[Phillips International, 101 New Bond Street, London, UK] A 17th Century Italian Rock Crystal and Glass Panelled Christaining Robe Casket. Provenance: Blo' Norton Hall, Norfolk.
Western art unattributed:
[Sotheby's, 1334 York Avenue, New York, New York] Rheno-Mosan, Circa 1150 Champleve Enamel on Gilt Bronze 4.7 by 5 cm.
Western art unattributed:
[Sotheby's, 1334 York Avenue, New York, New York] Rheno-Mosan, Circa 1180 Champleve Enamel on Gilt Copper 8.2 by 6.9 cm.
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09/1997 | 1134 | 139
Pages: i-xxiv
Subjects
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastr. 12, Heidelberg ] Edvard Munch (Loeiten 1863 - 1944 Ekely near Oslo). Girl and Boy at a Chicken Run. Lithograph 1912. Schiefler 372, b. Signed and Marked "Tryk 4.". Printed on Heavy Greyish-Brown Laid Paper. Image Dimensions: 43.5 by 38 cm.
Attributed works:
[ Bruno Scardeoni, Via Nassa 54, Lugano ] Nicolò di Pietro. (Venice, Documented between 1394 and 1427). "Christ AS Saviour". Tempera on Panel, 70 × 55.5 cm
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltiare, Paris ] Edward Luttrell, fl.c. 1680-1724. Three Male Heads. Pastel on Copper, 9.4 × 25.4 cm.
Attributed works:
[ Colnaghi, 15 Old Bond Street, New York ] Eustache le Sueur 1616 - Paris - 1655. St. Paul Exorcising a Possessed Man Also Known as St. Paul Healing the Sick. Oil on Canvas: 175.1 × 131.7 cms
Attributed works:
[ Cover ] Costume of a mourner, Made by Marie Muelle in the Atelier of Paul Poiret after a Design by Henri Matisse. 1919. Felt and Velvet, 160 by 168 cm. (Musée d'art et d'histoire, Geneva)
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] C. R. W. Nevenson 1889-1946. The Road to Ypres. Oil on Canvas. 51 × 92 cms.
Attributed works:
[ Galerie Koller, Hardturmstrasse 102, Zurich ] Holbein, Hans, the Younger (1497-1543). Successor. Portrait of Henry VIII of England. Oil on Wood. 75 × 65 cm.
Attributed works:
[ Galerie Lingenauber, 110 rue vieille du Temple Marais, Paris / Schwerinstrasse 38 Dusseldorf ] Claude-Joseph Vernet (Avignon 1714 - 1789 Paris). Canvas 35 × 45 cm (13.8 by 17.7 in.)
Attributed works:
[ Galerie Lingenauber, 110 rue vieille du Temple Marais, Paris / Schwerinstrasse 38 Dusseldorf ] Jean Etienne Liotard. (1702 - Geneva - 1789). A Tea Set with a Sweet. Oil on Canvas 30 × 64 cm (11.8 by 25.2 in.) Signed Lower Right: J. E. Liotard
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger - Hof, Moosinning, Munich ] Federico Zuccaro (Sant' Angelo in Vado 1540 - 1609 Ancona). Kneeling Angel. Black Chalk, Pen and Brown Ink, Brown Wash on an Old Mount. 172 × 108 mm.
Attributed works:
[ Hall & Knight Ltd., 21 East 67th Street / 15th Duke Street, St. James, London ] Giovan Francesco Maineri (c. 1460/70- after 1506). Christ Carrying the Cross. Oil on Panel, 12 × 8½ Inches (31 × 22 cm)
Attributed works:
[ Maison d' Art, Park Palace, 27 Avenue de la Costa, Monaco ] Bartolomeo Guidobono Savona 1654 - Turin 1709. The Virgin and Child Oil on Canvas, 64 × $37frac{3}{4}$ in. (162.6 × 95.9 cm.)
Attributed works:
[ Neumeister Barer Str. 37, Munich ] Abraham Govaerts (1589-1625) and Thomas Francken (1574-1625). The Virgin and Child in Wooded Landscape. Oil on Panel. 50 × 64 cm. Provenance: Monastery Nonnberg, Salzburg.
Attributed works:
[ Phillips, 101 New Bond Street, London ] Camille Pissarro, "Camille Pissarro par lui-même", (Delteil 90), Etching and Drypoint, Circa 1890, Second State, Signed and Numbered from the Edition of Twenty Eight.
Attributed works:
[ Rafael Valls Limited 6 Ryder Street, St. James, London / 11 Duke Street, St James, London ] Abraham de Verwer (Circa 1585-1650) Flemish School. A Dutch States Yacht with Numerous Smalschips and Barges on a River Estuary beside a Village. Oil on Panel. $12frac{1}{8}$ × $14frac{1}{8}$ Inches (30.8 × 35.8 cms).
Attributed works:
[ Rafael Valls Limited 6 Ryder Street, St. James, London / 11 Duke Street, St James, London ] Jan Brueghel The Younger (1601-1678) Flemish School. A River Landscape with Windmills and Ferry Boats. Oil on Copper. 19¼ × 26 Inches (49 × 66 cms).
Attributed works:
[ Rafael Valls Limited 6 Ryder Street, St. James, London / 11 Duke Street, St James, London ] Pieter Brueghel The Younger (1564-1638) Flemish School. The Adoration of the Magi. Oil on Panel. 15½ × 22¼ Inches (39.2 × 56.8 cms).
Attributed works:
[ Rafael Valls Limited 6 Ryder Street, St. James, London / 11 Duke Street, St James, London ] Pieter Snayers (1592-1667) Flemish School. The Conversion of St. Paul. Oil on Panel. 7½ × 9½ Inches (19 × 24.2 cms). Signed and Dated 1656.
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Pierre-Nolasque Bergeret, Marius Meditating on the Ruins of Carthage, 1807. Oil on Canvas, 129.5 by 96.5 cm. Signed in Monogram and Dated: "P. N. B. AN 1807"
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Antoine-Louis Barye: Man on Horseback. Wax, ht. 19.5 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Charles Mellin: Triumph of Galatea. Oil on Canvas, 121 by 123.5 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Eugène Delacroix: Charles V and Odette de Champdivers. Oil on Canvas. 33.5 × 27.5 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Gherardo Starnina: Madonna of Humility, c.1410. Tempera on Panel, 93.5 × 60 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Godfried Schalcken: A Gentleman Offering a Lady a Ring in a Bedroom. Oil on Panel, 37.2 × 29.2 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Jean-Baptiste Carpeaux: La Danse. Terracotta, ht 52 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Jean-Etienne Liotard: A Tea Set. Signed. Oil on Canvas, 30 × 64 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Juan de Arellano: Irises, Tulips, Roses and Other Flowers in a Glass Vase. Signed. Oil on Canvas, 84 × 62.8 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Léon Mathieu Cochereau: Le peintre, le modèle et son chaperon. Oil on Canvas, 46 × 55 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Mario Nuzzi: Portrait of a Young Boy with Fruit and a Parrot. Oil on Canvas, 101 × 81 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Nicolas-Bernard Lépicier: Jeune homme à la pipe. Ink and Wash with Traces of Red Chalk, 28.2 by 20.5 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Paul-César Helleu: Atelier Edgar Degas. Black and Red Chalk with White Hightening, 26 by 37 cm.
Attributed works:
[ Salon des Beaux Arts, Espace Eiffel - Branly, Paris ] Pierre Mignard: Time Clipping Cupid's Wings. Signed and Dated, 'P. Mignard Pinxit 1694 / Aetatis 82. Oil on Canvas, 66 × 54 cm.
Attributed works:
[ Tate Gallery, Millbank, London (BP) ] Thomas Girtin, The White House at Chelsea, 1800
Attributed works:
[ Wiener Kunst Auctionen, Kärntner Ring 5-7, Vienna ] Eugène Boudin "Rotterdam, le port de bourse". Oil on Canvas, 40 × 55 cm
Western art unattributed:
[ H. W. Keil Ltd, 129-131 The Promenade, Cheltenham Gloucester ] An Excellent Early 19th-Century Mahogany two Pillar Table with Turning Bases to Support Leaves. Of Fine Colour and Quality. Circa 1820. Length 8′4″ Width 4′2″ Height $2^{prime }3frac{3}{4}^{prime prime}$
Book Review
Eustache Le Sueur (1616-1655)
01/1990 | 1042 | 132
Pages: 41-42
related names
Reviewer:
Walker, Dean (Walker, Dean)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Eustache Le Sueur (1616-1655) | author: Mérot, Alain
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