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139 articles
Article
British press reaction to the London exhibitions of David, Lefèvre, Wicar and Lethière
05/2025 | 1466 | 167
Pages: 450–59
related names
Author:
Wine, Humphrey (Wine, Humphrey)
Subjects
dates:
Illustrations
Attributed works:
1. Emperor Napoleon in his study at the Tuileries, by Jacques-Louis David. 1812. Oil on canvas, 205 by 127.5 cm. (Musée national du château, Fontainebleau; Bridgeman Images).
Attributed works:
10. The raft of the Medusa, by Théodore Géricault. 1819. Oil on canvas, 491 by 716 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
11. Homer singing his Iliad at the gates of Athens, by Guillaume-Guillon Lethière. 1814. Oil on canvas, 198.1 by 246.4 cm. (Nottingham City Museums and Galleries; Bridgeman Images).
Attributed works:
2. Napoleon crossing the Alps, by the studio of Jacques-Louis David. 1803. Oil on canvas, 268.5 by 224.3 cm. (Château de Versailles; Bridgeman Images).
Attributed works:
3. Portrait of Pope Pius VII and Cardinal Caprara, by Jacques-Louis David. c.1805. Oil on canvas, 138.1 by 96 cm. (Philadelphia Museum of Art; Bridgeman Images).
Attributed works:
4. A full-length portrait of Napoleon after his return from Moscow, by Thomas Goff Lupton after George Clint. 1819. Engraving, 44.9 by 31.4 cm. (British Museum, London).
Attributed works:
5. Bonaparte and General Berthier at the Battle of Marengo, by Joseph Boze, with Robert Lefevre and Carle Vernet. 1800–01. Oil on canvas, 289 by 232 cm. (Musée de l’Armée, Paris; Bridgeman Images).
Attributed works:
6. Consecration of the Emperor Napoleon and the coronation of Empress Josephine on December 2, 1804, by Jacques-Louis David. 1808–22. Oil on canvas, 610 by 971 cm. (Chateau de Versailles).
Attributed works:
6. Consecration of the Emperor Napoleon and the coronation of Empress Josephine on December 2, 1804, by Jacques-Louis David. 1808–22. Oil on canvas, 610 by 971 cm. (Chateau de Versailles).
Attributed works:
7. Resurrection of the son of the widow of Naim, by Jean-Baptiste Wicar. 1816. Oil on canvas, 5.7 by 9 m. (Palais des Beaux-Arts de Lille).
Attributed works:
8. Brutus condemning his sons to death, by Guillaume Guillon-Lethière. 1811. Oil on canvas, 59.4 cm by 99.1 cm. (Sterling and Francine Clark Art Institute, Williamstown MA).
Attributed works:
9. The death of Virginia, by Guillaume-Guillon Lethière. 1828. Oil on canvas, 4.58 by 7.88 m. (Musée du Louvre, Paris; Bridgeman Images).
Short Notice
Delaroche in England: a revised dating
05/2024 | 1454 | 166
Pages: 493–495
related names
Author:
Duffy, Stephen (Duffy, Stephen)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
1. Page 14 of Visitors to the Armoury of Llewelyn Meyrick Esqr, 1820–30. (Hertford House Historic Collection, Wallace Collection, London).
Attributed works:
2. The fortunate escape of King William the Third, by William Giller after Abraham Cooper. 1829. Engraving, 39.9 by 31.3 cm. (British Museum, London).
Attributed works:
3. Studies of armour from the Meyrick Collection, by James Ward. 1824. Pencil and watercolour on paper, 17.8 by 26.7 cm. (Private collection).
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Advertisements (front)
10/2023 | 1447 | 165
Pages: i–xxiv
Subjects
Illustrations
Attributed works:
Thomas Gainsborough R.A. ( 1717-1788) Going to Market, Early Morning, c. 1773 [Dickinson]   
Attributed works:
A lesser coucal on a frangipani branch, a folio from the Impey Album, signed Shaykh Zayn Al-Din (active 1777–82). 1777. Translucent pigments on English paper, 53.3 by 75.2 cm. [CHRISTIE’S, KING STREET, SW1Y/Asian Art London]
Attributed works:
Attributed to Anthonis Mor (Utrecht 1516/1521 – Antwerp 1576) Portrait of a humanist Oil on panel, 62.5 x 42.5 cm PROVENANCE: Probably in the collection of Archduke Léopold Wilhelm, Governor of the Spanish Netherlands 1647–1656 [Jacques Leegenhoek]
Attributed works:
Attributed to SIR PETER PAUL RUBENS (1577 - 1640) Philosophers Studying the Motion of the Spheres at Midnight or, Ptolemaic Exercise in Planispheric Projection Circa 1625. Oil on panel 22.5 in. (H) x 30 in. (W) [Sloane Street Auctions]
Attributed works:
Ceramic cat, by David Hockney (b.1937). c.1956–57. 34.5 x 40 x 15.5 cm [Stacey's]
Attributed works:
Detail of a hanging scroll depicting the Utsusemi Chapter of The Tale of Genji. by Watanabe Hiroteru (1778–1838). Edo period (19th century). Ink, colour and gold pigment on silk, one of a pair, each unrolled including mounts, 248 by 68 cm. ANASTASIA VON SEIBOLD JAPANESE ART, CROMWELL PLACE, SW7/Asian Art London]
Attributed works:
Domenico Corvi (Viterbo 1721–Rome 1803) The Liberation of the Apostle Peter c. 1770, oil on canvas (detail) 24¾ × 19¼ inches | 63 × 49 cm [Nicholas Hall]
Attributed works:
Helene Schjerfbeck, The Lace Shawl, Metropolitan Museum of Art [Amells Konsthandel]
Attributed works:
JOHN SINGER SARGENT RA (1856-1925) A Young Venetian Boy Lying on a Cushion Watercolour on buff paper. Signed and dedicated a mon ami Subercaseaux / John S. Sargent. at the upper centre and upper left. 246 x 330 mm. (9¾ x 13 in.) [sheet] Stephen Ongpin/Frieze Masters]
Attributed works:
Keith Vaughan, Assembly of Figures II (1965). Wash, gouache, pen and ink and wax crayon, 52.5 x 44.8 cm [Chiswick Auctions]
Attributed works:
Miniature from Vies de Romulus et de Caton d’Utique, by the Master of Philippa of Guelders, Jean Coene IV and an artist from the Pichore circle. 1508. Illuminated manuscript on vellum, 35 by 22 cm. [STÉPHANE CLAVREUIL RARE BOOKS LTD, LONDON/Frieze Masters]
Attributed works:
Mount Taibai covered in snow, by Tai Xiangzhou (b.1968). 2022. Ink on silk, 136.5 by 116 cm. [MO HAI LOU, CROMWELL PLACE SW7/Asian Art London]
Attributed works:
Portrait of a young girl in a white apron, by Anthony Van Dyck (1599–1641). c.1630. Oil on canvas, 99 by 83 cm. [PHILIP MOULD & COMPANY, LONDON/Frieze Masters]
Attributed works:
Portrait of Pierre- Edouard Lefebvre de Béhaine, with Florence in the background, by Francois-Xavier Fabre (1766–1837). 1802. Oil on canvas, 96 cm by 74 cm. [GALERIE ERIC COATALEM, PARIS/Frieze Masters]
Attributed works:
Rao Jagat Singh of Kota in his garden, attributed to the Hada Master, India, Rajasthan, Kota. c.1660. Gouache and gold on paper, 27 by 17.7 cm. [SOTHEBY’S, NEW BOND STREET, W1A/Asian Art London]
Attributed works:
Rosalba Carriera (1673–1757) Portrait of a Gentleman, c. 1730 Pastel on paper, laid down on canvas 61 x 45.7 cm (24 x 18 in) Charles H. Schwartz Endowment Fund, 2023.33.1 Recently acquired by the Wadsworth Atheneum Museum of Art, Hartford, Connecticut [Ben Elwes]
Attributed works:
Seaside, by Pierre Bonnard (1867–1947). Gouache, 25 by 32.5 cm. [WILDENSTEIN & CO, INC., NEW YORK/Frieze Masters]
Attributed works:
Still life with a herring, cheese and other comestibles on a table, by Jacob van Hulsdonck (1582–1647). Oil on panel, 46.5 by 69.9 cm. [JOHNNY VAN HAEFTEN, RICHMOND/Frieze Masters]
Attributed works:
Stringed figure (Curlew) (Version 1), by Barbara Hepworth (1903– 75). 1956. Brass and cotton string, 46 by 51 by 35 cm. [HAZLITT HOLLAND HIBBERT, LONDON/Frieze Masters]
Attributed works:
The sisters, by Charles Maurin (1856–1914). 1896. Black chalk and pastel on paper, 52.4 by 44.4 cm. [STEPHEN ONGPIN FINE ART, LONDON/Frieze Masters]
Attributed works:
Théodore GERICAULT (Rouen 1791-Paris 1824) and a collaborator Ving-et-une croupes de chevaux à l'écurie (Twenty-one stabled horse's rumps) Oil on canvas 74 x 92 cm (29,13 x 36,22 in) Provenance: Old collection Frédéric de Meuron (1786-1864) [Briscadieu Bordeaux]
Attributed works:
Untitled, by Ghulam Rasool Santosh (1929–97). 1969. Oil on canvas, 170.7 by 203.2 cm. [DAG, NEW DELHI, MUMBAI AND NEW YORK/Frieze Masters]
Attributed works:
Venice: The Grand Canal with a View of the Church of San Stae, by Michele Marieschi (1710–43). 1730s. Oil on canvas, 83.4 by 114 cm. [ROBILANT+VOENA, LONDON, MILAN, PARIS AND NEW YORK/Frieze Masters]
Attributed works:
Westminster Bridge from the north with the Lord Mayor’s Procession, by Canaletto (1697–1768). 1750. Oil on canvas, 47 by 77 cm. [CHARLES BEDDINGTON LTD, LONDON/Frieze Masters]
Non-western art unattributed:
A blue and white ‘sage’ bottle vase with imperial poem. Yongzheng fourcharacter mark and period, 1723–35. Porcelain, height 19.5 cm. [LITTLETON & HENNESSY, 1 PRINCE’S ARCADE, DUKE STREET ST JAMES’S, SW1Y/Asian Art London]
Non-western art unattributed:
A large hardstone embellished ‘Elephant and tribute bearers’ double-sided tablescreen, Mid-Qing Dynasty. [BONHAMS KNIGHTSBRIDGE, MONTPELLIER STREET, SW7/Asian Art London]
Non-western art unattributed:
Anthropic system II, by Emilie Pugh (b.1988). 2021. 6 layers of burnt kozuke paper 150 by 120 by 20 cm. [MICHAEL GOEDHUIS, CROMWELL PLACE, SW7/Asian Art London]
Non-western art unattributed:
Four keris daggers. 19th century, Bali and Lombok. Steel, wood, gilt metals and precious/ semi-precious stones, length each 50–60 cm. [RUNJEET SINGH, CROMWELL PLACE, SW7/Asian Art London]
Non-western art unattributed:
Glazed slipdecorated ‘cat and butterfl y’ stoneware pillow. Northern Song- Jin dynasty, 12th–13th century, Cizhou, probably Guantai kilns, Hebei province. 18.4 by 31 cm. ESKENAZI, 10 CLIFFORD STREET, W1S/Asian Art London]
Non-western art unattributed:
Nanosaurus. Late Jurassic, c.150 million years old. Fossilised bone, 182 by 25 by 62 cm. [DAVID AARON, LONDON/Frieze Masters]
Western art unattributed:
A chessboard. Andalusia, possibly Granada, Nasrid Spain, 14th–15th century. Ebony, ivory and stained wood inlaid. 41.5 by 41.5 cm. [CHISWICK AUCTIONS, BARLEY MOW CENTRE, W4, Asian Art London]
Western art unattributed:
AMERICAN SCHOOL PORTRAI T OF TWO GIRLS c. 1825–30 Oil on canvas 24 x 20 in. (61 x 50.8 cm) [Philip Mould]
Western art unattributed:
Master of the Corsi Crucifix Florence, first quarter of the XIV century Recently acquired by Galleria dell’Accademia di Firenze Florence, Italy [Moretti]
Western art unattributed:
The Baird Casket [Sam Fogg]
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Advertisements (front)
05/2022 | 1430 | 164
Pages: i-xxvii
Subjects
advertisements:
Christie, Manson & Woods, London, Great Britain / TEFAF (Maastricht) / Getty Trust Publications , Great Britain / Galerie Gerda Bassenge, Berlin, Germany / Salon du dessin, Paris, France / Stephen Ongpin Fine Art, London, Great Britain / Paul Prouté S.A. (gallery), Paris, France / Arnoldi-Livie (dealer), Munich, Germany / Master Drawings London / F.LLI Romano, Florence, Italy / Galerie de Bayser S.A., Paris, France / Onne van Seggelen, Rotterdam, Netherlands / Charles Ratton & Guy Ladrière, Paris, France / Paul Mellon Centre for Studies in British Art, London, Great Britain / David Tunick Inc., New York, United States / Galerie Chenel, Paris, France / Friedman Benda Gallery, New Yoork, United States / Cazeau & Beraudiere (art moderne), Paris, France / London Original Print Fair / Heritage Auctions, Dallas, United States / Hermann Historica (auctioneers), Munich, Germany / Osborne Samuel Gallery, London, Great Britain / Marlborough Fine Art, London, Great Britain / Frederick Mulder, London, Great Britain / Eames Fine Art, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Wallace Collection, London, Great Britain / Daniel Crouch Rare Books, London, Great Britain / Karsten Schubert, London, Great Britain / Advanced Graphics London, London, Great Britain / Masterpiece London / Peter Finer (antique arms), London, Great Britain / Alessandro Cesati, Milan, Italy / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / French and Company Art, New York, United States / New Raritet Gallery, Vienna, Austria / The-saleroom.com / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Courtauld Institute of Art, London, Great Britain / Minerva Magazine / Lund Humphries Publishers Limited, London, Great Britain / Simiolus, Art Journal, The Netherlands / Dorotheum (auction house), Vienna, Austria
Illustrations
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000 [Camper Dabernat]
Attributed works:
Attributed to ROSALBA CARRIERA, 1675 – Venice – 1757 Portrait of a Woman Wearing a Zendale Bodycolor on ivory (?) pasted on board. Height: 7 cm. Length: 5 cm With a signature: J.E. Liotard f lower left [Ratton and Ladrière]
Attributed works:
Beautiful night, by Louise Bourgeois (1911–2010). 1994. Lithograph, 52.7 by 70.5 cm. [MARLBOROUGH, LONDON]
Attributed works:
Bullfighting, by Germaine Richier (1902–59). 1953. Bronze, 116 by 54 by 101 cm. [Galerie de la Béraudière, Brussels]
Attributed works:
Chuquicamata Copper Mine Overburden #2, Calama, Chile, by Edward Burtynsky. 2017. Archival Pigment Print, 121.9 by 162.6 cm. (© Edward Burtynsky; courtesy Flowers Gallery, London, and Metivier Gallery, Toronto).[Photo London]
Attributed works:
Count Ugolino in the Tower of Hunger, by Pelagio Palagi (1775– 1860). Pen, brown ink, wash and white highlights, 38 by 53.3 cm. [MAURIZIO NOBILE, BOLOGNA, PARIS, MILAN]
Attributed works:
CV 2 01, by Charlotte Verity (b. 1954). 2022. Watercolour monotype, 33 by 40.8 cm. [KARSTEN SCHUBERT, LONDON]
Attributed works:
Disappointed soul, by Ferdinand Hodler (1853–91). 1891. Ink, oil and coloured chalks, 49.5 by 35.5 cm. [ARNOLDI-LIVIE, MUNICH]
Attributed works:
Doryphoros, after Polykleitos. Greece. c.1st century AD. Marble, 70 by 55 by 27 cm. [Galerie Chenel, Paris]
Attributed works:
Eternal Queen (cobalt blue), by Bradley Theodore (b. 1990). 2022. Etching with relief printing, 83.5 by 80.2 cm. [MANIFOLD EDITIONS, LONDON]
Attributed works:
Experiment on electrical stimulation of muscle – weeping woman, plate 50 from Mécanisme de la Physionomie Humaine (1862), by Guillaume-Benjamin- Amand Duchenne de Boulogne. 1855–56. Albumen print from a glass negative, 23.8 by 17.5 cm. (Robert Hershkowitz Ltd, London).[Photo London]
Attributed works:
Flow desk, by Wendell Castle (1932–2018). 2009. Stained cherry wood, 86.4 by 165 by 67 cm. [Friedman Benda, New York and Los Angeles]
Attributed works:
Giovanna Garzoni (1600 - 1670). Still life with pears, an almond and a fly. Gouache and watercolor on vellum. 14.2 x 19.3 cm. Estimate: € 60,000. [Bassenge]
Attributed works:
Hats, Father’s Day picnic, Seattle, WA, by William Heick. 1951. Gelatin silver print, 38.1 by 45.7 cm (© 2021 William Heick; courtesy Peter Fetterman Gallery, Santa Monica).[Photo London]
Attributed works:
HENDRICK GOLTZIUS (1558–1617) Pluto, after Polidoro da Caravaggio Pen and brown ink and brown wash, heightened with white, over an underdrawing in black chalk, on blue paper 264 x 170 mm. (103⁄8 x 65⁄8 in.)[Stephen Ongpin]
Attributed works:
Kyubigitsune, by Hiromitsu Takahashi (b. 1959). 2016. Stencil, 76 by 49 cm. [HANGA TEN, LONDON]
Attributed works:
Large head of Jacqueline wearing a hat, by Pablo Picasso (1881– 1973). 1962. Linocut, signed, 64 by 53 cm. [FREDERICK MULDER LTD, LONDON]
Attributed works:
Mallow leaf, by Albertus Jonas Brandt (1788–1821). Pencil and brown ink, 35.2 by 8 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM]
Attributed works:
Marc Chagall (French/Russian, 1887-1985) Esquisse pour "Les fiancés à l'oiseau" (Le mariage), circa 1960 Pastel, oil, India ink, and pencil on paper 15-3/4 x 10-7/8 inches (sheet) Estimate: $80,000 - $120,000 [Heritage Auctions]
Attributed works:
MICHELANGELO BUONARROTI (1475-1564) A nude man (after Masaccio) and two figures behind, 1496 or slightly after pen and two shades of brown ink, brown wash 33 × 20 cm (13 × 7 7/8 in.) Estimate on request [Christie's]
Attributed works:
Montagne Sainte-Victoire, by Paul Cézanne (1839–1906). Watercolour on paper, 28 by 40 cm. [STEPHEN ONGPIN FINE ART, LONDON]
Attributed works:
Nicolas Robert, Chouette effraie, collection M & Mme Pierre Rosenberg. © Photography : Suzanne Nagy. Design : Olivier Andreotti (Toluca Studio) [Salon du Dessin]
Attributed works:
Ocean Park #23, by Richard Diebenkorn (1922–93). 1969. Oil and charcoal on canvas, 236.2 by 205.7 cm. [Berggruen Gallery, San Francisco]
Attributed works:
Painting, by Pierre Soulages (b.1919). 1974. Oil on canvas, 202 by 256 cm. [Applicat-Prazan, Paris]
Attributed works:
Paul-Elie RANSON Limoges 1861 – Paris 1909 Nude in the forest, circa 1905. Pastel on grey laid paper, 470 × 370 mm [Paul Prouté]
Attributed works:
Piglet goes shopping, by Keith Haring (1958–90). 1989. Acrylic on canvas, 182.9 by 243.8 cm. Robilant + Voena, London
Attributed works:
Princesse Maleine, by Léon Spilliaert (1881–1946). 1903. Pencil, ink and wash, 15.5 by 19 cm. [AMBROISE DUCHEMIN, PARIS]
Attributed works:
Red caryatid on a black ground, by Amedeo Modigliani (1884– 1920). c.1913–14. Pencil and gouache on card, 62.5 by 42.5 cm. [David Tunick Inc., New York]
Attributed works:
Royal mask. Kingdom of Bekom, Cameroon 19th century. Wood, copper and kaolin, height 45 cm. [Galerie Bernard Dulon, Paris]
Attributed works:
Sailors’ holiday, by Lill Tschudi (1911–2004). 1932. Linocut, 20 by 26 cm [OSBORNE SAMUEL, LONDON]
Attributed works:
Scarlet ibis, by Nicolas Robert (1614–85). Watercolour and gouache on vellum with gold edging, 30.5 by 21.2 cm. [DE BAYSER, PARIS]
Attributed works:
Southern sunrise, Collioures, by Karen Keogh. 2020. Etching, 19.5 by 16 cm. [EAMES FINE ART, LONDON]
Attributed works:
Still life, by Giorgio Morandi (1890–1964). 1948. Oil on canvas, 33 by 50 cm. [Galleria d’Arte Maggiore, Bologna]
Attributed works:
Stone gorillas, by Francois-Xavier Lalanne (1927–2008). c.1983. Burgundy stone (pierre d’Euville), 76 by 60 by 58–60 cm. [Galerie Lefebvre, New York]
Attributed works:
Street scene, near a canal, in a Dutch city, by Johannes Huibert Prins (1757–1806). Watercolour, brown and Indian ink with black pencil, 31.4 by 21 cm. [GALERIE PAUL PROUTÉ, PARIS]
Attributed works:
Study of a human body after Ingres, by Francis Bacon (1909–92). 1982. Lithograph, 88 by 60.5 cm. [MARLBOROUGH, LONDON]
Attributed works:
Study of three heads, by Mauro Gandolfi (1764–1834). Pen and ink, 23.2 by 18.7 cm. [ROMANO FINE ARTS, FLORENCE]
Attributed works:
Sur le trône act1 tms2 from the series The blue moon of Ouagadougou, by Saïdou Dicko. 2021. Paint on archival pigment print on Hahnemühle Fine Art Baryta 325g. (© Saïdou Dicko and A  karis, Paris).[Photo London]
Attributed works:
The golf player, by Rembrandt van Rijn (1606–69). 1654. Original etching, 9.6 by 14.5 cm. [ELIZABETH HARVEY-LEE, OXFORDSHIRE]
Attributed works:
The Holy Family, by Giovanni Battista Tiepolo (1696–1770). Pen, brown ink and wash, 27.7 by 20 cm. [GRÄSSLE – HÄRB – NUTI, MUNICH AND LONDON]
Attributed works:
The painter and his model, by Pablo Picasso (1881–1973). 1963. Oil on canvas, 73 by 116 cm. [Van de Weghe, New York]
Attributed works:
Théodore Géricault (Rouen 1791 - 1824 Paris) Various Male Figures in Movement, a Horse and Rider, c. 1817 Pen in brown ink, 18.4 x 25.5 cm [Arnoldi-Livie]
Attributed works:
Tiziano Vecellio, called Titian, The Penitent Magdalen, oil on canvas, 96.7 x 115 cm, Auction: 11 May 2022 [Dorotheum]
Attributed works:
Untitled, by Key Sato (1906–78). 1969. Ink, 25 by 32 cm. [LOUIS & SACK, PARIS]
Attributed works:
Up Town I, by Vanessa Jackson (b. 1953). 2022. Screenprint, 50.3 by 125.3 cm. [ADVANCED GRAPHICS, LONDON]
Attributed works:
Winter woman, by Wenceslaus Hollar (1607–77). 1643. Engraved print with etching, 36.1 by 25.8 cm. [DANIEL CROUCH RARE BOOKS, LONDON]
Non-western art unattributed:
Lot 9 An Elamite appliqué of silver with bull’s head and cloisonné work with stone inlays, late 3rd - early 2nd millennium B.C. [Hermann Historica]
Western art unattributed:
LIMOGES, SECOND HALF 13th CENTURY A GILT-COPPER PYXIS REPRESENTING THE VIRGIN AND CHILD 13 1/2 in. (34.5 cm.) high Provenance: F. Spitzer Collection; V. Martin Le Roy Collection; J.-J. Marquet de Vasselot Collection, thence by descent. Estimate: €500,000 - 700,000 [Christie's]
Western art unattributed:
Lot 52 A Roman marble statue of Hermanubis with features of Alexander the Great, 1st - 2nd century [Hermann Historica]
Western art unattributed:
Lot 59 A Roman bronze urn with profound epigram in sophisticated calligraphy, 1st - 2nd century [Hermann Historica]
Western art unattributed:
Lot 88 A North Germanic jewellery bracteate (B-bracteate) of gold, late 5th - early 6th century A.D. [Hermann Historica]
Article
Avatars of Antiquity III: Reading the Passions
01/2021 | 1414 | 163
Pages: 40-51
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
Illustrations
Attributed works:
1. Dead Christ mourned (‘The three Maries’), by Annibale Carracci. c.1603 or c.1606. Oil on canvas, 92.8 by 103.2 cm. (National Gallery, London).
Attributed works:
10. An experiment with an air pump, by Joseph Wright of Derby. 1768. Oil on canvas, 183 by 244 cm. (National Gallery, London).
Attributed works:
11. Virgin Mary with the infant Christ, attributed to Leonardo da Vinci. c.1472. Terracotta, height 49 cm. (Victoria and Albert Museum, London).
Attributed works:
12. Self-portrait, attributed to Nicolas Poussin. c.1630. Red chalk on paper, 25.6 by 19.7 cm. (British Museum, London).
Attributed works:
13. Detail of The Lamentation, by Giotto, showing a grieving angel. c.1304. Fresco. (Arena Chapel, Padua).
Attributed works:
14. Detail of The School of Athens, by Raphael, showing Euclid with pupils. c.1510. Fresco. (Vatican Museums).
Attributed works:
15. Preparatory study for head of St John the Evangelist, by Domenichino. c.1622–25. (Royal Library, Windsor; Royal Collection Trust / © Her Majesty Queen Elizabeth II 2020).
Attributed works:
16. The dying Alexander, Roman copy of c.AD 100 of a Hellenistic sculpture of c.200 BC. Marble, height 72 cm, including modern bust. (Gallerie degli Uffizi, Florence).
Attributed works:
17. Niobe and her daughter, Roman, c.AD 100, after a Hellenistic sculpture of c.300 BC. Pentelic marble, height 228 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
18. Marsyas by Balthasar Permoser. c.1680–85. Marble, height 68.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
19. Massacre of the Innocents, by Guido Reni. 1611–12. Oil on canvas, 268 by 170 cm. (Pinacoteca Nazionale, Bologna).
Attributed works:
20. Bust of Caracalla. c.AD 212. Marble, height 65 cm. (Museo Archeologico Nazionale, Naples).
Attributed works:
22. Death of Cleopatra, by Henri-Joseph-François Baron de Triqueti. 1859. Ivory with bronze, height including base 38 cm. (Private collection, London).
Attributed works:
3. Drawing illustrating Horror, by Charles Le Brun. c.1667. Black chalk on paper, 20.5 by 18.4 cm. (Musée du Louvre, Paris).
Attributed works:
4. Detail of Moses defending the daughters of Jethro, by Charles Le Brun. 1686. Oil on canvas, 113 by 122 cm. (Galleria Estense, Modena).
Attributed works:
5. Detail of The penitent Magdalen, by Charles Le Brun. c.1656–57. (Musée du Louvre, Paris).
Attributed works:
6. Chelsea Pensioners receiving the London Gazette Extraordinary of Thursday, 22nd June 1815, announcing the Battle of Waterloo, by David Wilkie. 1816–22. Oil on panel, 97.2 by 158.1 cm. (Wellington Museum, Apsley House, London).
Attributed works:
7. Detail of Fig.6, showing the face of the woman reading the list of the dead.
Attributed works:
8. Woman with a mania for gambling, by Théodore Géricault. c.1822. Oil on canvas, 77 by 65 cm. (Musée du Louvre, Paris).
Attributed works:
9. Marriage à-la-Mode: 2, The tête à tête, by William Hogarth. c.1743. Oil on canvas, 69.9 by 90.8 cm. (National Gallery, London).
Western art unattributed:
2. Detail of the Laocoön group, showing the face of Laocoön. (Museo Pio-Clementino, Vatican; Scala Archive).
Western art unattributed:
21. Fragmentary metope relief from the Temple of Zeus, Olympia, showing Athena receiving slain monster birds. c.460–50 BC. Marble, height 157 cm. (Musée du Louvre, Paris).
Article
Fruit of love: Van Dyck’s ‘James Stuart, Duke of Richmond’ in the Louvre and its afterlife
06/2020 | 1407 | 162
Pages: 492-501
related names
Author:
Sanzsalazar, Jahel (Sanzsalazar, Jahel)
Subjects
art literature:
dates:
museums and institutions:
Illustrations
Attributed works:
1. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by Anthony van Dyck. Here dated to 1637. Oil on canvas, 107 by 84 cm. (Musée du Louvre, Paris; RMN Grand-Palais, Paris).
Attributed works:
10. The quince, by Pierre Eskrich, from Emblemes d’Alciat, Lyon 1549. Engraving, 19 by 13 cm. (Biblioth que national de France, Paris).
Attributed works:
11. Mary Villiers, Lady Herbert of Shurland, by Anthony van Dyck. c.1636– 37. Oil on canvas, 101 by 83.8 cm. (Timken Museum of Art, San Diego).
Attributed works:
12. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, attributed to Auguste Renoir after Anthony van Dyck. Oil on canvas, 116 by 89 cm. (Private collection).
Attributed works:
13. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by Thomas Couture after Anthony van Dyck. Pencil on paper, 9.1 by 12.2 cm. (Musée du Louvre, Paris, album RF 9106, fol.33; RMN Grand-Palais, Paris).
Attributed works:
14. Self-portrait in a white shirt, by Henri Fantin-Latour. 1859. Oil on canvas, 101 by 83.5 cm. (Musée de Grenoble).
Attributed works:
2. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by Anthony van Dyck. Here dated before 1637. Oil on canvas, 99.7 by 160 cm. (Kenwood House, London; Bridgeman Images).
Attributed works:
3. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by Anthony van Dyck. Here dated after 1637. Oil on canvas, 215.9 by 127.6 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
4–6, left to right, details of Figs 1, 2 and 3, showing the face of James Stuart.
Attributed works:
7. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, after Anthony van Dyck. After 1637. Oil on canvas, diameter 59.8 cm. (Location unknown).
Attributed works:
8. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by the studio of Anthony van Dyck. After 1637. Oil on canvas, 101.5 by 75 cm. (Private collection, formerly at Ickworth House, Suffolk;   RKD; Courtesy Sotheby's, New York).
Attributed works:
9. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, after Anthony van Dyck. After 1637. Oil on canvas, 101.5 by 81 cm. (Antony House, Cornwall;   National Trust Images).
Exhibition Review
Posing Modernity: The Black Model from Manet and Matisse to Today. Wallach Art Gallery, New York; and The Black Model from Géricault to Matisse. Musée d’Orsay, Paris
07/2019 | 1396 | 161
Pages: 591-594
related names
Reviewer:
Pullins, David (Pullins, David)
Subjects
dates:
Illustrations
Attributed works:
16. Jeanne Duval, also known as Woman with a fan and Baudelaire’s mistress reclining, by Édouard Manet. 1862. Canvas, 89.5 by 113 cm. (Museum of Fine Arts Budapest; exh. Musée d’Orsay, Paris).
Attributed works:
17. Portrait of Madeleine, also known as Portrait of a Black woman and Portrait of a negress, by Marie-Guillemine Benoist. Canvas, 81 by 65 cm. (Musée du Louvre, Paris; exh. Musée d’Orsay, Paris).
Attributed works:
18. Study of the model Joseph, by Théodore Chassériau. 1839. Canvas, 54.8 by 73.5 cm. (Musée Ingres, Montauban; exh. Musée d’Orsay, Paris).
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Advertisements (front)
11/2018 | 1388 | 160
Pages: i–xxiv
Subjects
advertisements:
Daniel Katz Ltd (dealers), London, Great Britain / Robilant and Voena, London, Great Britain / London Art Week / Galerie Neuse, Bremen, Germany / Stephen Ongpin Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Burzio, London, Great Britain / Brun Fine Art, London / Didier Aaron Ltd, London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Christie's, London / Rijksmuseum, Amsterdam, Netherlands / British Museum, London, Great Britain / Holburne Museum, Bath, Great Britain / Château de Fontainebleau, Fontainebleau, France / Harvey Miller Publishers, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Brimo de Laroussilhe, Paris, France / Fine Arts Paris / F. Baulme Fine Arts, Paris, France / Galerie Berès, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Talabardon & Gautier, Paris, France / Galerie de la Présidence, Paris, France / Galerie Canesso, Paris, France / Irish Art Review / Burlington Magazine / John Sandoe Books, London, Great Britain / Sotheby's, London, Great Britain / Guildhall Art Gallery, London, Great Britain / Cambi Aste, Genova, Italy / Peter Finer (antique arms), London, Great Britain / The Art Newspaper, London, Great Britain / Minerva Magazine / Sculpture Journal, Liverpool, Great Britain / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Adam Bray, London, Great Britain / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Timothy Newbery (frames), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / The-saleroom.com / Chiswick Auctions, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm
subjects:
Exhibition Review
Nature Unleashed: the Image of Catastrophe since 1600. Hamburger Kunsthalle
10/2018 | 1387 | 160
Pages: 850-852
related names
Reviewer:
Saß, Maurice (Saß, Maurice)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. View of Delft after the explosion of 1654, by Egbert Lievensz van der Poel. c.1654. Panel, 36.2 by 9.5 cm. (National Gallery, London; exh. Hamburger Kunsthalle).
Attributed works:
2. The sea of ice, by Caspar David Friedrich. 1823–24. Canvas, 96.7 by 126.9 cm. (Hamburger Kunsthalle).
Attributed works:
3. Flood, by Kota Ezawa. 2011. Transparency, 100 by 150 cm. (Collection the artist and Galerie Anita Beckers, Frankfurt a.M.; exh. Hamburger Kunsthalle).
Book Review
Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture. Edited by Daniel Harkett and Katie Hornstein; Horace Vernet. Dessinateur lithographe 1816–1838: Catalogue raisonné de l’oeuvre lithographié. Edited by Pierre Sanchez
07/2018 | 1384 | 160
Pages: 608-610
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