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2 articles
Article
The London context and critical reception of Robert Bevan's 'The cab horse' (1910)
10/2007 | 1255 | 149
Pages: 689-693
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Author:
Upstone, Robert (Upstone, Robert)
Subjects
artists:
Bevan, Robert Polhill
buildings:
Royal Albert Hall, London, Great Britain
dates:
1900-1919
places:
London / England
print:
Bevan, Robert Polhill
subjects:
British painting / Exhibitions / Critical Reception
subjects:
Allied Artists' Association
Illustrations
Attributed works:
35. The cab yard, night, by Robert Bevan. 1910. Canvas, 63.5 by 69.9 cm. (Brighton Art Gallery).
Attributed works:
36. The cab horse, by Robert Bevan. 1910. Canvas, 63.5 by 76.2 cm. (Tate, London).
Attributed works:
37. Crocks, by Robert Bevan. c.1924. Crayon, 27.9 by 34.3 cm. (Mellon Collection, Upperville VA).
Article
Sado-Masochism and Synaesthesia: Aubrey Beardsley's 'Frontispiece to Chopin's Third Ballade'
07/2003 | 1204 | 145
Pages: 510-515
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related names
Author:
Upstone, Robert (Upstone, Robert)
Subjects
artists:
Beardsley, Aubrey
dates:
1850-1899
places:
England
subjects:
British painting / Aesthetic Movement
Illustrations
Attributed works:
26. Sidonia von Bork, 1560, by Edward Burne-Jones. 1860-61. Water-colour and body-colour, 33 by 17 cm. (Tate, London).
Attributed works:
27. Frontispiece to Chopin's Third Ballade, by Aubrey Beardsley. 1895. Pen, brush and black ink and coloured wash, 25.4 by 23.4 cm. (Tate, London).
Attributed works:
28. A Fosset. Sous les sapins, by Fernand Khnopff. 1894. 65.5 by 44 cm. (Galerie Brachot, Brussels).
Attributed works:
29. Frontispiece to John Davidson's A Full Account of the Wonderful Mission of Earl Lavender, by Aubrey Beardsley. (Ward & Downey, 1895).
Attributed works:
30. The shrew tamed ('The pretty horsebreaker'), by Edwin Landseer. c. 1861. 84 by 128 cm. (Private collection).