By using this website you agree to our Cookie policy

Search

11 articles
Article
‘Opaque with a vengeance’: Burne-Jones’s later watercolours, 1880–98
02/2019 | 1391 | 161
Pages: 128-139
related names
Author:
Mann, Fiona (Mann, Fiona)
Subjects
places:
Illustrations
Attributed works:
1. Detail of Fig.7.
Attributed works:
10. Star of Bethlehem, by Edward Burne-Jones. 1887–91. Watercolour and bodycolour with scraping on ten sheets of J. Whatman Turkey Mill Kent paper dated 1882 or 1883 on stretcher, 256 by 386.8 cm. (Birmingham Museums and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images)
Attributed works:
11. Detail of Sir Edward Burne-Jones, by Barbara Sotheby, printed by Frederick Hollyer. 27th July 1890. Platinum print, 33.3 by 25.7 cm. (National Portrait Gallery, London; Bridgeman Images).
Attributed works:
12. Fall of Lucifer, by Edward Burne-Jones. 1894. Gouache and gold paint and gold leaf on joined sheets of wove paper, laid down on canvas and stretched over wooden panel, 245 by 118 cm. (Private collection).
Attributed works:
2. Preliminary design for the Graham Piano, by Edward Burne-Jones. 1878–79. Metalpoint (probably silverpoint), 10.2 by 17.8 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Study for King Cophetua and the beggar maid, by Edward Burne-Jones. 1883. Black, red and white chalk on pink wove paper, 45.9 by 30.3 cm. (Harvard Art Museums/Fogg Museum; © President and Fellows of Harvard College, Cambridge MA).
Attributed works:
6. Record of Burne-Jones’s order for long Japanese brushes, 30th November 1889, ledger of Charles Roberson. (Roberson Archive, Order Book, Long Acre Branch, Hamilton Kerr Institute, MS 422-1993, p.343, by permission of the Syndics of the Fitzwilliam Museum, University of Cambridge; © Hamilton Kerr Institute; photograph Chris Titmus).
Attributed works:
7. Full-scale cartoon of King Cophetua and the beggar maid, by Edward Burne-Jones. c.1883. Bodycolour, watercolour, coloured chalks and pastel with gold medium on paper, 290 by 132 cm. (Birmingham Museum and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images).
Attributed works:
8. Cupid’s hunting fields, by Edward Burne-Jones. 1885. Gouache with watercolour and gold and silver paints on ivory wove paper, laid down on linen canvas, 99.5 by 76.9 cm. (Art Institute of Chicago).
Attributed works:
9. The baleful head, by Edward Burne-Jones. 1885. Watercolour and bodycolour on paper laid on linen canvas, 153.7 by 129 cm. (Southampton City Art Gallery; Bridgeman Images).
Western art unattributed:
4. Pencil leads, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Western art unattributed:
5. Wax crayons or Faber’s Creta Laevis coloured pencil collection in box, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Exhibition Review
Edward Burne-Jones. Tate Britain, London
01/2019 | 1390 | 161
Pages: 72-74
related names
Reviewer:
Harrison, Martin (Harrison, Martin)
Subjects
art literature:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
19. Depths of the sea, by Edward Burne-Jones. 1886. Canvas, 197 by 75 cm. (Private collection; exh. Tate Britain, London).
Attributed works:
20. Dido and Cleopatra from Chaucer’s ‘Legend of Good Women’, designed by Edward Burne-Jones and made by Morris, Marshall, Faulkner & Co. Stained glass panel, 47 by 50.4 cm. (Victoria and Albert Museum, London; exh. Tate Britain, London).
Attributed works:
21. The wine of Circe, by Edward Burne-Jones. 1863–69. Watercolour and bodycolour on paper, 71.1 by 101.6 cm. (Private collection; exh. Tate Britain, London).
Editorial
Modigliani, taste and the canon
03/2018 | 1380 | 160
Pages: 181
Book Review
Modern Painters, Old Masters: The Art of Imitation from the Pre-Raphaelites to the First World War. By Elizabeth Prettejohn
01/2018 | 1378 | 160
Pages: 69-70
related names
Reviewer:
Tromans, Nicholas (Tromans, Nicholas)
Subjects
art literature:
dates:
media:
places:
subjects:
Illustrations
Attributed works:
5. The Adoration of the Kings and Annunciation, by Edward Burne-Jones for St Paul’s, Brighton. 1860–61. (Private collection).
Book Review
The New Painting of the 1860s. Between the Pre-Raphaelites and the Aesthetic Movement
08/2012 | 1313 | 154
Pages: 585-586
related names
Reviewer:
Grieve, Alastair (Grieve, Alastair; Grieve, A. I.; Grieve, Alistair; Grieve, Alastair Ian)
Subjects
dates:
print:
Reviewed Items
subjects:
The New Painting of the 1860s. Between the Pre-Raphaelites and the Aesthetic Movement | author: Staley, Allen
Illustrations
Attributed works:
52. La nanna (Anna Risi), by Frederic Leighton. 1858–59. Canvas, 80 by 52 cm. (Philadelphia Museum of Art).
Exhibition Review
The Cult of Beauty. London, Paris and San Francisco
06/2011 | 1299 | 153
Pages: 419-421
related names
Reviewer:
Lepine, Ayla (Lepine, Ayla)
Subjects
Reviewed Items
subjects:
The Cult of Beauty: The Aesthetic Movement 1860–1900 | institution: de Young Museum , institution: Musée d'Orsay , institution: Victoria and Albert Museum
Illustrations
Attributed works:
54. Louise Jopling, by John Everett Millais. 1879. Canvas, 125 by 76 cm. (National Portrait Gallery, London; exh. Victoria and Albert Museum, London).
Attributed works:
55. Laus Veneris, by Edward Burne-Jones. 1873–78. Canvas, 122 by 183 cm. (Laing Art Gallery, Newcastle upon Tyne; exh. Victoria and Albert Museum, London).
Attributed works:
56. The peacock frieze, by Albert Moore. 1872–73. Charcoal and white chalk on paper, 55.5 by 192 cm. (including frame). (Victoria and Albert Museum, London).
Book Review
Artistic Circles: Design and Decoration in the Aesthetic Movement
04/2011 | 1297 | 153
Pages: 260
related names
Reviewer:
Long, Christopher (Long, Christopher)
Subjects
dates:
subjects:
subjects:
subjects:
Reviewed Items
subjects:
Artistic Circles: Design and Decoration in the Aesthetic Movement | author: Gere, Charlotte
Book Review
Alfred Gilbert’s Aestheticism: Gilbert Amongst Whistler, Wilde, Leighton, Pater and Burne-Jones
12/2007 | 1257 | 149
Pages: 866-867
related names
Reviewer:
Stocker, Mark (Stocker, Mark)
Subjects
artists:
dates:
Reviewed Items
subjects:
Alfred Gilbert’s Aestheticism: Gilbert Amongst Whistler, Wilde, Leighton, Pater and Burne-Jones | author: Edwards, Jason
Article
Sado-Masochism and Synaesthesia: Aubrey Beardsley's 'Frontispiece to Chopin's Third Ballade'
07/2003 | 1204 | 145
Pages: 510-515
related names
Author:
Upstone, Robert (Upstone, Robert)
Subjects
dates:
places:
Illustrations
Attributed works:
26. Sidonia von Bork, 1560, by Edward Burne-Jones. 1860-61. Water-colour and body-colour, 33 by 17 cm. (Tate, London).
Attributed works:
27. Frontispiece to Chopin's Third Ballade, by Aubrey Beardsley. 1895. Pen, brush and black ink and coloured wash, 25.4 by 23.4 cm. (Tate, London).
Attributed works:
28. A Fosset. Sous les sapins, by Fernand Khnopff. 1894. 65.5 by 44 cm. (Galerie Brachot, Brussels).
Attributed works:
29. Frontispiece to John Davidson's A Full Account of the Wonderful Mission of Earl Lavender, by Aubrey Beardsley. (Ward & Downey, 1895).
Attributed works:
30. The shrew tamed ('The pretty horsebreaker'), by Edwin Landseer. c. 1861. 84 by 128 cm. (Private collection).
Book Review
England and Its Aesthetes: Biography and Taste
09/1998 | 1146 | 140
Pages: 627
related names
Reviewer:
Newman, Geoffrey (Newman, Geoffrey)
Subjects
art literature:
art literature:
art literature:
subjects:
Reviewed Items
subjects:
England and Its Aesthetes: Biography and Taste | author: Carrier, David , author: Pater, Walter , author: Ruskin, John , author: Stokes, Adrian
load more